Difference between revisions of "Philippe De Loutherbourg"
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*[http://taj.tau.ac.il/index.php?option=com_content&view=article&id=17:regarding-the-eidophusikon-spectacle-scenography-and-culture-in-eighteenth-century-england&catid=2 Spectacle, Scenography, and Culture in Eighteenth Century England.] | *[http://taj.tau.ac.il/index.php?option=com_content&view=article&id=17:regarding-the-eidophusikon-spectacle-scenography-and-culture-in-eighteenth-century-england&catid=2 Spectacle, Scenography, and Culture in Eighteenth Century England.] | ||
| − | [[Category:Painters]] | + | [[Category:English Painters]] |
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Latest revision as of 21:01, May 12, 2017
Philippe Jacques De Loutherbourg (Philip James de Loutherbourg) (1740-1812) was a French-born English Romantic painter, illustrator, printmaker, and scenographer. He became known for his set designs for London theaters. De Loutherbourg's works hang in museums like: Victoria and Albert Museum, Tate Britain, Fitzwilliam Museum, and Yale Center for British Art. Some consider his finest work the "Defeat of the Spanish Armada, 8 August 1588" of 1796 at The National Maritime Museum, London. Loutherbourg had an important artistic influences upon William Turner during the 1790s. [1]
Defeat of the Spanish Armada, 8 August 1588, 1796.
The Great Fire of London, 1797.
An avalanche, 1803.
The River Wye at Tintern Abbey, 1805.
The Falls of the Rhine at Schaffhausen, 1788.