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|A 37-year-old father reverts to age 17 through a visit to a mysterious janitor and learns that choosing family, which he strives to support however he can, and life over death and possible material riches is much more rewarding and fulfilling even if it is not always apparent. The film stands up for [[abstinence]] and self-respect, and contains a strong speech for both of them, as in this quote: "Because there is no one that I'm in love with. It's called making love, isn't it? Maybe I'm old fashioned, but I think that means you do it with someone you love. And preferably when you're married, when you're ready to take that love and turn it into a baby." In addition this is a pro-family film that promotes the The concept of fatherhood, is painted positively as well because he realized that the ultimately learns he was turned back into a reverted to age 17 year old, so that he could help out see things from his kidschildren's perspectives and help them resolve their problems.

|The This biopic tells the true story about initially easygoing and carefree outdoor adventurer Aron Ralston, who, in 2003, gained worldwide attention for becoming trapped in Blue John Canyon in Utah, a boulder trapping his right forearm against the canyon wall. As he reflects upon his life and expects to die, Aron realizes that he hasn't appreciated his family enough, and that he didn't treat his girlfriend as well as he should have. In the end, Aron summons the courage to do what was necessary to save his life: amputate his arm. As the real Aron would later say, he was reborn in the canyon, emerging with a far better appreciation of his family and never again taking anything for granted.

|In this military drama, soldiers are shown as heroes battling terrorism, which is related to both Islamic terrorism and drug cartels. It is also notable as being one of the few films where the main cast is portrayed by actual Navy SEALs, resulting in extreme accuracy regarding their missionsaccurate military terminology and battlefield strategies.

|CityA city-weary Los Angeles construction worker and his family pack it in settle for a more idyllic life in the RockiesRocky Mountains of Colorado, never to return. Followed by two Two sequels followed in 1978 and 1979.|

|The strong and courageous U.S. President James Marshall (Harrison Ford) , a military veteran, takes an uncompromising stance against Russian terrorists who hijack his airplane. The major themes include family, authority, respect for the military, and sacrifice for the greater good.

|This historical drama shows the horrors of the slave trade and teaches that, contrary to academic claims, Christianity played the largest role in the abolition movement, while most secular humanists either supported slavery or otherwise did nothing to stop it.<ref>http://catholicexchange.com/moving-amazing-grace-highlights-christian-role-in-abolitionist-movement</ref>

|The This biopic documents the life of [[Iraq War]] [[veteran]], [[patriot]] and [[hero]], [[United States Navy|Navy]] [[SEAL]] sniper [[Chris Kyle]].

|[[David Zucker]]'s [[conservative]] comedy starring Kevin Farley, Kelsey Grammer, Jon Voight, Dennis Hopper, Trace Adkins , and Leslie Nielsen that lampoons the liberal, antiAmerica-American hating elements of Hollywood.

|This live-action adaptation of the [[conservative]] text of the same name from [[George Orwell]] (and of the 1954 original animation) uses animals in the pretext of leveling harsh criticism against [[Communism]] and against [[Joseph Stalin]]. Unlike the source material, the film literally shows Animal Farm collapsing due to the excesses posed by the evil Napoleon (, a Berkshire boar and a metaphor for Stalin) , and his pigs, which is ultimately justified due to the collapse of the Soviet Union years earlier under similar reasons for Animal Farm's collapse.

|Widely considered to be the crowning achievement of the Marvel Cinematic Universe, this game-changing superhero film brings together several superheroes, all of whom previously starred in related films adapted from Marvel Comics, with the common objective of stopping as they join the Norse god Thor's adopted (who is less of a god and more of an alien in this universe, thus averting support for paganism) in stopping his evil brother Loki from conquering the world with an extra-terrestrial extraterrestrial mercenary army. Despite being the first Marvel feature released by the liberal conglomerate [[Walt Disney Company]] and being directed by liberal Joss Whedon, the film condemns totalitarian ideals, namely Loki's actions. A pivotal scene has Loki forcing innocent Germans to kneel before him, but an old man refuses and indirectly references to submit to "men like him", comparing Loki's actions to Hitler and Nazi Germany's actions when explaining why he won't. Arriving to confront Loki in the next instant, Steve Rogers/Captain America references Hitler and Johan Schmidt/Red Skull's attempt at taking the world via a similar ideology. Furthermore, the film condemns communism because the heroic assassin character Natasha Romanoff/Black Widow, who works with the superheroes, implies that she regrets her time as a Soviet agent due to having to conduct various atrocities. Law-enforcement is depicted positively, too, as they join the Avengers in their climactic battle to defend New York City when Loki's army invades. Finally, while the film doesn't seem to favor any religion or non-religion in particular, it paints Christians positively when Captain America, before pursuing a fighting Thor and Loki, tells Black Widow, "There's only one God, ma'am, and I'm pretty sure He doesn't dress like that!" in an obvious reference to the Biblical God. Given that a lot of planning went into ''The Avengers'' even before Disney's acquisition of Marvel, it should come as no surprise that these conservative subtexts shine through.

|Promotes the concept of fatherhood, as Adam Sandler's characterplays Sonny, Sonnya man who, after being forced to take in an orphaned child that was sired by one of his friends , learns the importance of family as he realizes the responsibilities of being fatherhood and grows as a father and is learns to get his act together person from the experience. In addition the film A light satire of feminism is propresent: Sonny's ex-family with the boy bringing out the best in Sonny. The film also has a condemnation of feminism due to his old girlfriend cheating cheats on him and then rejecting rejects him, only to end up working at a Hooters with restaurant, which has been both satirized and scorned in the man she cheated on Sonny real world for its perversely clothed waitresses, withher extramarital lover.

|A widowed father of three daughters and a divorced mother of two sons accidentally end up staying together in a resort where the parents fall in love. This shows how important it is for a family to have both a mother and a father. Plus it is against the homosexual agenda, as it favors traditional gender roles because the father’s oldest daughter gradually gives up her tomboyish style. Also has a celeberation celebration of baseball as well.

|This rare gem is one of the very few films to expose labor union corruption. First direction , first directed by former [[Grand Rapids]] native [[Paul Schrader]].

|Though based on a recurring skit from ''[[Saturday Night Live]]'', which is infamous for its history of liberal bias, this comedy designed to pay tribute to jazz and blues music contains a surprising conservative subtext. Blues singer siblings Joliet Jake and Elwood Blues embark "on a "mission from God" by reuniting their bandmates, who have scattered around Chicago, so they can raise money to save the Catholic orphanage wherein they grew up. Despite being R-rated for vulgar language and often destructive slapstick comedy, it's Vatican approved. One less popular sequel premiered in 1998, ''Blues Brothers 2000''.<ref>[http://liveshots.blogs.foxnews.com/2010/06/18/vatican-blesses-blues-brothers/ Vatican Calls The Blues Brothers "Catholic", FOXNews, June 19, 2010]</ref>

|Patriotic superhero and Avengers co-leader Steve Rogers/Captain America unravels a government conspiracy involving HYDRA, the Nazi terror group he fought in World War II, and tries reconnecting with his long-lost best friend James "Bucky" Barnes, who, after being frozen in suspended animation for decades like Rogers was, is now a brainwashed assassin known only as "The Winter Soldier". All the while, he stays true to principles that the United States was founded on, unwilling to see them destroyed. The filmmakers based the villains of this film on the NSA and the [[Barack Hussein Obama|Obama]] regime.<ref>http://www.breitbart.com/california/2014/04/06/hollywood-turns-against-obama-with-captain-america-winter-soldier-2/</ref>

|The United Nations proposes that the Avengers, the main superhero team of the Avengers Marvel Cinematic Universe, be put under their control. A rift in the team forms because of the disagreement between its two co-leaders: Tony Stark/Iron Man is for this measure, while Steve Rogers/Captain America is against it. Rogers, who believes in self-governance and along with his allies (Bucky Barnes/the Winter Solider, Sam Wilson/Falcon, Wanda Maximoff/Scarlet Witch, Clint Barton/Hawkeye, and Scott Lang/Ant-Man) that it would be harmful to have the Avengers require government permission to fight a crime, never changes his stance on the issue. Through persistence, he prevents the UN from placing the whole group under globalist control.

|Based on the story of the boxing heavyweight champion James Braddock, it is pro-family as the main reason protagonist prizes family because he took takes up boxing is so he could can provide for his family them during the Great Depression. In addition, it promotes loyalty and integrity as well, as his promoter not only tried to help him with boxing, but had also gone as far alongside his wife to sell everything they had to aid Braddock in trying to win the titleship, with Braddock's wife learning this when about to tell his promoter off for apparently selling him out.

|In this motivational , feel-good moviefeature, a man goes on vacation to Colorado with his friends to be cowboys in order to find his happiness. The main lesson is knowing what's really important in life. Followed by a A sequel followed in 1993 : ''City Slickers II: The Legend of Curly's Gold".

|A Written by Steve Koren & Mark O'Keefe, the same writers of ''[[Bruce Almighty]]'', a man gets finds a remote control that can control his life and be able to skip many events in it, including many involving his family. He then learns that he should instead appreciate his life and his family to its fullest, and not to be ungrateful with experiences that he thinks, out of selfishness, he doesn't always feel like living. (Written by Steve Koren & Mark O'Keefe, the same writers of ''[[Bruce Almighty]]''.)

|The moral of the movie is that graduating from high school and having a strong values moral compass are more important than becoming a famous athlete.

|[[Sylvester Stallone]] plays a tough police officer who is seemingly above the law, in order to control and stop crime. Contains The story has some anti-statism asepcts with aspects because Cobra carrying cares more abiout about protecting the people, than protecting the law. The liberals and the [[Mainstream media|press]] are shown in a negative light for not supporting his efforts to stop a cult of [[Social Darwinism|social Darwinist]] serial killers.

|The sequel to ''Batman Begins'' contains a Christian allegory (specifically, the ending has Batman selflessly volunteering to have himself take the blame for the crimes that Harvey Dent committed after the latter went insane from grief and the Joker's influence in order to ensure that the criminals he locked up cannot be released onto the street after he was forced to kill Dent to save Gordon's son.) with messages of not giving in to terrorists and condemning of [[nihilism]] and [[anarchy]] via the actions of [[Joker (comics)|the Joker]], Batman's most infamous adversary.

|Conservative star [[Chuck Norris]] plays U.S. Army Delta Force Captain Scott McCoy, who leads his team to battle Islamic terrorists. The film emphasizes bravery, heroism, and honor while avoiding political correctness and showing the true nature of the radical Islamic political agenda (very rarely shown in today's films).  Jews are portrayed sympathetically, as the terrorists' leader, Abdul Rafai, is viciously anti-Semitic. He demands that the Jewish hostages be separated from the others, and forces a German Flight Attendant to read out their names. He insists that the Jews killed in the holocaust were "not enough." When the aforementioned Flight Attendant collects the hostages' passports, she notices a number tattooed on one of the Jewish hostage's arm, indicating that he's a Concentration Camp survivor and she gives him a look of sympathy. The film also depicts Israel in a positive light, as the Israelis assist the Americans by providing them with intel.

|In the stand -alone sequel to ''Bruce Almighty'', God chooses an unlikely hero named Evan to build a modern -day ark to save his town from an upcoming storm.

|A cool teen in Chicago plays hooky with his girlfriend, his best friend, and a vintage Ferrari restored by his best friend's unseen, car-obsessed father. The film shows how teenagers can have fun without drugs, alcohol, or tobacco; and the main character is faithful to his girlfriend, likely choosing abstinence. In a clear anti-socialist statement, Ferris says that "I'm not European, I don't plan on being European. So who gives a crap if they're socialists? They could be fascist anarchists, it still doesn't change the fact that I don't own a car. Not that I condone fascism." Since the movie mocks the liberal public education system, Ferris even directly states that he is not socialist and will never be such. Furthermore, the character arc experienced by Ferris' best friend Cameron Fry promotes family unity because, after taking out his anger on his father's Ferrari and ultimately wrecking it beyond repair, Cameron gains the emotional maturity and courage to confront Mr. Fry about neglecting his wife and son for some time due to his obsession with restoring the car. Conservative commentator, economist, and and comedian [[Ben Stein]] appears as one of Ferris's teachers.

|The film shows how the "counterculture" movements of the 1960s and 1970s, as well as drugs, lead to a miserable life. Also, Gump has a more conservative lifestyle, while Jenny leaves her liberal lifestyle after she realizes the shortcomings of it. In additionFinally, the film also makes very clear a main message is that Lyndon B. Johnson was largely responsible for the Vietnam War, not Richard Nixon as most liberals tend to think (e.g., like [[George Lucas]])tend to think.

|Michael Keaton portrays Ray Kroc, founder of the capitalistic fast food empire [[McDonald's]]—which is painted positively, in much to the chagrin of liberals—in this biographical histrocial historical drama detailing the obstacles Kroc overcame and the risks he took to succeed in business and redefine the fast food industry. The movie displays capitalism and fast food in postive light, (two things liberals are not very fond of).

|''[[Groundhog Day]]''

|Arrogant While in the small Pennsylvania town of Punxsutawney to report on the annual Groundhog Day festivities, arrogant Pittsburg weather forecaster Phil Connors is trapped in a time loop that forces him to keep reliving the same [[Groundhog Day]] February 2 over and over again. After indulging in hedonism and , repeatedly failing to escape the time loop by seduce his attractive new producer Rita, sinking into depression, and exhausting every way to commit suicide, he begins reexamining his life and priorities, . He then gradually makes himself a more moraluses his memorization of the day's events, honestbesides the stories of various townspeople, to improve himself and talented person so help as many people in need as he can within a 24-hour limit, which ultimately allows him to win over the love of his life Rita and break free from the loop. Overall, this whimsical comedy is outstandingly conservative and Christian because no explanation other than God's will is given for the loop, especially since it gives Phil a chance at redemption for his past immoral behavior.

|This Chirstmas Christmas classic is about Kevin McCallister, who accidentally gets stuck home alone and thus learns to be independent and self-reliant. Not only that, but he defends his family house from burglars by resourcefully making booby traps out of everyday items, including firearms. Also Kevin is shown to have be a Christian values, too, as he goes to church and is shown praying and giving grace before his dinner. Produced three After Kevin gets into an altercation with his older brother Buzz, he wishes his family would disappear. After he wakes up and finds his family gone, he is at first overjoyed at having no one talking down to him or telling him he can't do things, but as the film progresses, he begins to miss his family and learns how important they are. Likewise, Kevin's mother Kate is determined to get back to Chicago to see Kevin and will make any sacrifice necessary. The film shows the value of charity because the supporting character Gus Polinski (played by the late John Candy) empathizes with Kate, being a father himself, and offers Kate a ride with his Polka band. Three sequels, the third and fourth films without its original star as Kevin, followed later on.

|A pro-family film about parents who set up their own casino, in order to pay for their daughter’s college. While promoting capitalism, the villain of the film is a corrupt government agent, whom is also shown to be somewhat of a socialist (stealing all of their money, in terms of eminent domain). In fact the whole reason they did not have money was because the at town meeting the government agent claimed the town could not afford the scholarship she earned, when the reality is, the governement agent he stole it all to have an affair with another government worker. On a side note , the police officer of the movie is shown in positive light, eventually realizing the parents were right, and helping them take down the corrupt government official.

|During World War II (a time of great patriotism for America)the Great Depression, archaeologist and adventurer Dr. Henry "Indiana" Jones searches the world for artifacts of untold power and, along the way, combats some of America's most infamous enemies, in particular Nazis. The first and third films contain Christian themes since they are centered around the [[Ark of the Covenant]] and the [[Holy Grail]], respectively; while the second film condemns paganism due to its main villain being a pagan priest. A fourth film, ''Indiana Jones and the Kingdom of the Crystal Skull'', takes place in the early Cold War era with Soviet Communists as antagonists, although there's some debate as to how patriotic and conservative the movie is (see its entry in Debatable Whether Conservative for more details).

|A fictionalized verison version of the American War of Independence and the leadup to it. The titular character, after his dreams were dashed from a hand injury in an accident while working as a blacksmith's apprentice, ultimately plays a role alongside Paul Revere and various other key figures in the war in founding America.

|Clear distinction between good and evil with positive themes of friendship, bravery, honor, sacrifice and overcoming temptationas well as redemption. Based upon the literary classic by J. R. R. TolkeinTolkien.

|Strong portrayals of redemption and good over evil. Based upon the literary classic by J. R. R. TolkeinTolkien.

|Bravery, heroism, sacrifice and good ultimately triumphing over evil. Based upon the literary classic by J. R. R. TolkeinTolkien.

|[[Superman]] is portrayed as a Christ-flike like figure, shows bravery of the U.S. Military and shows the theme of protecting the ones you love. The film also has an anti-illegal immigrant like message, as the villain General Zod plans to turn Earth into his dead planet Krypton (an allegory for illegal aliens destroying American culture and changing it for their own purpose). During a climactic battle between Superman and Zod, a computer-generated avatar bearing the likeness of Jor-El, Superman's biological father, assists the Man of Steel and his human allies in fighting Zod and his forces, so there are some pro-family themes.

|In one of the greatest motion picture masterpieces of all time, adapted from the novel by Australian-born British author P. L. Travers, a magical nanny is hired to take care of two children, Jane and Michael Banks, while their parents are engaged in their respective duties. Embarking on a series of fantastical adventures with Mary Poppins and her Cockney jack-of-all-trades performer friend, Bert, the siblings try to pass on some of their nanny's cheerful attitude and morals to their preoccupied parents. Also has an early condemnation of feminism, as one of the reasons the mom was preoccupied and why Mary Poppins was ultimately hired to help raise the kids was because the mother attempted to fight for women liberation. In the process, the Banks family become more closer and happier together than ever before. ''Mary Poppins'' is cited by many to be [[Walt Disney]]'s crowning achievement.

|Divorced father Larry Daley tries to keep a steady job to be a good role model for his son. He takes a job at the American Museum of Natural History where everything comes to life at night. Features conservative president [[Theodore Roosevelt]] who talks to him about manning up and not giving up as Daley faces obstacles in Museum. Also contains a an inspirational quote about character and courage as, the wax Theodore Roosevelt says to Larry Daley "You gotta finish the job this time, you can't quit, I'm made of wax Larry, what are you made of?" Followed by two sequels in 2009 and 2014.

|Anti-communism, pro-Capitalism.

|Navy Seal Shane Wolfe (Vin Diesel) is assigned to be the guardian of five children in this pro-family and pro-military film. He learns from them the responsibilities of being in a family as they learn from him the importance of the military in protecting the country. The villains of the movie are North Korean spies. Also has a brief Anti-Nazi concept. There are plans being made for a an upcoming sequel. <ref>https://www.flickeringmyth.com/2015/12/vin-diesel-reveals-that-the-pacifier-2-is-in-development/</ref>

|An origins tale to the character, this rendition of Robin Hood, unlike most other adaptations, takes more after how he was originally presented as a man rebelling against an unlawful government and taking back funds stolen by Prince John and returning it to the people who actually worked for it, and not the "steal from the rich to give to the poor" revisionist version by [[Joseph Ritson]] during the time of the [[French Revolution]] that was made in solidarity to the [[Jacobins]]. It also has the The Magna Carta being portrayed in , which brought reform to English government after a positive mannerlong period of feudal oppression, is portrayed positively.<ref>http://www.wnd.com/2010/05/154853/</ref>

|A Robert “Rocky” Balboa, a talented but down-on-his-luck fighter gets prize boxer, seizes a chance to challenge himself to the ends of his ability. This film - and its sequels and remakes - reinforces man's ability to overcome challenges. Included five sequels and one spin-off.

|A divorced father of one must take on the responsibility of being Santa Claus after he is chosen. Along the way, he finds great joy and happiness in his new occupation. The film series also promotes the essence and importance of traditional marriage, family, and Christmas. Also has a strong message against the separation of the church and state. Spawned two sequels, although their quality has varied (see their entries in the Debatable whether great for Great section of this article more details).

|Tells the story of [[Oskar Schindler]], a German Christian businessman who saved , saves the lives of more than a thousand Jewish refugees during the Holocaust by employing them in his factories. The film also shows the danger negative effects of [[gun control]] are shown as German citizens are shown being shot by their Nazi oppressors without any way means of fighting backself-defense.

|This Western about defending follows a homesteading familywhose patriarch fights to defend them.

|[[Charlton Heston]] as plays a futuristic detective in a dying, polluted world, trying to solve its most bizarre secret of its time's only main food source for most of its people, only to find its most unspeakable answer as it the recipe directly involves them (people).|

|Praises moral virtue (Based on the flagship superhero of Marvel Comics, Peter Parker is a hard-working teenager, raised by his devout aunt, Aunt May and well-meaning uncle) Uncle Ben, who is bitten by a radioactive spider and gains spider-like abilities, such as climbing any surface and shooting webbing from his hands, which he vows to use to prevent crime after Uncle Ben’s murder. ''Spider-Man'' pokes fun at [[liberalsliberal]] (entertainers and journalists, particularly ''Daily Bugle'' publisher J. Jonah Jameson, who goes out of his way to unfairly smear and slander Spider-Man and foolishly question his heroic deeds). The Hero; For his relationship with classmate Mary Jane Watson, Peter Parker chooses [[abstinence]]. Also, Peter believes in individualism and capitalism as well, with rejecting : he rejects a job from a handout , claiming he would like to earn what he getsmakes. This was one of the most profitable films ever made and had two sequels.

|In a plot similar to ''The Blues Brothers'', the Three Stooges try to raise money to save their Catholic orphanage. The movie promotes capitalism, as they refuse a handout, and want to work for it. The movie also promotes family as well.

|Western film that deals with trying to bring justice against a murderer, and promotes courage in the face of danger as well as perserverenceperseverance. Was also notable as being one of the few films during that time that still dealt with the concept of a classical hero, whether in westerns or other genres, in an era where Hollywood was being taken over by the radical left and including as a fad anti-heroes, and inspired Russ Dvonch to be a filmmaker.<ref>https://web.archive.org/web/20090430053837/http://bighollywood.breitbart.com/rdvonch/2009/04/28/heroic-hollywood-american-exceptionalism-and-the-hollywood-hero/</ref>

|Pro-family film about fraternal twins who are separated at birth, and once they have reunited with each other they go to find their mother. In addition contains the many morals, including the importance of doing what right over getting what wants. In addition one of this is a rare Hollywood film to actually show the twins moral character as the happier character, as Arnold Schwarzenegger's character is both moral and joyful (he is said to have the ideal human trait, where Danny Devito's character was initially a small-town crook and learns the error of his waysbecoming more happy and moral, and even claiming at the end "It feels great to be a good guy".

|Showing the importance of having character. Charlie is able to accept the consequences Willy Wonka gives each of his actions. He acknowledges his wrongdoing while in the factorykids on tour an Everlasting Gobstopper, and relinquishes which is a potential goldmine, from the sale of his everlasting gobstopper to given that a rival spy, back to Wonka. The had earlier offered each of the kids also compete money in exchange for handing over this new invention. Also, every single kid, except Charlie, misbehaves in such a conservative elimination format (by ensuring way that the most meritorious players survive to play the final round)injures or deforms them in some way. The film also promotes capitalism, with Willy Wonka being such a successful business leader in the world of candy. In addition , this film is surely to annoy liberals, who want to ban chocolate candy and sweets.<ref>http://www.toberight.com/2012/02/liberals-banning-sweets-on-valentines-day/</ref>

The hidden message in this film is one of redemption. It is hidden because it is conveyed through the imagery of the film's final scene. Charlie has made it to the end of his journey. Despite his moral struggleshaving the urge, he finds redemption through his desire and a clean opportunity, to sell Wonka out to correct his mistakerival, Charlie ends up giving the Everlasting Gobstopper back to Wonka. He is given a reward that For this act of integrity, he is rewarded beyond his wildest expectations - he expectations—he is given the keys to ownership of the factory . Incidentally, while he is riding in the Wonkavator , it crashes through the ceiling up into the sky. The allusion to Heaven and salvation is unmistakable.

|Highlights the bravery of NYC's firemen , paramedics, and police in [[9/11]].

|Based on the Aesop fable "The Ant and the Grasshopper", a young and inventive, if clumsy, ant named Flik plans to recruit a military force of warrior insects to save his colony from being oppressed by evil grasshoppers who have enslaved the film promotes the concept of ants to harvest food for them, lest they may be punished. Flik is a model for individualism as well as a strong work ethic, as well as featured an anti-slavery message. It also features the concept of who believes in bettering oneselfhimself and his colony with his impressive harvesting inventions. Also pro-second amendment and pro-militaryTo some extent, as the main protagonist, Flik, had initially set off to find warrior bugs to fend off the grasshoppers after their latest visit and threat. It also has a condemnation on film pokes fun at the homosexual agenda, in particular transvestitism, as : the character male ladybug Francis, a ladybug, is frequently mistaken for a womanbecause of his species' name, with Francis not only frequently correcting various and he routinely corrects other characters about his actual gender, but also clearly getting angry at the characters mixing up his actual genderthis confusion, at one point even launching into a tirade with several flies before having to be restrained.

|Please add infoThe film's protagonist, a talking dog named Charlie B. Barkin (Voiced by Burt Reynolds), is a gambler and a swindler. After being murdered by his former partner, Carface, he comes back to life by winding his "life watch" and plans to get revenge on Carface. He "rescues" a girl named Anne-Marie (voiced by the late Judith Barsi) from Carface and exploits her ability to talk to animals in order to win at gambling. As the film progresses, Charlie begins to be influenced by Anne-Marie's kindness and love. In the end, he must choose between saving Anne-Marie's life and protecting his "life watch" (he will die if it ever stops) and he chooses the former. The film depicts Christianity in a positive light. In addition to the obvious references to Heaven and Hell, Anne-Marie is also shown praying before she goes to bed, thanking God for Charlie's "rescue" (which, even though he had his own selfish purposes, did get her away from Carface's abuse). The film is also pro-family. Anne-Marie is introduced as an orphan who wants to find new parents. During the movie, she meets a compassionate couple named Kate and Harold, who eventually adopt her.

|Please add infoA movie dealing with immigration, the movie is pro-family due to Fieval, the main character, being separated from his family due to a storm, and him and his family going out of their way to find each other. Also has a subtle condemnation of machine politics ([[Tammany Hall]], in this case) and voter fraud due to one of the characters, "Honest" John, the implied mouse mayor of New York City, declaring a then-recently deceased mouse (who was implied to have died before he was old enough to vote) to be able to "vote from now on" before adding the mouse's name to a book (a clear allusion to ghost voters), with the mouse not being painted in a particularly good light. Also promotes legal immigration, and a redemption theme due to one of the antagonists, an orange tabby cat named Tiger, ultimately being befriended by Fieval and becoming an ally to the mice.

|A self-centered emperor named Kuzco gets turned into a llama, and befriends a hard-working villager, where he learns how hard the villagers, work to support him and kingdom. Also has an anti-eminent domain lesson, with Kuzco realizes it would be wrong of him to steal the land from the villagers. Villain is also a feminist, with it being heavily implied that her methods of raising Kuzco is the primary reason why he turned out a spoiled brat. Is also a rare example of a comedy film churned out of Hollywood that actually does use witty humor and not low-hanging fruit-type jokes for its humor. Although the ending was slightly altered due to songwriter Sting, an environmentalist, taking offense at the implication that Kuzco built his summer retreat in the Jungle and cleared them away, it nonetheless retained the hints that Kuzco ultimately was a changed man from the experience. Had an animated spinoff sequel featuring ''Kronk's New Groove'' as well as an animated TV series called ''The Emperor's New School''.

|The film is pro-family, as Marlin, a clownfish, embarks on a quest to save his son Nemo (with assistance from Dory, an absent-minded blue tang) after he was captured by humans, even after Nemo disobeyed him his warning to touch not go near a fishing boat. Also has a subtle condemnation on environmentalism, as the divers captured Nemo thinking Nemo was injured and needed medical assistance.

|Similar to the first film, individualism and standing up for what is right are central themes. Dracula fails to force his grandson to be an evil vampire, then realizes that he can only a good role model to his grandson and cannot force him to be something he is not. Another major theme is having good character, as Dracula talks to his human son-in-law Jonathan of his grandson's great character and how he should not reject his love for him because he is different. In the end, the grandson uses his vampiric powers to battle giant bats who attack the Dracula family for including humans in their lineage. Also makes fun of liberal styles, as Dracula is unhappy with the lowering of the standards in the schools.

|Brilliant but naive young inventor Jimmy Neutron tries to make contact with extra-terrestrial extraterrestrial civilizations. However, his efforts cause all parents in his hometown of Retroville to be abducted by egg-like aliens known as the Yolkians. While the children initially rejoice, they soon learn the harsh realities of living in a nihilistic world as well as the importance of family, so they embark on a celestial mission to rescue their parents. The film condemns paganism to a degree as the Yolkians worship Poultra, a chicken-like monstrosity believed to be an incarnate god to which they seek to sacrifice the parents of Jimmy and his friends.

|In this beloved Disney classic, which was known as Walt Disney’s Happiest Motion Picture, Lady a cocker spinal meets and falls in love with a male stray mongrel known as the Tramp. While aside from the film being pro-family, the dogs to whatever they can to protect the human baby from the rat, in showing [[chivalry]]. In addition, Lady condemns Tramp for having other girlfriends, after finding out from the pound dogs that his only weakness is that he is a womanizer, thus showing infidelity and promiscuity in a very negative light. In the end, he becomes faithful to her and joins her human family. There also anti-environmentist aspects as well, with the dogs learning to understand their place, that although humans come first they still have a place in their heart, as the beliefs Tramp had on humans being so cruel turned out to be false. Also, the iconic Bella Notte scene where they accidentally kiss by eating the same spaghetti took place and was served by the kind-hearted capitalist restaurant owner Tony. On top of that this is a rarity in Disney Animation to have Christmas depicited in the film and shown in postive positive light.

|In this heartwarming Disney animation, Experiment 626—a short but mischievous, [[koala]]-like beast created by an alien mad scientist (an origin similar to the monster's in the conservative novel ''Frankenstein'' and its 1931 film adaptation)—escapes from an interstellar prison and crashes down in Hawaii, where a lonely girl mistakes him for a dog, adopts him, and names him "Stitch." Stitch then gradually abandons his destructive ways and begins seeking love and friendship. The film is so delightfully pro-family that the tagline is, "''Ohana'' means family [in Hawaiian]. Family means nobody gets left behind, or forgotten."Also briefly pokes fun at environmentalist policies, as the climax reveals that Earth was nearly subject to an alien invasion in 1973, but the CIA Agent-turned child welfare services agent Cobra Bubbles managed to thwart it by claiming that the Earth was designated a breeding ground for an endangered species called [[mosquito]]es (which obviously weren't endangered at all).

At several points in the film, Scar delusionally delusively believes he is still a very good king, even claiming "I'm ten times the king Mufasa was!", which is similar to liberal delusions of their own skills in governing (i.e., Obama's later claim that he would have "won" reelection into a third term if he was able to run again, despite never being legally qualified to run in the first place, not to mention his being legally barred from running for a third term even if he were legally qualified to run in the first place per the [[Twenty-Second Amendment]] to the United States Constitution). He unsuccessfully attempts to orchestrate the assassination of Simba by using hyena minions and even attempts to kill him himself, to ensure that he will be king and remain so forevermore, but he is thwarted by Simba once the cub reaches adulthood. Simba effectively becomes King and restores the Pride Lands after Scar, who tries to save his own skin by blaming his minions for everything he orchestrated himself, has the hyenas turn against and kill him.

|A An adaptation of Hans Christian Anderson's fairy tale of the same name, it was about a mermaid strives to become a traditional female human, following the patriarchal system of society. It also promotes the concept of [[assimilation]], as the mermaid: Ariel when becoming human intended to adopt the culture of the humans upon doing so. The film centers around conservative Christian values and contains an anti-feminism theme. Ariel is shown to be the antithesis of a modern feminist. The villain Ursula is shown in a devilish and beastly way (appearing as half-woman, half-octopus), and her claims about men not wanting women who talk and care only for a woman's body language (a common claim by [[feminism|feminists]] against males) is made clear to be lies. In addition, it also contains a pro-traditional marriage theme, and is the last Disney animated feature film to actually treat traditional marriage in a positive light for a good while.

Despite being set under the sea, it also features an anti-[[Environmentalism]] and anti-racism message, as the characters (namely King Triton) who pushed anti-human sentiments turned out to be wrong in their negative views on humans. Although often ignored by liberal reviewers complaints about the movie(some of whom also adhered to the feminist ideology and thus falsely implied that Ariel solely wanted to become human because of Eric, which led directly to promoting the feminist agenda in ''Beauty and the Beast''.<ref name="Woolverton and Belle" />), it was also pro-family, as during her deal with Ursula, Ariel was explicitly hesitant to undergo the deal citing that, regardless of which way the deal goes, she won't see her father and sisters again. King Triton, after destroying Ariel's grotto in a fit of anger, is clearly shown afterwards to be immensely remorseful of his actions after it became apparent that Ariel fled from him as a result, and later tries to save Ariel after learning about Ursula's role in her disappearance and even opts to sacrifice himself to ensure Ariel's (and, implied via dialogue regarding Ursula shortly afterward, her sisters') safety, and Ariel upon witnessing Triton being cursed by Ursula, immediately attempts to avenge him by attacking Ursula.

The movie's box office success also led directly to a rejuvenation in Disney's animated features called the Disney Renaissance, and the film also had a prequel TV series carrying much of the same themes airing on CBS and later on the Disney Channel from 1992 to 1994, as well as two comic book series by Disney Comics and Marvel that carried many of the same themes, and a sequel and prequel film that, although overall promoting many of the same themes, had questionable production quality.

|Kindhearted craftsman Geppetto wishes for his own son, so a blue fairy (resembling the Blessed Virgin Mary) grants his wish and brings one of his wooden puppets to life, promising that she will make him a real boy if he proves himself brave, truthful, and unselfish. As he tries to fit in with humans, the wooden boy is soon tricked and kidnapped by the evil puppet master Stromboli. Over the course of his journey of self -discovery, Pinocchio's morals, which his creator gave him, are tested, and he must escape being manipulated by the bad boys of the cursed Pleasure Island who have [[Hollywood values]] and, because of their actions, are turned into donkeys (which, coincidentally, is the mascot for the Democratic party). Finally, he altruistically saves Gepppetto from being trapped inside a whale and proves himself worthy to become a real boy.

|The Disney animated classic that started it all. Walt Disney and his staff of talented filmmakers, animators, and musicians overcame many challenges to create one of the greatest cinematic masterpieces of all time: a masterpiece of solid family entertainment and a perfect film recommendation for everyone around the world.In addition, the film It is notable as one of the few Disney films to date to feature an openly [[Christian]] princess: Snow White. In addition, as evidenced by the Evil Queen's overall character, it paints parental abuse, including attempted infanticide, in a very negative light.

|Anitmated This animated story of the [[The Nativity]] with is told from the perspective of anthropomorphic animals.|$40,852,824

|Altogether, the three films celebrate friendship and family unity, even if it focuses more on a figurative family with the boy Andy as a father-figure to his toys that , who come alive in humans' absence and praise him Andy for loving and playing with them as though they were his children.

|''[[America: Imagine the World Without Her]]''

|This documentary was made in response to [[Al Gore]]'s ''An Inconvenient Truth'', exposing both how revealing that global warming is a hoax and how Al Gore himself was hypocritical about his insistence at reducing the world's carbon footprint.

|As indicated by the title, this film by Citizens United exposes unmasks the Democrats' attempt at preventing the airing of the documentary ''The Path to 9/11'', as well as their role in cutting a vital scene that exposed revealing that Bill Clinton had partially been responsible for 9/11 due to failing to give the order to kill Osama bin Ladin when they had the chance. Also takes down the various liberal critiques that occurred. Aside from the obvious condemnations against Clinton and his followers, it also has a brief criticism of Obama for repeating several falsehoods about how they stopped the terrorists responsible for the 1993 World Trade Center attack (in particular, claiming they just arrested the terrorists and treated them to a court of law like any other criminal).

|This documentary exposes examines various crimes conducted by then-president Bill Clinton, in particular those that occurred during his time as Governor of Arkansas, including the Mena operation, being a draft dodger who deliberately misled his commanding officer, Whitewater, Arkancide, and his sexual proclivities including at least one instance of rape. It condemns the media for hiding these facts and is widely considered the turning point for the 1994 Republican Revolution.

|Conservative commentator, comedian, economist, and author [[Ben Stein]] investigates the persecution of scientists and others who challenge [[Social Darwinism]] and exposes unravels [[evolution]]ists' scientific and education system [[deceit]]. Liberals scorned it for presenting this issue as political rather than scientific while ignoring the reality that Darwinists do, in fact, use their theories as a weapon against people's freedom of religion. Liberal biased critics hated this movie and panned it, but audiences raved about it.

|This video response by Alan Peterson debunks everything from [[Michael Moore]]'s schlockumentary ''Fahrenheit 9/11''.

|As implied by the title, it exposes unmasks one of the greatest frauds in the history of science.

|Exposes This historical documentary highlights the French Revolution's destruction of the [[Vendée, rebellion|Rebellion at Vendée]] (which is shown positively) as well as the specific connections between the French Revolution and various Communist Revolutions. Also, shows the [[Vendée rebellion|Rebellion at Vendée]] in a positive light.

|This Citizens United film exposes unveils Hillary Clinton's dark side and was the impetus of the lawsuit which overturned the McCain-Feingold legislation by the [[U.S. Supreme Court]] in ''[[Citizens United v. FEC]]''.

|[[Dinesh D'Souza]] exposes analyzes Hillary Clinton's dark side and, as indicated by the title, the dark history of the Democrat Party. Donald Trump urged his supporters to see this documentary, and it is believed to have helped him win the 2016 presidential election. Like all of D'Souza's documentaries, this movie was absolutely despised by liberal-biased critics. In fact, the mainstream media hated this documentary so much that it became the worst-reviewed film on 3 different review aggregator websites. That is how crazy liberals go when their arguments are countered with facts, logic, and truth. The craziest part of all is how this documentary won 5 [[Golden Raspberry Awards]] because the leftists in Hollywood wanted revenge for Trump winning the election. D'Souza said he was honoured to be receiving so much hate because it is proof that he got his point across.

|It exposes political Political correctness, plus racial and ethnic politics, in the academic settingare examined.<ref>[http://video.yahoo.com/watch/3624795/9994231 Indoctrinate U -Part 1/3, Yahoo]</ref>

|Although made by liberal [[Lisa Ling]] and aired on the liberal [[National Geographic]] channel, the documentary nonetheless exposes shows the truly horrific nature of North Korea and its communist leaders and showcases the high risks that anyone in North Korea is willing to take to escape via the DMZ at the border.

|This documentary showcases how the [[Young Earth]] view of creation is more feasible than the [[Old Earth]] view, exposing proving that [[Evolutionism]] as being is unfeasible with reasoned arguments. The narrator, Del Tackett, interviews thirteen [[creation scientists]], each with a Ph. D., who provide very strong evidence for a young Earth in affirmation of the biblical Biblical creation account. It was originally released in theaters for one day but became so successful that it was shown two for more nights.

|Shows This documentary shows how British Prime Minister Margaret Thatcher's economic liberalism helped Britain turn from the figurative sick man of Europe and the only socialist country outside of the [[Iron Curtain]] to one of Europe's best economies. It tells us Furthermore, it reveals that, contrary to popular belief (which is mostly likely lies spread by socialists, liberals , and fake "impostors posing as conservatives"), the working classes actually liked her more than the upper classes.

|Criticizes Michael Moores Anti-American positionsAs the title implies, and shows how he hates this countrysatirical documentary criticizes Michael Moore's hatred towards all things American. Directed by a [[libertarian]].

|Hollywood conservative Kirk Cameron talks about the evils of dictators and viewers can learn a lot about their roles in U.S. history.

|Paleoconservative [[Alex Jones]] exposes tells the truth about Obama.

|Documentary about the The crimes of [[Communism]] and the [[Soviet Union]]are explored.

|Based on the classic Arabian folk tale ''Aladdin and the Magic Lamp'', a poor but charitable thief is sent by Jafar, a sinister vizier to a sultan, to search for a mysterious oil lamp rumored to contain unbelievably powerful magic. Upon finding this, he accidentally releases the comical genie inside, who grants his wish to become a prince so he can legally court Jasmine, the sultan's daughter. On the one hand, the film is set within what is implied to be a Muslim state, and Aladdin does resort to lying to try and marry Jasmine. Also has a A slight feminist bent due to is present because Jasmine refusing refuses to marry despite , ignoring the law requiring for it (although not nearly to the same extent as with Belle and ''Beauty and the Beast''.). In addition, some lyrics to the opening song ended up were notably cut due to fears of offending the Muslim populace, implying it was the film is politically correct in nature. The Sultan was also is shown to be a massive bumbler and overgrown child, which may hint at an anti-parenthood agenda. But on the other hand, the film does ultimately promote push character integrity due to because Aladdin ultimately deciding decides against lying and telling tells Jasmine the truth about himself. Disregarding the film's politically correct treatment of Islam, and it also ultimately showcases some more negative elements of Islamic culture via a vendor nearly chopping Jasmine's hand off due to her technically when she "stealingsteals" in order some food to feed a starving child, as well as depicting Prince Achmed being shown in a very negative light via his cruelty to Aladdin and children who got in his way, and being attempting to stop him. The prince is implied to be very a poor example of a husband material (and , so it was is subtly implied that the reason why Jasmine refused to marry was because all the princes she encountered had in fact been as bad as Achmed), and the reason she fell . She then falls for Aladdin was because he saved saves her life and showed shows kindness to her. Also has In addition, it is made clear that while Aladdin does steal and initially had an infamous reputation for his thefts, it's solely in order to survive on the streets, with it being heavily implied that he was an orphan, and he also selflessly gives his stolen food to starving children after initially planning to eat it. There is a lesser condemnation against the occult to a certain extent, as the only explicit magic-user besides Aladdin's Genie was is Jafar, the main villainwho dreams of becoming the world's most powerful dark sorcerer.

|A young woman overcomes a shallow society and finds true love. Although by comparison a powerful and immensely popular antidote to [[feminism]] to the [[liberal]] movies churned out by [[Disney]] since, as well as overall promoting redemption (as seen with the Beast's transformation), and also promoting some family values (such as Belle being loyal to her father), there were a few hints at feminist propaganda at the beginning of the film, such as Belle being different from the villagers because she can read, which is implied to not be supported by the villagers at all (feminist propaganda often falsely claims that women couldn't get an education until the 1960s), as well as Belle being unwilling to hold the role of housewife for Gaston or raising children, and later her blaming the titular Beast for her fleeing the castle despite most of the events leading up to and after that event being largely her fault (specifically, her deliberate disobedience towards Beast and the servants by going into the West Wing as soon as she found out where it was located) and the story framing that as being a good thing she did. On a related note, a scene that had Belle baking a cake for her father when he got home ended up cut at the order of Linda Woolverton, with her reason specifically being because "a liberated woman [like Belle] wouldn't know how to bake," essentially implying that baking would have been the activity of non-liberated women, a typical statement by feminists.<refname="Woolverton and Belle">https://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>https://www.yahoo.com/news/belle-beauty-beast-became-disneys-155053182.html</ref> In addition, the opening song and the reprise has Belle having a similar "smarter-than-thou" personality that is all too common among liberals, having her refer to the villagers derogatorily as "little people" in the beginning of the opening song, repeatedly stressing the "provincial" elements of the village when expressing her desire to leave the village, complaining about Gaston due to considering him "boorish and brainless" shortly after his failed proposal, and also dismissing the villagers as "they" when mentioning her goals ("I want so much more than what ''they've'' got planned"). On that note, due to Beast being unwilling to even defend himself, let alone the castle servants, when the mob arrived to kill him until Belle had arrived at the last second, which had been the result of Belle's attempts at civilizing Beast, it gives the implication that the ideal male in the film is not allowed to get angry or act violently even in self-defense unless a woman was physically present. Then-Disney Chairman Jeffrey Katzenberg also mentioned that he wanted "a feminist twist" on the original fairy tale by creating a heroine who is "a departure from typical Disney female characters",<ref>http://articles.mcall.com/1991-11-22/features/2825583_1_beast-s-castle-fairy-tale-madame-gabrielle</ref> which had partly been done in response to negative criticisms towards Ariel in the previous movie by liberal critics,<ref name="Woolverton and Belle" /> and the feminist writer [[Linda Woolverton]] made clear that she made Belle a feminist and based her on the women's liberation movement from the 1970s in order to avoid creating another insipid princess.<ref name="Beauty and Maleficent">{{Cite web|url = http://time.com/2798136/maleficent-beauty-beast-writer/|title = The Same Woman Wrote Maleficent and Beauty and the Beast—Here’s How They’re Linked|date = May 30, 2014|accessdate = January 16, 2014|website = Time|publisher = |last = Rothman|first = Lily}}</ref><ref>http://www.ew.com/article/2016/05/26/linda-woolverton-alice-belle-disney-heroines?xid=entertainment-weekly_socialflow_twitter</ref><ref>https://www.bustle.com/articles/163686-the-one-thing-beauty-and-the-beast-fans-probably-dont-know-about-the-creation-of-belle</ref><ref>http://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>http://articles.latimes.com/1992-01-19/entertainment/ca-544_1_disney-film</ref> Gaston is a conservative and hardworking hunter who is considered by the villagers to be their town hero, but is shown to be the main villain of the movie (it should also be noted that in the original screenplay for the film, Gaston was intended to be a Marquess [French nobleman], meaning the decision to make him a conservative and hardworking hunter was made after a rewrite). In addition, although not to the same degree as other Disney films that came after it, the film also has a slight anti-Christian bent, as the villagers (strongly implied by various verses in the opening song and the mob song, as well as a failed wedding, to be practicing and devout Christians) were later briefly seen supporting a plan that went against God's teachings, as well as overall depicted as being idiots, while Belle, the character framed as an intellectual and a moral figure, is not even seen or even implied to believe in God at all. In addition, Belle's love for Beast (where it is implied that she was largely unaware of the Beast being formerly a human prince) could be seen as promoting bestiality. Also, it is the first Disney movie to neither show nor hint at the two love interests getting married, and in fact, the only "wedding" in the film was the one Belle ruined, creating negative implications about marriage as a result, as well as starting a string of movies that don't paint marriage in a positive light. Similarly, the only three females in the film who are implicitly supportive of marriage and Christianity are demeaned, depicted as dumb blondes with the script and credits explicitly referring to them derogatorily as "the bimbettes." There was also a slight anti-hunting and anti-second amendment sentiment in the film, due to the main villain, as aforementioned, explicitly being labelled as a hunter, as well as Gaston's villainous nature being first highlighted in his debut scene where he shot a duck out of the sky. There were also several overtones of a pro-homosexual agenda within the film, including the mob song late into the film, largely because of the executive producer, Howard Ashman, being homosexual and dying from AIDS at the time the film was made. Similarly, during the battle in the castle, there was a brief instance of transgenderism that was treated as a joke where the wardrobe proceeded to dress one of the male villagers in a Hawaiian outfit. One of the protagonistic characters, Lumiere, is briefly seen making out with a featherduster and was implied that the two weren't married, with some hints at Lumiere being an unrepentant womanizer (with the implication being further increased in the Special Edition-exclusive song "Human Again" where Lumiere mentioned he had a "mademoiselle in each arm", would be "courting again, chic and sporting again", and Mrs. Potts interjecting "Which should cause several husbands alarm." with Lumiere laughing at this, heavily implying that Lumiere was an adulterer to married women). In addition, Maurice is depicted as slightly addled and eccentric, as well as being naïve (such as thinking Gaston was a good match for Belle despite the story making clear he wasn't), and while he does try to go out of his way to save Belle in the midway point of the film, he ultimately needs saving twice and is unable to save Belle at all, which makes it debatable as to just how pro-family the narrative actually was. In addition, some elements of the film were later reused in the [[Essay:Worst Liberal Movies#Social|definitely liberal]] ''Maleficent'' movie.<ref name="Beauty and Maleficent" />

|On the one hand, the 2017 film version of ''Beauty and the Beast'' is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning quick revenue in the dying Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity within the ''Beauty and the Beast'' universe. The final result of the diversity inclusion is that it feels self-congratulatory in the sense of putting it in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston (although it should be noted that in the actual script, it never specifies that LeFou was homosexual.<ref>https://www.usatoday.com/story/life/entertainthis/2017/03/03/josh-gad-lefou-beauty-and-the-beast/98679284/</ref>). At the end of the film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's siege of the Beast's castle (who, unlike the original film, actually enjoys it). Not only is it an atrocious artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of ''Beauty and the Beast'' also serves as an example that liberals can legitimately shoehorn the [[homosexual agenda]] into Disney films. Adding salt to the wound, the filmmakers also further changed history to suit their feminist agenda, similar to previous Disney films like ''Mulan'' (1998), ''Pocahontas'' (1995) and ''The Princess and the Frog'' (2009) (most infamously, the villagers are shown to be explicitly intolerant of Belle learning how to read and teaching girls to do the same, smashing her washing machine in the process, despite the fact that the namesake for the village in this film, Mdm. Gabrielle-Suzanne Barbot de Villeneuve, the original author for the fairy tale, was herself a woman). The 2017 film version of ''Beauty and the Beast'' is now even more of a feminist propaganda film than the 1991 animated film version ever was. There were also hints at an anti-war message due to Gaston being turned into a war veteran, in addition to the implied anti-hunting messages from the original film via his profession (which if anything was expanded on by their hinting at Gaston being evil in the Gaston song when he, in reference to LeFou's question about whether shooting his prey from behind was "fair", states he didn't care if it was, even though killing prey when they least expect it is the entire point behind hunting, which was based on a deleted lyric from one of the earlier drafts of what would become the 1991 film.).

|$24,611,975 |-|''Fritz the Cat''|1972|X (NC-17)|The movie has a brief moment that promotes shipping weapons to Israel, and it also showcases left-wing elements in a negative light, with the climax having the titular character attempting to stop a bombing plot against a power plant that he tried to accomplish. That being said, however, the film is also pro-drugs and promotes sexual infidelity, and also mocks a few right-wing elements as well, and is rather infamous for being the first X-rated cartoon to be made.|$90 million

|This animation espouses anti-war themes and also brief but strong anti-hunting sentiments. Firearms in general are shown in a negative light, with the phrase "guns kill" being repeated a total of three times(which was considered a "positive message" by the ultra-liberal media watchdog group [[Common Sense Media]]). The titular giant is referred to as a "big gun that walks." From a conservative viewpoint, he is a poor metaphor for a real gun; unlike a law-abiding citizen who is a gun owner, the giant has no choice in his actions because he is a war machine programmed with the inability to use his weapons for good, but only to use them thoughtlessly and senselessly. The story involves him learning to hide his weapons and "not be a gun". The conclusion is that, in order to protect the public from an incoming missile, he must fly into it and kill himself rather than use his guns against it. As it is explained, "It's bad to kill, but it isn't bad to die." In addition, despite being set during the Cold War, it largely downplays the Soviet menace that was occurring during that time, as the main antagonist, Kent Mansley, is a government agent (implied to be part of the NSA) investigating the titular Iron Giant who at one point while launching a tirade against Hogarth Hughes alludes to the possibility that the Communists may have been responsible for the Giant's creation as a means to destroy America and that they must destroy it before "it destroys us" and is treated negatively for it. Also features some foul language.

That all being said, however, despite the definite anti-gun and anti-hunting themes, the film does portray the military in a fairly positive light, as General Rogarth was shown to be even-headed and only willing to use military force if confronted with evidence requiring for it, also making clear that he was not happy about bringing out an implied large military force for what was apparently a hoax, and while the military does try to attack the Iron Giant late into the film, it was only because they had been manipulated into doing so by Kent Mansley by the latter lying about the giant killing Hogarth Hughes, and only when confronted with evidence that Hogarth had in fact been alive did the military stand down. In addition, when Hogarth left to investigate the evidence of a "martian" taking out an antenna, he proceeded to salute a photograph of his father, who was implied to have died during World War II. Also has a positive portrayal of the American icon Superman in it. There's also an anti-materialist message in it as well as an implicitly Christian message, as Hogarth talks to the Giant about how humans and other forms of life possess souls that live on even after their mortal bodies die. In addition the film also promotes individualism, promoting the idea of the individual choosing how to live their life, which may also support the American Dream as well, as Dean the film's tritagonist is a capitalistic artist.

|Jurassic Park is now functioning and open for business and the new boss is a woman, an obvious feminist message. Also the military is downgraded as they plan to weaponize dinosaurs. Despite all this feminists weren't impressed and labeled it sexist<ref>http://www.thedailybeast.com/articles/2015/06/10/jurassic-world-a-big-dumb-sexist-mess.html</ref> and even liberal critics called the weaponizing dinosaurs plot asinine.<ref>http://thoughtcatalog.com/olos-nah/2015/06/ill-just-say-what-everyone-is-thinking-jurassic-world-is-terrible/</ref>In addition, there was at least one implicit anti-feminist message in the film, as after the boss's secretary was brutally killed by dinosaurs, Owen indicated that she ultimately deserved her death due to her not acting like a mother.

|The coming-of age story of a young half-witch who only inherited the ability to fly, and she makes the best of it. The film does show the value of hard work and is pro-capitalism (Kiki owns her own delivery business), as well as strong pro-family sentiments, mainly in the form of the baker Osono and her quiet husband, who are excited for the birth of their child, but at the same time depicts it does depict feminism and witchcraft in a positive light.

|''Kingdom of Heaven'' (directorDirector's cutCut)

|A story set in the Crusades period about a young knightwho embarks on a journey to realize his destiny. The Director's Cut version of ''Kingdom of Heaven'' is a prime example of how a Director's Cut can significantly improve the entire film. While the theatrical version was featured terrible screenwriting and directing (as a result of studio interference), the Director's Cut drastically changes the entire film, significantly fleshes out, ties together, and grounds the story and brings the characters, their motivations, the different themes at play and the world to life. While the theatrical version was seen more or less as pure liberal media, the directorDirector's cut promotes fightingCut presents a story about humanity, belief, faith, and God. It also makes a statement about how people of different religious faiths can live together in peace and harmony and also be respectful of different religious beliefs. In addition, it promotes honor, duty, and the importance of doing the right thing, and it also portrays the noble Knights Hospitallers in a positive light. That being said, the movie film still portrays the Knights Templars in a negative light.

|Robin Williams plays Daniel Hillard; a father who cross -dresses as a nanny with the help of his gay brother (Hollywood trying to shoehorn the [[homosexual agenda]] one might say.) to be with his children. However, on ''Louder with Crowder'' it was one of the films (#1 actually) on TOP 5: Triggering Movies That Couldn’t Be Made Today, due to rampant gender confusion that's been happening recently.<ref>https://www.youtube.com/watch?v=FWfSjyGNRPE</ref>. Also on a conservative note; it is a clear pro-family film, that is pro-fatherhood. There is also some condemnation to smoking as it shown to be [[taboo]], with Daniel refusing to promote it to children, and Miranda, getting upset when she thought Mrs. Doubtfire smokes.

|College students fight back against a campus where the administration promotes official [[diversity]] awareness weekends and radical [[feminism]], [[veganveganism]]ism, and [[political correctness]] run amok, but a conservative group on campus is also portrayed just as negatively as the P.C. groups.

|Portrays the liberal [[Environmental Protection Agency|EPA]] as a villainous and devious agency, and portrays the Government in general as intrusive and corrupt, and also features a key element of the story where Homer attempts to redeem himself of his more unpleasant nature, and Flanders' attempts at helping the Simpson family, in particular Bart, are treated positively. On the other hand, it also promotes [[environmentalism]] in the beginning, and also had Arnold Schwartzenegger as the president of the United States despite his legally not being eligible for the presidency due to being Austrian. There is also a brief sight gag where two homosexual policemen proceeded to make out in an alley by the motel the Simpson family was hiding at, with Marge narrowly escaping being spotted by them. In addition, the early part of the film has Homer twice making statements that implied a more atheistic outlook relating to Christianity: The first just as the Simpsons arrive at Church while running late where Homer mouths off "Relax, those pious morons are too busy talking to their phony-baloney God."; the second when Abraham Simpson ends up getting a divinely inspired vision about Springfield's potential future, where Homer, consulting the bible in a panic, yells "I can't! This book has no answers!" Overall, it's as debatable in terms of its Conservativism as the TV show it acted as a movie for.

|A white student cheats the [[affirmative action]] system, by pretending to be black in order to get the scholarship he needs for to pay for Harvard. Towards the end, it is revealed he took the scholarship away from someone who needed it as well (and is really black) because she has a son and is divorced at such a young age. The movie portyals portrays the police as racist, and blames racism on many things, and seems to support the need for affirmative action. But on a conservative note, the film teaches the importance of hard work, and is also politically incorrect.

|Disgraced fire fighter firefighter now becomes a laughingstock fire marshal uncovers a terrorist plot, at a Hockey game, plans to redeem himself and protect his children and the Vice President from said terrorists. However, they're not Islamic, which may have been because the film was trying to be politically correct.

|Main character becomes a super hero superhero after a vision from God. He also frequently turns to prayer and a Christian television show for guidance. Even though his wife leaves him for a drug dealer, he remains loyal to her for the whole movie. Although contains foul language, violence, and brief nudity scenes.

|Charles Bronson plays Leo Kessler, a cop trying to catch a serial killer rapist, while the bureaucrats do everything to defend him. The film feels like a poor man's Dirty Harry and many critics pointed out that Charles Bronson seemed to be playing a clone of his former character Paul Kersey from the ''[[Death Wish ]]'' franchise.

|Although the previous ''Die Hard'' movies were largely politically neutral, this film portrays the CIA in a positive light, and both the main and surprise villains are unrepentant, anti-American former Soviet communists Communists who intended to access Cold War-era weapons grade uranium and sell them on the black market. Plus, the film is pro-family due to John McClain trying to reconnect with his son Jack. Despite this, it was largely a box office failure, and it has fairly weak story elements.

|Was another entry into then-Disney CEO Michael Eisner's infamous Direct to Video sequel line, and as such also has evidence of it being poorly made. But on the other hand, it also has similar themes to ''Return of Jafar'' regarding forgiveness and redemption in regards to the titular character. It also is notable as having a pro-traditional marriage message due to Aladdin and Jasmine's wedding factoring into a large part of the plotline, with it also being implied that the kingdom of Agrabah may have held Coptic Christianity as its main religion, one of the few Disney productions during this time to feature such a message on marriage since ''The Little Mermaid'' back in 1989. In addition, it ultimately is pro-fatherhood in the form of Cassim, the titular king of thieves, who was Aladdin's father, and while the main villaincentral antagonist, he is nonetheless depicted in a more sympathetic light as he became the King of Thieves simply so he could provide for his family, and ultimately was redeemed in the ending of the film.

|The film has some subtle Christian messages, as the Horned King, the main antagonist who tries to gain the Black Cauldron to rule the world, is depicted in a very satanic Satanic light, and the character Gurgi ultimately sacrifices himself in order to stop the Horned King, eventually being revived shortly thereafter. Also shows a promotion of the concept of being humble, as Taran still considers himself a pig herder even with his role in saving the world. However, the film was a massive box office bomb, with a large part of the reason for it being underperforming being due to both the dark elements of the film, especially for a Disney-made film, and due to a huge amount of footage (at least ten minutes worth) being cut from the film by then-Chairman of Disney Animation [[Jeffrey Katzenberg]].

|The villain is an environmentalist who believes that the earth was made for the dinosaurs, so he tries to wipe out the human race and allow dinosaurs to reclaim the Earth as their own. However , the film is considered a copy of ''[[Jurassic Park]]''.

|As implied by the title, the film Marvel Comics adapdation gets its [[Patriotism|patriotic]] message across. However, due to a low budget, poor production values, and disjointed editing, the film becomes tedious and sometimes laughable. It would be twenty-one years before another adaptation of the conservative superhero's adventures would be made.

|This live -action adaptation of the conservative cartoon from the 1980s is nevertheless a disappointment largely due to the acting, directing, screenplay, nonsensical action, and mediocre visual effects. The film followed by an equally forgettable sequel in 2013. This led to the franchise being rebooted in 2020.

|Loosely based on the Greco-Roman myth of the demigod strongman Hercules, this Disney animation has some Christian messages like honoring one's father and the triumph of good over evil. In addition, contrary to how he is depicted in regular mythology, Zeus's characterization in the film was closer to that of the Biblical God. Unlike the original myth, in which Hercules was born as a result of Zeus's infamous womanizing actions with mortal women and Hera hated him due to this, Hercules in this film is the actual offspring between Zeus and Hera, putting family values first. Plus, he is raised a mortal this time because the main villain, Hades, has his minions abduct the then-infant Hercules and feed him a potion that drains him of virtually all of his godly potential in order to assassinate him and prevent him from striking down Hades in the future. Another reason why family is a major theme is that Hercules' disappearance greatly devastates both Zeus and Hera, and Zeus, upon learning that Hercules was alive, is greatly overjoyed to learn of his son's survival and admits he is his father. Lastly,, the main villain, Hades, while humorous, is nonetheless depicted in a satanic light, and was reported to be based on former Disney animation chairman and staunch liberal [[Jeffrey Katzenberg]]. However, it underperformed in theaters and with critics.

|''Home Alone sequels2: Lost in New York''|1992|PG|In the sequel to the first ''Home Alone'', Kevin McCallister is once again accidentally separated from his family while being laid over in New York City and must be self-reliant to survive. He takes advantage of an opportunity to save a children's charity from being robbed by the Wet Bandits from the previous film, using man-made traps against them once more with some modifications. [[Donald Trump]] makes a brief, positive cameo, too, to help Kevin navigate his way through the Plaza Hotel. Family values return as Kevin once again wishes his family away but then misses them. Kate's maternal instinct returns as well because she is determined to find Kevin, even when others tell her there is no hope. Kate once again finds help from a charitable, sympathetic person (in this case, an NYPD officer), who helps her by bringing her to Rockefeller Center, where she finds Kevin. However, it was not as well-received as the first film: most of the criticism was directed towards the fact that it recycles most of the story elements of the previous film.|$359 million|-|''Home Alone'' 3, 4, and 5

|Sequels Installments 3 and 5 in these sequels to the Christmas classic film, however they ''Home Alone'' do not involve the original cast, and only while the fourth film involves only features part of the original characters, they do cast. They each have a similar story and themes to the originalsoriginal, with the third featuring Communist North Korea and terrorism in a negative light since the antagonists are internationally wanted hitmen tied to North Korea. However, however they were nowhere near as popular as the first two, since because they were are considered lesser verisons versions of the originals since it recycles many of the same plot beats and jokes from the first film makes it questionable whether it exists to stress the importance of family and self-sufficiency or is simply a product of liberal Hollywood's greed.

|The films deal with various conservative themes such as reconciliation, anti-racism, family values, friendships being important, and the like. That being said, however, the films' actual quality and their being direct to video sequels tend to leave much to be desired regarding the plotlines.

|Lady and Tramp’s son, runs away to join the Junkyard dogs (a clear allegory for criminals), where he Angel, who encourages him to return home after realizing he has a family. Also the film takes place within the Independence Day holiday, making it what might be the only Disney film to acknowledge and celebrate this patriotic holiday. However this film like most Disney sequels went straight to video.

|Deals The last of the Direct to Video sequels before an embargo was placed upon them largely due to the negative reception to the sequels. The overall plot, acting as a prequel to the original film, deals with letting go of the past and moving forward, and also honoring your parents, as Ariel's reason for bringing back music to Atlantica was because she realized her deceased mother, Queen Athena, would never have wanted music to be banned. Also has some condemnation towards totalitarianism as King Triton, due to his grief of his wife's untimely death, proceeded to enforce big government style control over the kingdom, which was not depicted in a positive light at all. That said, however, the film also conflicted with several plot details regarding the later film (namely, Ariel desiring to become human and frequently disobeying her father to pursue that dreambeing left out entirely, and Ariel's sisters' birth orderbeing swapped around from what was implied in the Daughters of King Triton musical number), and overall downplays the anti-misanthropy messages the original film had.

|Although it to some extent retreads the plotline of the conservative film ''The Little Mermaid'' and was part of the infamous direct-to-video sequel line of the [[Michael Eisner]] era, it has a similar pro-family message and depicts the villain in a truly horrific light (such as trying to murder the main protagonist, a child, twice, once while she was a baby which acted as the primary reason why her parents, Ariel and Eric from the first film, went to great lengths to prevent her from learning about her heritage or even allowing her into the sea, and the other time when she was 12). It condemns parental neglect, too, because the main villain in question, Morgana, is largely motivated by being neglected by her mother over her elder sister, the previous main villain Ursula, which was most showcased in the special edition re-release via the added in song "Gonna Get my My Wish."

|This early attempt to bring J. R. R. Tolkien conservative text to the silver screen still stands up for friendship, bravery, honor, sacrifice etc., but the animation (and pretty much everything else) has aged very poorly. Was remade into a live action trilogy in 2001-2003.

|Similar to ''Ferris Bueller's Day Off'', the film showcases the public school system in a more negative light, due to one of the teachers letting one of the bullies, Dobbs, get away with stealing lunch money and later the same teacher punishing Max Keeble with a significantly and unreasonably large essay about rules for being tardied despite it being obvious that the only reason he was late was because one of the bullies, Troy McGinty, forced him into a swirly (due to his being dripping wet when he entered), as well as the principal of the school, Elliot Jindrake, who also acts as one of the main antagonists, explicitly hating children and only putting up with the school so he could get promoted to superintendent, as well as explicitly embezzling the school's budget, and also proceeding to punish Max for turning up late for an auditorium event even when, similar to the swirly incident mentioned above, it was very obvious that he only ended up late because McGinty proceeded to, in a similar manner to a cooking show, humiliate him by throwing him into a mud pool, putting saw dust on him, and then forcing him into a dumpster (due to his being littered with trash when he walked in). It also has a bit of an anti-socialist message due to the Evil Ice Cream Man being implied at one point to be a socialist (due to his insulting fellow antagonist Dobbs as a "capitalist tool.") and, as indicated by his nom de guerre, was not depicted in a positive light. Also has an allegory for the liberal elements of modern -day journalism as well, due to two of the characters who worked for the school yearbook proceeding to make events out to be even worse than they actually are (such as titling the first day as "Sheep Arrive for Slaughter"), not to mention usually uses the opportunity to actually photograph events of bullying rather than actually making any attempt to prevent it. Despite that, however, it largely was criticized for being bland and unoriginal, at least among adults, including some critics citing it as being too similar to ''Ferris Bueller's Day Off''.

|This military action film gets its [[Patriotism|patriotic]] message across, however but the directing, screenplay, acting, romance among the three leads, historical accuracy, and bastardization of the overall historically inaccurate portrayal one of the most horrific, tragic moments in world history for the sake of copying James Cameron's 1997 film ''Titanic'' are questionable. Then again, director Michael Bay does have a history of favoring spectacle over substance most of the time.

|This early attempt to bring the third book of the conservative book saga ''The Lord of the Rings'' was plagued by low budget animation due to being a made -for -TV film.

|Loosely based on the classic video game series from Nintendo, two fraternal plumbers from Brooklyn, New York must rescue the younger's girlfriend from a parallel dimension ruled by humans descended directly from dinosaurs. The film may support the Second Amendment when an old lady, before mugging the brothers, explicitly states they need to have a weapon to survive on the streets of Dinohattan (a parody of Manhattan depicted as a lawless hellhole). Furthermore, the movie seems to condemn communisticCommunistic/fascistic big government in the form of King Koopa (a human-looking dictator loosely based on Bowser, the turtle-dragon hybrid who serves as the main villain of most Super Mario games). The aforementioned lawlessness of Dinohattan is heavily implied to be caused by King Koopa's using liberal values and big government (à la Scar from ''The Lion King'') to grossly mismanage the location to such an extent that he and his minions ran out of resources after taking over Dinohattan via a coup and "reformed" it into a people's republic with false elections. To some extent, the movie condemns evolution and social Darwinism: although the backstory does involve dinosaurs evolving into humanoid creatures since they were sent to a separate dimension from that of humans, only the villains focus on this aspect and thus want to eliminate true humans.