Changes

|[[CBS]]

|[[CBS]]

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|In this American adaptation by [[liberal]] TV producer [[Norman Lear]] of the [[BBC]] series ''Till Death Us Do Part'', Lear inaccurately depicted Archie Bunker, a blue-collar conservative and head of the Bunker family, with liberal traits like [[bigotry]] and ignorance while depicting his son-in-law, socially liberal and politically [[leftist]] [[hippie]] and [[Democrat Party|Democrat]] supporter Mike Stivic (referred to as "Meathead" by Archie), as the "voice of reason." The show portrays the mother and housewife as a "dingbat", a very derogatory name that she is called on the show by her own husband.  Many episodes focus on on the political, philosophical, and cultural clashes between Archie and Mike, while Archie's wife Edith and their daughter Gloria try to keep the peace. In the original British series, Mike's counterpart on that show, Mike Rawlins, was a [[Trotskyism|Trotskyist]]. Ironically, Archie Bunker despite being treated in a negative light ended up being more well received by audiences than the main protagonist Mike Stivic largely because of his stubborn rejection of the counterculture, to the extent that the American series later spawned a sequel, ''Archie Bunker's Place'', which ran from 1979 to 1983, and his chair was one of the historical museum pieces in the Smithsonian.<ref>''The Politically Incorrect Guide to the 1960s'' by Johnathan Leaf, page 97.<br />Those Were the Days.<br />The show most people associate with the clash between the sixties counterculture and the older generation, ''All in the Family'', did not premier until 1971. It is hailed by liberals today as a ground-breaking sitcom that "pushed the envelope" of acceptable fare for TV. In all the praise, however, it's forgotten that what made the show so beloved was the popularity of its featured patriarhh, Archie Bunker. Although the character was supposed to be an unenlightened, illogical bigot, he became a hero to millions of Americans for his stubborn rejection of the counterculture. It is Archie Bunker's chair that has become one of the most famous exhibits in the Smithsonian's National Museum of American History. Meanwhile, Bunker's counterculture antagonist is now mostly remembered for the derisive nickname Archie gave him: Meathead.</ref>

|In this American adaptation by [[liberal]] TV producer [[Norman Lear]] of the [[BBC]] series ''Till Death Us Do Part'', Lear inaccurately depicted Archie Bunker, a blue-collar conservative and head of the Bunker family, with liberal traits like [[bigotry]] and ignorance while depicting his son-in-law, socially liberal and politically [[leftist]] [[hippie]] and [[Democrat Party|Democrat]] supporter Mike Stivic (referred to as "Meathead" by Archie), as the "voice of reason." The show portrays the mother and housewife as a "dingbat", a very derogatory name that she is called on the show by her own husband.  Many episodes focus on the political, philosophical, and cultural clashes between Archie and Mike, while Archie's wife Edith and their daughter Gloria try to keep the peace. In the original British series, Mike's counterpart on that show, Mike Rawlins, was a [[Trotskyism|Trotskyist]]. Ironically, Archie Bunker despite being treated in a negative light ended up being more well received by audiences than the main protagonist Mike Stivic largely because of his stubborn rejection of the counterculture, to the extent that the American series later spawned a sequel, ''Archie Bunker's Place'', which ran from 1979 to 1983, and his chair was one of the historical museum pieces in the Smithsonian.<ref>''The Politically Incorrect Guide to the 1960s'' by Johnathan Leaf, page 97.<br />Those Were the Days.<br />The show most people associate with the clash between the sixties counterculture and the older generation, ''All in the Family'', did not premier until 1971. It is hailed by liberals today as a ground-breaking sitcom that "pushed the envelope" of acceptable fare for TV. In all the praise, however, it's forgotten that what made the show so beloved was the popularity of its featured patriarhh, Archie Bunker. Although the character was supposed to be an unenlightened, illogical bigot, he became a hero to millions of Americans for his stubborn rejection of the counterculture. It is Archie Bunker's chair that has become one of the most famous exhibits in the Smithsonian's National Museum of American History. Meanwhile, Bunker's counterculture antagonist is now mostly remembered for the derisive nickname Archie gave him: Meathead.</ref>

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|''Anderson Cooper 360°''

|''Anderson Cooper 360°''

|HBO

|HBO

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|

|British "comedian" and former ''Daily Show'' correspondent [[John Oliver]] hosts this late night talk and news show. Like Samantha Bee on her show ''Full Frontal with Samantha Bee'', the liberal Oliver engages in bigotry and projection while mischaracterizing and attacking conservatives in the public spotlight and their supporters. Following [[Donald Trump]]'s winning the U.S. Presidency, he has shifted a vast majority of his humor on verbally accosting the POTUS every chance he gets. More recently, Oliver, who denies the existence of the [[homosexual agenda]], saw fit to attack Vice-President [[Mike Pence]] and his family on the show by plagiarizing Charlotte Pence's children's book with an obscene pro-homosexual parody of the book, the proceeds of which he then claimed he would send to the Trevor Project, a pro-homosexual "charity" which encourages the enabling of harmful and destructive sexual behavior.<ref>[https://pjmedia.com/lifestyle/john-oliver-mocks-mike-pences-daughters-bunny-book-with-a-better-version-featuring-gay-marriage/ John Oliver Mocks Mike Pence's Daughter's Bunny Book With a "Better" Version Featuring "Gay Marriage"] at PJ Media</ref>

|British "comedian" and former ''Daily Show'' correspondent [[John Oliver]] hosts this late night talk and news show. Like Samantha Bee on her show ''Full Frontal with Samantha Bee'', the liberal Oliver engages in bigotry and projection while mischaracterizing and attacking conservatives in the public spotlight and their supporters. Following [[Donald Trump]]'s winning the U.S. Presidency, he has shifted a vast majority of his humor to verbally accosting the POTUS every chance he gets. More recently, Oliver, who denies the existence of the [[homosexual agenda]], saw fit to attack Vice-President [[Mike Pence]] and his family on the show by plagiarizing Charlotte Pence's children's book with an obscene pro-homosexual parody of the book, the proceeds of which he then claimed he would send to the Trevor Project, a pro-homosexual "charity" which encourages the enabling of harmful and destructive sexual behavior.<ref>[https://pjmedia.com/lifestyle/john-oliver-mocks-mike-pences-daughters-bunny-book-with-a-better-version-featuring-gay-marriage/ John Oliver Mocks Mike Pence's Daughter's Bunny Book With a "Better" Version Featuring "Gay Marriage"] at PJ Media</ref>

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|''[[Law and Order: SVU|Law & Order: Special Victims Unit]]''

|''[[Law and Order: SVU|Law & Order: Special Victims Unit]]''

|NBC

|NBC

|TV-14

|TV-14

|While based around police officers bringing sexual criminals to justice, this series in the ''Law & Order'' franchise furthers leftist agendas such as feminism and homosexuality. The episode "Info Wars" presents the main characters taking jabs at a rape victim simply due to her having conservative-leaning politics, and it even stereotypes Trump supporters. Protagonist Olivia Benson typically lacks moral strength and is sometimes portrayed as an incompetent detective. Her young son is even revealed to be bisexual, and she somehow agrees to this; this show the hypocrisy of this show protecting victims from sexual predation, yet it encourages the early sexualization of children. Ice T's character once makes a needlessly racist remark, saying, "Nothing is worse than white people congratulating themselves."

|While based around police officers bringing sexual criminals to justice, this series in the ''Law & Order'' franchise furthers leftist agendas such as feminism and homosexuality. The episode "Info Wars" presents the main characters taking jabs at a rape victim simply due to her having conservative-leaning politics, and it even stereotypes Trump supporters. Protagonist Olivia Benson typically lacks moral strength and is sometimes portrayed as an incompetent detective. Her young son is even revealed to be bisexual, and she somehow agrees to this; this shows the hypocrisy of this show protecting victims from sexual predation, yet it encourages the early sexualization of children. Ice T's character once makes a needlessly racist remark, saying, "Nothing is worse than white people congratulating themselves."

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|''Living Biblically''

|''Living Biblically''

|Showtime

|Showtime

|TV-14

|TV-14

|It exists only to lambast Roger Ailes and the original Fox News, and it is based on fake news propaganda book ''The Loudest Voice in the Room'', by leftist harasser of FNC Gabriel Sherman. It falsely accuses Ailes of creating an anti-Semitic cartoon and hit piece about Gabe Sherman for harassing him; being a purveyor of fake news (ironically); having a Monica Lewinski-type extramarital affair; and being a petty, vindictive "bigot" who sexually harasses women. Lastly, he is hypocritically accused of being an authoritarian figure who somehow surveils people using cameras and hired workers and who reacts excessively to any form of criticism of him or his views.

|It exists only to lambast Roger Ailes and the original Fox News, and it is based on the fake news propaganda book ''The Loudest Voice in the Room'', by leftist harasser of FNC Gabriel Sherman. It falsely accuses Ailes of creating an anti-Semitic cartoon and hit piece about Gabe Sherman for harassing him; being a purveyor of fake news (ironically); having a Monica Lewinsky-type extramarital affair; and being a petty, vindictive "bigot" who sexually harasses women. Lastly, he is hypocritically accused of being an authoritarian figure who somehow surveils people using cameras and hired workers and who reacts excessively to any form of criticism of him or his views.

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|''Lucifer''

|''Lucifer''

|FOX (seasons 1–3)<br>Netflix (seasons 4–6)

|FOX (seasons 1–3)<br>Netflix (seasons 4–6)

|TV-14

|TV-14

|No, you're not reading that wrong. Hollywood green-lighted a TV series with [[Satan]] as not just the lead character but the "hero" too, despite history and the Bible proving otherwise. Then again, it should come as no surprise, because the show is based on graphic novels by atheist British author and graphic-comic artist/novelist Neil Gaiman, who is in an [[open marriage]] with his spouse and whose works sometimes switch the personalities of God and Satan in a revisionist manner. The show was originally canceled by FOX in May 2018 due to low ratings, but was revived by streaming service Netflix a year later. On September 10, 2021, the series finally ended, surprisingly, after six seasons.

|No, you're not reading that wrong. Hollywood greenlit a TV series with [[Satan]] as not just the lead character but the "hero" too, despite history and the Bible proving otherwise. Then again, it shouldn't surprise anyone, since the show is based on graphic novels by atheist British author and graphic-comic artist/novelist Neil Gaiman, who is in an [[open marriage]] and whose works sometimes switch the personalities of God and Satan in a revisionist manner. FOX originally canceled the show in May 2018 due to low ratings, but streaming service Netflix revived it a year later. The series ended on September 10, 2021, after six seasons.

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|''Madam Secretary''

|''Madam Secretary''

|CBS

|CBS

|TV-PG

|TV-PG

|This sitcom was produced following the Rural Purge to push the feminist agenda since its main protagonist is a divorcée.

|This sitcom was produced after the Rural Purge to push a feminist agenda, since its main protagonist is a divorcée.

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|''The Mick''

|''The Mick''

|[[ABC]]

|[[ABC]]

|TV 14

|TV 14

|Liberals have made a shrine out of this sitcom starring three interconnected "families", two of which are dysfunctional (which is passed off as humorous) and the third of which is a male homosexual couple (presented as "normal") with an adopted child. Gloria Pritchett (born Ramirez), the Colombian second wife (presumed to be a trophy wife) of the overall family patriarch Jay Pritchett, sometimes plays into Hispanic racial stereotypes and behaves in a possibly racist manner toward other characters, this just to show [[woke]] liberal and [[Social justice warrior|SJW]] hypocrisy by preaching, bullying, harassing and attacking others for much, infinitely less ("rules for thee, not for me"). The sitcom also shows hypocritical bias and double standards in parents' education toward their children depending on their respective sexes (even when they are already young adults) and even [[ageism|ageist]] propaganda and negative stereotypes, one perfect example including together both these last two characteristics is the episode "Party Crasher" with the sole-appearance character Kenny, Haley's boyfriend.

|Liberals have made a shrine out of this sitcom starring three interconnected "families", two of which are dysfunctional (which is passed off as humorous) and the third of which is a male homosexual couple (presented as "normal") with an adopted child. Gloria Pritchett (born Ramirez), the Colombian second wife (presumed to be a trophy wife) of the overall family patriarch Jay Pritchett, sometimes plays into Hispanic racial stereotypes and behaves in a possibly racist manner toward other characters, just to show [[woke]] liberal and [[Social justice warrior|SJW]] hypocrisy by preaching, bullying, harassing, and attacking others for much, infinitely less ("rules for thee, not for me"). The sitcom also shows hypocritical bias and double standards in parents' education toward their children depending on their respective sexes (even when they are already young adults) and even [[ageism|ageist]] propaganda and negative stereotypes; one perfect example including both of these last two characteristics is the episode "Party Crasher" with the sole-appearance character Kenny, Haley's boyfriend.

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|''Murphy Brown''

|''Murphy Brown''

|Disney+

|Disney+

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|

|Based on the comic book character of the same name, Jennifer Walters is a lawyer, but after a car crash caused her cousin Bruce Banner's blood to mix with hers (different than the original origin), she turns into a She-Hulk. Unlike Banner, she can turn from She-Hulk to Jennifer back and forth. There's a major feminist tone to it as Jennifer narcissistically says she has it worse than Bruce, and blames men for her other problems. She's also an adulteress and rarely takes her job seriously. It also turned openly Catholic hero Matthew Murdock A.K.A. Daredevil into a bumbling bafoon to make Jennifer look good. At the end of the show, Jennifer breaks the fourth wall (a tribute to the 1990s comics) and goes to KEVIN (a robotic stand in for producer Kevin Fiege) and complains that her ending sucks. Unsurprisingly, the show was cancelled after one season.

|Based on the comic book character of the same name, Jennifer Walters is a lawyer, but after a car crash causes her cousin Bruce Banner's blood to mix with hers (different from the original origin), she becomes She-Hulk. Unlike Banner, she can switch back and forth between She-Hulk and Jennifer. There's a major feminist tone to it as Jennifer narcissistically says she has it worse than Bruce, and blames men for her other problems. She's also an adulteress and rarely takes her job seriously. It also turned openly Catholic hero Matthew Murdock, A.K.A. Daredevil, into a bumbling bafoon to make Jennifer look good. At the end of the show, Jennifer breaks the fourth wall (a tribute to the 1990s comics) and goes to KEVIN (a robotic stand in for producer Kevin Fiege) and complains that her ending sucks. Unsurprisingly, the show was cancelled after one season.

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|''Siskel & Ebert at the Movies''

|''Siskel & Ebert at the Movies''

|The CW

|The CW

|TV-14

|TV-14

|Based on the ''Supergirl'' character and a part of the overall ''Superman'' franchise as well as the ''Arrowverse'' media franchise.  Since moving to the CW beginning in its second season, ratings have fallen far from what they were on original network CBS due to its producers' and writers' insistence on inserting left-wing propaganda, to the detriment of the series, its story quality and the ''Superman'' and ''Arrowverse'' franchises as a whole (see main article for an extended view of the series). It will eventually end on its sixth season after a significant drop in ratings.

|Based on the ''Supergirl'' character and a part of the overall ''Superman'' franchise as well as the ''Arrowverse'' media franchise.  Since moving to the CW beginning in its second season, ratings have fallen far from what they were on the original CBS network due to its producers' and writers' insistence on inserting left-wing propaganda, to the detriment of the series, its story quality and the ''Superman'' and ''Arrowverse'' franchises as a whole (see main article for an extended view of the series). It will eventually end on its sixth season after a significant drop in ratings.

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|''Superman & Lois''

|''Superman & Lois''

|ABC

|ABC

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|

|Initially presented as a clone of the sitcom ''Seinfeld'', the show changed direction near the end of its fourth season when series star Ellen DeGeneres announced that she was a lesbian and decided to make her character, Ellen Morgan, lesbian as well. The show's ratings plummeted after the announcement and never recovered, leading to its cancellation by ABC in May 1998.

|Initially presented as a clone of the sitcom ''Seinfeld'', the show changed direction near the end of its fourth season when series star Ellen DeGeneres announced that she was a lesbian and decided to make her character, Ellen Morgan, lesbian as well. The show's ratings plummeted after the announcement and never recovered, leading ABC to cancel it in May 1998.

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|''Til Death Us Do Part''

|''Til Death Us Do Part''

|Al-Aqsa TV

|Al-Aqsa TV

|N/A

|N/A

|This Arabic show which presents costumed characters like in ''Sesame Street'' promotes extreme jihadist views like [[anti-Semitism]], anti-American sentiments, and an intense hatred of Israel. It was even known to portray a Mickey Mouse-lookalike in the first season, who displays terrorist views while hypocritically claiming that Israel is a nation of terrorists; then-CEO of Disney Bob Iger had later condemned the use of Mickey Mouse for such a show as this.

|This Arabic show, which presents costumed characters like in ''Sesame Street'', promotes extreme jihadist views like [[anti-Semitism]], anti-American sentiments, and an intense hatred of Israel. It was even known to portray a Mickey Mouse lookalike in the first season, who displays terrorist views while hypocritically claiming that Israel is a nation of terrorists; then-CEO of Disney Bob Iger later condemned the use of Mickey Mouse for such a show.

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|''Torchwood''

|''Torchwood''

|Seasons 1-8: Lead character Charlie Harper (Charlie Sheen) is an [[alcoholism|alcoholic]] jingle writer whose series of casual sexual relationships is admired and envied by others, while his younger brother Alan, a tightly wound chiropractor who is more moral and hard-working by comparison, is more prone to misfortune. There is a lack of positive female role models, and Charlie has an antagonistic and dysfunctional relationship with his narcissistic, emotionally toxic mother, which is passed off as humorous.

|Seasons 1-8: Lead character Charlie Harper (Charlie Sheen) is an [[alcoholism|alcoholic]] jingle writer whose series of casual sexual relationships is admired and envied by others, while his younger brother Alan, a tightly wound chiropractor who is more moral and hard-working by comparison, is more prone to misfortune. There is a lack of positive female role models, and Charlie has an antagonistic and dysfunctional relationship with his narcissistic, emotionally toxic mother, which is passed off as humorous.

Seasons 9-12: After saying goodbye to the late Charlie (a response to Sheen's dismissal from further appearances following his real-world bout with alcoholism, drug abuse, and adultery), Alan meets and takes in tech company billionaire Walden Schmidt, whose divorce from his wife is presented positively. In one episode, Alan's ex-wife Judith is implied to have undergone a lesbian one-night stand. In another episode, Alan's son Jake comments about getting a sexually transmitted disease as if it were a badge of honor.  

Seasons 9-12: After saying goodbye to the late Charlie (in response to Sheen's dismissal from further appearances following his real-world struggles with alcoholism, drug abuse, and adultery), Alan meets and takes in tech-company billionaire Walden Schmidt, whose divorce from his wife is portrayed positively. In one episode, Alan's ex-wife Judith is implied to have undergone a lesbian one-night stand. In another episode, Alan's son Jake comments about getting a sexually transmitted disease as if it were a badge of honor.  

In November 2012, Angus T. Jones, Jake's actor, began speaking out against the show, which he had recently left, and labeled it as filth after his famous conversion to Christianity the previous month.

In November 2012, Angus T. Jones, Jake's actor, began speaking out against the show, which he had recently left, and labeled it as filth after his famous conversion to Christianity the previous month.

|AMC

|AMC

|TV-MA

|TV-MA

|Adapted from the comic book series ''The Walking Dead'', the series follows Atlanta police officer Rick Grimes as he leads a group of survivors - including his wife Lori, their son Carl, and Rick's best friend and fellow officer Shane - to survive in a post-apocalyptic world overrun by zombies. The series starts off pretty neutral (emphasizing the importance of family, for example), but by season 5, leftist content sneaks in. The maker of the series has confirmed that the only relationships they will add in later seasons will be LGBT and interracial, just to score points with those wanting more diversity and feminism. Mercy is shown in a negative light at times, an example being Maggie and Daryl standing aside and letting Oceanside women murder a reformed Savior (which can be shown to some as the two being no better than former villain Negan, who had slaughtered Maggie's husband Glenn in front of the Alexandrians at the start of season 7). A minor arc paints Abraham in a positive light for cheating on his girlfriend, Rosita, for Sasha, encouraging infidelity. There is even a hint of moral relativism, with an Oceanside girl saying there is no such thing as evil and that people forget who they are, though Tara responds that evil does exist. On a minor note, the former head of Alexandria - Deanne - is confirmed to be modeled after Hillary Clinton.

|Adapted from the comic book series ''The Walking Dead'', the series follows Atlanta police officer Rick Grimes as he leads a group of survivors, including his wife Lori, their son Carl, and Rick's best friend and fellow officer Shane, as they try to survive in a post-apocalyptic world overrun by zombies. The series starts off pretty neutral (emphasizing the importance of family, for example), but by season 5, leftist content sneaks in. The maker of the series has confirmed that the only relationships they will add in later seasons will be LGBT and interracial, just to score points with those wanting more diversity and feminism. Mercy is shown in a negative light at times, an example being Maggie and Daryl standing aside and letting Oceanside women murder a reformed Savior (which can be shown to some as the two being no better than former villain Negan, who had slaughtered Maggie's husband Glenn in front of the Alexandrians at the start of season 7). A minor arc paints Abraham in a positive light for cheating on his girlfriend, Rosita, for Sasha, encouraging infidelity. There is even a hint of moral relativism, with an Oceanside girl saying there is no such thing as evil and that people forget who they are, though Tara responds that evil does exist. On a minor note, the former head of Alexandria, Deanne, is confirmed to be modeled after Hillary Clinton.

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|''Weeds''

|''Weeds''