Difference between revisions of "Academic Art"
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[[File:Bouguereau The Bohemian 1890.jpg|thumb|Bouguereau, The Bohemian, 1890.]] | [[File:Bouguereau The Bohemian 1890.jpg|thumb|Bouguereau, The Bohemian, 1890.]] | ||
| − | [[File:Bouguereau Penelope (Le travail interrompu).jpg|thumb | + | [[File:Bouguereau Penelope (Le travail interrompu).jpg|thumb|Bouguereau, Penelope.]] |
| − | [[File: | + | [[File:Portrait of Jeanne de Tourbay by Eugene Emmanuel Amaury-Duval 1862.jpg|thumb|center|Portrait of Jeanne de Tourbay by Eugene Emmanuel Amaury-Duval, 1862.]] |
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[[Category:Painting]] | [[Category:Painting]] | ||
Revision as of 01:04, March 9, 2014
Academic Art (Art pompier) in painting and sculpture is that art produced with a polished style, using mythological, historical or oriental subjects. It is applied to those artworks influenced by the standards of, especially, the French Académie des Beaux-Arts (Academy of Fine Arts) and the 19th century "Salons"; it is also called academic painting or academic sculpture. It is associated with Neoclassical Art.
Among Academic painters are: Paul Delaroche, Théodore Chassériau, Franz Xaver Winterhalter, Charles Gleyre, Eugene Emmanuel Amaury-Duval, Gustave Boulanger, Adolphe William Bouguereau, Pierre-Auguste Cot and among sculptors Jean-Pierre Cortot, Auguste Bartholdi and Emmanuel Frémiet.
