Thomas Eakins

Paintings

• Street Scene in Seville 1870, Mrs. John R. Garrett, Sr. Collection
• Home Scene 1871, Brooklyn Museum, New York
• Max Schmitt in a Single Scull 1871, Metropolitan Museum of Art, New York City
• Katherine 1872, Yale University Art Gallery, New Haven, Connecticut
• The Pair-Oared Shell 1872, Philadelphia Museum of Art
• The Biglin Brothers Turning the Stake 1873, Cleveland Museum of Art, Cleveland, Ohio
• John Biglin in a Single Scull 1873, Metropolitan Museum of Art, New York City
• Sailing 1874, Philadelphia Museum of Art
• Pushing for Rail 1874, Metropolitan Museum of Art
• The Gross Clinic 1875, Philadelphia Museum of Art and the Pennsylvania Academy of Fine Arts (joint display)
• Will Schuster and Blackman Going Shooting 1876, Yale University Art Gallery
• Chess Players 1876, Metropolitan Museum of Art
• William Rush Carving His Allegorical Figure of the Schuylkill River 1877, Philadelphia Museum of Art
• The Fairman Rogers Four-in-Hand 1879, Philadelphia Museum of Art
• The Crucifixion 1880, Philadelphia Museum of Art
• The Pathetic Song 1881, Corcoran Gallery of Art, Washington, D.C.
• The Swimming Hole 1883, Fort Worth Art Center Museum, Fort Worth, TX
• Lady with a Setter Dog (Mrs. Eakins) (1885; Metropolitan Museum of Art);
• Walt Whitman 1887, Pennsylvania Academy of the Fine Arts, Philadelphia
• Letitia Wilson Jordan Bacon 1888, Brooklyn Museum, New York City
• Miss Van Buren 1889, Phillips Collection, Washington, D.C.
• The Agnew Clinic 1889, University of Pennsylvania, Philadelphia
• Professor Henry A. Rowland 1891, Addison Gallery of American Art, Andover, MA
• The Concert Singer 1892, Philadelphia Museum of Art
• Frank Hamilton Cushing 1894–95, Thomas Gilcrease Institute of American History and Art, Tulsa, OK
• Taking the Count 1898, Yale University Art Gallery
• Salutat 1898, Addison Gallery of American Art
• Between Rounds 1899, Philadelphia Museum of Art
• Benjamin Eakins 1899, Philadelphia Museum of Art
• Mrs. William D. Frishmuth 1900, Philadelphia Museum of Art
• The Thinker: Louis N. Kenton 1900, Metropolitan Museum of Art
• Self-Portrait 1902, National Academy of Design, NY
• Mrs. Edith Mahon 1904, Smith College Museum of Art, Northampton, MA
• Monsignor Diomede Falconio 1905, National Gallery of Art, Washington, D.C.

References

New York Times article on the sale of The Gross Clinic by Kathryn Shattuck, Nov. 19, 2006