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<References/>
 
<References/>
 
*Golomb, Uri. "Feminism, Chauvinism and Masonic: Pamina and Mozart's 'The Magic Flute'" in ''Goldberg, Early Music Magazine'' 40 (June 2006), 40-51.
 
*Golomb, Uri. "Feminism, Chauvinism and Masonic: Pamina and Mozart's 'The Magic Flute'" in ''Goldberg, Early Music Magazine'' 40 (June 2006), 40-51.
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*Assmann, Jan. "'Die Zauberflöte' im kulturellen Kontext: Chancen und Grenzen eines kulturwissenschaftlichen zugangs" in Basler Jahrbuch für historische Musikpraxis'', Vol. 30 (2006), 99-115.
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*Assmann, Jan. "'Die Zauberflöte' im kulturellen Kontext: Chancen und Grenzen eines kulturwissenschaftlichen zugangs" in ''Basler Jahrbuch für historische Musikpraxis'', Vol. 30 (2006), 99-115.
 
*Buch, David Joseph. "'Die Zauberflöte', Masonic opera, and other fairy tales," in ''ACTA MUSICOLOGICA, Société Internationale de Musicologie, Internationale Gesellschaft für Musikwissenschaft, International Musicological Society'', Vol. 76 Issue n2 (2004), 193-220.
 
*Buch, David Joseph. "'Die Zauberflöte', Masonic opera, and other fairy tales," in ''ACTA MUSICOLOGICA, Société Internationale de Musicologie, Internationale Gesellschaft für Musikwissenschaft, International Musicological Society'', Vol. 76 Issue n2 (2004), 193-220.
 
*Horwath, Peter. "Symbolism in 'Die Zauberfloete:' origin and background of the symbolism of 'Sevenfold,' 'Mighty,' and 'All-consuming Sun Disk..'" in ''The Opera Quarterly'' Vol. 8 No. 3 (1991), 58-86.
 
*Horwath, Peter. "Symbolism in 'Die Zauberfloete:' origin and background of the symbolism of 'Sevenfold,' 'Mighty,' and 'All-consuming Sun Disk..'" in ''The Opera Quarterly'' Vol. 8 No. 3 (1991), 58-86.
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