Difference between revisions of "Gloria"
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Stand-alone major settings of the Gloria, that are now frequently heard outside its original liturgical setting and enjoyed in a secular context, have been written by [[Antonio Vivaldi]] and [[Francis Poulenc]]. A “new” Gloria, written by G. F. [[Handel]], has only come to light from the vaults of the [[British]] Royal Academy of Music in the last few years and was recently recorded. | Stand-alone major settings of the Gloria, that are now frequently heard outside its original liturgical setting and enjoyed in a secular context, have been written by [[Antonio Vivaldi]] and [[Francis Poulenc]]. A “new” Gloria, written by G. F. [[Handel]], has only come to light from the vaults of the [[British]] Royal Academy of Music in the last few years and was recently recorded. | ||
| − | [[Category: Sacred Music]] | + | [[Category:Sacred Music]] |
Latest revision as of 01:05, July 12, 2016
The Gloria (Gloria in excelsis deo), a hymn of praise, is the second item of the Latin Mass (after the Kyrie), sung on festal occasions. The text, which begins with Luke ii. 14., is considered one of the great pieces of Christian prose. In a Frankish version sourced from the 9th century it is the basis of some of the most important medieval chant melodies. It found its way into polyphonic settings, before being divided into various movements in settings by baroque composers.
It is not sung during Advent or Lent.
Stand-alone major settings of the Gloria, that are now frequently heard outside its original liturgical setting and enjoyed in a secular context, have been written by Antonio Vivaldi and Francis Poulenc. A “new” Gloria, written by G. F. Handel, has only come to light from the vaults of the British Royal Academy of Music in the last few years and was recently recorded.
