Difference between revisions of "George-Pierre Seurat"
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[[Image:George-Pierre Seurat.jpg|left]] | [[Image:George-Pierre Seurat.jpg|left]] | ||
| − | [[Image:Seurat Jatte.jpg|thumb|300px|Sunday Afternoon on the Island of La Grande Jatte]]'''George-Pierre Seurat''' (1859 – 1891) was a [[French]] Neo-Impressionist [[painter]], known for being good with colors. He applied the theories of [[Eugene Chevreul]] to create a technique known as [[pointillism]], whereby small dots of color appear to combine to create the illusion of entirely different colors. | + | [[Image:Seurat Jatte.jpg|thumb|300px|Sunday Afternoon on the Island of La Grande Jatte]] |
| + | [[File:Baigneurs a Asnieres.jpg|thumb|300px|Baigneurs a Asnieres, 1884.]] | ||
| + | [[Image:Seurat Paradetl.jpg|thumb|left|The Side Show, Detail, 1888.]] | ||
| + | '''George-Pierre Seurat''' (1859 – 1891) was a [[French]] Neo-Impressionist [[painter]], known for being good with colors. He applied the theories of [[Eugene Chevreul]] to create a technique known as [[pointillism]], whereby small dots of color appear to combine to create the illusion of entirely different colors. | ||
His masterpiece, ''Sunday Afternoon on the Island of La Grande Jatte'', hangs in the [[Art]] Institute of Chicago. Its first public appearance was in Paris at the eighth [[Impressionist]] exhibition in May, 1886. | His masterpiece, ''Sunday Afternoon on the Island of La Grande Jatte'', hangs in the [[Art]] Institute of Chicago. Its first public appearance was in Paris at the eighth [[Impressionist]] exhibition in May, 1886. | ||
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== See also == | == See also == | ||
Revision as of 00:22, April 26, 2013
George-Pierre Seurat (1859 – 1891) was a French Neo-Impressionist painter, known for being good with colors. He applied the theories of Eugene Chevreul to create a technique known as pointillism, whereby small dots of color appear to combine to create the illusion of entirely different colors.
His masterpiece, Sunday Afternoon on the Island of La Grande Jatte, hangs in the Art Institute of Chicago. Its first public appearance was in Paris at the eighth Impressionist exhibition in May, 1886.