Difference between revisions of "François Rabelais"

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Some of the topics explored by Rabelais were controversial, and only the support of influential patrons preserved him from severe ecclesiastical censure during his lifetime; the third and fourth books of Gargantua and Pantagruel were both banned at times. The adjective, Rabelaisian, from his name, describes something that is in the style of his writings: containing an abundance of coarse humor, extravagant language and keen satire.
 
Some of the topics explored by Rabelais were controversial, and only the support of influential patrons preserved him from severe ecclesiastical censure during his lifetime; the third and fourth books of Gargantua and Pantagruel were both banned at times. The adjective, Rabelaisian, from his name, describes something that is in the style of his writings: containing an abundance of coarse humor, extravagant language and keen satire.
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The works of Rabelais were the subject of study by the Russian cultural theorist M. M. Bakhtin (1885-1975), who derived two major concepts from "Gargantua and Pantagruel": that of the [[carnivalesque]], mocking authority through proletarian laughter; and of the [[grotesque body]], seeing the greatest reality in the portrayal of bodily functions, principally sexual and excretory. The emphasis on anti-authoritarianism is thought to explain why his work on the subject, Rabelais and his World, while submitted as a PhD thesis in the early 1940s, was not passed for a doctorate and was only published in the post-Stalinist (relative) thaw of 1965.
  
 
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Revision as of 21:41, April 28, 2007

Francois Rabelais (1483-1553) was a important French writer and satirist.

His most important work was the five book Gargantua and Pantagruel [1]; however it is unclear whether all of the fifth book was written by Rabelais himself. Within, although some chapters consist entirely of lists of vulgarities, a number of political and religious themes are considered, amongst them being:

  • Proper methods of education. (Book 1)
  • The Abbey of Theleme - a Utopian monastery, wherein customs were the exact opposite of the solemn, austere and strictly-regulated ones followed in typical monastic environments, and the primary commandment was "Do what thou wilt." (Book 1)
  • The absurdities of the legal system, and how the only way to finally resolve a dispute is to drag it out until both parties are sick of it. (Books 2, 5)
  • Methods of divination (Book 3)
  • Reasons for and against marriage. (Books 4-5)

Some of the topics explored by Rabelais were controversial, and only the support of influential patrons preserved him from severe ecclesiastical censure during his lifetime; the third and fourth books of Gargantua and Pantagruel were both banned at times. The adjective, Rabelaisian, from his name, describes something that is in the style of his writings: containing an abundance of coarse humor, extravagant language and keen satire.

The works of Rabelais were the subject of study by the Russian cultural theorist M. M. Bakhtin (1885-1975), who derived two major concepts from "Gargantua and Pantagruel": that of the carnivalesque, mocking authority through proletarian laughter; and of the grotesque body, seeing the greatest reality in the portrayal of bodily functions, principally sexual and excretory. The emphasis on anti-authoritarianism is thought to explain why his work on the subject, Rabelais and his World, while submitted as a PhD thesis in the early 1940s, was not passed for a doctorate and was only published in the post-Stalinist (relative) thaw of 1965.


[2]

References