Difference between revisions of "Wilhelm Kaulbach"

From Conservapedia
Jump to navigation Jump to search
Line 11: Line 11:
 
* "Die Zerstörung von Jerusalem" ("The Destruction of Jerusalem", 1846, Neune Pinakothek, München)
 
* "Die Zerstörung von Jerusalem" ("The Destruction of Jerusalem", 1846, Neune Pinakothek, München)
 
* "Kaiser Otto III In Der Gruft Karls Des Grossen" (1859, Germanisches Nationalmuseum, Nürnberg). [http://www.xs4all.nl/~androom/biography/p025158.htm]
 
* "Kaiser Otto III In Der Gruft Karls Des Grossen" (1859, Germanisches Nationalmuseum, Nürnberg). [http://www.xs4all.nl/~androom/biography/p025158.htm]
 +
 +
== Trivia ==
 +
 +
Hirszenberg’s painting (The Wandering Jew) is considered the second [[Jewish]] example of a Wandering Jew painting, after the 1876 self-portrait Ahasuerus by his mentor Maurycy Gottlieb. Avraham Ronen suggests Gottlieb’s painting was a response to Wilhelm von Kaulbach’s antisemitic ''The Destruction of Jerusalem'', wherein a Wandering Jew figure is tormented by raging demons. [http://etd.library.vanderbilt.edu/ETD-db/available/etd-03272006-123911/unrestricted/BrichettoThesispdf.pdf]
 +
Also: [http://www.tau.ac.il/arts/projects/PUB/assaph-art/assaph3/articles_assaph3/14ronen.pdf]
  
 
== See also ==
 
== See also ==

Revision as of 01:05, December 29, 2009

Wilhelm Kaulbach (1805 – 1874) was a German painter and illustrator. His work was a beauty-loving art.


Kalbauch The Destruction of Jerusalem by Titus.jpg

The Destruction of Jerusalem by Titus, 1846.

Some works

  • "Die Hunnenschlacht" (1834, frescoe at the Neues Museum, Berlin)
  • "Die Zerstörung von Jerusalem" ("The Destruction of Jerusalem", 1846, Neune Pinakothek, München)
  • "Kaiser Otto III In Der Gruft Karls Des Grossen" (1859, Germanisches Nationalmuseum, Nürnberg). [1]

Trivia

Hirszenberg’s painting (The Wandering Jew) is considered the second Jewish example of a Wandering Jew painting, after the 1876 self-portrait Ahasuerus by his mentor Maurycy Gottlieb. Avraham Ronen suggests Gottlieb’s painting was a response to Wilhelm von Kaulbach’s antisemitic The Destruction of Jerusalem, wherein a Wandering Jew figure is tormented by raging demons. [2] Also: [3]

See also