Difference between revisions of "Carissimi"

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Cum vocasset in proelium filios Israel rex filiorum Ammon et verbis Jepthe acquiescere noluisset, factus est super Jepthe spiritus Domini et progressus ad filios Ammon votum vovit Domini dicens
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Giacomo Carissimi (1605-1674) was an Italian composer who is perhaps worthy of being called the father of [[oratorio]].  He was born somewhere near Rome and baptized on April 18th, 1605, though the exact date of his birth is unknown.  At the age of 18, he was recorded as a member of the Tivoli Cathedral choir.  In 1625, he became the organist at the cathedral, and soon afterwards began composing.  In 1629, he became the maestro di cappella at College Germanico, where he would remain until his death.  As maestro di cappella, he was responsible for musically training the students, directorship of the choir, and the preparation of music for service at the church of St. Apollinare.  In 1637, he was ordained a priest.  He eventually became well known and well respected in Italy and across Europe.
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While it might be difficult to accurately catalogue and date his music, it is certain that he was one of the originators of the oratorio genre.  His oratorios are notable for their clear text settings, the importance given to the chorus, and the use of expressive gestures to intensify or illuminate the meaning of the text.  The influence of early [[opera]] and of [[Claudio Monteverdi]] is clear in the oratorios, and Carissimi's free alteration aria and recital style passages is considered an important contribution to operatic recitative.  He was also known for his cantatas, which he also advanced greatly.
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== References ==
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*1. http://www.classicalarchives.com/composer/2294.html#tvf=tracks&tv=about
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[[Category:Composers]]

Revision as of 15:27, September 20, 2014

Giacomo Carissimi (1605-1674) was an Italian composer who is perhaps worthy of being called the father of oratorio. He was born somewhere near Rome and baptized on April 18th, 1605, though the exact date of his birth is unknown. At the age of 18, he was recorded as a member of the Tivoli Cathedral choir. In 1625, he became the organist at the cathedral, and soon afterwards began composing. In 1629, he became the maestro di cappella at College Germanico, where he would remain until his death. As maestro di cappella, he was responsible for musically training the students, directorship of the choir, and the preparation of music for service at the church of St. Apollinare. In 1637, he was ordained a priest. He eventually became well known and well respected in Italy and across Europe.

While it might be difficult to accurately catalogue and date his music, it is certain that he was one of the originators of the oratorio genre. His oratorios are notable for their clear text settings, the importance given to the chorus, and the use of expressive gestures to intensify or illuminate the meaning of the text. The influence of early opera and of Claudio Monteverdi is clear in the oratorios, and Carissimi's free alteration aria and recital style passages is considered an important contribution to operatic recitative. He was also known for his cantatas, which he also advanced greatly.

References