Difference between revisions of "Essay:Worst Liberal TV Shows"

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Starting with the infamous "Rural purge" of the early-1970s (when [[CBS]] cancelled most of its Western dramas and all of its rural/family-themed sitcoms and variety shows in favor of "socially relevant" urban-themed programs) and increasingly into the present, liberal-leaning television series creators, producers, and writers have put shows on the air that appeal more to their own personal viewpoints than to the tastes of most of the general public. As a result, in part due to the increase in TV channels since that period, many currently airing series have undergone decreases in viewership and the declining ratings that go with them. To liberals in the media, however, declining TV ratings and unsatisfied audiences mean less to them than pushing [[liberal ideology]] (including positively playing up [[socialism]], [[witchcraft]], [[feminism]], [[gender confusion]] and the [[homosexual agenda]] while denigrating [[religion]], the [[family]], [[traditional values]] and the [[First Amendment|First]] and [[Second Amendment]]s) and forcing public acceptance of it does. Shown below is a list of some of the worst liberal TV series, past and present.
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Starting with the infamous "Rural purge" of the early-1970s (when [[CBS]] cancelled most of its Western dramas and all of its rural/family-themed sitcoms and variety shows in favor of "socially relevant" urban-themed programs) and increasingly into the present, liberal-leaning television series creators, producers, directors and writers (notably including such examples as [[Chuck Lorre]] and [[Greg Berlanti]]) have put shows on the air that appeal more to their own personal viewpoints than to the tastes of most of the general public. As a result, in part due to the increase in TV channels since that period, many currently airing series have undergone decreases in viewership and the declining ratings that go with them. To liberals in the media, however, declining TV ratings and unsatisfied audiences mean less to them than pushing [[liberal ideology]] (including positively playing up [[socialism]], [[Satanism]], [[feminism]], [[gender confusion]] and the [[homosexual agenda]] and playing the [[race card]] for ideological purposes while denigrating [[religion]], the [[family]], [[traditional values]] and the [[First Amendment|First]] and [[Second Amendment]]s) and forcing public acceptance of it does.  
  
==Live Action Series==
+
Plus, conservative families in liberal TV shows ([[Essay:Worst Liberal Movies|same for movies]]), or at the very most libertarians and classical liberals, are depicted by liberal producers, directors and writers as hypocritical and biased "bigots" when it comes to their roles as parents (especially fathers), educating or restricting their children depending on each of their two respective genders in a clearly biased and hypocritical way regarding both romantic/sexual relationships and platonic friendships.  Parents are shown much more permissive, friendly and even complicit in the case of the male child, even when the latter is still a literal child and not yet of legal age, and encouraging him to hit on and have sex with much older women. The parents are instead more inappropriately restrictive and prohibitive in the case of the female child, even when the latter is already adult or of legal age and has every right to do anything she wants with whoever she wants without breaking the law or damaging someone else, and parents in this case say and are willing to do things that would lead to them being arrested in real life, and if one of the parents is a cop (usually the father), that becomes even worse and would lead to them being fired and arrested for abuse of their power and authority in their role as police officer in real life. The son(s) and daughter(s) of said conservative parents are instead typically portrayed as overtly and unnecessarily rebellious, insolent, surly, arrogant, disrespectful, superficial, narcissistic and even [[Ageism|ageist]], largely thanks to the influence of liberal teachers and peers who encourage them to be rebellious.
 +
 
 +
Shown below is a list of some of the worst liberal TV series, past and present, or at least particular and specific episodes and seasons.
 +
 
 +
==Live-Action Series==
 
{| class="wikitable sortable"
 
{| class="wikitable sortable"
 
|-
 
|-
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|[[NBC]]
 
|[[NBC]]
 
|TV-14
 
|TV-14
|What looks like a sitcom about the life of the head writer of a sketch comedy series is really a front for several left-wing agendas, most infamously including a slam against [[Sarah Palin]] and routine stereotyping of conservative business executives (as in main character Jack Donnaghy, a tasteless parody of business icon Jack Welch played by liberal Alec Baldwin). Throughout its airing from 2006 to 2013, despite being very popular liberal elites, the series received poor ratings, with its first season ranking only at #102, its subsequent seasons consistently ranking low (the highest-rated season was Season 3 with a ranking of #69 and 3.2 million viewers). Season 6 had such a low performance overall (and a very poorly-received season finale ranking at 1.6 million viewers) that NBC was forced to cancel the show at one more season.
+
|What looks like a sitcom about the life of the head writer of a sketch comedy series is really a front for several left-wing agendas, most infamously including a slam against [[Sarah Palin]] and routine stereotyping of conservative business executives (as in series regular Jack Donnaghy, a tasteless parody of business icon Jack Welch played by liberal Alec Baldwin). Throughout its airing from 2006 to 2013, despite being very popular liberal elites, the series received poor ratings, with its first season ranking only at #102, its subsequent seasons consistently ranking low (the highest-rated season was Season 3 with a ranking of #69 and 3.2 million viewers). Season 6 had such a low performance overall (and a very poorly-received season finale ranking at 1.6 million viewers) that NBC was forced to cancel the show at one more season.
 
|-
 
|-
 
|''All American Muslim''  
 
|''All American Muslim''  
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|TLC
 
|TLC
 
|
 
|
|This reality program essentially censors and whitewashes the true face of Islam, a terroristic and supremacist religio-political ideology masquerading as a non-political religion, following the lives of five Islamic families in the [[Detroit]] suburb of [[Dearborn]], Michigan. The show drew criticism for depicting Islam in a favorable light, ignoring the harsh realities, and it was cancelled after one season due to low ratings. Controversy erupted elsewhere when home improvement retail chain Lowe's withdrew its sponsorship of the show, leading liberal celebrities like Russell Simmons, Mia Farrow, and Kal Penn; Internet activist group [[Anonymous]]; Islamic congressman [[Keith Ellison]]; and other liberal politicians to call for a boycott of Lowe's and demanded apologies from the chain in response. Lowe's ignored their demands, and other companies joined Lowe's in withdrawing sponsorship of the program, while the threatened boycott itself largely fizzled.
+
|This reality program essentially censors and whitewashes the true face of Islam, a terroristic and supremacist religio-political ideology masquerading as a non-political "religion", following the lives of five Islamic families in the [[Detroit]] suburb of [[Dearborn]], Michigan. The show drew criticism for depicting Islam in a favorable light, ignoring the harsh realities, and it was cancelled after one season due to low ratings. Controversy erupted elsewhere when home improvement retail chain Lowe's withdrew its sponsorship of the show, leading liberal celebrities like Russell Simmons, Mia Farrow, and Kal Penn; Internet activist group [[Anonymous]]; Islamic congressman [[Keith Ellison]]; and other liberal politicians to call for a boycott of Lowe's and demanded apologies from the chain in response. Lowe's ignored their demands, and other companies joined Lowe's in withdrawing sponsorship of the program, while the threatened boycott itself largely fizzled.
 
|-
 
|-
 
|''[[All in the Family]]''
 
|''[[All in the Family]]''
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|[[CBS]]
 
|[[CBS]]
 
|
 
|
|In this American adaptation by liberal TV producer [[Norman Lear]] of the [[BBC]] series ''Till Death Us Do Part'', Lear inaccurately depicted Archie Bunker, a blue-collar conservative and head of the Bunker family, with liberal traits like [[bigotry]] and ignorance while depicting his son-in-law, socially liberal and politically [[leftist]] [[hippie]] and [[Democrat Party|Democrat]] supporter Mike Stivic (referred to as "Meathead" by Archie), as the "voice of reason". Many episodes focus on on the political, philosophical, and cultural clashes between Archie and Mike, while Archie's wife Edith and their daughter Gloria try to keep the peace. In the original British series, Mike's counterpart on that show, Mike Rawlins, was a [[Trotskyism|Trotskyist]]. Ironically, Archie Bunker despite being treated in a negative light ended up being more well-received by audiences than the main protagonist Mike Stivic largely because of his stubborn rejection of the counterculture, to the extent that the American series later spawned a sequel, ''Archie Bunker's Place'', which ran from 1979 to 1983, and his chair was one of the historical museum pieces in the Smithsonian.<ref>''The Politically Incorrect Guide to the 1960s'' by Johnathan Leaf, page 97.<br />Those Were the Days.<br />The show most people associate with the clash between the sixties counterculture and the older generation, ''All in the Family'', did not premier until 1971. It is hailed by liberals today as a ground-breaking sitcom that "pushed the envelope" of acceptable fare for TV. In all the praise, however, it's forgotten that what made the show so beloved was the popularity of its featured patriarhh, Archie Bunker. Although the character was supposed to be an unenlightened, illogical bigot, he became a hero to millions of Americans for his stubborn rejection of the counterculture. It is Archie Bunker's chair that has become one of the most famous exhibits in the Smithsonian's National Museum of American History. Meanwhile, Bunker's counterculture antagonist is now mostly remembered for the derisive nickname Archie gave him: Meathead.</ref>
+
|In this American adaptation by [[liberal]] TV producer [[Norman Lear]] of the [[BBC]] series ''Till Death Us Do Part'', Lear inaccurately depicted Archie Bunker, a blue-collar conservative and head of the Bunker family, with liberal traits like [[bigotry]] and ignorance while depicting his son-in-law, socially liberal and politically [[leftist]] [[hippie]] and [[Democrat Party|Democrat]] supporter Mike Stivic (referred to as "Meathead" by Archie), as the "voice of reason." The show portrays the mother and housewife as a "dingbat", a very derogatory name that she is called on the show by her own husband. Many episodes focus on on the political, philosophical, and cultural clashes between Archie and Mike, while Archie's wife Edith and their daughter Gloria try to keep the peace. In the original British series, Mike's counterpart on that show, Mike Rawlins, was a [[Trotskyism|Trotskyist]]. Ironically, Archie Bunker despite being treated in a negative light ended up being more well-received by audiences than the main protagonist Mike Stivic largely because of his stubborn rejection of the counterculture, to the extent that the American series later spawned a sequel, ''Archie Bunker's Place'', which ran from 1979 to 1983, and his chair was one of the historical museum pieces in the Smithsonian.<ref>''The Politically Incorrect Guide to the 1960s'' by Johnathan Leaf, page 97.<br />Those Were the Days.<br />The show most people associate with the clash between the sixties counterculture and the older generation, ''All in the Family'', did not premier until 1971. It is hailed by liberals today as a ground-breaking sitcom that "pushed the envelope" of acceptable fare for TV. In all the praise, however, it's forgotten that what made the show so beloved was the popularity of its featured patriarhh, Archie Bunker. Although the character was supposed to be an unenlightened, illogical bigot, he became a hero to millions of Americans for his stubborn rejection of the counterculture. It is Archie Bunker's chair that has become one of the most famous exhibits in the Smithsonian's National Museum of American History. Meanwhile, Bunker's counterculture antagonist is now mostly remembered for the derisive nickname Archie gave him: Meathead.</ref>
 
|-
 
|-
 
|''Anderson Cooper 360°''
 
|''Anderson Cooper 360°''
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|[[Disney Channel]]
 
|[[Disney Channel]]
 
|TV-G
 
|TV-G
|What at first looked like a show with potential ended up to be another show that promotes the [[homosexual agenda]] by having some of its characters turn out to be either gay or lesbian. It's also an example of how far Disney has gone away from being a more family-friendly company.
+
|What at first looked like a sitcom with potential ended up to be another front for the [[homosexual agenda]] as characters turn out to be either gay or lesbian.
 
|-
 
|-
 
|''Annoying Orange''
 
|''Annoying Orange''
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|TV-Y7 (should be TV-14)
 
|TV-Y7 (should be TV-14)
 
|This Internet series promotes lack of effective communication skills via being annoying. The Annoying Orange does nothing but harass other anthropomorphic fruits and vegetables with loads of adult humor and Hollywood values.
 
|This Internet series promotes lack of effective communication skills via being annoying. The Annoying Orange does nothing but harass other anthropomorphic fruits and vegetables with loads of adult humor and Hollywood values.
 +
|-
 +
|''The Baby-Sitters Club''
 +
|2020
 +
|Netflix
 +
|TV-G
 +
|This remake of the 1990 TV show of the same name (adapted from a book series written by Ann M. Martin) features a transgender child in the first episode, promoting transgenderism and gender confusion as well. When this transgender child - who is a boy who identifies as a girl - is taken to a hospital, "she" is correctly called a boy by the doctor, prompting one of the main characters to villify the doctor for "robbing her of her identity".
 
|-
 
|-
 
|''Barney and Friends''
 
|''Barney and Friends''
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|-
 
|-
 
|''Batwoman''
 
|''Batwoman''
|2019
+
|2019-present
 
|CW
 
|CW
 
|
 
|
|Based on the DC Comics superheroine of the same name, this latest entry to the DC Comics-based shared fictional universe dubbed the "Arrowverse" on the CW has gone even further to the Left than previous adaptations, including ''Supergirl''.  The title superheroine, who takes up Bruce Wayne/Batman's job after he inexplicably disappears from Gotham City, is an explicit lesbian: the first episode reveals she was discharged from a military academy for entering an affair with a woman named Sophie.  It is noted for being exceedingly feministic and pushing [[social justice]] to an immense level, and the pilot even has a cameo from far-left MSNBC correspondent [[Rachel Maddow]].  It has been criticized as being composed exclusively of themes of social justice.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/10/06/lesbian-batwoman-fights-social-justice-and-not-much-else</ref>  Ratings eventually plummeted from its pilot episode ratings of 1.86 million viewers by the second episode,<ref>https://tvline.com/2019/10/14/batwoman-ratings-season-1-episode-2/</ref> which is suspected to be the result of the star Ruby Rose insulting critics of the series by assuming they are all "old white men".<ref>https://metro.co.uk/2019/09/25/ruby-rose-lashes-online-haters-batwoman-casting-10804760/</ref>  In the third episode, arc villain Tommy Elliot appears as an explicit caricature of [[Donald Trump]], even to the point of declaring his intention to "make Gotham safe again."<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/10/20/make-gotham-safe-again-batwoman-introduces-trump-villain</ref>  As of the fifth episode "Mine Is a Long and a Sad Tale" (appropriately named given the series' criticism), ratings for ''Batwoman'' have fallen to a record low of 1.16 million viewers.
+
|Based on the DC Comics superheroine of the same name, this latest entry to the DC Comics-based shared fictional universe dubbed the ''Arrowverse'' on the CW has gone even further to the Left than previous adaptations, including ''Supergirl''.  Title superheroine Kate Kane, who takes up Bruce Wayne/Batman's job after he inexplicably disappears from Gotham City, is an "out" lesbian: the first episode reveals she was discharged from a military academy for entering an affair with a woman named Sophie.  It is noted for being exceedingly feministic and pushing [[social justice]] to an immense level, and the pilot even has a cameo from far-left MSNBC correspondent [[Rachel Maddow]].  It has been criticized as being composed exclusively of themes of social justice.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/10/06/lesbian-batwoman-fights-social-justice-and-not-much-else</ref>   
 +
 
 +
Ratings eventually plummeted from its pilot episode ratings of 1.86 million viewers by the second episode,<ref>https://tvline.com/2019/10/14/batwoman-ratings-season-1-episode-2/</ref> which is suspected to be the result of the star Ruby Rose insulting critics of the series by assuming they are all "old white men".<ref>https://metro.co.uk/2019/09/25/ruby-rose-lashes-online-haters-batwoman-casting-10804760/</ref>  In the third episode, arc villain Tommy Elliot appears as an obvious caricature of [[Donald Trump]], even to the point of declaring his intention to "make Gotham safe again."<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/10/20/make-gotham-safe-again-batwoman-introduces-trump-villain</ref>  As of the 17th episode "A Narrow Escape", ratings for ''Batwoman'' fell to a then-record low of 630,000 viewers; despite the low ratings and viewership (which would have led to its cancellation on any of the Big Four networks), however, the CW chose to spite the show's critics by renewing it for a second season in January 2020. The show was later hit by the announcement of the exit of Ruby Rose from the show in May 2020.  Ratings for the show have fallen even further since then, as the second season episode "Do Not Resuscitate" (aired on February 28, 2021) recorded a new record low of just 460,000 viewers, less than a quarter of what the pilot episode registered.
 
|-
 
|-
 
|''Becoming Us''
 
|''Becoming Us''
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|[[CBS]]
 
|[[CBS]]
 
|
 
|
|This sitcom stars a free-spirited beauty and her socially challenged scientist friends but does not demonstrate any family values. Instead, some of the main characters are rooming together without being married, and all four leading men have dysfunctional relationships with one or both parents. In addition, the key character Sheldon Cooper is one of the most outspoken [[Atheism|atheists]] in sitcom history, which leads to both religious and cultural friction with his devoutly Christian mother Mary as well as his Jewish colleague Howard Wolowitz and Hindu friend Dr. Raj Koothrapali. The show is widely considered to have stolen its characters' personalities and their relationships to one another from an earlier sitcom, ''Friends''.<ref>http://www.sheknows.com/entertainment/articles/1110963/the-big-bang-theory-and-friends-similarities</ref><ref>http://whatculture.com/tv/15-similarities-friends-big-bang-theory</ref><ref>http://www.looper.com/10501/big-bang-theory-lot-like-friends/</ref>
+
|This sitcom stars a free-spirited beauty and her socially challenged scientist friends but does not demonstrate any family values. Instead, some of the main characters are rooming together with people just met (mostly problematic people), and all four leading men have dysfunctional relationships with one or both parents. In addition, the key character Sheldon Cooper is one of the most outspoken [[Atheism|atheists]] in sitcom history, which leads to both religious and cultural friction with his devoutly Christian mother Mary as well as his Jewish colleague Howard Wolowitz and Hindu friend Dr. Raj Koothrapali. The show is widely considered to have stolen its characters' personalities and their relationships to one another from an earlier sitcom, ''Friends''.<ref>http://www.sheknows.com/entertainment/articles/1110963/the-big-bang-theory-and-friends-similarities</ref><ref>http://whatculture.com/tv/15-similarities-friends-big-bang-theory</ref><ref>http://www.looper.com/10501/big-bang-theory-lot-like-friends/</ref>
 
|-  
 
|-  
 
|''Bill Nye Saves the World''
 
|''Bill Nye Saves the World''
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|[[Netflix]]
 
|[[Netflix]]
 
|TV-14
 
|TV-14
|Leftist scientist [[Bill Nye]] hypnotizes his viewers into pseudo-scientific hucksterism and far-Left views. Though liberal critics praised it, American audiences in general panned it.<ref>https://www.imdb.com/title/tt6021260/reviews?ref_=tt_urv</ref>  
+
|Leftist "scientist" [[Bill Nye]] hypnotizes his viewers into pseudo-scientific hucksterism and far-Left views. Though liberal critics praised it, American audiences in general panned it.<ref>https://www.imdb.com/title/tt6021260/reviews?ref_=tt_urv</ref>  
 
|-   
 
|-   
 
|''[[Black Jesus]]''
 
|''[[Black Jesus]]''
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|This sitcom follows the lives of an upper middle class African American family in Los Angeles, California. The plots of most episodes usually push liberal ideologies such as gun control, vaccinations, and even abortion. In trying to subvert black racial stereotypes, it only furthers the stereotypes it claims to be against. Worst of all, the season 3 episode "Lemons" exists only to attack [[Donald Trump]].
 
|This sitcom follows the lives of an upper middle class African American family in Los Angeles, California. The plots of most episodes usually push liberal ideologies such as gun control, vaccinations, and even abortion. In trying to subvert black racial stereotypes, it only furthers the stereotypes it claims to be against. Worst of all, the season 3 episode "Lemons" exists only to attack [[Donald Trump]].
  
The series has two spinoffs, the college-oriented ''Grown-ish'' and the 1980s-set prequel ''Mixed-ish'', both of which push racial stereotypes in equal measure.  Likewise, ''Mixed-ish'' inevitably praises communism, the [[hippie]] lifestyle, hedonism, slacking, and freeloading while inevitably attacking Ronald Reagan, capitalism, gun rights, and conservatism in general<ref>[https://www.newsbusters.org/blogs/culture/sadi-martin/2019/09/24/mixed-ish-mixed New '80s Comedy 'Mixed-ish' Mixed-Up on Communism, Reagan] at NewsBusters</ref>.
+
The series has two spinoffs, the college-oriented ''Grown-ish'' and the 1980s-set prequel ''Mixed-ish'', both of which push racial stereotypes in equal measure.  Likewise, ''Mixed-ish'' inevitably praises Communism, the [[hippie]] lifestyle, hedonism, slacking, and freeloading while inevitably attacking Ronald Reagan, capitalism, gun rights, and conservatism in general<ref>[https://www.newsbusters.org/blogs/culture/sadi-martin/2019/09/24/mixed-ish-mixed New '80s Comedy 'Mixed-ish' Mixed-Up on Communism, Reagan] at NewsBusters</ref>.
 
|-
 
|-
 
|''The Boys''
 
|''The Boys''
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|[[Amazon]]
 
|[[Amazon]]
 
|
 
|
|In this adaptation of the WildStorm/Dynamite Entertainment comic of the same name, various superheroes created for the series, which are normally regarded as symbols of American patriotism, are instead shown to use their powers to achieve malevolent ends. The super-powered vigilantes in question, whose activity this show's title characters monitor, plagiarize various Marvel and DC superheroes like Steve Rogers/Captain America, Diana Prince/Wonder Woman, and Barry Allen/Flash.
+
|In this adaptation of the WildStorm/Dynamite Entertainment comic of the same name, various superheroes created for the series, which are normally regarded as symbols of American patriotism, are instead shown to use their powers to achieve malevolent ends. The super-powered vigilantes in question, whose activity this show's title characters monitor, plagiarize various Marvel and DC superheroes like Steve Rogers/Captain America, Diana Prince/Wonder Woman, and Barry Allen/Flash. They generally tended to mock conservative values and politicians, though ironically, it got into trouble by its liberal viewer base in its second season finale after it implied that liberal politicians, including a stand-in for [[Alexandria Ocasio-Cortez]], are also capable of being evil.<ref>https://newsbusters.org/blogs/culture/lindsay-kornick/2020/10/12/triggered-liberal-tv-critics-jarred-and-upset-aoc</ref>
 
|-
 
|-
 
|''Brave New Girls''
 
|''Brave New Girls''
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|The WB
 
|The WB
 
|TV-14
 
|TV-14
|This feminist, supernatural-themed series, loosely based on the 1992 comedy horror film of the same name but with a more serious tone than the original movie, depicts homosexual characters as "normal", and also in its later seasons depicts a demon who had minions who heavily resembled Catholic clergy in an obvious anti-Christian message. Although one episode had Buffy calling out a school course that pushed left-wing propaganda and implying her saving humanity from the forces of darkness was a waste because of such material being taught in a foreshadowing of the pervasive SJW-infestation of the university system as a positive, it is not enough to detract from its liberal status.
+
|This feministic, supernatural-themed series, loosely based on the 1992 comedy horror film of the same name but with a more serious tone than the original movie, depicts homosexual characters as "normal". In its later seasons, one of the antagonists is a demon whose minions heavily resemble Catholic clergy in an obvious anti-Christian message. In addition, in a foreshadowing of things to come in television regarding orientation swaps, the character Willow, despite being depicted as straight in the first three seasons, was abruptly changed into a lesbian by the show's fourth season. In one episode, protagonist Buffy calls out a school course that pushes left-wing propaganda and implies her saving humanity from the forces of darkness is a waste because of such material being taught in a foreshadowing of the pervasive [[Social Justice Warrior]] infestation of the university system as a positive, but it is not enough to detract from the whole series' liberal status.
 
|-
 
|-
 
|''Charmed''
 
|''Charmed''
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|The WB  
 
|The WB  
 
|
 
|
|This disturbing glorification of witchcraft and feminism may be rebooted in 2018.
+
|This disturbing glorification of witchcraft and feminism was rebooted in 2018.
 
|-
 
|-
 
|''[[The Colbert Report]]''
 
|''[[The Colbert Report]]''
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|TV 14
 
|TV 14
 
|Jon Stewart insults conservative politicians and media stars much more than his occasional jab at liberal Democrats. A year after he left the show, Stewart turned up as a surprise guest on former costar Stephen Colbert's late-night CBS talk show and made a fool of himself by lambasting the [[Donald Trump]] Republican presidential campaign for Trump's stands against illegal immigration and Islamic terrorism as well as his criticisms of [[Barack Hussein Obama]]'s administration and Hillary Clinton's character.
 
|Jon Stewart insults conservative politicians and media stars much more than his occasional jab at liberal Democrats. A year after he left the show, Stewart turned up as a surprise guest on former costar Stephen Colbert's late-night CBS talk show and made a fool of himself by lambasting the [[Donald Trump]] Republican presidential campaign for Trump's stands against illegal immigration and Islamic terrorism as well as his criticisms of [[Barack Hussein Obama]]'s administration and Hillary Clinton's character.
 +
|-
 +
|''Dawson's Creek''
 +
|1998-2003
 +
|[[The WB]]
 +
|TV 14
 +
|Don't let the premise of it dealing with teens growing up in a suburban neighborhood fool you. The pilot episode's script was infamously controversial for including several racey and risque sex-related plotlines. During the second and third seasons, it advocates homosexuality as series regular Jack McPhee "comes out" as gay and, in the third season finale "True Love", engaged in the first on-screen same-sex male kiss on live action television with his "boyfriend" Angus (which had apparently been forced into the episode by producer [[Greg Berlanti]], threatening executives to quit if they didn't cave to his demand). The 1998-1999 season even was ranked #1 on the top worst shows of that season on Parents TV largely because of its excessive references to gratuitous pre-marital sex, pornography, and condoms, and at least one reference to masturbation, plus its promotion of teen homosexuality, and to add insult to injury, the show was aimed at a young viewership via the 8:00 PM timeslot as well as having younger protagonists.<ref>https://web.archive.org/web/20080430140836/https://www.parentstv.org/ptc/publications/reports/top10bestandworst/98top/main.asp</ref>
 
|-
 
|-
 
|''Degrassi''
 
|''Degrassi''
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|[[CTV]] (Canada)<br>TeenNick, Netflix (US)
 
|[[CTV]] (Canada)<br>TeenNick, Netflix (US)
 
|TV 14
 
|TV 14
|This tasteless high school drama portrays drug use, [[homosexuality]], [[sex change theory|gender confusion]], and [[abortion]] in a positive light. Previous versions of the ''Degrassi'' franchise, ''The Kids of Degrassi Street'' (1979–1986), ''Degrassi Junior High'' (1987–1989) and ''Degrassi High'' (1989–1991) (the latter two of which had similar themes), aired on Canadian network CBC Television.
+
|This tasteless high school drama portrays drug use, [[homosexuality]], [[gender confusion]], and [[abortion]] in a positive light. Previous versions of the ''Degrassi'' franchise, ''The Kids of Degrassi Street'' (1979–1986), ''Degrassi Junior High'' (1987–1989) and ''Degrassi High'' (1989–1991) (the latter two of which had similar themes), aired on Canadian network CBC Television.
 
|-
 
|-
 
|''Dickinson''
 
|''Dickinson''
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|Apple+
 
|Apple+
 
|TV-14
 
|TV-14
|Historically revisionist, feminist show that portrays [[Emily Dickinson]] as bi-curious.  She's also played by biracial actress Hailee Steinfeld, even though the real Emily Dickinson never had an any Asian ancestry.
+
|In this historically revisionist, feminist Web-exclusive series, notable American poet [[Emily Dickinson]] is characterized as bi-curious and played by biracial actress Hailee Steinfeld, even though the real Emily Dickinson never had an any Asian ancestry and was heterosexual.
 
|-
 
|-
 
|''Doubt''
 
|''Doubt''
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|CBS
 
|CBS
 
|TV-14
 
|TV-14
|This courtroom drama features gender-confused male actor Roderick "Laverne" Cox. It was touted by CBS as the first network primetime drama to feature a gender-confused actor in a starring role in an attempt to push gender confusion on its viewing audience. Because of this, viewers wanted no part of the show, which was cancelled after just two episodes.<ref name="Rise Failure">[https://www.newsbusters.org/blogs/nb/matt-philbin/2017/03/06/does-when-we-rises-failure-signal-end-cultures-long-gay-moment Does ‘When We Rise’s’ Failure Signal End to the Culture’s Long ‘Gay Moment?’] at NewsBusters</ref>
+
|This courtroom drama stars gender-confused male actor Roderick "Laverne" Cox. It was touted by CBS as the first network prime time drama to feature a gender-confused actor in a starring role in an attempt to push gender confusion on its viewing audience. Because of this, viewers wanted no part of the show, which was cancelled after just two episodes.<ref name="Rise Failure">[https://www.newsbusters.org/blogs/nb/matt-philbin/2017/03/06/does-when-we-rises-failure-signal-end-cultures-long-gay-moment Does ‘When We Rise’s’ Failure Signal End to the Culture’s Long ‘Gay Moment?’] at NewsBusters</ref>
 +
|-
 +
|''Dummy''
 +
|2020-present
 +
|[[Quibi]]
 +
|TV-MA
 +
|This surreally feminist series follows a woman who befriends a talking sex doll.
 
|-
 
|-
 
|''Full Frontal with Samantha Bee''
 
|''Full Frontal with Samantha Bee''
|2016–present
+
|2016–2022
 
|TBS
 
|TBS
|TV MA
+
|TV-MA
|This offshoot of ''The Daily Show'' features dimwitted former correspondent and alleged "comedienne" [[Samantha Bee]], who liberally uses foul language, bigotry, and projection in her frequent, pathetic and unfunny mischaracterizations of conservative politicians, public figures, and the public when they refuse to embrace liberal agendas. Bee often takes to behaving like a middle-aged teenybopper during her reports while slagging those she opposes.
+
|This offshoot of ''The Daily Show'' featured former correspondent and alleged "comedienne" [[Samantha Bee]], who liberally uses foul language, bigotry, and projection in her frequent, pathetic and unfunny mischaracterizations of conservative politicians, public figures, and the public when they refuse to embrace liberal agendas. Bee often takes to behaving like a middle-aged teenybopper during her reports while slagging those she opposes. TBS announced the cancellation of the show on July 25, 2022, claimed as part of cutbacks by TBS owner Warner Bros. Discovery (though in reality, it was the lowest-rated of twelve current late-night programs,<ref>[https://twitter.com/RoadMN/status/1437861444339515396 Late Night TV Rankings - Sept. 6-12 (2021)] at Twitter</ref> sometimes falling below 200,000 viewers on some weeks<ref>[http://www.thetvratingsguide.com/2022/06/thursday-cable-ratings-6222-top-chef.html Thursday Cable Ratings 6/2/22: Top Chef Ends Steady, NHL Playoffs Sink, Tucker Carlson Back Atop Cable News]</ref>).
 +
|-
 +
|''[[Game of Thrones]]''
 +
|2011-2019
 +
|HBO
 +
|TV-MA
 +
|Filled with gratuitous sex, bloody murder, and tons of swearing, this [[Emmy Award]] winning series was one of the most vile shows ever put on television.
 
|-
 
|-
 
|''GCB''  
 
|''GCB''  
Line 178: Line 208:
 
|ABC
 
|ABC
 
|TV-14
 
|TV-14
|This blasphemous sitcom debases [[Christianity]], as evidenced simply by its provocative title. It was so ill-received by various mainstream Christians that they demanded a boycott of anyone who sponsored the show, which ultimately contributed to its lasting a single season.
+
|This blasphemous sitcom debases [[Christianity]], as evidenced simply by its provocative title (its title is an acronym for "Good Christian [censored]"). It was so ill-received by various mainstream Christians that they demanded a boycott of anyone who sponsored the show, which ultimately contributed to its lasting a single season.
 
|-
 
|-
 
|''Girls''
 
|''Girls''
Line 202: Line 232:
 
|FOX
 
|FOX
 
|TV-14
 
|TV-14
|Originally a prequel series to DC Comics superhero Bruce Wayne/Batman's crimefighting career, it unfortunately turned into homosexual propaganda in the third season because two of the main villains, the Penguin and the Riddler, are revealed to be homosexual, even though they were never like that in the comics and the Riddler had previously been depicted as straight in the previous two seasons. To a lesser extent, Barbara Kean, noted for being the wife of Commissioner James Gordon and mother to Barbara Gordon/Batgirl in the comics, is depicted as bisexual but never had this lifestyle in the comics either.
+
|Originally a prequel series to DC Comics superhero Bruce Wayne/Batman's crimefighting career, it unfortunately turned into homosexual propaganda in the third season because two of the regular villains, the Penguin and the Riddler, are revealed to be homosexual, even though they were never like that in the comics and the Riddler had previously been depicted as straight in the previous two seasons. To a lesser extent, Barbara Kean, noted for being the wife of Commissioner James Gordon and mother to Barbara Gordon/Batgirl in the comics, is depicted as bisexual but never had this lifestyle in the comics either.
|-
+
|''Happy Days''
+
|1974-1984
+
|ABC
+
|TV-G
+
|Originally launched as a 1972 episode of ''Love, American Style'' called "Love and the Television Set" and set in the 1950s, producers admitted to pushing pro-[[pacifist]], anti-[[Vietnam War]] themes.<ref>https://www.theguardian.com/tv-and-radio/2011/jun/29/is-us-tv-too-leftwing</ref>  One of the show's main characters, high school student Richie Cunningham (played by Ron Howard as a regular from 1974 to 1980), was a supporter of the Democrat Party on the show (as part of his school's Young Democrats club, he supported Democrat presidential candidate [[Adlai Stevenson]] in the 1956 elections in the Season Two episode "The Not Making of a President") and, as such, was depicted as young and idealistic yet naïve.
+
 
+
Debuting to modest ratings in January 1974 after ABC green-lit it to series, ''Happy Days'' became a huge hit in its later years after the emphasis was shifted more to formerly-minor character Arthur "The Fonz/Fonzie" Fonzarelli (played by Henry Winkler), a greaser, former gang member, womanizer and high school dropout who nonetheless became increasingly popular with the show's audience and became the main focus of the show after Howard's departure.  The show also spawned several spinoffs, including ''Laverne & Shirley'', ''Mork & Mindy'' (created as a vehicle for stand-up comedian [[Robin Williams]]) and the animated series ''The Fonz and the Happy Days Gang''.
+
 
|-
 
|-
 
|''Hardball with Chris Matthews''
 
|''Hardball with Chris Matthews''
Line 222: Line 244:
 
|Showtime
 
|Showtime
 
|TV-MA
 
|TV-MA
|The show initially attempts to portray some conflict with whether a returning POW Marine was a hero or a newly-brainwashed terrorist, but by the third season they not only determined terrorist, but made him the hero.<ref>https://pjmedia.com/blog/did-homeland-nuke-the-fridge</ref> It also was anti-American as a result, creating paranoia about America as a result, which leftist critics complimented the show due to "moral ambiguity" (which is really code for "denounce America as a nation.).<ref>https://townhall.com/columnists/brentbozell/2017/09/29/critics-hate-military-shows-in-prime-time-n2388223</ref>
+
|The series initially attempts to portray some conflict with whether a returning POW Marine was a hero or a newly-brainwashed terrorist, but by the third season it not only determines him a terrorist, but makes him the hero.<ref>https://pjmedia.com/blog/did-homeland-nuke-the-fridge</ref> It also was anti-American as a result, creating paranoia about America as a result, which leftist critics complimented the show due to "moral ambiguity" (which is really code for "denounce America as a nation.).<ref>https://townhall.com/columnists/brentbozell/2017/09/29/critics-hate-military-shows-in-prime-time-n2388223</ref>
 +
|-
 +
|''House of the Dragon''
 +
|2022-
 +
|[[HBO]]
 +
|TV-MA
 +
|A prequel to the acclaimed [[Game of Thrones]], House of the Dragon features the same traits as its sequel.
 
|-
 
|-
 
|''House, MD''
 
|''House, MD''
Line 228: Line 256:
 
|[[Fox]]
 
|[[Fox]]
 
|
 
|
|Medical drama which features situations that are fairly accurate and real from a scientific viewpoint, but marred by the protagonist who is a rude, atheistic medical doctor. Although witty and intelligent, the show attempts to paint a liberal distortion of the reality of medical doctors, who are actually more religious than people in other scientific fields, or at least accepting and tolerant of the importance of a patient's faith in their lives. The show may even be suggesting that his atheism is responsible for making him a superior doctor to the rest, though as mentioned, this is not generally true in real life. Medical doctors are not only more open about the role in faith in health, but have done more good to save people's lives and show actual concern for the afflicted, beyond the reductionistic "rationalism" of atheopaths who, for instance, want to seem like they care about disabled children by euthanizing them because of their narrow view of human life. In addition, millions of dollars has been wasted in celebrating ingrate scientists like Stephen Hawkings and Carl Sagan whose goal was only to find life on other planets or irrelevant things regarding black holes while the human population continues to suffer and would've benefited more from investing in better health treatments or technology.
+
|This medical drama features situations that are fairly accurate and real from a scientific viewpoint, but marred by the protagonist who is a rude, cynical, and inevitably atheistic medical doctor who is addicted to the pain medication Vicodin. Although witty and intelligent, the show attempts to paint a liberal distortion of the reality of medical doctors, who are actually more religious than people in other scientific fields, or at least accepting and tolerant of the importance of a patient's faith in their lives. The series may even suggest that his atheism is responsible for making him a "superior" doctor to the rest, though as mentioned, this is not a fixed law in real life. Medical doctors are not only more open about the role in faith in health, but have done more good to save people's lives and show actual concern for the afflicted, beyond the reductionistic "rationalism" of atheopaths who, for instance, want to seem like they care about disabled children by euthanizing them because of their narrow view of human life. In addition, millions of dollars has been wasted in celebrating ingrate scientists like Stephen Hawking and Carl Sagan, who wasted time trying to find life on other planets or irrelevant information regarding black holes while the human population continues to suffer and would have benefited more from investing in better health treatments or technology.
 
|-
 
|-
 
|''[[How I Met Your Mother]]''
 
|''[[How I Met Your Mother]]''
Line 264: Line 292:
 
|SyFy
 
|SyFy
 
|
 
|
|Par for the course of showrunners [[Matt Damon]] and [[Ben Affleck]], the series blames corporations for what liberals erroneously think is manmade global warming.
+
|Par for the course of showrunners [[Matt Damon]] and [[Ben Affleck]], the series blames corporations for what liberals erroneously think is manmade "global warming".
 
|-
 
|-
 
|''Inside Amy Schumer''
 
|''Inside Amy Schumer''
Line 270: Line 298:
 
|Comedy Central  
 
|Comedy Central  
 
|TV-14
 
|TV-14
|Liberal "comedienne" and Second Amendment opponent<ref>[https://www.youtube.com/watch?v=uCI2rvf2Zuk Amy Schumer Addresses March For Our Lives Crowd] at YouTube</ref> Amy Schumer (who only is famous because she is a cousin of Democrat Party senator [[Chuck Schumer]]) does nothing but smother her liberal agenda onto the show's viewers. Her show is also infamous for stealing jokes from other comedians.<ref>https://www.youtube.com/watch?v=q064UWEwEP8</ref> Its fifth season has been placed on hiatus.<ref>https://money.cnn.com/2016/08/18/media/amy-schumer-show-canceled/index.html</ref>
+
|Liberal "comedienne" and Second Amendment opponent<ref>[https://www.youtube.com/watch?v=uCI2rvf2Zuk Amy Schumer Addresses March For Our Lives Crowd] at YouTube</ref> Amy Schumer (who only is famous because she is a cousin of Democrat Party senator [[Chuck Schumer]]) does nothing but smother her liberal agenda onto the show's viewers. She even steals jokes from other comedians.<ref>https://www.youtube.com/watch?v=q064UWEwEP8</ref> Its fifth season has been placed on hiatus.<ref>https://money.cnn.com/2016/08/18/media/amy-schumer-show-canceled/index.html</ref>
 +
|-
 +
|''It's Always Sunny In Philadelphia''
 +
|2005-Present
 +
|FX/FXX
 +
|TV-MA
 +
|A group of widely unethical and sleazy friends run an Irish bar in the Democratic stronghold of Philadelphia, which recently overwhelmingly voted for Joe Biden. A caricature of a conservative Republican, wealthy man Frank, is on the show, even though the actor, Danny DeVito, is a liberal Democrat; he frequently brandishes a pistol in public, breaking every safety rule in the book. Other members of the main cast include Dennis, a vain, proud man, the illiterate Charlie, the psychologically unstable Mac and Frank's son and Dennis's sister Dee, who is pursuing a doomed career as an actress. Controversial topics such as abortion, race relations, and LGBTQ+ issues feature in the show, which portrays the pro life movement very unflatteringly.
 
|-
 
|-
 
|''Jersey Shore''
 
|''Jersey Shore''
Line 277: Line 311:
 
|TV 14
 
|TV 14
 
|This "reality" TV series attracts its audiences using shock value: it revolves around immoral and obscene behavior characteristics of its cast on the shores of New Jersey. Behavior depicted includes provocative dancing, innuendo usage, public drunkenness, and domestic violence.
 
|This "reality" TV series attracts its audiences using shock value: it revolves around immoral and obscene behavior characteristics of its cast on the shores of New Jersey. Behavior depicted includes provocative dancing, innuendo usage, public drunkenness, and domestic violence.
 +
|-
 +
|''The L Word''
 +
|2004–2009
 +
|Showtime
 +
|TV-MA
 +
|As the title suggests, this trashy homosexual agenda-pushing drama revolves around lesbianism, feminism, feminist tribalism, and the promiscuous lesbian characters who drift in and out of relationships and affairs.
 +
|-
 +
|''The L Word: Generation Q''
 +
|2019–
 +
|Showtime
 +
|TV-MA
 +
|A sequel series to ''The L Word'', set ten years after the original series ended and featuring some of the original cast, the series veers more sharply to the left politically and not only goes deeper into lesbianism and feminism but gets into outright misandry and racism, and it digs into some graphic and repulsive subject matter<ref>[https://www.newsbusters.org/blogs/culture/elise-ehrhard/2019/12/09/lesbian-showtime-series-reboots-lesbian-porn-kamala-harris Showtime's 'The L Word' Reboots with Lesbian Porn, Period Sex and Kamala Harris] at NewsBusters ('''Warning:''' episode summary contains graphic descriptions)</ref> in its low-rated debut episode, which drew only 241,000 viewers. Later episodes have seen viewership decrease, to where second-season episode "Launch Party" fell to a record low to date for the show of a pathetically low 21,000 viewers. Despite the sharp 90% decline in viewership, Showtime surprisingly renewed the failing show for a third season in 2022.
 
|-
 
|-
 
|''[[Last Week Tonight with John Oliver]]''
 
|''[[Last Week Tonight with John Oliver]]''
Line 282: Line 328:
 
|HBO
 
|HBO
 
|
 
|
|British "comedian" and former ''Daily Show'' correspondent [[John Oliver]] hosts this late night talk and news show. Like Samantha Bee on her show ''Full Frontal with Samantha Bee'', the liberal Oliver engages in bigotry and projection while mischaracterizing and attacking conservatives in the public spotlight and their supporters. Following [[Donald Trump]]'s winning the U.S. Presidency, he shifted a vast majority of his humor on verbally accosting the POTUS in every episode. More recently, Oliver, who also denies the existence of the [[homosexual agenda]], saw fit to attack Vice-President [[Mike Pence]] and his family on the show by plagiarizing Charlotte Pence's children's book with an obscene pro-homosexual parody of the book, the proceeds of which he then claimed he would send to the Trevor Project, a pro-homosexual "charity" which encourages the enabling of harmful and destructive sexual behavior.<ref>[https://pjmedia.com/lifestyle/john-oliver-mocks-mike-pences-daughters-bunny-book-with-a-better-version-featuring-gay-marriage/ John Oliver Mocks Mike Pence's Daughter's Bunny Book With a "Better" Version Featuring "Gay Marriage"] at PJ Media</ref>
+
|British "comedian" and former ''Daily Show'' correspondent [[John Oliver]] hosts this late night talk and news show. Like Samantha Bee on her show ''Full Frontal with Samantha Bee'', the liberal Oliver engages in bigotry and projection while mischaracterizing and attacking conservatives in the public spotlight and their supporters. Following [[Donald Trump]]'s winning the U.S. Presidency, he has shifted a vast majority of his humor on verbally accosting the POTUS every chance he gets. More recently, Oliver, who denies the existence of the [[homosexual agenda]], saw fit to attack Vice-President [[Mike Pence]] and his family on the show by plagiarizing Charlotte Pence's children's book with an obscene pro-homosexual parody of the book, the proceeds of which he then claimed he would send to the Trevor Project, a pro-homosexual "charity" which encourages the enabling of harmful and destructive sexual behavior.<ref>[https://pjmedia.com/lifestyle/john-oliver-mocks-mike-pences-daughters-bunny-book-with-a-better-version-featuring-gay-marriage/ John Oliver Mocks Mike Pence's Daughter's Bunny Book With a "Better" Version Featuring "Gay Marriage"] at PJ Media</ref>
 
|-
 
|-
|''Law & Order: Special Victims Unit''
+
|''[[Law and Order: SVU|Law & Order: Special Victims Unit]]''
 
|1999-
 
|1999-
 
|NBC
 
|NBC
 
|TV-14
 
|TV-14
|While based around police officers bringing sexual criminals to justice, this series in the ''Law & Order'' franchise furthers leftist agendas such as feminism and homosexuality. The episodes "Info Wars" presents main characters taking jabs at a rape victim simply due to her having conservative-leaning politics, and it even stereotyped Trump supporters. Protagonist Olivia Benson typically lacks strength of moral character and is sometimes shown to be an incompetent detective.
+
|While based around police officers bringing sexual criminals to justice, this series in the ''Law & Order'' franchise furthers leftist agendas such as feminism and homosexuality. The episode "Info Wars" presents the main characters taking jabs at a rape victim simply due to her having conservative-leaning politics, and it even stereotyped Trump supporters. Protagonist Olivia Benson typically lacks the strength of moral character and is sometimes shown to be an incompetent detective. Ice T's character once makes a needlessly racist remark, saying, "Nothing is worse than white people congratulating themselves."
 
|-
 
|-
 
|''Living Biblically''
 
|''Living Biblically''
Line 301: Line 347:
 
|TV MA
 
|TV MA
 
|Essentially, it's propaganda for the homosexual agenda that lasted only for two seasons.
 
|Essentially, it's propaganda for the homosexual agenda that lasted only for two seasons.
 +
|-
 +
|''Love, Victor'' (originally ''Love, Simon'')
 +
|2020
 +
|Hulu (originally planned for DisneyPlus)
 +
|
 +
|As expected of a [[Greg Berlanti]]-produced series, the show is a blatant attempt at [[homosexual agenda|homosexual propaganda]], which involved two High School men, named Victor and Simon, struggling with their closeted homosexuality and trying to come out of the closet. It was originally planned to be titled ''Love, Simon'', and was to air on DisneyPlus, but Disney rejected the series due to deeming it too family unfriendly for its audience (implying that the show was so blatant in its promotion of homosexuality that even Disney, itself no stranger to pushing the homosexual agenda since the 1990s, was taken aback by it), so it was renamed ''Love, Victor'' and aired on Hulu instead.<ref>https://www.oneangrygamer.net/2020/02/love-simon-canned-from-disney-plus-due-to-alcohol-use-sexual-exploration/103864/</ref>
 
|-
 
|-
 
|''The Loudest Voice''
 
|''The Loudest Voice''
Line 306: Line 358:
 
|Showtime
 
|Showtime
 
|TV-14
 
|TV-14
|t exists only to lambast Roger Ailes and the original Fox News, and it is based on fake news propaganda book ''The Loudest Voice in the Room'',by leftist harasser of FNC Gabriel Sherman. It falsely accuses Ailes of creating an anti-Semitic cartoon and hit piece about Gabe Sherman for harassing him; being a purveyor of fake news (ironically); having a Monica Lewinski-type extramarital affair; and being a petty, vindictive bigot who sexually harasses women. Lastly, he is accused of being an authoritarian figure who somehow surveils people using cameras and hired workers and who reacts excessively to any form of criticism of him or his views.
+
|It exists only to lambast Roger Ailes and the original Fox News, and it is based on fake news propaganda book ''The Loudest Voice in the Room'', by leftist harasser of FNC Gabriel Sherman. It falsely accuses Ailes of creating an anti-Semitic cartoon and hit piece about Gabe Sherman for harassing him; being a purveyor of fake news (ironically); having a Monica Lewinski-type extramarital affair; and being a petty, vindictive "bigot" who sexually harasses women. Lastly, he is hypocritically accused of being an authoritarian figure who somehow surveils people using cameras and hired workers and who reacts excessively to any form of criticism of him or his views.
 
|-
 
|-
 
|''Lucifer''
 
|''Lucifer''
|2016-2018
+
|2016-2021
|FOX
+
|FOX (seasons 1-3)<br>Netflix (seasons 4-6)
 
|TV-14
 
|TV-14
|No, you're not reading that wrong. Hollywood green-lighted a TV series with [[Satan]] as not just the lead character but the "hero" too, despite history and the Bible proving otherwise. Then again, it should come as no surprise because the show is based on graphic novels by atheist British author and graphic comic artist/novelist Neil Gaiman, who is in an [[open marriage]] with his spouse and whose works sometimes switch the personalities of God and Satan in a revisionist manner. On May 11, 2018, the series was finally cancelled after three seasons.
+
|No, you're not reading that wrong. Hollywood green-lighted a TV series with [[Satan]] as not just the lead character but the "hero" too, despite history and the Bible proving otherwise. Then again, it should come as no surprise because the show is based on graphic novels by atheist British author and graphic comic artist/novelist Neil Gaiman, who is in an [[open marriage]] with his spouse and whose works sometimes switch the personalities of God and Satan in a revisionist manner. The show was originally canceled by FOX in May 2018 due to low ratings, but was revived by streaming service Netflix a year later. On September 10, 2021, the series finally ended surprisingly after six seasons.
 
|-
 
|-
 
|''Madam Secretary''
 
|''Madam Secretary''
Line 318: Line 370:
 
|CBS
 
|CBS
 
|
 
|
|This political series invariably supports [[Hillary Clinton]]. As a matter of fact, the Season 4 premiere not only has Clinton having a somewhat major role, but the main character in a stump speech denounces nationalism as "a perversion of patriotism" and implicitly advocates globalism and forced diversity.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2018/10/07/hillary-advises-cbss-madam-secretary-nationalism</ref>
+
|This political series invariably supports [[Hillary Clinton]]. As a matter of fact, the Season 4 premiere not only has Clinton having a somewhat major role, but the protagonist in a stump speech denounces nationalism as "a perversion of patriotism" and implicitly advocates globalism and forced diversity.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2018/10/07/hillary-advises-cbss-madam-secretary-nationalism</ref>
 +
|-
 +
|''The Marvelous Mrs. Maisel''
 +
|2017- present
 +
|Amazon
 +
|
 +
|Taking place in the late 1950s and early 1960s, this Amazon original series uses the story of an up-and-coming [[New York City]] comedienne to hide its mission to glorify [[feminism]] and vulgar humor.  It ridicules the sanctity of marriage while championing Marxism and homosexuality.  Furthermore, a season 3 episode slanders the legacy of conservative hero [[Phyllis Schlafly]], accusing her of being a "racist" and an "anti-Semitic monster" who is worse than Satan, all while holding militant atheist and communist [[Che Guevara]] up as a counterculture "hero".
 
|-
 
|-
 
|''Marvin Marvin''
 
|''Marvin Marvin''
Line 336: Line 394:
 
|FOX
 
|FOX
 
|
 
|
|This anti-family sitcom stars Kaitlin Olson as Mackenzie "Mickey" Murphy, an irresponsible young woman who takes over the raising of her niece and two nephews after the youths' parents are arrested for tax evasion and fraud. It pushes liberal values such as gender confusion by children (and the mind warping that results from it, as shown in the episode "The New Girl"<ref>[https://www.newsbusters.org/blogs/culture/lindsay-kornick/2017/02/28/transgender-boy-asks-lesbian-fox-mick Gender Confused Boy Asks If Liking a Girl "Makes Me a Lesbian" on Fox's ''The Mick''] at Newsbusters</ref>), the use of women's washrooms by gender-confused males (also from "The New Girl") and the sissyfication of boys in society (from the episode "The Implant",<ref>[https://www.youtube.com/watch?v=Vk444N1ROY0 Chip And Ben Freak Out Over A Spider | Season 1 Ep. 16 | THE MICK] at YouTube</ref> where Mickey's nephews Chip and Ben start screaming like girls after seeing a tiny spider). Audiences were turned off by the storylines and agenda-pushing in the show and, after plummeting from an initial audience of 8.58 million for its pilot episode to a low of 1.72 million for Season Two's "The Accident", it was cancelled after two seasons due to low ratings.
+
|This anti-family sitcom stars Kaitlin Olson as Mackenzie "Mickey" Murphy, an irresponsible young woman who takes over the raising of her niece and two nephews after the youths' parents are arrested for tax evasion and fraud. Its liberal values include gender confusion by children (and the mind warping that results from it, as shown in the episode "The New Girl"<ref>[https://www.newsbusters.org/blogs/culture/lindsay-kornick/2017/02/28/transgender-boy-asks-lesbian-fox-mick Gender Confused Boy Asks If Liking a Girl "Makes Me a Lesbian" on Fox's ''The Mick''] at Newsbusters</ref>), the use of women's washrooms by gender-confused males (also from "The New Girl") and the sissyfication of boys in society (from the episode "The Implant",<ref>[https://www.youtube.com/watch?v=Vk444N1ROY0 Chip And Ben Freak Out Over A Spider | Season 1 Ep. 16 | THE MICK] at YouTube</ref> where Mickey's nephews Chip and Ben start screaming like girls after seeing a tiny spider). Audiences were turned off by the storylines and agenda-pushing in the show and, after plummeting from an initial audience of 8.58 million for its pilot episode to a low of 1.72 million for Season Two's "The Accident", it was cancelled after two seasons due to low ratings.
 
|-
 
|-
 
|''Modern Family''
 
|''Modern Family''
|2010-present
+
|2009-2020
 
|[[ABC]]
 
|[[ABC]]
 
|TV 14
 
|TV 14
|Liberals have made a shrine out of this sitcom starring three interconnected "families", two of which are dysfunctional (which is passed off as humorous) and the third of which is a male homosexual couple (presented as "normal") with an adopted child. Gloria Pritchett (born Ramirez), the Colombian second wife (presumed to be a trophy wife) of the overall family patriarch Jay Pritchett, sometimes plays into Hispanic racial stereotypes and behaves in a racist manner toward other characters.
+
|Liberals have made a shrine out of this sitcom starring three interconnected "families", two of which are dysfunctional (which is passed off as humorous) and the third of which is a male homosexual couple (presented as "normal") with an adopted child. Gloria Pritchett (born Ramirez), the Colombian second wife (presumed to be a trophy wife) of the overall family patriarch Jay Pritchett, sometimes plays into Hispanic racial stereotypes and behaves in a possibly racist manner toward other characters, this just to show [[woke]] liberal and [[Social justice warrior|SJW]] hypocrisy by preaching, bullying, harassing and attacking others for much, infinitely less ("rules for thee, not for me"). The sitcom also shows hypocritical bias and double standards in parents' education toward their children depending on their respective sexes (even when they are already young adults) and even [[ageism|ageist]] propaganda and negative stereotypes, one perfect example including together both these last two characteristics is the episode "Party Crasher" with the sole-appearance character Kenny, Haley's boyfriend.
 
|-
 
|-
 
|''Murphy Brown''
 
|''Murphy Brown''
Line 350: Line 408:
 
|Pushes far-left viewpoints with the main character Murphy Brown, who became a single mother after giving a birth to a baby out of wedlock in later seasons. Was rather infamous for a spat on family values with then-Vice President Dan Quayle in 1992 in response to the latter's denouncement of the character mocking fatherhood.<ref name="forerunner">[http://forerunner.com/forerunner/X0406_Quayles_Murphy_Brown.html Excerpts from Dan Quayle's speech], at Forerunner.com</ref><ref>{{cite news|title= THE 1992 CAMPAIGN: Murphy Brown; Get Ready, America: Murphy Responds |work= New York Times|date=September 4, 1992|url=https://www.nytimes.com/1992/09/04/us/the-1992-campaign-murphy-brown-get-ready-america-murphy-responds.html?scp=10&sq=murphy%20brown&st=cse|accessdate=August 10, 2010 | first=Andrew | last=Rosenthal}}</ref><ref>{{cite news|title= Back Talk From 'Murphy Brown' to Dan Quayle|work= New York Times|date=July 20, 1992 |url=https://www.nytimes.com/1992/07/20/arts/back-talk-from-murphy-brown-to-dan-quayle.html |accessdate=August 10, 2010 | first=Bill | last=Carter}}</ref><ref>{{cite news|title= Dan Quayle vs. Murphy Brown|work= New York Times|date=June 1, 1992|url=http://www.time.com/time/magazine/article/0,9171,975627,00.html|accessdate=August 15, 2010}}</ref><ref>http://www.tv.com/e!s-101/reasons-the-90s-ruled-101---81/episode/315325/summary.html</ref> Got a revival in 2018, with the star, Candice Bergen, and the show's creator, Diane English, making clear they revived it specifically to attack Donald Trump for winning the 2016 elections.<ref>https://www.newsbusters.org/blogs/nb/scott-whitlock/2018/09/26/murphy-brown-2016-if-hillary-had-won-we-would-be-dancing-streets</ref><ref>https://www.newsbusters.org/blogs/culture/jacob-comello/2018/09/26/murphy-brown-revival-specifically-made-provoke-trump</ref> One episode of the reboot even had Hillary Clinton have a guest appearance as a prospective secretary, with the writers barely even trying to disguise her name.<ref>https://www.newsbusters.org/blogs/culture/karen-townsend/2018/09/28/original-nasty-woman-murphy-brown-reboot</ref>  
 
|Pushes far-left viewpoints with the main character Murphy Brown, who became a single mother after giving a birth to a baby out of wedlock in later seasons. Was rather infamous for a spat on family values with then-Vice President Dan Quayle in 1992 in response to the latter's denouncement of the character mocking fatherhood.<ref name="forerunner">[http://forerunner.com/forerunner/X0406_Quayles_Murphy_Brown.html Excerpts from Dan Quayle's speech], at Forerunner.com</ref><ref>{{cite news|title= THE 1992 CAMPAIGN: Murphy Brown; Get Ready, America: Murphy Responds |work= New York Times|date=September 4, 1992|url=https://www.nytimes.com/1992/09/04/us/the-1992-campaign-murphy-brown-get-ready-america-murphy-responds.html?scp=10&sq=murphy%20brown&st=cse|accessdate=August 10, 2010 | first=Andrew | last=Rosenthal}}</ref><ref>{{cite news|title= Back Talk From 'Murphy Brown' to Dan Quayle|work= New York Times|date=July 20, 1992 |url=https://www.nytimes.com/1992/07/20/arts/back-talk-from-murphy-brown-to-dan-quayle.html |accessdate=August 10, 2010 | first=Bill | last=Carter}}</ref><ref>{{cite news|title= Dan Quayle vs. Murphy Brown|work= New York Times|date=June 1, 1992|url=http://www.time.com/time/magazine/article/0,9171,975627,00.html|accessdate=August 15, 2010}}</ref><ref>http://www.tv.com/e!s-101/reasons-the-90s-ruled-101---81/episode/315325/summary.html</ref> Got a revival in 2018, with the star, Candice Bergen, and the show's creator, Diane English, making clear they revived it specifically to attack Donald Trump for winning the 2016 elections.<ref>https://www.newsbusters.org/blogs/nb/scott-whitlock/2018/09/26/murphy-brown-2016-if-hillary-had-won-we-would-be-dancing-streets</ref><ref>https://www.newsbusters.org/blogs/culture/jacob-comello/2018/09/26/murphy-brown-revival-specifically-made-provoke-trump</ref> One episode of the reboot even had Hillary Clinton have a guest appearance as a prospective secretary, with the writers barely even trying to disguise her name.<ref>https://www.newsbusters.org/blogs/culture/karen-townsend/2018/09/28/original-nasty-woman-murphy-brown-reboot</ref>  
  
Predictably, the season premiere was a bust on ratings, only gathering at best 1.1 million viewers on its first night and was beaten out by the revival of the Greatest Conservative TV Show ''Last Man Standing'' on FOX.<ref>https://www.newsbusters.org/blogs/culture/annie-piper/2018/09/28/last-man-standing-celebrates-return-thanks-loyal-kick-ss-fans</ref> Another episode mocks Steve Bannon and denounces white Conservative men as "dinosaurs", the clear implication being that they are to die out soon - despite the fact that Murphy, who hypocritically called Ed Shannon (the Steve Bannon character) a "dinosaur", is over two decades older than Shannon is and is herself white.<ref>https://www.newsbusters.org/blogs/culture/karen-townsend/2018/10/19/murphy-brown-conservative-white-male-you-and-your-friends</ref>  On November 28, 2018, it was announced that the ''Murphy Brown'' revival had been cancelled due to low ratings, although in a face-saving announcement, CBS initially claimed that the revival, which did not get past its initial 13 episodes, was to have been a "closed-ended order" from the beginning, while series creator Diane English claimed that the show was "not cancelled".<ref>[https://www.breitbart.com/entertainment/2018/11/28/report-anti-trump-murphy-brown-reboot-cancelled-after-one-season/ Report: Anti-Trump ''Murphy Brown'' Reboot Cancelled After One Season] at Breitbart News Network</ref> CBS eventually announced on May 10, 2019 that the cancellation of ''Murphy Brown'' had been made official.<ref>[https://tvline.com/2019/05/10/murphy-brown-cancelled-cbs-revival-candice-bergen/ ''Murphy Brown'' Cancelled at CBS] at TVLine</ref>
+
Predictably, the season premiere was a bust on ratings, only gathering at best 1.1 million viewers on its first night and was beaten out by the revival of the Greatest Conservative TV Show ''Last Man Standing'' on FOX.<ref>https://www.newsbusters.org/blogs/culture/annie-piper/2018/09/28/last-man-standing-celebrates-return-thanks-loyal-kick-ss-fans</ref> Another episode mocks Steve Bannon and denounces white conservative men as "dinosaurs", the clear implication being that they are to die out soon - despite the fact that Murphy, who hypocritically called Ed Shannon (the Steve Bannon character) a "dinosaur", is over two decades older than Shannon is and is herself white.<ref>https://www.newsbusters.org/blogs/culture/karen-townsend/2018/10/19/murphy-brown-conservative-white-male-you-and-your-friends</ref>  On November 28, 2018, it was announced that the ''Murphy Brown'' revival had been cancelled due to low ratings, although in a face-saving announcement, CBS initially claimed that the revival, which did not get past its initial 13 episodes, was to have been a "closed-ended order" from the beginning, while series creator Diane English claimed that the show was "not cancelled".<ref>[https://www.breitbart.com/entertainment/2018/11/28/report-anti-trump-murphy-brown-reboot-cancelled-after-one-season/ Report: Anti-Trump ''Murphy Brown'' Reboot Cancelled After One Season] at Breitbart News Network</ref> CBS eventually announced on May 10, 2019 that the cancellation of ''Murphy Brown'' had been made official.<ref>[https://tvline.com/2019/05/10/murphy-brown-cancelled-cbs-revival-candice-bergen/ ''Murphy Brown'' Cancelled at CBS] at TVLine</ref>
 
|-  
 
|-  
 
|''My Next Guest Needs No Introduction with David Letterman''
 
|''My Next Guest Needs No Introduction with David Letterman''
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|Netflix
 
|Netflix
 
|TV-MA
 
|TV-MA
|Faded late-night television host David Letterman spends an hour being sycophantic to his liberal guests.
+
|Faded late-night television host David Letterman behaves in sycophantic ways while interviewing his liberal guests.
 
|-
 
|-
 
|''The New Normal''
 
|''The New Normal''
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|First-run syndication
 
|First-run syndication
 
|
 
|
|The host of this daytime talk show frequently asserts her liberal and [[feminism|feminist]] viewpoints.
+
|The eponymous host of this daytime talk show frequently asserts her liberal and [[feminism|feminist]] viewpoints.
 
|-
 
|-
 
|''Orange is the New Black''
 
|''Orange is the New Black''
Line 383: Line 441:
 
|-
 
|-
 
|''Party of Five''
 
|''Party of Five''
|
+
|2020
 
|Freeform
 
|Freeform
 
|
 
|
|Don't let the title fool you, this reboot of the 1996-2000 series of the same name promotes illegal immigration and condemns deportation.<ref>https://www.hollywoodreporter.com/dailyedition/2018-09-07/1140743?dailyEditionParagraph=1140474</ref><ref>https://www.breitbart.com/big-hollywood/2018/09/10/party-of-five-reboot-with-immigrant-family/</ref>
+
|Don't let the title fool you, this reboot of the 1994-2000 series of the same name promotes illegal immigration and condemns deportation.<ref>https://www.hollywoodreporter.com/dailyedition/2018-09-07/1140743?dailyEditionParagraph=1140474</ref><ref>https://www.breitbart.com/big-hollywood/2018/09/10/party-of-five-reboot-with-immigrant-family/</ref> The show's attempt to push left-wing social justice issues did not go over well with viewers and it was cancelled in April 2020 after a single season of ten episodes, with the final episode drawing only 143,000 viewers.
 
|-
 
|-
 
|''Piers Morgan Tonight''/''Piers Morgan Live''
 
|''Piers Morgan Tonight''/''Piers Morgan Live''
Line 416: Line 474:
 
|ABC
 
|ABC
 
|TV PG
 
|TV PG
|This anti-Catholic (and, to a much greater extent, anti-family) sitcom stars a teenager who "comes out" as homosexual to his Irish American Catholic family. The series is based on the life of foul-mouthed homosexual activist and anti-Christian, anti-conservative, [[heterophobia|heterophobic]] and [[misogyny|misogynistic]]<ref>[https://www.newsbusters.org/blogs/nb/kristine-marsh/2017/03/09/dan-savage-i-f-ing-hate-melania-trump Dan Savage: ‘I ******* Hate' 'Ugly on the Inside' Melania Trump] at NewsBusters</ref> bigot [[Dan Savage]], its executive producer. As one of ABC's lowest-rated and least-watched shows because of its offensive content, it was finally cancelled in May 2017.
+
|This anti-Catholic (and, to a much greater extent, anti-family) sitcom stars a teenager named Kenny who "comes out" as homosexual to his Irish American Catholic family. To add insult to injury, Kenny's younger sister Shannon is actively questioning her faith, while their father Pat is secretly contemplating divorce. The series is based on the life of foul-mouthed homosexual activist and anti-Christian, anti-conservative, [[heterophobia|heterophobic]] and [[misogyny|misogynistic]]<ref>[https://www.newsbusters.org/blogs/nb/kristine-marsh/2017/03/09/dan-savage-i-f-ing-hate-melania-trump Dan Savage: ‘I ******* Hate' 'Ugly on the Inside' Melania Trump] at NewsBusters</ref> bigot [[Dan Savage]], its executive producer. As one of ABC's lowest-rated and least-watched shows because of its offensive content, it was finally cancelled in May 2017.
 
|-
 
|-
 
|''[[Real Time|Real Time with Bill Maher]]''
 
|''[[Real Time|Real Time with Bill Maher]]''
Line 428: Line 486:
 
|CBS
 
|CBS
 
|
 
|
|The show pushes every left-wing canard in the book, from [[Intersectionalism|intersectionality]], to being rabidly anti-law enforcement (as a large part of the plot involved Officer Paul Evans being demonized for shooting an unarmed homosexual black doctor in a case of mistaken identity, with it effectively implying he deserved it), including pushing the false statistic that cops tended to shoot blacks simply for being black.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/04/28/new-cbs-show-red-line-claims-people-shot-living-while-black</ref> Also has a massive promotion of Black Lives Matters that falsely claims that they were a peaceful and popular protest group when in reality they were closer to the exact opposite.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/05/12/cbs-series-red-line-pits-peaceful-blm-movement-against-alt</ref> In the final two episodes, when Jira, the daughter of two "married" homosexuals, finds her birth father, a born-again Christian, it denounces him as a hateful bigot simply for stating his belief that Harrison, the doctor who had been slain earlier, is in hell for his sexuality when in reality, she came across as the hateful bigot.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/05/20/lcbs-mini-series-red-line-promotes-religious-intolerance</ref> Due to it being a limited-run, it seems even CBS realized it would not have lasted long.
+
|The show pushes every left-wing canard in the book, from [[Intersectionalism|intersectionality]], to being rabidly anti-law enforcement (as a large part of the plot involved Officer Paul Evans being demonized for shooting an unarmed homosexual black doctor in a case of mistaken identity, as well as one of the main characters, a black aspiring congresswoman as well as the birth mother of the aforementioned homosexual black doctor's adopted daughter, orchestrating riots that harassed Evans, with it effectively implying he deserved it), including pushing the false statistic that cops tended to shoot blacks simply for being black.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/04/28/new-cbs-show-red-line-claims-people-shot-living-while-black</ref> Also has a massive promotion of Black Lives Matters that falsely claims that they were a peaceful and popular protest group when in reality they were closer to the exact opposite.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/05/12/cbs-series-red-line-pits-peaceful-blm-movement-against-alt</ref> In the final two episodes, when Jira, the daughter of two "married" homosexuals, finds her birth father, a born-again Christian, it denounces him as a hateful "bigot" simply for stating his belief that Harrison, the doctor who had been slain earlier, is in hell for his sexuality when in reality, she came across as the hateful bigot.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/05/20/lcbs-mini-series-red-line-promotes-religious-intolerance</ref> Due to it being a limited-run, it seems even CBS realized it would not have lasted long.
 +
|-
 +
|''The Rings of Power''
 +
|2022-
 +
|Amazon Prime
 +
|
 +
|This insult to J.R.R. Tolkien's ''Middle Earth'' series takes place during ''The Silmarillion''. It features a feminized Galadriel and inserted black elves and dwarves to reflect what the show-writers want to depict Middle Earth as they see it: a woke utopia that cares only about race and sex, instead of what Tolkien and his son Christopher had set in stone.
 +
|-
 +
|''Robyn Hood''
 +
|''2023''
 +
|Global/Stack TV
 +
|
 +
|The legend of [[Robin Hood]] is severely butchered for "modern" audiences, as Robyn - the supposed "heroine" of the story, who is a black bisexual woman - behaves much more like a criminal, stealing, robbing, trespassing, and disrespecting authority. The main villains, on the other hand, seem more pleasant, though they are villainized for being rich and are portrayed as stupid.
 
|-  
 
|-  
 
|''Roswell, New Mexico''
 
|''Roswell, New Mexico''
Line 434: Line 504:
 
|The CW
 
|The CW
 
|TV-14
 
|TV-14
|This reboot of the 1990s show ''Roswell'' about aliens in Roswell, New Mexico pushes amnesty towards illegal immigrants, several slams against the Trump administration as well as condemning the building of a wall (despite Roswell, New Mexico not being anywhere near the border), and even has an explicit homosexual kiss on-screen, with it arguably being even more of a Social Justice propaganda piece than ''Supergirl''.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/01/15/cws-roswell-reboot-politicizes-space-aliens-and-illegal-aliens</ref>
+
|This reboot of the 1990s show ''Roswell'' about aliens in Roswell, New Mexico pushes amnesty towards illegal immigrants, several slams against the Trump administration as well as condemning the building of a wall (despite Roswell, New Mexico not being anywhere near the border), and even has an explicit homosexual kiss on-screen. It is arguably more of a Social Justice propaganda piece than ''Supergirl''.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/01/15/cws-roswell-reboot-politicizes-space-aliens-and-illegal-aliens</ref>
 
|-
 
|-
 
|''RuPaul's Drag Race''
 
|''RuPaul's Drag Race''
Line 458: Line 528:
 
|[[Disney Channel]]
 
|[[Disney Channel]]
 
|
 
|
|Teenage girls in a dancing competition lack family values and do not act not very friendly towards one another.
+
|Teenage girls in a dancing competition lack family values and do not act very friendly towards one another.
 +
|-
 +
|''She-Hulk: Attorney at Law''
 +
|2022-
 +
|Disney+
 +
|
 +
|Based on the comic book character of the same name, Jennifer Walters is a lawyer, but after a car crash caused her cousin Bruce Banner’s blood to mix with hers (different than the original origin) turns her into a She-Hulk. Unlike Banner, she can turn from She-Hulk to Jennifer back and forth. There’s a major feminist tone to it as Jennifer narcissistically says she has it worse than Bruce, and blames men for her other problems. She’s also an adulteress, and rarely takes her job seriously. It also turned openly Catholic hero Matthew Murdock  A.K.A. Daredevil into a bumbling bafoon to make Jennifer look good. At the end of the show, Jennifer breaks the fourth wall (a tribute to the 1990s comics) and goes to KEVIN (a robotic stand in for producer Kevin Fiege) and complains that her ending sucks.
 
|-
 
|-
 
|''Siskel & Ebert at the Movies''
 
|''Siskel & Ebert at the Movies''
Line 469: Line 545:
 
|2011
 
|2011
 
|[[MTV]]
 
|[[MTV]]
|TV MA
+
|TV-MA
 
|The series attempts to normalize teenage sexual intercourse as a central theme, which caused it to be accused of violating child pornography laws. Ironically, a much more sexually explicit version had aired for years in the UK with absolutely no controversy. Like ''GCB'', it ultimately lasted for a single season largely because of the controversy.
 
|The series attempts to normalize teenage sexual intercourse as a central theme, which caused it to be accused of violating child pornography laws. Ironically, a much more sexually explicit version had aired for years in the UK with absolutely no controversy. Like ''GCB'', it ultimately lasted for a single season largely because of the controversy.
 
|-
 
|-
Line 475: Line 551:
 
|1993-1999
 
|1993-1999
 
|First-run syndication
 
|First-run syndication
|TV PG/14
+
|TV-PG/14
 
|While every ''Star Trek'' series touches upon liberal themes, ''DS9'' is without a doubt the most left-wing of all the ''Star Trek'' series. One episode, "Rejoined", contains a lesbian kiss; another episode shows a male character being transformed into a female, and many episodes ridicule the United States and Christianity. The ever-present relationships between human and non-human characters are hidden messages about bestiality, and several characters possess a stereotypically liberal smarter-than-thou personality. Ironically, showrunner Ira Steven Behr acknowledged this: "I know they got a lot of negative feedback, which only goes to prove a point I always believed in, which is that science fiction fans and ''Star Trek'' fans are much more conservative than people want to believe, and this whole Gene Roddenberry liberal humanistic vision is truly not shared by a significant portion of them."
 
|While every ''Star Trek'' series touches upon liberal themes, ''DS9'' is without a doubt the most left-wing of all the ''Star Trek'' series. One episode, "Rejoined", contains a lesbian kiss; another episode shows a male character being transformed into a female, and many episodes ridicule the United States and Christianity. The ever-present relationships between human and non-human characters are hidden messages about bestiality, and several characters possess a stereotypically liberal smarter-than-thou personality. Ironically, showrunner Ira Steven Behr acknowledged this: "I know they got a lot of negative feedback, which only goes to prove a point I always believed in, which is that science fiction fans and ''Star Trek'' fans are much more conservative than people want to believe, and this whole Gene Roddenberry liberal humanistic vision is truly not shared by a significant portion of them."
 +
|-
 +
|''Station 19''
 +
|2018–present
 +
|ABC
 +
|TV-14
 +
|This spinoff of ''Grey's Anatomy'', set in [[Seattle]] like its parent show, focuses on the firefighters of Station 19 of the Seattle Fire Department.  In addition to engaging in political correctness and pushing the homosexual agenda via one of its characters, bisexual former Station 19 lieutenant/captain Maya Bishop, it recently began pushing leftist "wokeness" and SJW pro-illegal immigrant/anti-law enforcement propaganda in the episode "No Days Off" as another character, SFD battalion chief Robert Sullivan, falsely accused ICE of being "Nazis" for enforcing US immigration law, then illegally interfered with ICE and assisted in the escape of an illegal immigrant from being arrested for being in the United States illegally.<ref>[https://www.breitbart.com/entertainment/2020/04/03/abc-drama-station-19-compares-ice-to-nazis/ ABC Drama ‘Station 19’ Compares ICE to Nazis] at Breitbart News Network</ref>
 
|-
 
|-
 
|''Stranger Things''
 
|''Stranger Things''
Line 482: Line 564:
 
|Netflix
 
|Netflix
 
|
 
|
|This horror series' main themes include witchcraft, evolution, and the occult. Young children use four-letter words conversationally and engage in premarital, underage sex, never facing comeuppance for either. Perhaps the biggest offense, however, is the way it tries to make feminism within the family unit look acceptable, as the homemaker mother is seen as bumbling and oblivious, while the divorced, chain-smoking single mother is seen as heroic. The show's "breakout" character and main protagonist is a young girl and former laboratory experiment who uses demonic powers to murder anyone in her path.
+
|This horror series' main themes include witchcraft, evolution, and the occult. Young children use four-letter words conversationally. Perhaps the biggest offense, however, is the way it tries to make feminism within the family unit look acceptable, as the homemaker mother is seen as bumbling and oblivious, while the divorced, chain-smoking single mother is seen as heroic. The show's "breakout" character and main protagonist is a young girl and former laboratory experiment who uses demonic powers to murder anyone in her path. Another "fan favorite" character is revealed to be a lesbian and her sexuality is treated without scorn and is instead viewed as normal by the other characters.
 +
|-
 +
|''Succession''
 +
|2018-present
 +
|HBO
 +
|MA
 +
|A drama/dark comedy series which centers around a dysfunctional wealthy family, consistently implying the corruption of the upper class, as well as making successful business owners out to be idiots. The only normal self-respecting man in the family, Logan Roy, is looked down on for his personality and ruthlessness while all of his children parasitically use and abuse his hard earned money for their hedonistic lifestyles. The men in the family consist of Kendall, a drug addict, Roman, a pathetic man-child with a ridiculous attraction to older women, and Connor, a bumbling aspiring politician made to lampoon and caricature conservative political hopefuls. The one daughter in the family, Shiv, is of course portrayed to be the most functioning out of them all, but is an utterly abhorred model for women and girls; she is unfaithful to her husband Tom, who does nothing as she continuously cucks him over and over, and has essentially no sense of morality and respect, though maybe this is to be expected given her stated liberal background. In addition, Tom is perhaps a homosexual, given the strange nature of his relationship with the family's "Cousin Greg," yet another sissified weak excuse of a male character. He repeatedly asks Greg to 'kiss him' within the first episode of the show, which is not violently rejected, and another character in the show is later revealed to be homosexual as well; this is all treated as normal, suggesting the presence of a further homosexual agenda. 
 
|-
 
|-
 
|''[[Supergirl (TV series)|Supergirl]]'' (Second season onward)
 
|''[[Supergirl (TV series)|Supergirl]]'' (Second season onward)
 
|2016–present
 
|2016–present
 
|The CW
 
|The CW
|
+
|TV-14
|Although initially more politically neutral during the first season when it aired on CBS (See [[Essay:Greatest Conservative TV Shows#Debatable whether Conservative|its entry within the "Debatable whether Conservative" section of Greatest Conservative TV Shows]] for more information), it went hard-left when it was moved to the CW, including promoting the homosexual agenda by making Alex Danvers, the adoptive sister of Kara Zor-El, the titular character, a lesbian (and, as of the Season Two finale, having her propose to get "married" to her girlfriend, police detective Maggie Sawyer, with Alex Danver's actress, Chyler Leigh, ironically being a Christian and married to Nathan West as well as having three kids).
+
|Based on the ''Supergirl'' character and a part of the overall ''Superman'' franchise as well as the ''Arrowverse'' media franchise. Since moving to the CW beginning in its second season, ratings have fallen far from what they were on original network CBS due to its producers' and writers' insistence on inserting left-wing propaganda, to the detriment of the series, its story quality and the ''Superman'' and ''Arrowverse'' franchises as a whole (see main article for an extended view of the series). It will eventually end on its sixth season after a significant drop in ratings.
 
+
|-
In addition, the second season has several pot-shots against any attempts at cutting down illegal immigration (such as the main villain Cadmus's ultimate plan essentially being to relocate aliens back to their home planet), and also featured (especially after the 2016 election cycle) several pot shots against Donald Trump (with one episode, "Exodus", indirectly alluding to Trump's election and his being falsely labeled a "fascist" with the character Snapper Carr telling Kara when firing her that leaving out one fact will likely result in "A fascist being elected into the White House". On a similar note, earlier in the episode, Carr proceeded to reference the left-wing meme [[fake news]]), with the beginning of the season also having the president being female (played by Lynda Carter, most well known for her role as the title character in the live-action ''[[Wonder Woman]]'' in the 1970s) in an obvious attempt at predicting Hillary Clinton as being president, even explicitly being called a Democrat in the penultimate episode of the second season (it also shows the president as an alien in human disguise, which may be a veiled reference to [[Barack Obama]] and the background he has attempted to hide via sealing of his records). Regarding the Trump burns, the penultimate episode of the second season even has the audacity to compare Rhea, the evil and tyrannical ruler of the planet Daxam, and her Daxamites' invasion of Earth to Donald Trump via Cat Grant paraphrasing Trump's "Make America Great Again" statement and attributing it to the Daxamite invaders, even though the overall methods they used to invade Earth were far closer to that of the illegal immigrants that Trump was trying to deport, including their explicitly trying to remake Earth upon invasion to resemble Daxam.
+
|''Superman & Lois''
 
+
|To debut in 2021
Near the end of the second season, the liberal infiltration into all aspects of ''Supergirl'' even reflects in the titles of the second season's final two episodes: "Resist" (a Democrat code word, derived from Hillary Clinton's message to her supporters on the Left to "resist" the Trump administration by any means necessary following her defeat in the 2016 Presidential election, and to a lesser extent derived from a similar codeword used by student radicals during the 1960s, most infamously used by the 500 students occupying the amphitheater at the University of Vincennes on January 1969) and "Nevertheless, She Persisted" (which relates to an incident in the Senate where Democrat Senator [[Elizabeth Warren]] persisted, despite being told several times to cease, in denouncing [[Jeff Sessions]] during the vote to confirm him as Attorney General<ref>[http://ew.com/tv/2017/05/01/supergirl-season-2-finale-title/ ''Supergirl'' boss reveals timely finale title] at Entertainment Weekly</ref>).
+
|The CW
 
+
|TV-14
In the third season premiere "Girl of Steel", the writers proceeded to double down on the left-wing agendas by not only having Cat Grant, acting as the Press Secretary for President Marsden and making a comment that implied that people who didn't believe in "global warming/climate change" were dumber than third graders/eight-year-olds, but also had as the main antagonist of the episode, Morgan Edge, written in a manner that was a thinly-veiled left-wing strawman of Donald Trump, including having his career changed from being a media mogul to a real-estate mogul.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2017/10/10/supergirl-season-premiere-trump-villain-global-warming</ref> The third episode, "Far From the Tree", has several statements being made that can be interpreted as trying to engage race-baiting against light-skinned people (most of them were in context with the White Martians, although one of these lines, from Maggie's father, were obviously in reference to Caucasians), dealt with a so-called "wedding shower" for Alex and Maggie, condemns Maggie's parents for being against their daughter's homosexual lifestyle, and also makes an unsubtle dig at Donald Trump's proposition of building a wall to Mexico (which ironically acted as an unintentional condemnation against President Marsden who in the prior season legalized a bill allowing for space aliens to live on Earth openly).<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2017/10/23/supergirl-reminds-us-america-hates-mexicans-and-homosexuals</ref>
+
|Though not set to debut until February 2021, the fact that Greg Berlanti is to be involved in this newest series entry in the ''Superman'' franchise (a reboot of the 1990s series ''Lois & Clark: The New Adventures of Superman'') as its executive producer already does not look promising for the show, as it is expected that he will impose the same leftist social justice, LGBTQ and anti-conservative propaganda in it as he does with the other DC Comics shows he has involvement with (particularly ''Supergirl'' and ''Batwoman'').  
 
+
In the episode "Damaged", they also proceeded to have a crowd chanting "Lock her up" (in this case, in reference to Lena Luthor, who was framed by Morgan Edge with inflicting children with Lead poisoning) in an unsubtle reference to similar demands against Hillary Clinton during the 2016 presidential elections, in an obvious attempt at showing solidarity with Clinton.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2017/11/06/supergirl-angry-mob-lock-her-innocent-woman</ref> In addition, the episode "Midvale" had a subplot involving a teacher sexually abusing his underage student in an illicit affair, which ironically aired around the time series showrunner Andrew Kreisburg was undergoing an investigation of and eventual suspension from his duties due to [[Left-wing war on women|sexual harassment complaints from various female coworkers]] by Warner Bros.<ref>https://www.breitbart.com/big-hollywood/2017/11/11/warner-bros-suspends-supergirl-producer-19-people-allege-years-sexual-misconduct/</ref> The four-part crossover episode "Crisis on Earth-X" (with ''The Flash'', ''Arrow'' and ''DC's Legends of Tomorrow''), which had the superheroes from all four shows battle Nazis from a parallel Earth (where the Nazis won World War II and conquered their world as a result), engaged in extensive historical revisionism and leftist propaganda, including liberal amounts of the homosexual agenda (including a lesbian kiss between Alex and Legends leader Sara Lance, and turning characters Leonard Snart/Citizen Cold and the Ray into homosexuals, despite Snart never being homosexual in prior DC Comics media depictions and the Ray not being such until the ''DC Rebirth'' storyline) and attacks on Trump (including falsely linking him to Nazism), while ignoring that the Nazis were actually far-Left and that they had homosexuals among their ranks; this crossover drew heavy criticism from NewsBusters and Breitbart for the Nazi historical revisionism and anti-Trump jingoism.<ref>[https://www.newsbusters.org/blogs/culture/lindsay-kornick/2017/11/28/supergirl-crossover-trump-nazis-make-america-aryan-again CW's 'Supergirl' Ties Trump to Nazis With 'Make America Aryan Again' Slogan] at NewsBusters</ref><ref>[https://www.breitbart.com/big-hollywood/2017/11/28/cws-supergirl-swipes-trump-nazi-comparison-make-america-aryan/ CW's ''Supergirl'' Swipes at Trump with Nazi Comparison: "Make America Aryan Again"] at Breitbart.com</ref> In the episode "For Good", the episode entered a monologue by J'onn about "people acting, reacting escalating behaviors […] lawmakers sniping at each other" in an unsubtle attempt at making social commentary on world affairs from a left-wing perspective.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2018/01/29/supergirl-lectures-escalating-behaviors-lawmakers-sniping</ref> Eventually, on "Schlott Through the Heart", there was brief dialogue from Alex Danvers and Martian Manhunter that implied that African-Americans inherently had it harder than anyone else despite the fact that institutional racism had largely been defunct.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2018/04/16/supergirl-declares-black-men-america-live-harder-existence</ref> Shortly afterward, with the episode "The Fanatical", James Olson was arrested by the police, with their assuming that he was the criminal simply because he was black, which implied that the show viewed cops as being inherently racist and that America wouldn't handle black superheroes.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2018/05/22/supergirl-preaches-about-how-racist-america-isagain</ref> In addition, the episode "Not Kansas" was one giant promotion of the [[gun control]] agenda, and uses a lot of blatantly false arguments for it.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2018/06/04/supergirl-decries-guns-tools-spreading-fear</ref>
+
 
+
Since moving to the CW, ratings have fallen far from what they were on CBS due to its producers' and writers' insistence on inserting left-wing propaganda. One fourth season episode, "Crime and Punishment", drew a record low rating for ''Supergirl'' at the time of just 990,000 viewers (also making it the first episode of the series to fall below one million viewers) and has since been surpassed by the fifth season episode "Dangerous Liaisons", which drew a new record low of just 780,000 viewers - a mere fraction of the 12.96 million that watched the pilot episode on CBS. The announcement for Season 4 also revealed that one of the new characters would be a gender-confused superhero character played by gender-confused male actor Wyatt "Nicole" Maines,<ref>https://www.breitbart.com/big-hollywood/2018/05/24/cws-supergirl-is-going-transgender-for-season-four/</ref> who was rather notorious for suing and winning a lawsuit against his school for refusing to "let (him) use the girls' room." He also made clear in an interview with Variety magazine that he intends to use his role to push the gender confusion agenda, citing how anybody can be superheroes.<ref>https://www.newsbusters.org/blogs/culture/rachel-peterson/2018/07/23/look-sky-its-%E2%80%A6-transgender-superhero</ref> In addition, the plotline for Season 4 was revealed to be an adaptation of the infamous pro-Communist Elseworlds story arc "Red Son" by Mark Millar.<ref>https://screenrant.com/supergirl-season-4-superman-red-son/</ref><ref>http://fandom.wikia.com/articles/supergirl-season-4-superman-red-son?li_source=LI&li_medium=wikia-rail</ref> Even though the intended theme of the season was unity and condemning divisiveness, the season premiere alone managed to push the exact opposite views.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2018/10/21/supergirl-fails-unite-divided-people</ref> In addition, a major antagonist for the season, Ben Lockwood (played by Sam Witwer), is the leader of an alt-Right-esque anti-Alien group called Earth-First, made out to be a leftist stereotype of right-wingers concerned about illegal aliens, even having him quote Winston Churchill at his father's funeral.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2018/10/28/supergirl-introduces-racist-earth-first-movement</ref> The Thanksgiving episode "Call to Action" had the Children of Liberty, who were deliberately modeled after the alt-Right, also making reference to the false leftist propaganda of how Thanksgiving was created to "celebrate" the Europeans committing a genocide campaign on the Native Americans upon invading the land (despite the fact that most of the deaths actually came from exposure to various diseases).<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2018/11/18/supergirl-european-invaders-slaughtered-native-americans-thanksgiving</ref> The episode "Stand and Deliver", aside from treating [[Winston Churchill]] in a negative light, also praised several left-wing protest movements (one of which, the Women's March from 2016, shouldn't have even existed in the storyline due to Trump never being president), including groups promoting amnesty, and gives a self-serving amount of adulation for left-wing journalists.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/03/10/supergirl-protests-amnesty-praises-heroic-journalism</ref> The episode American Dreamer was explicit promotion of gender confusion and even inferred it was the "authentic self".<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/04/29/supergirl-trangender-hero-preaches-sharing-our-truth-authentic</ref> The episode "Will the Real Eve Tessmacher Please Stand Up?" pushes the falsehood that Trump was involved in Russian collusion via Baker.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/05/06/supergirl-battles-ice-raids-and-foreign-collusion</ref> Lastly, the season finale pushes that the left-wing mainstream media is necessary for taking down presidents and glosses over the media trying to instigate problems.<ref>https://www.newsbusters.org/blogs/culture/lindsay-kornick/2019/05/19/fourth-estate-saved-day-supergirl-season-finale</ref>
+
 
|-
 
|-
 
|''Teletubbies''
 
|''Teletubbies''
Line 517: Line 601:
 
|NR
 
|NR
 
|A Trotskyite socialist named Mike Rawlins is shown sympathetically, while reactionary Alf Garnett is an antagonist. These political elements inspired ''[[All in the Family]]''.
 
|A Trotskyite socialist named Mike Rawlins is shown sympathetically, while reactionary Alf Garnett is an antagonist. These political elements inspired ''[[All in the Family]]''.
 +
|-
 +
|''Tomorrow's Pioneers''
 +
|2007-2009
 +
|Al-Aqsa TV
 +
|N/A
 +
|This Arabic show which presents costumed characters like in ''Sesame Street'' promotes extreme jihadist views like [[anti-Semitism]], anti-American sentiments, and an intense hatred of Israel. It was even known to portray a Mickey Mouse-lookalike in the first season, who displays terrorist views while hypocritically claiming that Israel is a nation of terrorists; then-CEO of Disney Bob Iger had later condemned the use of Mickey Mouse for such a show as this.
 
|-
 
|-
 
|''Torchwood''
 
|''Torchwood''
Line 525: Line 615:
 
|-
 
|-
 
|''Transparent''
 
|''Transparent''
|2014-present
+
|2014-2019
 
|Amazon Video
 
|Amazon Video
 
|
 
|
|This scripted series focuses on gender confusion, the LGBT agenda, and [[professor values]], all misguidedly portrayed as acceptable. Former college professor Morton Pfefferman, the patriarch of the Pfefferman family, starts claiming to be a "woman" named "Maura" in the pilot episode. Later episodes explore the Pfeffermans' efforts to enable and indulge Morton in his delusion (in one episode, Morton gets offended and walks out on a family portrait shooting when the photographer correctly calls him "sir"), while oldest daughter Sarah leaves her husband to enter a lesbian relationship. The third season showcases the first full-frontal nude shot of a "transgendered" person as Morton, while at a massage parlor, rolls over and exposes his (implanted) breasts as well as his male genitals.<ref>https://townhall.com/columnists/brentbozell/2017/09/29/critics-hate-military-shows-in-prime-time-n2388223</ref> Not surprisingly, lead actor Jeffrey Tambor was cited for sexual harassment accusations.<ref>https://www.imdb.com/news/ni61704355?pf_rd_m=A2FGELUUNOQJNL&pf_rd_p=2540377602&pf_rd_r=0QJ9AFRRW7QX55ZM8ZXM&pf_rd_s=center-6&pf_rd_t=15061&pf_rd_i=homepage&ref_=hm_nw_tp2</ref>
+
|This scripted series focuses on gender confusion, the LGBT agenda, and [[professor values]], all misguidedly portrayed as acceptable. Former college professor Morton Pfefferman, the patriarch of the Pfefferman family, starts claiming to be a "woman" named "Maura" in the pilot episode. Later episodes explore the Pfeffermans' efforts to enable and indulge Morton in his delusion (in one episode, Morton gets offended and walks out on a family portrait shooting when the photographer correctly calls him "sir"), while oldest daughter Sarah leaves her husband to enter a lesbian relationship. The third season showcases the first full-frontal nude shot of a "transgendered" person as Morton, while at a massage parlor, rolls over and exposes his (implanted) breasts as well as his male genitals.<ref>https://townhall.com/columnists/brentbozell/2017/09/29/critics-hate-military-shows-in-prime-time-n2388223</ref> Not surprisingly, lead actor Jeffrey Tambor was cited for sexual harassment accusations<ref>https://www.imdb.com/news/ni61704355?pf_rd_m=A2FGELUUNOQJNL&pf_rd_p=2540377602&pf_rd_r=0QJ9AFRRW7QX55ZM8ZXM&pf_rd_s=center-6&pf_rd_t=15061&pf_rd_i=homepage&ref_=hm_nw_tp2</ref> and was fired from the show in February 2018 due to the resulting scandal.
 
|-
 
|-
 
|''[[Two and a Half Men]]''
 
|''[[Two and a Half Men]]''
Line 550: Line 640:
 
|ABC
 
|ABC
 
|
 
|
|Liberal activists such as [[Barbara Walters]], [[Joy Behar]], Rosie O'Donnell, and [[Whoopi Goldberg]] host this talk show with feminist overtones.
+
|Liberal activists such as [[Barbara Walters]], [[Joy Behar]], Rosie O'Donnell, and [[Whoopi Goldberg]] host this talk show with feminist and political overtones.
 
|-
 
|-
 
|''The Walking Dead''
 
|''The Walking Dead''
|2010-
+
|2010-2022
 
|AMC
 
|AMC
 
|TV-MA
 
|TV-MA
|Based off of the comic book series ''The Walking Dead'', the series follows Atlanta police officer Rick Grimes as he leads a group of survivors to survive in a post-apocalyptic world overrun by zombies. The series starts off pretty neutral (emphasizing the importance of family, for example), but by season 5, leftist content has snuck in. The makers of the series has confirmed that the only relationships they will add in later seasons would be only LGBT and interracial relationships just to score points from those wanting more diversity, as well as feminism. Mercy is also shown in a negative light at times, an example being Maggie and Daryl standing aside and letting Oceanside women murder a reformed Savior (which can be shown to some as the two being no better than former villain Negan, who kills Maggie's husband Glenn in front of them). On a minor note, the former head of Alexandria - Deanne - is confirmed to resemble Hillary Clinton.
+
|Adapted from the comic book series ''The Walking Dead'', the series follows Atlanta police officer Rick Grimes as he leads a group of survivors - including his wife Lori, their son Carl, and Rick's best friend and fellow officer Shane - to survive in a post-apocalyptic world overrun by zombies. The series starts off pretty neutral (emphasizing the importance of family, for example), but by season 5, leftist content sneaks in. The maker of the series has confirmed that the only relationships they will add in later seasons would be only LGBT and interracial relationships just to score points from those wanting more diversity, as well as feminism. Mercy is shown in a negative light at times, an example being Maggie and Daryl standing aside and letting Oceanside women murder a reformed Savior (which can be shown to some as the two being no better than former villain Negan, who had slaughtered Maggie's husband Glenn in front of the Alexandrians at the start of season 7). A minor arc paints Abraham in a positive light for cheating on his girlfriend Rosita for Sasha, encouraging infidelity. There is even a hint of moral relativism, an Oceanside girl saying that there is no such thing as evil and that people forget who they are, though Tara does respond by saying that evil does exist. On a minor note, the former head of Alexandria - Deanne - is confirmed to be modeled after Hillary Clinton.
 
|-
 
|-
 
|''Weeds''
 
|''Weeds''
Line 579: Line 669:
 
|-
 
|-
 
|''Will & Grace''
 
|''Will & Grace''
|1998–2006; 2017–present
+
|1998–2006; 2017–2020
 
|NBC
 
|NBC
 
|
 
|
|This sitcom stars a homosexual lawyer, Will Truman, and a straight interior designer, Grace Adler, who share an apartment in New York City. It attempts to normalize homosexuality in society and uses Will's lifestyle to pander to a targeted LGBT audience. The third main character, Jack McFarland, is a sporadically-employed actor and a flamboyant, promiscuous homosexual whose life revolves around homosexuality almost every waking moment and attempting to get sexually involved with every man he comes across. Finally, the fourth main character, Karen Walker, is an amoral socialite whose existence plays up to and makes light of [[alcoholism]] and prescription [[drug abuse]].
+
|This sitcom stars a homosexual lawyer, Will Truman, and a straight interior designer, Grace Adler, who share an apartment in New York City. It attempts to normalize homosexuality in society and uses Will's lifestyle to pander to a targeted LGBT audience. The third main character, Jack McFarland, is a sporadically employed actor and a flamboyant, promiscuous homosexual whose life revolves around homosexuality almost every waking moment and attempting to get sexually involved with every man he comes across. Finally, the fourth main character, Karen Walker, is an amoral socialite whose existence plays up to and makes light of [[alcoholism]] and prescription [[drug abuse]].
  
In spite of its subject matter, the series became a surprise hit for NBC as part of its Thursday night "Must See TV" lineup, drawing an average of over 17 million viewers at its peak during its third and fourth seasons before its rating fell in its later seasons. One seventh season episode, "From Queer to Eternity", drew a record low viewership of just 5.8 million as viewers began tiring of the show. It ended production in 2006 after eight seasons, and its reruns, which entered syndication in the fall of 2002, largely vanished from broadcast syndication in 2008, retreating to cable thereafter. It was revived by NBC for an abbreviated ninth season on September 28, 2017, during which time the network claimed it had already renewed the series for a tenth season. However, its return episode, "11 Years Later", dove straight into politics as it made pathetic jokes about conservatives, attacked Donald Trump, and took a cheap shot poke at Ronald Reagan's later struggle with Alzheimer's disease<ref>[https://www.newsbusters.org/blogs/culture/amelia-hamilton/2017/09/28/will-grace-embarrasses-itself-trump-reagan-jokes 'Will & Grace' Embarrasses Itself With Pathetic Trump Jokes, Abhorrent Shot at Reagan's Alzheimer's] at NewsBusters</ref>, causing it to garner only 10.18 million viewers for its return. Later episodes in the revival steadily lost viewership; its November 14, 2019 episode "The Chick and the Egg Donor" fell to just 2.16 million viewers, a record low for the show to date. The ''Will & Grace'' revival will not last as long as it did in its original run, as it was announced on July 25, 2019 that its current 11th season will be its last.
+
In spite of its subject matter, the series became a surprise hit for NBC as part of its Thursday night "Must See TV" lineup, drawing an average of over 17 million viewers at its peak during its third and fourth seasons before its rating fell in its later seasons. One seventh season episode, "From Queer to Eternity", drew a record low viewership of just 5.8 million as viewers began tiring of the show. It ended production in 2006 after eight seasons, and its reruns, which entered syndication in the fall of 2002, largely vanished from broadcast syndication in 2008, retreating to cable thereafter. It was revived by NBC for an abbreviated ninth season on September 28, 2017, during which time the network claimed it had already renewed the series for a tenth season. However, its return episode, "11 Years Later", dove straight into politics as it made pathetic jokes about conservatives, attacked Donald Trump, and took a cheap shot poke at Ronald Reagan's later struggle with Alzheimer's disease<ref>[https://www.newsbusters.org/blogs/culture/amelia-hamilton/2017/09/28/will-grace-embarrasses-itself-trump-reagan-jokes 'Will & Grace' Embarrasses Itself With Pathetic Trump Jokes, Abhorrent Shot at Reagan's Alzheimer's] at NewsBusters</ref>, causing it to garner only 10.18 million viewers for its return. Later episodes in the revival steadily lost viewership; its February 20, 2020 episode "Accidentally on Porpoise" fell to just 1.95 million viewers, making it the lowest-rated episode in the show's history. The ''Will & Grace'' revival did not last as long as it did in its original run, as it was announced on July 25, 2019 that its 11th season (which ended on April 23, 2020) would be its last.
 
|-   
 
|-   
 
|''Witches of East End''
 
|''Witches of East End''
Line 596: Line 686:
 
|ABC
 
|ABC
 
|
 
|
|Although traditional family values churn at the core, ''The Wonder Years'' has a politically liberal, specifically antiwar undertone. Arnold family patriarch Jack Arnold, is a veteran of the [[Korean War]], but the second season episode "Walkout" has Jack's son Kevin Arnold and other students walk out of school to protest the ongoing [[Vietnam War]]. The only person who tries to stop it is the school's vice-principal, who is vilified for threatening to suspend any participants in the walkout and put those suspensions on their permanent records. The series makes other jabs at the war, such as characters like Kevin's rebellious, teenage hippie sister Karen going to vigils and displaying the peace sign.
+
|Although traditional family values churn at the core, ''The Wonder Years'' has a politically liberal, specifically antiwar undertone. Arnold family patriarch Jack is a veteran of the [[Korean War]], but the second season episode "Walkout" has Jack's son Kevin Arnold and other students walk out of school to protest the ongoing [[Vietnam War]]. The only person who tries to stop it is the school's vice-principal, who is vilified for threatening to suspend any participants in the walkout and put those suspensions on their permanent records. The series makes other jabs at the war, such as characters like Kevin's rebellious, teenage hippie sister Karen going to vigils and displaying the peace sign.
 +
 
 +
A reboot of the series, retailored to appeal to African-American and SJW audiences (thus making the reboot even more liberal than the original already was) by making the main family black and setting the show in Montgomery, Alabama during the Civil Rights Movement of the 1960s, was announced by ABC in July 2020 with an expected 2021 debut.<ref>[https://www.breitbart.com/entertainment/2020/07/08/the-wonder-years-reboot-to-feature-black-family-in-turbulent-1960s-montgomery-alabama/ ‘The Wonder Years’ Reboot to Feature Black Family in Turbulent 1960s Montgomery, Alabama] at Breitbart News Network</ref>  Critics of the show have already begun predicting that the reboot will not last long due to its creators' decision to appeal to a very limited audience for political and ideological reasons (especially if it attempts to engage in leftist historical revisionism by making the Republicans and their supporters the "villains", ignoring that it was actually the Democrats who were responsible for race-based segregation, Jim Crow laws and sending their KKK terrorist wing after blacks and their Republican supporters during that time).
 
|-
 
|-
 
|''Young Sheldon''
 
|''Young Sheldon''
Line 602: Line 694:
 
|CBS
 
|CBS
 
|
 
|
|This prequel series to ''[[The Big Bang Theory]]'' follows the character Sheldon Cooper—one of the most outspoken [[atheist]]s in sitcom history to the point where it creates religious and cultural friction with those around him, which is passed off as humorous—as he grows up in [[Texas]] from 1989 on.<ref>https://www.cbs.com/shows/young-sheldon/</ref> As in ''The Big Bang Theory'', Sheldon is a strong proponent of [[evolution]] who looks down his nose on [[creationist]]s and [[Christian]]s, thinking they are not as open-minded as they truly are. In an early episode, the young Sheldon publicly embarrasses his family by arguing with their church's pastor about [[God]]'s existence during a sermon. For some reason, the pastor states during the argument that Charles Darwin was open to the idea of God. In reality, Darwin's claim that he was open to the idea of a Creator was simply a plan to fool the masses when pushing evolution.<ref>https://www.christiantoday.com/article/young-sheldon-challenges-a-pastor-on-the-existence-of-god-during-hit-tv-show-did-the-pastor-win/118686.htm</ref><ref>https://www.worldreligionnews.com/religion-news/christianity/episode-young-sheldon-wanting-destroy-pastor-strikes-nerve-church-shooting</ref>
+
|This prequel series to ''[[The Big Bang Theory]]'' follows the character Sheldon Cooper—one of the most outspoken [[atheist]]s in sitcom history to the point where it creates religious and cultural friction with those around him, which is passed off as humorous—as he grows up in [[Texas]] from 1989 on (though, for reasons unknown, the show seems culturally frozen in that year).<ref>https://www.cbs.com/shows/young-sheldon/</ref> As in ''The Big Bang Theory'', Sheldon is a strong proponent of [[evolution]] who looks down his nose on [[creationist]]s and [[Christian]]s, thinking they are not as open-minded as they truly are. In an early episode, the young Sheldon publicly embarrasses his family by arguing with their church's pastor about [[God]]'s existence during a sermon. For some reason, the pastor states during the argument that Charles Darwin was open to the idea of God. In reality, Darwin's claim that he was open to the idea of a Creator was simply a plan to fool the masses when pushing evolution.<ref>https://www.christiantoday.com/article/young-sheldon-challenges-a-pastor-on-the-existence-of-god-during-hit-tv-show-did-the-pastor-win/118686.htm</ref><ref>https://www.worldreligionnews.com/religion-news/christianity/episode-young-sheldon-wanting-destroy-pastor-strikes-nerve-church-shooting</ref>
 
|}
 
|}
  
Line 630: Line 722:
 
|[[Fox Network|FOX]], later TBS
 
|[[Fox Network|FOX]], later TBS
 
|
 
|
|Don't let the patriotic-sounding title fool you: Like all Seth Macfarlane animated productions, it supports liberalism and homosexuality and bashes conservatism. In a case of truth in advertising, one of the main characters, Hayley Smith, is depicted as a far-left hippie who is shrewish, hateful, and sometimes violent while stridently standing by her liberal views and, like Brian Griffin on ''Family Guy'', is used as Seth MacFarlane's sounding board for his viewpoints on the show.
+
|Don't let the patriotic-sounding title fool you. Like all Seth Macfarlane animated productions, it stand behind liberalism while bashing conservatism (which is personified by protagonist Stan Smith, a Republican [[Central Intelligence Agency|CIA]] agent), and one series regular is a sexually ambiguous extra-terrestrial who also sounds and acts like late comedian Paul Lynde, who was himself a camp-acting closeted homosexual prior to his death in 1982. In a case of truth in advertising, Stan's older daughter Hayley Smith is a far-Left hippie who is shrewish, hateful, and sometimes violent while stridently standing by her liberal views and, like Brian Griffin on ''Family Guy'', is used as Seth MacFarlane or some other writers' sounding board for their viewpoints on the show, but other times is used to expose and bash/mock the terrible and disgusting hypocrisy and insanity of leftists and liberals in real life (not sure if this is self-irony or schizophrenia).
 
|-
 
|-
 
|''Arthur'' (Season 22 onward)
 
|''Arthur'' (Season 22 onward)
|1996-present
+
|1996-2022
 
|[[PBS]]
 
|[[PBS]]
 
|TV-Y (should be TV-PG as of May 2019)
 
|TV-Y (should be TV-PG as of May 2019)
|This popular children's series based on the eponymous books by Marc Brown and set in a world of anthropomorphic animals follows the daily life of the titular aardvark, his family, and his friends. It managed to be apolitical for almost 23 years before Arthur's third and fourth grade teacher, Mr. Ratburn, was rewritten as gay and married to a man in the season 22 episode "Mr. Ratburn and the Special Someone". Local Alabama and Arkansas TV stations banned the episode for that reason. In a particularly distasteful example of a children's franchise's creator putting his personal political views above whether the content is actually appropriate for the intended age bracket, Marc Brown condemned the aforementioned states for banning the episode.<ref>https://people.com/tv/alabama-pulls-arthur-gay-wedding-episode-marc-brown-responds/?xid=socialflow_twitter_peoplemag&utm_medium=social&utm_source=twitter.com&utm_campaign=peoplemagazine</ref>
+
|This popular children's series, based on the eponymous books by Marc Brown and set in a world of anthropomorphic animals, follows the daily life of the titular aardvark, his family, and his friends. It managed to be apolitical for almost 23 years before Arthur's third and fourth grade teacher, Mr. Ratburn, was rewritten as homosexual and "married" to a man in the season 22 episode "Mr. Ratburn and the Special Someone", likely in a desperate bid to revive public interest in a program past its prime. Local Alabama and Arkansas TV stations banned the episode for that reason. In a particularly distasteful example of a children's franchise's creator putting his personal political views above whether the content is actually appropriate for the intended age bracket, Marc Brown condemned both states for banning the episode.<ref>https://people.com/tv/alabama-pulls-arthur-gay-wedding-episode-marc-brown-responds/?xid=socialflow_twitter_peoplemag&utm_medium=social&utm_source=twitter.com&utm_campaign=peoplemagazine</ref> In another shallow attempt to keep this age-old series culturally relevant, the Web-exclusive episode titled "Arthur on Racism: Talk, Listen, And Act", which was published in August of 2020, encourages its target age bracket to support the violent and culturally [[Marxism|Marxist]] [[Black Lives Matter]] movement and guilt them into thinking they are "racist" for not doing so.<ref>https://www.oneangrygamer.net/2020/08/arthur-on-pbs-indoctrinates-kids-with-blm-propaganda/114291/</ref> This all eventually came to a head by February 2022, as the show ended up cancelled as of that date.<ref>https://www.breitbart.com/entertainment/2022/01/25/pbs-kids-officially-ending-arthur-after-pushing-woke-blm-lgbtq-propaganda/</ref>
 
|-
 
|-
 
|''Bojack Horseman''
 
|''Bojack Horseman''
|2014-present
+
|2014-2020
 
|Netflix
 
|Netflix
 
|TV-MA
 
|TV-MA
|In a world of both humans and anthropomorphic animals, a talking horse who is a faded sitcom star (a reference to ''Mister Ed'') and his friends live by [[Hollywood values]], [[sexual immorality]], and drug use. One episode states that women who choose [[abortion]] are "heroes". Moreover, the show seems to present bestiality positively because there are interspecies relationships. Another episode of the series disrespects military veterans and implies they are not real heroes.
+
|In a world of both humans and anthropomorphic animals, a talking horse who is a faded 1990s sitcom star (perhaps a reference to the even older sitcom ''Mister Ed'') and his friends live by [[Hollywood values]], [[sexual immorality]], existentialism, and drug use. One episode states that women who choose [[abortion]] are "heroes". Moreover, the show seems to present bestiality positively because there are interspecies relationships. Another episode of the series disrespects military veterans and implies they are not real heroes.
 
|-
 
|-
 
|''Breadwinners''
 
|''Breadwinners''
Line 654: Line 746:
 
|Netflix
 
|Netflix
 
|TV-MA
 
|TV-MA
|This horrifyingly explicit adult series is about pubescent children and their genitals. One episode features a young boy doing the unspeakable to himself in his own bed. Another episode features a young girl talking to her private area while looking at it in a mirror. Episode titles include "Ejaculation" and "Am I Gay?" As expected, liberals have praised the series, while true conservative Christians have denounced it, writing multiple petitions online to take it off the air.  
+
|This horrifyingly explicit adult series is about barely pubescent children and their genitals. One episode features a young boy doing the unspeakable to himself in his own bed. Another episode features a young girl talking to her private area while looking at it in a mirror. Episode titles include "Ejaculation" and "Am I Gay?" As expected, liberals have praised the series, while true conservative Christians have denounced it, writing multiple petitions online to take it off the air.  
 
|-
 
|-
 
|''Caillou''
 
|''Caillou''
|1997-2010
+
|1997-2021
 
|Teletoon (Canada) <br> PBS Kids (US)
 
|Teletoon (Canada) <br> PBS Kids (US)
 
|TV-Y
 
|TV-Y
|The title character of this Canadian animated series lacks effective communication skills and throws whiny tantrums, teaching young audiences that behavior of that nature can get them what they want.
+
|The title character of this Canadian animated series lacks effective communication skills and throws whiny tantrums, teaching young audiences that behavior of that nature can get them what they want. It was eventually cancelled on 2021, with parents rejoicing.<ref>https://nypost.com/2021/01/06/parents-couldnt-be-happier-that-caillou-is-cancelled/</ref>
 
|-
 
|-
 
|''[[Captain Planet and the Planeteers]]''
 
|''[[Captain Planet and the Planeteers]]''
Line 668: Line 760:
 
|Liberal elitist [[Ted Turner]] created this environmentalist superhero cartoon.
 
|Liberal elitist [[Ted Turner]] created this environmentalist superhero cartoon.
 
|-
 
|-
 +
|''Castlevania: Nocturne''
 +
|2023-
 +
|[[Netflix]]
 +
|TV-MA
 +
|American animated TV series made by Netflix (infamous for its [[globalist]], [[neo-Marxist]], [[woke]], [[racist]], [[feminist]]/[[misandrist]], historically/culturally revisionist, [[Satanist]], and [[Pedophilia|pedophilic]] propaganda) loosely based on the famous Japanese video game series full of revisionism and bastardization of the original source material. While the show has decent animation, it is overall inferior to its predecessor and the plot often sidelines the protagonists to focus more on secondary characters. The writing, excessive swearing and push of modern day Western [[identity politics]] in a Japanese-based work (including the deliberate and unjustified blackwashing and radical change of characterization and background story of the female character Annette in order to make her a political propaganda symbol) also received a negative reception by fans, especially Japanese fans. To be noticed that the same people who preach about cultural appropriation especially where there isn't (or when there is actually cultural appreciation) are the very first ones to hypocritically commit real and shameless cultural appropriation and bastardization, and Japan, for strange and unclear reasons, seems to be a frequent easy target, alongside South Korea, another Asian country.<ref>{{Cite web|url=https://www.rottentomatoes.com/tv/castlevania_nocturne/s01|title=''Castlevania: Nocturne''|access-date=September 28, 2023|website=[[Rotten Tomatoes]]}}</ref><ref>{{cite web|url=https://www.metacritic.com/tv/castlevania-nocturne/|title=''Castlevania: Nocturne''|website=[[Metacritic]]|access-date=September 29, 2023}}</ref>
 +
|-
 
|''[[The Cleveland Show]]''
 
|''[[The Cleveland Show]]''
 
|2009-2013
 
|2009-2013
 
|FOX
 
|FOX
 
|TV 14
 
|TV 14
|This raunchy ''Family Guy'' spinoff includes many racist and sexual jokes, mostly against Caucasians.
+
|This raunchy ''Family Guy'' spinoff includes many cringe jokes and racism, mostly against Caucasians.
 
|-   
 
|-   
 
|''Codename: Kids Next Door''
 
|''Codename: Kids Next Door''
Line 691: Line 789:
 
|TV-Y
 
|TV-Y
 
|This "interactive" series forces young audiences to accept multiculturalism by teaching them Spanish. Multiple characters can't speak a word in English, requiring the audience has to speak Spanish to them. The series is often criticized, too, for having its main characters "dumb down" their target audience, giving children too much time to answer questions that could be answered quickly and teaching them how to copy what they see on screen rather than learn for themselves.
 
|This "interactive" series forces young audiences to accept multiculturalism by teaching them Spanish. Multiple characters can't speak a word in English, requiring the audience has to speak Spanish to them. The series is often criticized, too, for having its main characters "dumb down" their target audience, giving children too much time to answer questions that could be answered quickly and teaching them how to copy what they see on screen rather than learn for themselves.
|-
 
|''Drawn Together''
 
|2004-2007
 
|Comedy Central
 
|TV MA
 
|This animated series is laced with explicit, crude, and vulgar humor. During Season 2, Princess Clara (a devout "Christian") is depicted as a "bigot" and a [[Hypocrites|hypocrite]].
 
 
|-  
 
|-  
 +
|''[[Evil Con Carne]]''
 +
|2003-2004
 +
|Cartoon Network
 +
|TV-Y7
 +
| It is about the brain of a Mexican playboy attached to a purple circus bear who wanted to take over the world. He has a beautiful mad scientist named Major Dr. Ghastly and a rebellious General Skarr. Skarr resembles a generic Nazi despite having a British accent. Hector Con Carne is the leader of a terrorist organization and frequently clashes with S.P.O.R.K., a clear parody of G.I. Joe lead by an unexplained [[Abraham Lincoln]]. An episode reveals that Hector has a son from the future, which was revealed by the creator as a result of cloning. Unlike Hector, Destructicus fights for truth and justice. There is a Christmas special where Hector tries to brainwash Santa but failed. The cartoon as a whole promotes terrorism in a positive light.
 +
|-
 
|''Fanboy and Chum Chum''
 
|''Fanboy and Chum Chum''
 
|2009-2014
 
|2009-2014
Line 705: Line 803:
 
|-
 
|-
 
|''F Is for Family''
 
|''F Is for Family''
|2015- Present
+
|2015-2021
 
|Netflix
 
|Netflix
 
|TV-MA
 
|TV-MA
Line 714: Line 812:
 
|[[Fox Network|FOX]]
 
|[[Fox Network|FOX]]
 
|TV-14
 
|TV-14
|Notorious for its shock tactics, the most successful series created by leftist Seth Macfarlane routinely employs willful tastelessness for comedic shock value. Examples include one regular character who is a homosexual pedophile, as well as frequent Hitler jokes and film and television clips as seen through the eyes of the patriarch protagonist Peter Griffin, who sees them with a warped and twisted viewpoint. Brian Griffin, the Griffin family's talking pet dog, is frequently used by series creator Seth MacFarlane as a sounding board for his liberal political and social views. Although the title implies that the series values the traditional family unit, Peter and occasionally his wife Lois treat their children in an exceptionally abusive manner, usually for laughs.
+
|Notorious for its shock tactics, the most successful series created by leftist Seth MacFarlane routinely employs willful tastelessness for comedic shock value. Examples include one regular character who is a homosexual pedophile, as well as frequent Hitler and Holocaust jokes and film and television clips as seen through the eyes of the patriarch protagonist Peter Griffin, who sees them with a warped and twisted viewpoint. Brian Griffin, the Griffin family's talking pet dog, is frequently used by series creator Seth MacFarlane as a sounding board for his liberal political and social views. Although the title implies that the series values the traditional family unit, Peter and occasionally his wife Lois treat their children in an exceptionally abusive manner, usually for laughs. There's also a considerable amount of propagandized [[ageism]] and quite biased and hypocritical double standards, both from some characters and the writers of the show (four episodes as examples are ''Scammed Yankees'',<ref>https://m.imdb.com/title/tt4863440/trivia/?ref_=tt_ql_trv</ref> ''Quagmire & Meg'',<ref>https://m.imdb.com/title/tt2040786/trivia/</ref> ''Chris Has Got a Date, Date, Date, Date, Date'', where a barely teenage Chris has a romantic relationship with the singer [[Taylor Swift]] almost in her 30s with blind and total approval from the rest of the Griffins, and ''Single White Dad'', where Lois tells a woman she "could have better than a 44 years old morbidly obese guy", referring to Peter, despite Lois being about the same age as Peter). In other occasions, [[President Trump]] and his family, just like the corporate liberal-globalist mainstream media did, is depicted in an unnecessarily and overtly negative way (even for a series like this), with the former also perpetrating the debunked hoax made up by [[Democratic Party|Democrats]] of the [[Russiagate]] to spy and sabotage President Trump's presidential run and campaign and depicting the same Trump as a Russian agent, and even depicted authoritarian and dictatorial liberal-globalist and neo-Marxist Prime Minister of Canada [[Justin Trudeau]] and the terroristic and racist neo-Marxist organization [[Black Lives Matter]] in a positive way.
 
|-
 
|-
 
|''Glenn Martin DDS''  
 
|''Glenn Martin DDS''  
Line 721: Line 819:
 
|TV-PG
 
|TV-PG
 
|Progressive former Disney CEO [[Michael Eisner]] created this racy stop motion series, which stars a traveling orthodontist aiming to build stronger relationships with his family, to downplay the role of fatherhood and push limits as to what can be shown on prime time television with demented sexual jokes. One episode blatantly portrays [[Barack Obama]] as the "messiah" and [[Dick Cheney]] as the devil.
 
|Progressive former Disney CEO [[Michael Eisner]] created this racy stop motion series, which stars a traveling orthodontist aiming to build stronger relationships with his family, to downplay the role of fatherhood and push limits as to what can be shown on prime time television with demented sexual jokes. One episode blatantly portrays [[Barack Obama]] as the "messiah" and [[Dick Cheney]] as the devil.
 +
|-
 +
|''Gotham Girls''
 +
|2000-2002
 +
|Warner Brothers
 +
|TV-PG
 +
|This spin-off of ''Batman: The Animated Series'' has a feminist and lesbian subtext. By the third and final season, Detective Samuel Reesedale is revealed to be a gender confused man who believes he is a woman. Batgirl does refer to Reesedale by his biological gender a few times, though. The villain, Dora Smithy is a [[misandry|misandrist]] who used her sister’s husband Mr. Freeze’s technology to make men disappear. This, however, is an appropriate trait for a villain. Misandrists are usually depicted as heroic and rightful characters in "modern" liberal media and productions.
 
|-
 
|-
 
|''The Grim Adventures of Billy and Mandy''
 
|''The Grim Adventures of Billy and Mandy''
Line 726: Line 830:
 
|Cartoon Network
 
|Cartoon Network
 
|TV-Y7
 
|TV-Y7
|An idiotic boy and a cynical [[nihilist]] girl befriend the Grim Reaper in a series that attempts to paint the well-known personification of death humorously, denigrates the importance of family, and celebrates disorderly conduct.
+
|An idiotic boy and a cynical [[nihilist]] girl befriend the Grim Reaper in a series that attempts to paint the well-known personification of death humorously, denigrates the importance of family, and celebrates disorderly conduct. A homosexual couple based on ''Harry Potter'' characters also appeared as recurring characters. It features a few characters from ''Evil Con Carne'' (which was made by the same creator) such as General Skarr appear in some episodes.
 
|-
 
|-
 
|''The Groovenians''
 
|''The Groovenians''
Line 733: Line 837:
 
|Not Rated
 
|Not Rated
 
|The hippies and hipsters featured are shown to be "misunderstood people", while wealthy business executives are greedy and power-hungry robots.
 
|The hippies and hipsters featured are shown to be "misunderstood people", while wealthy business executives are greedy and power-hungry robots.
 +
|-
 +
|''Hi Hi Puffy AmiYumi''
 +
|2004-2006
 +
|Cartoon Network
 +
|TV-Y7
 +
|An American cartoon based on the J-Pop band Puffy. It embraces multiculturalism by combining American culture with Japanese culture and the main characters sometimes speak Japanese without subtitles. Kaz, the manager is shown to be a negative stereotype of Capitalism not unlike Mr. Krabs. The voice cast includes Janice Kawaye, Grey DeLisle and Keone Young. Three recurring characters are vampires who drain talent from others. Ami and Yumi sometimes have a lesbian subtext despite the fact that the real life Ami Onuki and Yumi Yoshimura are heterosexual.
 
|-
 
|-
 
|''Histeria!''
 
|''Histeria!''
 
|1998-2000
 
|1998-2000
 
|KidsWB
 
|KidsWB
|
+
|TV-Y7
|Don't let its status as an educational program fool you. The series miseducates viewers on various elements of history (like depicting General William Sherman as a manchild and implying that Harriet Tubman ran a literal underground railroad system rather than it being code), and also promotes several leftist bits such as the United Nations. One episode, Megalomaniacs, also was edited for a skit that depicted the Spanish Inquisition in a negative light, and instead was replaced with Custer being mistaken for running a Custard stand. One particular episode, "The Russian Revolution", sings praises for Vladimir Lenin, depicting him as a humanitarian despite his being a brutal mass murderer and tyrant in reality, as well as falsely implying that the infamous bread lines were from before Communism was implemented when in reality they were implemented ''after'' Communism was implemented, and gave similar treatment to Stalin.<ref>https://www.facebook.com/permalink.php?story_fbid=713860168641798&id=373757305985421&substory_index=0</ref>
+
|Don't let its status as an educational program fool you. The series miseducates viewers on various elements of history (like depicting General William Sherman as a manchild and implying that Harriet Tubman ran a literal underground railroad system rather than it being code), and glamorizes promotes several leftist institutions such as the United Nations. One episode, "Megalomaniacs", was edited for a skit that depicted the Spanish Inquisition in a negative light, and instead was replaced with Custer being mistaken for running a Custard stand. One particular episode, "The Russian Revolution", sings praises for Vladimir Lenin and Joseph Stalin, depicting them as humanitarians. In reality, they were two of Russia's most feared mass murderers and tyrants. The same episode falsely implies that Russia's infamous bread lines were from before Communism was implemented.<ref>https://www.facebook.com/permalink.php?story_fbid=713860168641798&id=373757305985421&substory_index=0</ref>
 
|-
 
|-
 
|''Johnny Test''
 
|''Johnny Test''
 
|2005-2014
 
|2005-2014
|Cartoon Network
+
|The WB, Cartoon Network
 
|TV-Y7
 
|TV-Y7
|Besides borrowing heavily from ''The Aventures ofJimmy Neutron: Boy Genius'', ''The Fairly OddParents'', and ''Dexter's Laboratory'', this series devalues friendship and family. Its titular main protagonist is very arrogant and selfish. Unlike Timmy Turner and Jimmy Neutron, he almost never learns his lesson in the end.
+
|Besides borrowing heavily from ''The Adventures of Jimmy Neutron: Boy Genius'', ''The Fairly OddParents'', and ''Dexter's Laboratory'', this series devalues friendship and family. Its titular main protagonist is arrogant and selfish. Unlike Timmy Turner and Jimmy Neutron, he almost never learns his lesson in the end.
 +
|-
 +
|''Kipo and the Age of Wonderbeasts''
 +
|2020-
 +
|Netflix
 +
|TV-Y7-FV
 +
|While an innocent children's program in appearance, one of its characters is shown to be openly gay out of nowhere.
 +
 
 +
 
 +
|-
 +
|''Paw Patrol''
 +
|Anything fall 2023 and onward
 +
|Nickelodeon
 +
|TV G ?
 +
| This show had been great for years, but, as of fall 2023, there is now talk of a "non-binary" character being added to the Paw Patrol spinoff series Rubble & Crew.
 +
 
 +
 
 +
|-
 +
|''The Leader''
 +
|2018-2019
 +
|Bilibili
 +
|
 +
|The anime series (which had Chinese involvement in its creation via the Chinese Academy of Social Sciences) is pro-Communist, anti-capitalist, and blatant Marxist propaganda, made around the time of the 200th anniversary celebration of Karl Marx, and in fact, actually stars Friedrich Engels and Karl Marx as the heroes, and depict them as exceedingly handsome individuals (when in reality they were not pleasant looking), with Marx in particular being depicted as fearless, a hopeless lover, and a good friend to Engels (when in reality he had the exact opposite personality traits). To make matters worse, the liberal site YouTube when posting the trailer not only received massive amounts of upvotes from viewers, primarily those from China and Russia, but also had several comments condemning America.<ref>https://www.oneangrygamer.net/2018/12/the-leader-chinese-government-sponsored-anime-depicts-karl-marx-as-a-hero/74078/</ref>
 
|-
 
|-
 
|''The Legend of Korra''
 
|''The Legend of Korra''
Line 750: Line 882:
 
|Nickelodeon
 
|Nickelodeon
 
|TV-PG
 
|TV-PG
|The sequel to the hit Nickelodeon series ''[[Avatar: The Last Airbender]]'' stars the newest Avatar, Korra, going to Republic City to learn airbending from Aang and Katara's son, Tenzin. During the series, Korra goes through personal trials while dealing with newer enemies including the Equalists (terrorists seeking to eradicate bending). Liberals have pushed it on children since it features an early, if not ''the'' first, homosexual protagonist in children's television (with a comic sequel trilogy called ''Turf Wars'' focusing more on Korra and Asami's same-sex relationship than the story) and strongly advocates feminism. Season 2 has also shown the police force as either incompetent or stubbornly unreasonable with the exception of Mako, who works hard to solve the case. Environmentalism and even misanthropy are seen as positive in the two-parter origin story "Beginnings", where Wan (the very first Avatar) lives with dangerous spirits that have killed or horribly disfigured people and prevents hunters who set out to get food for their fellow villagers from catching a cat deer for dinner.
+
|The sequel to the hit Nickelodeon series ''[[Avatar: The Last Airbender]]'' stars the Avatar after Aang - Korra - going to Republic City to learn airbending from Aang and Katara's son, Tenzin. During the series, Korra goes through personal trials while dealing with newer enemies including the Equalists (terrorists seeking to eradicate bending). Liberals have pushed it on children since it features an early, if not ''the'' first, homosexual protagonist in children's television (with a comic sequel trilogy called ''Turf Wars'' focusing more on Korra and Asami's same-sex relationship than the story) and strongly advocates feminism; the creators of the series - Michael DiMartino and Bryan Konietzko - have even accused fans not for Korra and Asami's same-sex relationship as "seeing only through rose-tinted lenses" (accusing them of "homophobia"). Season 2 has also shown the police force as either incompetent or stubbornly unreasonable with the exception of Mako, who works hard to solve the case going on concerning terrorism. An open borders policy is even suggested when Korra leaves the spirit portals open and declares that humans and spirits must live together, ignoring the dangers that spirits had inflicted upon humans.
 +
 
 +
Environmentalism and even misanthropy are seen as positive in the two-parter origin story "Beginnings", where Wan (the very first Avatar) lives with dangerous spirits that have killed or horribly disfigured people and prevents hunters finding food for their fellow villagers from catching a cat deer, doubling as a hint of condemnation against [[hunting]]. He is also a Jacobin [[Robin Hood]]-like thief who remorselessly steals from rich people and tries leading a revolt and is seen in the right. The "Beginnings" two-parter also blames mankind for the tension between humans and spirits when it was the spirits that killed or mutated humans to the point of driving them to live on lion turtles. In spite of the clear danger that the spirits pose and how little they regard mankind, the narrative of the show expects the humans to learn a lesson about respecting spirits, showing none of the equality that the show's predecessor had shown well; ''Avatar: The Last Airbender'' did explain that the Avatar's role is to be the balance between people and spirits.
 
|-
 
|-
 
|''The Legend of Zelda''
 
|''The Legend of Zelda''
Line 756: Line 890:
 
|NBC
 
|NBC
 
|
 
|
|Besides suffering the natural effects of a low budget, this short-lived insult to the otherwise apolitical Medieval/fantasy video game series from Nintendo pushes [[feminism]]: protagonist Link is a wise-cracking show-off and a slacker, while Princess Zelda participates more often in the action and is smarter and more competent than Link.
+
|Besides suffering from the natural effects of a low budget with low-effort scripting and animation, this short-lived insult to the otherwise apolitical Medieval/fantasy video game series from Nintendo pushes [[feminism]]: protagonist Link is a wise-cracking show-off and a slacker, while Princess Zelda participates more often in the action and is smarter and more competent than Link.
 
|-
 
|-
 
|''The Lesbian Little Mermaid''
 
|''The Lesbian Little Mermaid''
Line 762: Line 896:
 
|Amazon Prime
 
|Amazon Prime
 
|N/A (Web series)
 
|N/A (Web series)
|Not only does it suffer from weak animation, scripting, and voice acting, but this Spanish-language Web series, as implied by the title, turns the classic tale of ''The Little Mermaid'' into LGBT propaganda by casting the titular character as a lesbian. Evidence that the series plagiarizes Disney's great conservative film adaptation of the Hans Christian Andersen fairytale caused Disney to force Amazon to cancel the series.<ref>https://decider.com/2018/02/27/the-lesbian-little-mermaid-on-prime-video/?link=TD_nypost_articles.7c7e0f416376f79f&utm_source=nypost_articles.7c7e0f416376f79f&utm_campaign=circular&utm_medium=DECIDER&_ga=2.219236638.628459927.1519851895-1028968981.1519851889</ref>
+
|Not only does it suffer from weak animation, scripting, and voice acting, but this Spanish-language Web series, as implied by the title, turns the classic tale of ''The Little Mermaid'' into [[LGBT propaganda]] by casting the titular character as a lesbian. Evidence that the series plagiarizes Disney's film adaptation of the Hans Christian Andersen fairytale caused Disney to force Amazon to cancel the series.<ref>https://decider.com/2018/02/27/the-lesbian-little-mermaid-on-prime-video/?link=TD_nypost_articles.7c7e0f416376f79f&utm_source=nypost_articles.7c7e0f416376f79f&utm_campaign=circular&utm_medium=DECIDER&_ga=2.219236638.628459927.1519851895-1028968981.1519851889</ref>
 
|-
 
|-
 
|''[[The Loud House]]''
 
|''[[The Loud House]]''
Line 770: Line 904:
 
|It looks like an ordinary, apolitical, animated suburban family sitcom until it pushes the LGBT agenda. Main protagonist Lincoln Loud's best friend Clyde McBride is raised by a homosexual couple, and one of Lincoln's ten sisters is bisexual. The character artwork in this series is often criticized for being [[derivative work|derivative]] of the Disney animated series ''Gravity Falls'', given that it follows what is termed the "CalArts Style", named for a specific character design style commonly seen among those drawn by animators who studied at the California Institute of the Arts. The CalArts style can be seen in other programs such as ''Star Vs. the Forces of Evil'', ''Steven Universe'', and ''The Amazing World of Gumball''.
 
|It looks like an ordinary, apolitical, animated suburban family sitcom until it pushes the LGBT agenda. Main protagonist Lincoln Loud's best friend Clyde McBride is raised by a homosexual couple, and one of Lincoln's ten sisters is bisexual. The character artwork in this series is often criticized for being [[derivative work|derivative]] of the Disney animated series ''Gravity Falls'', given that it follows what is termed the "CalArts Style", named for a specific character design style commonly seen among those drawn by animators who studied at the California Institute of the Arts. The CalArts style can be seen in other programs such as ''Star Vs. the Forces of Evil'', ''Steven Universe'', and ''The Amazing World of Gumball''.
 
|-
 
|-
 +
|''Love, Death & Robots''
 +
|2019-Present
 +
|Netflix
 +
|TV-MA
 +
|An animated anthology inspired by Heavy Metal magazine that is very adult in nature.
 
|-
 
|-
|''Love Hina''
+
|''Magical Girl Friendship Squad''
|2000
+
|2020-present
|TV Tokyo
+
|[[Syfy]]
|N/A (only released on DVDs outside Japan);
+
|TV-MA
|This feminist [[anime]] treats the girls abusing a man for "perversion" when he, in reality, is just at the wrong place at the wrong time as "funny" to such an extent that it is frequently used as a running gag, with the man often having to apologize for the "bad behavior" despite it not actually being his fault. The man in question, Keitaru Urashima, later ends up marrying Naru Narusegawa, who is the main offender regarding the abuse. [[Professor Values]] may be pushed as well since most of the cast, in particular, Naru Narusegawa and Keitaru Urashima, only seem to care about getting into college to meet their loved ones over actually studying.
+
|
 +
|-
 +
|''Masters of the Universe: Revelation''
 +
|2021
 +
|Netflix
 +
|TV-PG
 +
|This two-parter insult to the more famous and conservative ''He-Man and the Masters of the Universe'' kills off He-Man in the first episode and replaces his role of protagonist with Teela, who becomes a very negative feminist and overtly-masculine character. Family values are cruelly cast to the side when Teela banishes her father Man-At-Arms for keeping a secret that He-Man/Prince Adam told him to keep, as well as raging at the prince and blaming him for everything in front of his grieving parents. The scene also horribly casts narcissism in a positive light, with Teela turning Prince Adam's funeral around to focus on herself. Teela is also paired with a black woman in a lesbian relationship.
 
|-
 
|-
 
|''Mega Babies''
 
|''Mega Babies''
Line 786: Line 931:
 
|-
 
|-
 
|''Mr. Pickles''
 
|''Mr. Pickles''
|2013 (pilot) 2014-
+
|2013 (pilot) 2014-2019
 
|Adult Swim
 
|Adult Swim
 
|TV-MA
 
|TV-MA
 
|This ugly Satanic series stars a border collie who is a physical incarnation of the Devil himself and engages in a lot of violent, bloody, and gory behavior. Not only that, but the show stereotypes [[heavy metal]] music.
 
|This ugly Satanic series stars a border collie who is a physical incarnation of the Devil himself and engages in a lot of violent, bloody, and gory behavior. Not only that, but the show stereotypes [[heavy metal]] music.
 +
|-
 +
|''Muppet Babies'' (Reboot)
 +
|2018
 +
|Disney Junior
 +
|TV-Y
 +
|Unlike the original 1984 TV series of the same name that was free of any political bias, this 2018 reboot promotes the LGBTQ+ agenda, including Gonzo cross-dressing.
 
|-
 
|-
 
|''My Little Pony: Friendship is Magic''
 
|''My Little Pony: Friendship is Magic''
|2010-
+
|2010-2019
 
|The Hub Network / Discovery Family
 
|The Hub Network / Discovery Family
 
|TV-Y
 
|TV-Y
|Liberals adore this anime-influenced series because of its hidden messages in line with their worldview such as socialism, environmentalism, feminism, and secularism. Originally made for young girls, the show has unexpectedly attracted a worldwide cult following of young adult to adult men who call themselves "Bronies", suggesting [[homosexuality]], or at the very least emotional immaturity, in the fanbase. Perhaps a much more apparent problem than these is the threat the cartoon poses to traditional ideas of masculinity as more men become attracted to it.
+
|Liberals adore this series because of its hidden messages in line with their worldview such as socialism, environmentalism, feminism, and secularism. Originally made for young girls, the show has unexpectedly attracted a worldwide cult following of young adult to adult men who call themselves "Bronies", suggesting [[homosexuality]], or at the very least emotional immaturity, in the fanbase. Perhaps a much more apparent problem than these is the threat the cartoon poses to traditional ideas of masculinity as more men become attracted to it.
 +
|-
 +
| ''[[Neon Genesis: Evangelion]]''
 +
| 1995-1996
 +
| TV Tokyo
 +
| TV-MA
 +
| This sexually graphic TV show shows very poor family values as Gendo Ikari abandons his son Shinji, and when he’s 14, he lives with an alcoholic woman who works for NERV.
 
|-
 
|-
 
|''The Nutshack''
 
|''The Nutshack''
Line 803: Line 960:
 
|The entire theme of this program is [[San Francisco values]].
 
|The entire theme of this program is [[San Francisco values]].
 
|-
 
|-
|''Rick and Morty''
+
|''The Owl House''
 +
|2020-2023
 +
|Disney Channel
 +
|TV-Y7 (should be TV-14)
 +
|The series promotes the LGBT agenda by having its main character, Luz Noceda, being bisexual and being in a lesbian relationship. Another character also has two dads.
 +
|-
 +
|''Panty and Stocking with Garterbelt''
 +
|2010
 +
|Funimation
 +
|TV-MA
 +
|While the cartoon portrays Christianity in a positive light, it is borderline pornographic with raunchy jokes, strong language and glorifies casual sex. Garterbelt is implied to be a pedophile, which reinforces negative stereotypes to priests. The demon sisters are unrealistic and use posh terms. The angels are unlikeable and talk about casual sex and desserts.
 +
|-
 +
|''Q-Force''
 +
|2021-2022
 +
|Netflix
 +
|TV-MA
 +
|This animated series promotes the LGBT agenda. It was unsurprisingly cancelled after one season because of its agenda-driving plot, flat characters, and cringey humor.
 +
|-
 +
|-
 +
|''Ren & Stimpy: Adult Party Cartoon''
 +
|2003-2004
 +
|Spike TV
 +
|TV-MA
 +
|Made by controversial animator John Kricfalusi, it pushes the shock value of the original ''Ren & Stimpy'' even further than Nickelodeon would have had. It explicitly portrays Ren and Stimpy as a homosexual couple. It was so nihilistic that even liberals and ''Ren & Stimpy'' fans hated this show, leading to its very early cancellation after just six episodes.
 +
|-
 +
|''[[Rick and Morty]]''
 
|2013-
 
|2013-
 
|Adult Swim
 
|Adult Swim
 
|TV-MA
 
|TV-MA
|This adult animated series, whose titular characters are respective ludicrous caricatures of Dr. Emmett "Doc" Brown and Marty McFly from the mostly conservative film ''Back to the Future'', is popular among liberals for trying to pass a dysfunctional, atheistic family with a vulgar, drug-addicted, pansexual, [[alcoholism|alcoholic]] grandfather (Rick) as humorous. Worse yet, the series' volatile fanbase is widely known for stirring up such controversies as rampaging en masse through various [[McDonald's]] restaurants in search of Szechuan sauce as if to imitate an example of Rick's unruly, disorderly behavior: he seeks to claim the sauce in the episode "The Rickshank Redemption" by traveling back to 1998 when Disney released its [[China]]-set animated feature ''[[Mulan]]'' and McDonald's sold packets of Szechuan sauce with regular purchases as a cross-promotion of the film.
+
|This adult animated series, whose titular characters were based on respective ludicrous caricatures of Dr. Emmett "Doc" Brown and Marty McFly from the mostly conservative film ''Back to the Future'' (but soon grew into their own characters), is popular among liberals and atheist, Reddit-registered  techno-libertarians alike for trying to pass a dysfunctional, atheistic family with a vulgar, drug-addicted, pansexual, [[alcoholism|alcoholic]] grandfather (Rick) as humorous. Worse yet, the series' volatile, fanatical fanbase is widely known for stirring up such controversies as rampaging en masse through various [[McDonald's]] restaurants in search of Szechuan sauce as if to imitate an example of Rick's unruly, disorderly behavior, which prompted several calls to local police departments, wasting tax payer monies: he seeks to claim the sauce in the episode "The Rickshank Redemption" by traveling back to 1998 when Disney released its [[China]]-set animated feature ''[[Mulan]]'' and McDonald's sold packets of Szechuan sauce with regular purchases as a cross-promotion of the film. Many of the science fiction elements of the show seem to contradict portions of Christian cosmology, such as interdimensional travel, allowing sinners to avoid the logical consequences of their actions. The institutions of marriage and pregnancy are not given the sacred coverage they deserve either. The episode "Rickmurai Jack" shows Morty as a 40 y.o. but looking much more older and much worse than a normal 40 y.o. and is called middle-aged, still too young to be in that age category, and this is weird considering that even Rick, who is 70 y.o. and alcoholic, is better looking than adult Morty here, not to mention his father who is 35 y.o. (just 5 years younger) and is good or normal looking compared to him although he looks at least 10 years older than what is supposed to be his actual age, so [[ageism]] isn't missing in this series either. In another episode, "Rest and Ricklaxation", Morty dates a woman in her late twenties called Jacqueline, and this latter finds Morty "irresistible". Since Jacqueline dated Morty, a barely 14 y.o. boy, which she is clearly attracted to, she can be considered a [[pedophile]] or a child sex offender/predator, and everyone in the episode finds it normal or ignores it, thus sending the wrong, confusing and amoral message that female pedophiles are totally normal and should be celebrated and encouraged and treated differently, especially if boys are involved.
 +
|-
 +
|''Santa Inc.''
 +
|2021
 +
|HBO Max
 +
|
 +
|This show, helmed by uber-leftists Seth Rogen and Sarah Silverman, was a disgusting and appalling desecration of Christmas, detailing Silverman's character, Santa's second in command elf, wanting to become the next Santa in order to overturn the white patriarchy due to viewing Santa as a white straight male (despite the fact that Santa Claus being white had historical basis due to being based on [[Saint Nicholas]] from the 4th century). It also depicts Mrs. Claus as a stripper and the reindeer as methamphetamine addicts, with one reindeer, Goldie, being depicted as bisexual, indicating a promotion of the homosexual agenda. It was so in-your-face in its contempt for the Christmas holiday that even the liberal [[Rotten Tomatoes]] stated it only had a 3% approval rating at best.
 
|-
 
|-
 
|''Sanjay and Craig''
 
|''Sanjay and Craig''
|2013-
+
|2013-2016
 
|Nickelodeon
 
|Nickelodeon
 
|TV-Y7
 
|TV-Y7
 
|This ugly buddy comedy stars a racially stereotypical Indian boy and his pet snake, who engage in disorderly conduct and use lots of vulgar jokes.
 
|This ugly buddy comedy stars a racially stereotypical Indian boy and his pet snake, who engage in disorderly conduct and use lots of vulgar jokes.
 +
|-
 +
|''She-Ra and the Princesses of Power''
 +
|2018-2020
 +
|Netflix
 +
|TV-Y7-FV
 +
|This woke reboot of the 1980s cartoon makes Adora/She-Ra a lesbian.
 
|-
 
|-
 
|''[[Star vs. the Forces of Evil]]''
 
|''[[Star vs. the Forces of Evil]]''
Line 819: Line 1,013:
 
|Disney Channel
 
|Disney Channel
 
|TV-Y7
 
|TV-Y7
|The title character practices feminism, mostly in the form of rebellion against her parents' views of gender roles, as well as witchcraft. One episode features in the background of a stadium scene two men kissing each other and two women doing the same. This episode was incidentally released around the same time as the infamous reveal that LeFou is homosexual in the 2017 live action remake for Disney's politically ambiguous animation ''Beauty and the Beast'',  
+
|The title character practices feminism, mostly in the form of rebellion against her parents' views of gender roles, as well as witchcraft. One episode features in the background of a stadium scene two men kissing each other and two women doing the same. This episode was incidentally released around the same time as the infamous reveal that LeFou is homosexual in the 2017 live action remake for Disney's politically ambiguous animation ''Beauty and the Beast''.
 +
|-
 +
|''Star Wars: Resistance''
 +
|2018-2020
 +
|Disney Channel
 +
|TV-Y7
 +
|Although critics and longtime fans of the ''Star Wars'' franchise have appropriately criticized Disney for making further far-Left alterations to the franchise and its canon since Disney's acquisition of Lucasfilm in 2012, this is perhaps the worst example of that trend. Taking place during the Disney Trilogy (episodes VII-IX), the series' second season is yet another campaign homosexuality: in a similar situation to the Mr. Ratburn from ''Arthur'' being rewritten as gay, two aliens are heavily implied to be homosexual. When one Resistance member, Tamara Ryvora, defects to the First Order in another episode, she mentions that the latter group wants to "make the Galaxy safe again", in an unsubtle reference to Donald Trump's 2016 campaign slogan: "Make America Great Again."
 
|-
 
|-
 
|''Steven Universe''
 
|''Steven Universe''
|2013-
+
|2013-2019
 
|Cartoon Network
 
|Cartoon Network
 
|TV-PG
 
|TV-PG
 
|Don't let the cutesy character designs fool you in this one. On the surface, it looks like a harmless animated series about the beauty of family unity among a half-human-half-alien child, his benevolent human father, and his extraterrestrial friends who exist as sentient gemstones with holographic bodies made of light and help the boy discover his superpowers so he can protect earth from otherworldly threats. However, looks are deceiving—it really exposes children to several varieties of filth. First, the series teaches that gender confusion is "normal", as the alien characters, while they look like women, are actually androgynous, and it tries to use their androgyny to justify their lesbian and bisexual behavior (which is based on [https://www.autostraddle.com/rebecca-sugar-is-bisexual-steven-universe-creator-comes-out-at-comic-con-346094/ the series creator's bisexual lifestyle]). Because these sexless aliens look like women, the series has [[Feminism|feminist]] implications: the feminine-presenting aliens and even genuinely female humans are much more powerful or at least more competent than the male characters, many of whom are weak, silly, or incompetent. Sometimes, male characters show some form of competence, as when the hero's father Greg—a former [[Generation X]]-type rebel and community college dropout turned responsible parent—shows his strong parental instincts, skills with construction, or even defensive driving skills, but the feminists who rule the show give said male characters less credit than they deserve. Lastly, innuendoes are peppered throughout, especially in terms of "fusions", which were originally supposed to be battle tactics that involved combining the aliens' bodies and minds to form more powerful entities before the show's liberal writers shoehorned in the idea that fusions are expressions of the aliens' "love" for one another. Some episodes even feature Steven himself going from being male to being "fused" with female love interest Connie to make a disturbingly androgynous hybrid, dubbed ''Stevonnie'' by series regular Amethyst and shown to be one of the strongest characters in combat.
 
|Don't let the cutesy character designs fool you in this one. On the surface, it looks like a harmless animated series about the beauty of family unity among a half-human-half-alien child, his benevolent human father, and his extraterrestrial friends who exist as sentient gemstones with holographic bodies made of light and help the boy discover his superpowers so he can protect earth from otherworldly threats. However, looks are deceiving—it really exposes children to several varieties of filth. First, the series teaches that gender confusion is "normal", as the alien characters, while they look like women, are actually androgynous, and it tries to use their androgyny to justify their lesbian and bisexual behavior (which is based on [https://www.autostraddle.com/rebecca-sugar-is-bisexual-steven-universe-creator-comes-out-at-comic-con-346094/ the series creator's bisexual lifestyle]). Because these sexless aliens look like women, the series has [[Feminism|feminist]] implications: the feminine-presenting aliens and even genuinely female humans are much more powerful or at least more competent than the male characters, many of whom are weak, silly, or incompetent. Sometimes, male characters show some form of competence, as when the hero's father Greg—a former [[Generation X]]-type rebel and community college dropout turned responsible parent—shows his strong parental instincts, skills with construction, or even defensive driving skills, but the feminists who rule the show give said male characters less credit than they deserve. Lastly, innuendoes are peppered throughout, especially in terms of "fusions", which were originally supposed to be battle tactics that involved combining the aliens' bodies and minds to form more powerful entities before the show's liberal writers shoehorned in the idea that fusions are expressions of the aliens' "love" for one another. Some episodes even feature Steven himself going from being male to being "fused" with female love interest Connie to make a disturbingly androgynous hybrid, dubbed ''Stevonnie'' by series regular Amethyst and shown to be one of the strongest characters in combat.
  
The quasi-[[Thanksgiving]]-themed episode "Gem Harvest" guest stars Andy DeMayo, Greg's cousin and a professional biplane pilot with openly conservative viewpoints who may be an expy of Archie Bunker from ''All in the Family'' since both are middle-aged conservative men with short tempers and strong [[New York City|New York]] accents. Andy's initially unsympathetic portrayal as well as the episode airing shortly after the [[2016 presidential election]] drew widespread criticism from fans, including, ironically, opposers of [[Donald Trump]], who argued that such political undertones were in poor taste.
+
The quasi-[[Thanksgiving]]-themed episode "Gem Harvest" guest stars Andy DeMayo, Greg's cousin and a professional biplane pilot with openly conservative viewpoints who may be an expy of Archie Bunker from ''All in the Family'' since both are middle-aged conservative men with short tempers and strong [[New York City|New York]] accents. Andy's initially unsympathetic portrayal as well as the episode airing shortly after the [[2016 presidential election]] drew widespread criticism from fans, including, ironically, opponents of [[Donald Trump]], who argued that such political undertones were in poor taste.
  
The series' fan base, while it does not make up a large percent of the world's population, is one of the most vocally aggressive in the world. In October 2015, some fans [http://www.dailydot.com/parsec/steven-universe-fanartist-bullied-controversy/ bullied a teenage fan artist to attempt suicide] because she submitted fan art to the Internet in which she drew Steven's long-deceased, plump alien mother Rose Quartz as skinny. Subsequently, the fan base became so divided that the show's writers were forced to get involved. Likewise, series storyboard artist Lauren Zuke was harassed after she shared fan art on [[Twitter]] by those fans who believed she was advocating a "Lapidot" ship (that is, a fantasy relationship pairing between recurring characters Lapis Lazuli and Peridot) over other fan-preferred pairings of the show’s characters, none of which is official canon.
+
The series' fan base, while it does not make up a large percent of the world's population, is one of the most vocally aggressive in the world. In October 2015, some fans [http://www.dailydot.com/parsec/steven-universe-fanartist-bullied-controversy/ bullied a teenage fan artist to attempt suicide] because she submitted fan art to the Internet in which she drew Steven's long-deceased, plump alien mother Rose Quartz as skinny. Subsequently, the fan base became so divided that the show's writers were forced to get involved. Likewise, series storyboard artist Lauren Zuke was harassed after she shared fan art on [[Twitter]] by those fans who believed she was advocating a "Lapidot" ship (that is, a fantasy relationship pairing between recurring gems Lapis Lazuli and Peridot) over other fan-preferred pairings of the show’s characters, none of which is official canon.
  
 
Similarly, some countries have the decency to censor or alter explicitly lesbian scenes and dialogue when they import certain episodes of the series, but when this happens, the liberal fans are guaranteed to complain and get their way like the spoiled, entitled adult children that many of them are.
 
Similarly, some countries have the decency to censor or alter explicitly lesbian scenes and dialogue when they import certain episodes of the series, but when this happens, the liberal fans are guaranteed to complain and get their way like the spoiled, entitled adult children that many of them are.
  
The only positive thing we can say is thank goodness this series is definitely not rated TV-Y.
+
The only positive thing we can say is thank goodness this series is not rated TV-Y.
 
|-
 
|-
|Voltron: Legendary defender
+
|''Steven Universe Future''
 +
|2019-2020
 +
|Cartoon Network
 +
|TV-PG
 +
|In this epilogue miniseries to one of the most left-wing animated series of all time, things go even further left than before. In the ninth episode, "Little Graduation," recurring character Sadie Miller—originally a donut shop employee who is now on her rise to fame as a musician—is revealed to be pansexual since she is seen dating and performing on stage with a "non-gender binary" partner. In the fourteenth episode, "Growing Pains," the titular male canine protagonist of the ''Dog Copter'' film series existing within this fictional universe is seen proposing to be "married" to another male dog during a television commercial for the sixth installment of his series.
 +
|-
 +
|''Velma''
 +
|2023
 +
|HBO Max
 +
|
 +
|An adult spin-off/"prequel" of the classic 1969 cartoon ''Scooby Doo'', ''Velma'' ends up being a lot more mean-spirited and [[woke]]. The titular character - who in past incarnations had been both smart and friendly - frequently jeers at Fred for being a straight white man, and she herself has been race-swapped into being Indian as a narcissistic self-insert of Mindy Kaling and for woke points (the 2020 animated film ''Scoob'' did have Velma be switched to Latina, but not at the expense of the character or story like ''Velma'' did); Fred himself has been twisted into a rude idiot being the butt of jokes due to being a straight white man. Shaggy has also become race-swapped, being a black man renamed Norville due to Norville being his first name and also being a much more unsubtle stoner who simps for Velma. One episode even features a lesbian kiss between Velma and Daphne, the latter being the half-Asian adopted daughter of two lesbian corrupt cops who deal drugs; a kiss between them also somehow gets Velma out of a panic attack, a subject in which many people felt that the more family-friendly film ''Puss in Boots: The Last Wish'' managed much better. Scooby doesn't even appear at all in this show in spite of ''Velma'' being inspired by ''Scooby Doo'' due to the writers believing that he is too "childish" (though many people are happy that Scooby doesn't show up, lest he be butchered like the other characters). There are also some disturbing scenes of implied pedophilia and illegal ephebophilia conduct, with Velma hinting that children should know and want to draw genitalia (while also ranting about the patriarchy). A disturbing moment occurs when the underaged Velma (who is supposed to be under 16) pole-dances in front of her father at a strip club to get his attention.
 +
 
 +
''Velma'' has also united the right and most of the left against the show, revealing a lowering score on Rotten Tomatoes (starting at 50% and lowered down to 40 as of February, but the score from the audiences was even much lower, only 6%). Only the very far-Left defends the show because of "representation".
 +
|-
 +
|''Voltron: Legendary Defender''
 
|2016-2018
 
|2016-2018
 
|[[Netflix]]
 
|[[Netflix]]
 
|TV-Y7-FV
 
|TV-Y7-FV
|This action-oriented series based on the [[Voltron franchise]] pushes the homosexual agenda by having on of its characters being gay and even shows a gay wedding at the end with two men kissing on screen.
+
|This action-oriented series based on the [[Voltron franchise]] pushes the homosexual agenda because one of its characters is a homosexual and has a same-sex "wedding", complete with a kiss at the end.
 +
|-
 +
|"The Wild Thornberrys"
 +
|1998-2003
 +
|Nickelodeon
 +
|TV-Y7
 +
|[[Environmentalist]] show with where our protagonist Eliza talks to animals. Many villains are businessmen and the show's sister Debbie shows poor family values and even bullies Eliza with no remorse.
 +
|-
 
|}
 
|}
  
Line 856: Line 1,077:
 
|TV-14
 
|TV-14
 
|It airs on the liberal news network CBS and for a while included diehard liberals [[Mike Wallace]] and [[Andy Rooney]] among its reporting team (the former of whom was its initial star reporter). It tries to make its "good guys" as good as possible and its "bad guys" as bad as possible.
 
|It airs on the liberal news network CBS and for a while included diehard liberals [[Mike Wallace]] and [[Andy Rooney]] among its reporting team (the former of whom was its initial star reporter). It tries to make its "good guys" as good as possible and its "bad guys" as bad as possible.
 +
|-
 +
|''Everything's Gonna Be All White''
 +
|2022
 +
|Showtime
 +
|TV-MA
 +
|A race grifting documentary series that pulls out every tired old "racism" canard that's been debunked a thousand times. It currently sits at a 1.0 on IMDB.<ref>https://www.imdb.com/title/tt17220204/</ref> In an effort to hide the negative reception, Showtime disabled the comments on its YouTube trailer.
 
|-
 
|-
 
|''The Future Is Wild''  
 
|''The Future Is Wild''  
Line 897: Line 1,124:
 
|TV-PG
 
|TV-PG
 
|Morgan Freeman spends a number of episodes using pseudoscience to lure viewers into atheism.
 
|Morgan Freeman spends a number of episodes using pseudoscience to lure viewers into atheism.
 +
|}
 +
 +
==TV Specials==
 +
{| class="wikitable sortable"
 +
|-
 +
!Title
 +
!Original run
 +
!Network
 +
!TV rating
 +
!Description
 +
|-
 +
|''Frosty Returns''
 +
|1992
 +
|CBS
 +
|
 +
|An indirect sequel to the more conservative TV special ''Frosty the Snowman'', the special barely focuses on anything pertaining to Christmas, if at all. Instead, it's an anti-[[global warming]] public service announcement: the capitalistic Mr. Twitchell is the antagonist because he uses an aerosol spray dubbed "Summer Wheeze" to melt snow and jeopardize the existence of the famed snowman.
 
|}
 
|}
  
Line 919: Line 1,162:
 
|TV-14
 
|TV-14
 
|This blasphemous sitcom consists mainly of hate speech against [[Christianity]], as evidenced simply by its provocative title. It was so ill-received by various mainstream Christians that they demanded a boycott of anyone who sponsored the show, which ultimately contributed to its lasting a single season.
 
|This blasphemous sitcom consists mainly of hate speech against [[Christianity]], as evidenced simply by its provocative title. It was so ill-received by various mainstream Christians that they demanded a boycott of anyone who sponsored the show, which ultimately contributed to its lasting a single season.
 +
|-
 +
|''The Handmaid's Tale''
 +
|2017-present
 +
|Hulu
 +
|TV-MA
 +
|Based on the 1985 speculative sci-fi book by liberal Canadian author Margaret Atwood, this series, taking place in a dystopian post-Second Civil War United States in which fertile young women are used as childbearing slaves by that society's rulers, is little more than an attack on and mischaracterization of religion (specifically, of Christianity, by claiming it to be "misogynist" when it is actually the opposite), contains sexual violence (hence its TV rating) and is basically misandrist, feminist, sexually repugnant, anti-Christian and anti-conservative trash (which, not surprisingly, has been glowingly praised by liberal TV critics and showered with Emmys and other awards).  Additionally, one of its stars, Elizabeth Moss, is a member of the cult [[Scientology]].
 
|-
 
|-
 
|''Mr. Pickles''
 
|''Mr. Pickles''
Line 959: Line 1,208:
 
|TV-14
 
|TV-14
 
|Main character Captain Holt is an open homosexual in charge of the fictitious 99th police precinct in Brooklyn, New York City. To make matters worse, series regular Rosa Diaz "comes out" as bisexual in the fifth season, disregarding the fact that no clues were given about this in the first four seasons. However, their sexualities are downplayed for the most part, and this workplace sitcom seems to humanize the police in an era when liberal news media does everything it can to dehumanize the authorities. It lightheartedly teaches that the police are likeable, relatable, three-dimensional everyday people with fairly normal internal and interpersonal obstacles to overcome in a humorous fashion; and it averts the preposterous liberal assumption that the police are racist with its multiracial main cast. On top of that, a number of villains that the detectives face are drug abusers or dealers, which supports war on illegal drugs, and main character Sgt. Terry Jeffords is a devout family man who prefers to act in the best interest of his wife and daughters, whom he does not want to see him killed in the line of duty.
 
|Main character Captain Holt is an open homosexual in charge of the fictitious 99th police precinct in Brooklyn, New York City. To make matters worse, series regular Rosa Diaz "comes out" as bisexual in the fifth season, disregarding the fact that no clues were given about this in the first four seasons. However, their sexualities are downplayed for the most part, and this workplace sitcom seems to humanize the police in an era when liberal news media does everything it can to dehumanize the authorities. It lightheartedly teaches that the police are likeable, relatable, three-dimensional everyday people with fairly normal internal and interpersonal obstacles to overcome in a humorous fashion; and it averts the preposterous liberal assumption that the police are racist with its multiracial main cast. On top of that, a number of villains that the detectives face are drug abusers or dealers, which supports war on illegal drugs, and main character Sgt. Terry Jeffords is a devout family man who prefers to act in the best interest of his wife and daughters, whom he does not want to see him killed in the line of duty.
 +
|-
 +
|''Dinosaurs''
 +
|1991-1994
 +
|ABC
 +
|TV-Y7
 +
|This work by Jim Henson of ''Muppets'' fame tells of a family of dinosaurs named the Sinclairs adjusting to suburban life after millions of years of wild living. There are Earl the father (a stubborn and bumbling ''Megalosaurus'' who works as a "tree-pusher"), Fran the mother (a down-to-earth ''Allosaurus'' who is a housewife), Robbie the son (a teenager who often questions the way dinosaurs do things like eating meat and howling at the moon), Charlene the daughter (a typical teenage girl), and the Baby (a fully-talking and rambunctious baby dinosaur who often calls Earl "Not the Mama!").
 +
 +
''Dinosaurs'' touches a lot of liberal subjects, from gender confusion to feminism to even socialism. An episode even has a scenario resembling people coming out as homosexuals, where Robbie wants to be more herbivore than carnivore and eat more vegetables, which Earl sees as going against the food chain. Another episode features an in-show TV show about a dinosaur admitting that he's a "cross-eater" and says that he feels like a carnivore in an herbivore's body, which seems to be a metaphor for being transgender or a cross-dresser. The biggest subject the characters discuss throughout the series is environmentalism, from leaving forests intact to avoiding the eradication of endangered species. Sadly at the end of the series, wiping out a certain species of beetle that depends on a certain species of flower leads to the eventual extinction of the dinosaurs, who face certain doom from the resulting Ice Age.
 +
 +
But while the show features a lot of liberal subjects, there are also some conservative moments as well. Earl tries his best to act as the father of the household in spite of his bumbling ways, while Fran makes sure to keep the house running from the homestead. There are times when Robbie and Earl clash over ideas (like Robbie wanting to be a vegetarian instead of a carnivore), but they make up at the end of the day and support each other. At his tree-pushing job, Earl works under the supervision of his boss B.P. Richfield, a ''Styracosaurus'' and the tyrannical and greedy owner of the WESAYSO Corporation. Friendship is even upheld in "The Howling", where Robbie helps repair the friendship between Earl and his co-worker Roy (a ''Tyrannosaurus Rex'') by getting them to howl so that they can get rid of their aggression; in that same episode, Roy even gives Robbie a pencil box as a present - the same pencil box that his father had given to him on his Howling Day - because he wanted to pass it on to someone in spite of not having kids of his own, thus him seeing Robbie and the other Sinclairs as family. Another episode called "Earl and Pearl" has Earl eventually reconciling with his country music-playing sister Pearl, even singing "Leaves and Trees" together at the end of the episode. Drug use is even condemned in a few episodes. One called "Steroids to Heaven" has Robbie eating little spiked creatures called Thornoids, to which his ''Polacanthus'' friend Spike - himself being a delinquent - calls him out for it and traps him with his newly grown spikes to wait until the effect wears off. The second called "A New Leaf" involves a plant that makes dinosaurs deliriously happy; Robbie even ends the episode by giving a speech warning against the use of drugs as well as humorously warning against the dangers of preachy anti-drug episodes.
 
|-
 
|-
 
|''FBI''
 
|''FBI''
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On the other hand, family and redemption seem to be central themes of the series in the long run. When Stan's long-lost twin brother, Stanford "Ford" Pines, returns from being trapped in another dimension and reveals himself as the author of the journals, the brothers come to grips with their personal flaws, and Stan shows how he truly regrets leading a life of crime, wishing things could have turned out differently and calling himself "the screw-up". He gets his chance at redemption when he and Ford together outwit Bill Cipher, an interdimensional dream demon and the series' main antagonist, and erase the monster from existence, which causes them to mend their relationship.
 
On the other hand, family and redemption seem to be central themes of the series in the long run. When Stan's long-lost twin brother, Stanford "Ford" Pines, returns from being trapped in another dimension and reveals himself as the author of the journals, the brothers come to grips with their personal flaws, and Stan shows how he truly regrets leading a life of crime, wishing things could have turned out differently and calling himself "the screw-up". He gets his chance at redemption when he and Ford together outwit Bill Cipher, an interdimensional dream demon and the series' main antagonist, and erase the monster from existence, which causes them to mend their relationship.
 
|-
 
|-
|''Pokémon''
+
|''Hazbin Hotel''/''Helluva Boss''
|1997-
+
|2019-Present
|TVTokyo (1997-present; Japan only); UPN-69 (1998-1999); Kids WB (1999-2007); Cartoon Network (2007-2016); Disney XD (2016-present)
+
|[[YouTube]] (2019), A24 (2022) (''Hazbin Hotel'')<br>YouTube (''Helluva Boss'')
|
+
|TV-MA
|An anime adapted from a series of hugely popular trading cards and video games. The later seasons cut out the more conservative messages to promote more liberal agendas, including having the various female characters starting with May (most of whom are ten years old and thus still children) essentially act as sexual fanservice according to then-director Masamitsu Hidaka (and, at least in the case of the female leads of AG, DP, and XY, their goals of acting as Pokémon Coordinator and Showcase Trainer seemed to promote fashion industry values), as well as later on the story's refusal to allow Ash to win a league despite it being necessary to have him become a Pokémon Master (with the most infamous example of this being the Ash vs. Alain fight in the final round of the Kalos League, which had Ash losing against Alain despite the series, including the actual Japanese episode title for the battle in question, all but strongly implying the exact opposite), and eventually by Sun and Moon delaying having Ash resume his goal until nearly 40 episodes later, thus resulting in a more nihilistic view of Ash's goal. In addition, a running gag since Hoenn and to some extent Johto has Brock constantly chasing women and trying to ask them out, depicting him as a womanizer in a more comedic light. Moreover, the concept of friendships that was strongly emphasized in prior seasons eventually got phased out due to them essentially dropping characters after each season with barely a reference to them.
+
|In ''Hazbin Hotel'' & ''Helluva Boss'' one main series and a spin-off set in the same universe of the former, demons and corrupted angels engage periodically in killing DEFINITELY the souls of the sinners turned into monsters and deformed creatures in Hell due to the over-population of said Hell in the main series, and an assassin group of demons try to kill anyone who stands in their way, even children, in its spin-off. They are filled with Satanic imagery, sexual content, profanity and even references to the real-life "Angel Dust". Not to mention most of the characters are either homosexual or bisexual. Protagonist Charlie is the princess of [[Hell]] and lesbian daughter of [[Satan]]/Lucifer himself (and Lilith, a demon from the Jewish religion who is his wife in this universe), and her three main costars are either homosexual or lesbian or bisexual. However, as aforementioned above, Hell and the demons are depicted monstrously, negatively, morally questionable and/or evil as it should be, and the protagonist wants to redeem the souls of the sinners in order to give them a chance to gain honestly the access to Heaven and spare them to resolve the problem of Hell's over-population without recurring in violence and being. Not to mention that characters in Hell being homosexual or bisexual alongside being morally questionable, bad or ambiguous might be appropriate for the context and location/environment. The show is also filled with dark humor and is targeted to an adult and mature audience. Also, the creator, who is Latin American and thus with a culturally different approach on this kind of themes, doesn't seem to show or have precedents about engaging in woke and PC "culture" stuff (these last points are probably the main reasons why the shows are in this section).
 +
|-
 +
|''[[Happy Days]]''
 +
|1974-1984
 +
|ABC
 +
|TV-G
 +
|Originally launched as a 1972 episode of ''Love, American Style'' called "Love and the Television Set" and set in the 1950s.  The show was pro-family and celebrated family values, as the Cunningham family, the show's original main focus, always supported each other even through the rough times. The show is also pro-fatherhood. The show's main father figure, Howard Cunningham, is shown to be mature, calm and responsible, and always does his best to help his kids. Also a little anti-feminism, with Howard owning and running a hardware store and making all the money, and his wife Marion being the housewife.  On the other hand, producers admitted to pushing [[pacifism]] and sentiments against the [[Vietnam War]] effort.<ref>https://www.theguardian.com/tv-and-radio/2011/jun/29/is-us-tv-too-leftwing</ref>  Protagonist Richie Cunningham, a high school student played by Ron Howard as a regular from 1974 to 1980, is a supporter of the Democrat Party; as part of his school's Young Democrats club, he supports Democrat presidential candidate [[Adlai Stevenson]] in the 1956 election in the Season Two episode "The Not Making of a President" and, as such, is portrayed as young and idealistic yet naïve.
  
However, the first few seasons showcased several conservative messages, including the strife to succeed even when the odds are considered insurmountable, as well as showing parental neglect and abandonment in a negative light in regards to the characters Brock and Misty, and to a certain extent one of the main villains Jessie. In addition, in the first season at least, there were also a few Christian references from Brock and Misty, and to some extent James. Pro-family values are present due to Misty becoming a mother to Togepi, and Brock also intending to aid his family when his parents weren't around due to the latter abandoning their children (or, in the case of the dub, the father abandoning them and the mother dying), only joining Ash after his father, Flint, returned and encouraged Brock to pursue his dreams. Was also anti-Hollywood Values as well, as the episode "Go West Young Meowth" showcases the more depraved nature of Hollywood, including at least one bickering couple, and does not treat it in a positive light, nor does Meowth's sweetheart, Meowzie, an epitome of Hollywood values, come across in a flattering light, with it also being heavily implied that this was the reason Meowth turned to villainy. Similarly, another episode during the first season dealt with a condemnation of fashion industry values as Team Rocket created a salon that heavily dolled up various Pokémon without taking into account their nature, which Suzie, Ash, and Brock condemned, and Misty initially supported to an extent only to pay the price later on when she tried to have Psyduck dolled up. One episode of DP also has an implicit condemnation of the homosexual agenda due to Brock calling Pikachu and Piplup (both of whom are confirmed male in an earlier episode) having an attraction to each other "unnatural." In addition, some episodes implicitly condemn the concept of Social Darwinism by showing various trainers who care only about Pokémon who are powerful and instantly abandon them if they show any sign of weakness in a very negative light.  
+
Debuting to modest ratings in January 1974 after ABC green-lit it to series, ''Happy Days'' became a huge hit in its later years after the emphasis was shifted more to formerly supporting character Arthur "The Fonz/Fonzie" Fonzarelli (played by Henry Winkler); a greaser, former gang member, womanizer, and high school dropout who nonetheless became increasingly popular with the series' audience and became the main focus of the show after Howard's departure. The series spawned several spinoffs, including ''Laverne & Shirley'', ''Mork & Mindy'' (created as a vehicle for stand-up comedian [[Robin Williams]]), and the animated series ''The Fonz and the Happy Days Gang''.
 
|-
 
|-
 
|''The PowerPuff Girls''
 
|''The PowerPuff Girls''
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|Cartoon Network
 
|Cartoon Network
 
|TV-Y
 
|TV-Y
|On the one hand, the three titular superhero girls seem to be the only protagonists capable of fighting their city’s various supervillains, while the police, consisting mostly of men, are depicted as bumbling and oafish, making the girls feministic (It doesn’t help that one of the working titles for the show was the more profane ''Whoop*** Girls''). Moreover, innuendoes may be sprinkled throughout (and are more apparent in the 2016 reboot series, much to the chagrin of even the most devoted fans).
+
|On the one hand, the three titular superhero girls seem to be the only protagonists capable of fighting their city’s various supervillains, while the police, consisting mostly of men, are depicted as bumbling and oafish, making the girls feministic (it doesn’t help that one of the working titles for the show was the more profane ''Whoop*** Girls'').
  
On the other hand, since the girls were created by a scientist to be the “perfect little girls,” they could be more femin''ine'' rather than feminist. They try to fit into traditional gender roles despite their capabilities, and they learn family values from the professor who made them and serves as a responsible, knowledgeable, reasonable, tough but forgiving father-figure well-versed in various scientific disciplines. Plus, the recurring antagonist “Him” is an obvious reference to [[Satan]], which hints at support for Christianity; and he is an androgynous being who demonstrates some effeminate traits, which unsympathetically depicts and satirizes gender confusion and homosexual lifestyles, respectively. Lastly, minor villain Femme Fatale personifies the feminist ideology as her crimes are built around feminist hypocrisy.
+
On the other hand, since the girls were created by a scientist to be the “perfect little girls,” they could be more ''feminine'' rather than feminist. They try to fit into traditional gender roles despite their capabilities, and they learn family values from the professor who made them and serves as a responsible, knowledgeable, reasonable, tough but forgiving father-figure well-versed in various scientific disciplines. Plus, the recurring antagonist “Him” is an obvious reference to [[Satan]], which hints at support for Christianity; and he is an androgynous being who demonstrates some effeminate traits, which unsympathetically depicts and satirizes gender confusion and homosexual lifestyles, respectively. Lastly, minor villain Femme Fatale personifies the feminist ideology as her crimes are built around feminist hypocrisy.
 
|-
 
|-
 
|''SpongeBob SquarePants''
 
|''SpongeBob SquarePants''
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|One of the most influential cartoons of the 21st century, centered on an energetic, anthropomorphic sea sponge (who more nearly resembles a kitchen sponge) and a diverse cast of his underwater friends, is decidedly one of the most politically ambiguous.
 
|One of the most influential cartoons of the 21st century, centered on an energetic, anthropomorphic sea sponge (who more nearly resembles a kitchen sponge) and a diverse cast of his underwater friends, is decidedly one of the most politically ambiguous.
  
On the one hand, the series suggests that capitalists are inherently malign or simply obsessed with money, as the main character’s crustacean employer, the fast food restaurateur Mr. Krabs, is inclined to put money before others’ interests, sometimes at the expense of others’ well-being.  In addition, SpongeBob and his dimwitted seastar best friend Patrick Star have a habit of annoying Squidward Tentacles: a quick-tempered, cynical octopus who lives between them, behaves apathetically on his job as a cashier, and may be a copy of ''Sesame Street'' character Bert because both characters have interests that others find mundane. They tend to not face comeuppance for their childish actions against Squidward (though there are exceptions), which may teach that being annoying is “acceptable” adult behavior. Specific episodes have controversial overtones, too. For instance, “Rock-a-Bye Bivalve” is infamous for depicting SpongeBob and Patrick raising a baby scallop like a homosexual couple; and a handful of episodes like "The Jellyfish Hunter", "Keep Bikini Bottom Beautiful", and "SpongeBob's Last Stand" touch on themes of environmentalism. Moreover, one of the series’ worst-received episodes, “One Coarse Meal,” tries to make bullying look humorous because it centers on Mr. Krabs driving his microscopic arch business rival Plankton to suicide by appealing to the copepod’s secret fear of whales, a fear not present in any other episode. Worst of all, there is a theory that each of the seven main characters is modeled after one of the Seven Deadly Sins. According to the theory:
+
On the one hand, whether it may be considered far-fetched or not, the series seems suggests that capitalists are inherently malign or simply obsessed with money, as the main character’s crustacean employer, the fast-food restaurateur Mr. Krabs, is inclined to put money before others’ interests, sometimes at the expense of others’ well-being.  In addition, SpongeBob and his dimwitted starfish best friend Patrick Star have a habit of annoying Squidward Tentacles: a quick-tempered, cynical octopus who lives between them, behaves apathetically on his job as a cashier, and may be a copy of ''Sesame Street'' character Bert because both characters have interests that others find mundane. They tend to not face comeuppance for their childish actions against Squidward (though there are exceptions), which may teach that being annoying is “acceptable” adult behavior. Specific episodes have controversial overtones, too. For instance, “Rock-a-Bye Bivalve” is infamous for depicting SpongeBob and Patrick raising a baby scallop like a homosexual couple; and a handful of episodes like "The Jellyfish Hunter", "Keep Bikini Bottom Beautiful", and "SpongeBob's Last Stand" touch on themes of environmentalism. Moreover, one of the series’ worst-received episodes, “One Coarse Meal,” tries to make bullying look humorous because it centers on Mr. Krabs driving his microscopic arch business rival Plankton to suicide by appealing to the copepod’s secret fear of whales, a fear that is not present in any other episode. SpongeBob himself even displays some flamboyant tendencies that can be seen as gay, though Stephen Hillenburg had stated that SpongeBob would reproduce asexually like normal sponges (splitting into newer sponges); 2020 has Nickelodeon disregard this information to push SpongeBob to be a "queer icon".<ref>https://www.breitbart.com/entertainment/2020/06/15/nickelodeon-celebrates-pride-month-with-queer-icon-spongebob-bisexual-and-trans-characters/</ref>
*Mr. Krabs is avarice for his love of money.
+
 
*Plankton is envy because he desires after that which Mr. Krabs has: a successful restaurant and the secret formula for Krabs’ signature sandwich, the Krabby Patty.
+
On the other hand, many episodes where SpongeBob works in his regular job as a fry cook at the Krusty Krab restaurant teach young audiences to appreciate hard work and persistence as SpongeBob eagerly strives to make the most out of his rather ordinary vocation. Most episodes where Plankton appears draw a clear distinction between good and evil, showing the errors of stealing and conducting business through illegitimate means as Plankton’s schemes to outcompete Mr. Krabs, the more competent businessman, or steal his Krabby Patty recipe always backfire. In addition, depending on the writer(s), Krabs can serve as a surrogate father-figure to SpongeBob, teaching him to stay out of danger and not to act so impulsively as he usually does. Lastly, the episode "SpongeBob, You're Fired!" has gained fame among conservatives for advocating self-sufficiency while lampooning the concept of the welfare state, mainly the Supplemental Nutritional Assistance Program: as Patrick tries to show SpongeBob the "fun of unemployment" by taking SpongeBob out to a free lunch with Sandy, SpongeBob quips, "Unemployment may be fun for you, but I need to get a job".<ref>https://www.breitbart.com/big-hollywood/2013/11/04/spongebob-mocks-welfare-state/</ref>
*Squidward is wrath due to his irritability.
+
*Sandy Cheeks the diving suit-clad squirrel is pride as she is immensely proud of her native Texas.
+
*Patrick is sloth since he is often seen dormant as well as being extremely dimwitted.
+
*Gary, SpongeBob’s pet sea snail, is gluttony because his character has little to do other than eat.
+
*SpongeBob is a strange variant on lust: though the character is said to be asexual, he seems to have “lust for life” because, depending on the writer(s), he can be too fixated on his job (or even on Squidward) at times.
+
  
On the other hand, many episodes where SpongeBob works in his regular job as a fry cook at the Krusty Krab restaurant teach young audiences to appreciate hard work and persistence as SpongeBob eagerly strives to make the most out of his rather ordinary vocation. Most episodes where Plankton appears draw a clear distinction between good and evil, showing the errors of stealing and conducting business through illegitimate means as Plankton’s schemes to outcompete Mr. Krabs, the more competent businessman, or steal his Krabby Patty recipe always backfire. In addition, depending on the writer(s), Krabs can serve as a surrogate father-figure to SpongeBob, teaching him to stay out of danger and not to act so impulsively as he usually does. Lastly, the episode "SpongeBob, You're Fired!" has gained fame among conservatives for advocating self-sufficiency while lampooning the concept of the welfare state, mainly the Supplemental Nutritional Assistance Program: as Patrick tries to show SpongeBob the "benefits of being unemployed" by taking SpongeBob out to a free lunch with Sandy, SpongeBob quips, "Unemployment may be fun for you, but I need to get a job".<ref>https://www.breitbart.com/big-hollywood/2013/11/04/spongebob-mocks-welfare-state/</ref>
+
There have been plenty of video games of ''SpongeBob'' released over the years, as well as three movies so far. One is the more conservative first film ''The SpongeBob SquarePants Movie''. There are two spinoffs released - ''Kamp Koral'' and ''The Patrick Star Show'' - after Stephen Hillenburg's death in 2018, which many fans find to be in bad taste.
 
|}
 
|}
  

Latest revision as of 21:32, March 19, 2024

Starting with the infamous "Rural purge" of the early-1970s (when CBS cancelled most of its Western dramas and all of its rural/family-themed sitcoms and variety shows in favor of "socially relevant" urban-themed programs) and increasingly into the present, liberal-leaning television series creators, producers, directors and writers (notably including such examples as Chuck Lorre and Greg Berlanti) have put shows on the air that appeal more to their own personal viewpoints than to the tastes of most of the general public. As a result, in part due to the increase in TV channels since that period, many currently airing series have undergone decreases in viewership and the declining ratings that go with them. To liberals in the media, however, declining TV ratings and unsatisfied audiences mean less to them than pushing liberal ideology (including positively playing up socialism, Satanism, feminism, gender confusion and the homosexual agenda and playing the race card for ideological purposes while denigrating religion, the family, traditional values and the First and Second Amendments) and forcing public acceptance of it does.

Plus, conservative families in liberal TV shows (same for movies), or at the very most libertarians and classical liberals, are depicted by liberal producers, directors and writers as hypocritical and biased "bigots" when it comes to their roles as parents (especially fathers), educating or restricting their children depending on each of their two respective genders in a clearly biased and hypocritical way regarding both romantic/sexual relationships and platonic friendships. Parents are shown much more permissive, friendly and even complicit in the case of the male child, even when the latter is still a literal child and not yet of legal age, and encouraging him to hit on and have sex with much older women. The parents are instead more inappropriately restrictive and prohibitive in the case of the female child, even when the latter is already adult or of legal age and has every right to do anything she wants with whoever she wants without breaking the law or damaging someone else, and parents in this case say and are willing to do things that would lead to them being arrested in real life, and if one of the parents is a cop (usually the father), that becomes even worse and would lead to them being fired and arrested for abuse of their power and authority in their role as police officer in real life. The son(s) and daughter(s) of said conservative parents are instead typically portrayed as overtly and unnecessarily rebellious, insolent, surly, arrogant, disrespectful, superficial, narcissistic and even ageist, largely thanks to the influence of liberal teachers and peers who encourage them to be rebellious.

Shown below is a list of some of the worst liberal TV series, past and present, or at least particular and specific episodes and seasons.

Live-Action Series

Title Original run Network TV rating Description
2 Broke Girls 2011-2017 CBS This garbage sitcom glorifies homosexuality and feminism while directly insulting conservative ideals and leaders. It constantly attempts to push the limits of blue jokes, racial stereotypes, and sexual references. One of the series' titular girls—Max Black, a proudly rude, unprofessional, unmotivated, immoral, aggressive, and promiscuous woman with a drug and alcohol problem—is portrayed as a positive role model for modern women (ironically, the actress, Kat Dennings, doesn't even smoke or do drugs and very rarely drinks). Plus, the character Sophie Kachinsky, who is even more immoral and promiscuous, is always given a very loud canned applause upon every one of her entrances in order to indicate her as the show's "most popular" character. The show, which posted 19.37 million viewers at its premiere in 2011, fell to less than a quarter of that number (hitting a low of 4.57 million viewers) by the time of its cancellation in May 2017.
30 Rock 2006-2013 NBC TV-14 What looks like a sitcom about the life of the head writer of a sketch comedy series is really a front for several left-wing agendas, most infamously including a slam against Sarah Palin and routine stereotyping of conservative business executives (as in series regular Jack Donnaghy, a tasteless parody of business icon Jack Welch played by liberal Alec Baldwin). Throughout its airing from 2006 to 2013, despite being very popular liberal elites, the series received poor ratings, with its first season ranking only at #102, its subsequent seasons consistently ranking low (the highest-rated season was Season 3 with a ranking of #69 and 3.2 million viewers). Season 6 had such a low performance overall (and a very poorly-received season finale ranking at 1.6 million viewers) that NBC was forced to cancel the show at one more season.
All American Muslim 2011-2012 TLC This reality program essentially censors and whitewashes the true face of Islam, a terroristic and supremacist religio-political ideology masquerading as a non-political "religion", following the lives of five Islamic families in the Detroit suburb of Dearborn, Michigan. The show drew criticism for depicting Islam in a favorable light, ignoring the harsh realities, and it was cancelled after one season due to low ratings. Controversy erupted elsewhere when home improvement retail chain Lowe's withdrew its sponsorship of the show, leading liberal celebrities like Russell Simmons, Mia Farrow, and Kal Penn; Internet activist group Anonymous; Islamic congressman Keith Ellison; and other liberal politicians to call for a boycott of Lowe's and demanded apologies from the chain in response. Lowe's ignored their demands, and other companies joined Lowe's in withdrawing sponsorship of the program, while the threatened boycott itself largely fizzled.
All in the Family 1971–1979 CBS In this American adaptation by liberal TV producer Norman Lear of the BBC series Till Death Us Do Part, Lear inaccurately depicted Archie Bunker, a blue-collar conservative and head of the Bunker family, with liberal traits like bigotry and ignorance while depicting his son-in-law, socially liberal and politically leftist hippie and Democrat supporter Mike Stivic (referred to as "Meathead" by Archie), as the "voice of reason." The show portrays the mother and housewife as a "dingbat", a very derogatory name that she is called on the show by her own husband. Many episodes focus on on the political, philosophical, and cultural clashes between Archie and Mike, while Archie's wife Edith and their daughter Gloria try to keep the peace. In the original British series, Mike's counterpart on that show, Mike Rawlins, was a Trotskyist. Ironically, Archie Bunker despite being treated in a negative light ended up being more well-received by audiences than the main protagonist Mike Stivic largely because of his stubborn rejection of the counterculture, to the extent that the American series later spawned a sequel, Archie Bunker's Place, which ran from 1979 to 1983, and his chair was one of the historical museum pieces in the Smithsonian.[1]
Anderson Cooper 360° 2003-present CNN The openly homosexual Anderson Cooper hosts this liberally biased news program.
Andi Mack 2017-2019 Disney Channel TV-G What at first looked like a sitcom with potential ended up to be another front for the homosexual agenda as characters turn out to be either gay or lesbian.
Annoying Orange 2009-2011 YouTube TV-Y7 (should be TV-14) This Internet series promotes lack of effective communication skills via being annoying. The Annoying Orange does nothing but harass other anthropomorphic fruits and vegetables with loads of adult humor and Hollywood values.
The Baby-Sitters Club 2020 Netflix TV-G This remake of the 1990 TV show of the same name (adapted from a book series written by Ann M. Martin) features a transgender child in the first episode, promoting transgenderism and gender confusion as well. When this transgender child - who is a boy who identifies as a girl - is taken to a hospital, "she" is correctly called a boy by the doctor, prompting one of the main characters to villify the doctor for "robbing her of her identity".
Barney and Friends 1992-2008 PBS Kids TV-Y In this "educational" children's television series, a big, purple, anthropomorphic Tyrannosaurus Rex named Barney teaches children about environmentalism, multiculturalism, and other unimportant issues. The title dinosaur also pampers children excessively instead of teaching them how to maturely confront negative emotions and feelings, which is often cited as contributing to a sense of entitlement affecting America's Millennial generation, which grew up watching the show as children and has an outspoken secular liberal population.
Batwoman 2019-present CW Based on the DC Comics superheroine of the same name, this latest entry to the DC Comics-based shared fictional universe dubbed the Arrowverse on the CW has gone even further to the Left than previous adaptations, including Supergirl. Title superheroine Kate Kane, who takes up Bruce Wayne/Batman's job after he inexplicably disappears from Gotham City, is an "out" lesbian: the first episode reveals she was discharged from a military academy for entering an affair with a woman named Sophie. It is noted for being exceedingly feministic and pushing social justice to an immense level, and the pilot even has a cameo from far-left MSNBC correspondent Rachel Maddow. It has been criticized as being composed exclusively of themes of social justice.[2]

Ratings eventually plummeted from its pilot episode ratings of 1.86 million viewers by the second episode,[3] which is suspected to be the result of the star Ruby Rose insulting critics of the series by assuming they are all "old white men".[4] In the third episode, arc villain Tommy Elliot appears as an obvious caricature of Donald Trump, even to the point of declaring his intention to "make Gotham safe again."[5] As of the 17th episode "A Narrow Escape", ratings for Batwoman fell to a then-record low of 630,000 viewers; despite the low ratings and viewership (which would have led to its cancellation on any of the Big Four networks), however, the CW chose to spite the show's critics by renewing it for a second season in January 2020. The show was later hit by the announcement of the exit of Ruby Rose from the show in May 2020. Ratings for the show have fallen even further since then, as the second season episode "Do Not Resuscitate" (aired on February 28, 2021) recorded a new record low of just 460,000 viewers, less than a quarter of what the pilot episode registered.

Becoming Us 2015 ABC Family/Freeform This reality show glamorizes and exploits gender confusion. Two families with fathers claiming to be "women" are highlighted in this series, which debuted at a low-rated 81st place and dropped out of the top 100 shows entirely the following week, eventually finishing the season at less than a third of its already-low debut viewership numbers. The show subsequently ended production and was later removed from Freeform's schedule without fanfare.
The Big Bang Theory 2007-2019 CBS This sitcom stars a free-spirited beauty and her socially challenged scientist friends but does not demonstrate any family values. Instead, some of the main characters are rooming together with people just met (mostly problematic people), and all four leading men have dysfunctional relationships with one or both parents. In addition, the key character Sheldon Cooper is one of the most outspoken atheists in sitcom history, which leads to both religious and cultural friction with his devoutly Christian mother Mary as well as his Jewish colleague Howard Wolowitz and Hindu friend Dr. Raj Koothrapali. The show is widely considered to have stolen its characters' personalities and their relationships to one another from an earlier sitcom, Friends.[6][7][8]
Bill Nye Saves the World 2017-present Netflix TV-14 Leftist "scientist" Bill Nye hypnotizes his viewers into pseudo-scientific hucksterism and far-Left views. Though liberal critics praised it, American audiences in general panned it.[9]
Black Jesus 2014-present Adult Swim TV MA Sacrilegious from its title forward, this blasphemous television series focuses on the Messiah, Jesus Christ, living in Compton, California in the modern day. Despite the show's questionable portrayal of Christ and the black community, reviewers claim that the character's method of spreading the Lord's message of love and compassion is present and may actually act as a way to reach the young and rebellious modern audience of today. However, the continued usage of illegal substances on the show may impede that.
Black-ish 2014-present ABC This sitcom follows the lives of an upper middle class African American family in Los Angeles, California. The plots of most episodes usually push liberal ideologies such as gun control, vaccinations, and even abortion. In trying to subvert black racial stereotypes, it only furthers the stereotypes it claims to be against. Worst of all, the season 3 episode "Lemons" exists only to attack Donald Trump.

The series has two spinoffs, the college-oriented Grown-ish and the 1980s-set prequel Mixed-ish, both of which push racial stereotypes in equal measure. Likewise, Mixed-ish inevitably praises Communism, the hippie lifestyle, hedonism, slacking, and freeloading while inevitably attacking Ronald Reagan, capitalism, gun rights, and conservatism in general[10].

The Boys 2019-present Amazon In this adaptation of the WildStorm/Dynamite Entertainment comic of the same name, various superheroes created for the series, which are normally regarded as symbols of American patriotism, are instead shown to use their powers to achieve malevolent ends. The super-powered vigilantes in question, whose activity this show's title characters monitor, plagiarize various Marvel and DC superheroes like Steve Rogers/Captain America, Diana Prince/Wonder Woman, and Barry Allen/Flash. They generally tended to mock conservative values and politicians, though ironically, it got into trouble by its liberal viewer base in its second season finale after it implied that liberal politicians, including a stand-in for Alexandria Ocasio-Cortez, are also capable of being evil.[11]
Brave New Girls 2014 E! (Canada) This Canadian reality series exploits and glorifies gender confusion, featuring gender-confused male model Walter "Jenna" Talackova, who gained infamy for his attempt to become a contestant in the woman-only Miss Universe Canada pageant in 2012 and was initially disqualified after his true gender was discovered (he had lied about who he really was to get in); he got back in after liberal feminist lawyer Gloria Allred got involved on his behalf, but he still failed to make the pageant's final five contestants. Only eight episodes of this series were produced, but the Canadian E! channel has not officially announced that the show has been cancelled.
Bridezillas 2004-2013 WE TV Brides-to-be are encouraged to display their worst behavior in this staged "reality" series. They rant, scream, throw tantrums, and treat their wedding staff, spouse-to-be, family, and friends terribly.
Buffy the Vampire Slayer 1997-2003 The WB TV-14 This feministic, supernatural-themed series, loosely based on the 1992 comedy horror film of the same name but with a more serious tone than the original movie, depicts homosexual characters as "normal". In its later seasons, one of the antagonists is a demon whose minions heavily resemble Catholic clergy in an obvious anti-Christian message. In addition, in a foreshadowing of things to come in television regarding orientation swaps, the character Willow, despite being depicted as straight in the first three seasons, was abruptly changed into a lesbian by the show's fourth season. In one episode, protagonist Buffy calls out a school course that pushes left-wing propaganda and implies her saving humanity from the forces of darkness is a waste because of such material being taught in a foreshadowing of the pervasive Social Justice Warrior infestation of the university system as a positive, but it is not enough to detract from the whole series' liberal status.
Charmed 1998-2006 The WB This disturbing glorification of witchcraft and feminism was rebooted in 2018.
The Colbert Report 2005-2014 Comedy Central TV 14 Stephen Colbert is a liberal who parodies conservative pundits such as Bill O'Reilly and conservative news shows, such as The O'Reilly Factor. Alcohol use, profanity, and jokes related to intercourse are laden throughout.
Commander in Chief 2005-2006 ABC TV-PG A woman becomes President of the United States in this shallow series that amounts to nothing more than Hillary Clinton propaganda.
Countdown with Keith Olbermann 2003-2011 (MSNBC), 2011-2012 (Current TV) MSNBC, Current TV TV PG Left-wing commentator Keith Olbermann hosts this news program featuring vehement attacks against conservatives.
The Daily Show with Jon Stewart 1996-2015 Comedy Central TV 14 Jon Stewart insults conservative politicians and media stars much more than his occasional jab at liberal Democrats. A year after he left the show, Stewart turned up as a surprise guest on former costar Stephen Colbert's late-night CBS talk show and made a fool of himself by lambasting the Donald Trump Republican presidential campaign for Trump's stands against illegal immigration and Islamic terrorism as well as his criticisms of Barack Hussein Obama's administration and Hillary Clinton's character.
Dawson's Creek 1998-2003 The WB TV 14 Don't let the premise of it dealing with teens growing up in a suburban neighborhood fool you. The pilot episode's script was infamously controversial for including several racey and risque sex-related plotlines. During the second and third seasons, it advocates homosexuality as series regular Jack McPhee "comes out" as gay and, in the third season finale "True Love", engaged in the first on-screen same-sex male kiss on live action television with his "boyfriend" Angus (which had apparently been forced into the episode by producer Greg Berlanti, threatening executives to quit if they didn't cave to his demand). The 1998-1999 season even was ranked #1 on the top worst shows of that season on Parents TV largely because of its excessive references to gratuitous pre-marital sex, pornography, and condoms, and at least one reference to masturbation, plus its promotion of teen homosexuality, and to add insult to injury, the show was aimed at a young viewership via the 8:00 PM timeslot as well as having younger protagonists.[12]
Degrassi 2001-2015 CTV (Canada)
TeenNick, Netflix (US)
TV 14 This tasteless high school drama portrays drug use, homosexuality, gender confusion, and abortion in a positive light. Previous versions of the Degrassi franchise, The Kids of Degrassi Street (1979–1986), Degrassi Junior High (1987–1989) and Degrassi High (1989–1991) (the latter two of which had similar themes), aired on Canadian network CBC Television.
Dickinson 2019- Apple+ TV-14 In this historically revisionist, feminist Web-exclusive series, notable American poet Emily Dickinson is characterized as bi-curious and played by biracial actress Hailee Steinfeld, even though the real Emily Dickinson never had an any Asian ancestry and was heterosexual.
Doubt 2017 CBS TV-14 This courtroom drama stars gender-confused male actor Roderick "Laverne" Cox. It was touted by CBS as the first network prime time drama to feature a gender-confused actor in a starring role in an attempt to push gender confusion on its viewing audience. Because of this, viewers wanted no part of the show, which was cancelled after just two episodes.[13]
Dummy 2020-present Quibi TV-MA This surreally feminist series follows a woman who befriends a talking sex doll.
Full Frontal with Samantha Bee 2016–2022 TBS TV-MA This offshoot of The Daily Show featured former correspondent and alleged "comedienne" Samantha Bee, who liberally uses foul language, bigotry, and projection in her frequent, pathetic and unfunny mischaracterizations of conservative politicians, public figures, and the public when they refuse to embrace liberal agendas. Bee often takes to behaving like a middle-aged teenybopper during her reports while slagging those she opposes. TBS announced the cancellation of the show on July 25, 2022, claimed as part of cutbacks by TBS owner Warner Bros. Discovery (though in reality, it was the lowest-rated of twelve current late-night programs,[14] sometimes falling below 200,000 viewers on some weeks[15]).
Game of Thrones 2011-2019 HBO TV-MA Filled with gratuitous sex, bloody murder, and tons of swearing, this Emmy Award winning series was one of the most vile shows ever put on television.
GCB 2012 ABC TV-14 This blasphemous sitcom debases Christianity, as evidenced simply by its provocative title (its title is an acronym for "Good Christian [censored]"). It was so ill-received by various mainstream Christians that they demanded a boycott of anyone who sponsored the show, which ultimately contributed to its lasting a single season.
Girls 2012-2017 HBO TV-MA This strong supporter of feminism and the homosexual agenda has an arc in the second season in which the protagonist begins to date a young conservative, only to break up with him, reasoning that his views are beneath hers. Hollywood values shown include marrying someone on the basis of boredom, having multiple sexual partners, and glamorizing abortion. Creator Lena Dunham, a self-proclaimed feminist, has defended these wrongs in interviews, claiming it is a representation of what it is like to be a 21st-century woman in her twenties, when really it most certainly isn't.
The Girls Next Door 2005-2010 The Playboy Channel This "reality" series follows the models in the pornographic magazine Playboy, which exploits women.
Good Witch 2015-present Hallmark Channel TV-PG A mother and her daughter practice witchcraft, which they do not view as anything Satanic.
Gotham (Season 3 onward) 2014-2019 FOX TV-14 Originally a prequel series to DC Comics superhero Bruce Wayne/Batman's crimefighting career, it unfortunately turned into homosexual propaganda in the third season because two of the regular villains, the Penguin and the Riddler, are revealed to be homosexual, even though they were never like that in the comics and the Riddler had previously been depicted as straight in the previous two seasons. To a lesser extent, Barbara Kean, noted for being the wife of Commissioner James Gordon and mother to Barbara Gordon/Batgirl in the comics, is depicted as bisexual but never had this lifestyle in the comics either.
Hardball with Chris Matthews 1994-1996; 1997-1999; 1999- (changed stations at 1996 and 1999) Originally America's Talking, later CNBC, later MSNBC Its titular host provides non-stop liberal propaganda, lies and mischaracterization of conservative public figures and members of the public who support them.
Homeland 2011-2017 Showtime TV-MA The series initially attempts to portray some conflict with whether a returning POW Marine was a hero or a newly-brainwashed terrorist, but by the third season it not only determines him a terrorist, but makes him the hero.[16] It also was anti-American as a result, creating paranoia about America as a result, which leftist critics complimented the show due to "moral ambiguity" (which is really code for "denounce America as a nation.).[17]
House of the Dragon 2022- HBO TV-MA A prequel to the acclaimed Game of Thrones, House of the Dragon features the same traits as its sequel.
House, MD 2004-2012 Fox This medical drama features situations that are fairly accurate and real from a scientific viewpoint, but marred by the protagonist who is a rude, cynical, and inevitably atheistic medical doctor who is addicted to the pain medication Vicodin. Although witty and intelligent, the show attempts to paint a liberal distortion of the reality of medical doctors, who are actually more religious than people in other scientific fields, or at least accepting and tolerant of the importance of a patient's faith in their lives. The series may even suggest that his atheism is responsible for making him a "superior" doctor to the rest, though as mentioned, this is not a fixed law in real life. Medical doctors are not only more open about the role in faith in health, but have done more good to save people's lives and show actual concern for the afflicted, beyond the reductionistic "rationalism" of atheopaths who, for instance, want to seem like they care about disabled children by euthanizing them because of their narrow view of human life. In addition, millions of dollars has been wasted in celebrating ingrate scientists like Stephen Hawking and Carl Sagan, who wasted time trying to find life on other planets or irrelevant information regarding black holes while the human population continues to suffer and would have benefited more from investing in better health treatments or technology.
How I Met Your Mother 2005-2014 CBS This possible copy of Friends includes themes such as womanizing, alcoholism, gambling, and fornication without consequence.
The Howard Stern Show First-run syndication TV MA The disgusting "Shock Jock" employs very vulgar and crass discussions and language.
I Am Cait 2015-2016 E! An offshoot of reality television series Keeping Up With the Kardashians, this series exploits and glamorizes gender confusion while indulging Bruce "Caitlyn" Jenner in his delusion of pretending to be a "woman". Despite losing half its ratings after its first week due to few people wanting to watch the LGBT agenda being pushed on them, E! announced it would be bringing the show back for a second season. Its viewership, which had been at 2.73 million viewers at its premiere but dropped by more than half after that, fell to less than a fifth of that number (about 480,000 viewers) at one point during its second season, which finished with less than a third of its debut numbers and led to its cancellation on August 3, 2016 (although E! initially publicly denied that the show was cancelled).[18] The cancellation was eventually officially announced by E! on August 16, 2016.[19]
I Am Jazz 2015-present TLC Another reality series exploiting gender confusion, this one focuses on a teenage boy (real name: Jaron Bloshinsky[20]) who claims to be a "transgender girl" using the name "Jazz Jennings" and has been enabled in that delusion by his parents since the age of five. Like I Am Cait, its ratings plummeted after its debut episode for similar reasons and have remained low, even after the show began its third season on June 27, 2017. The third season premiere focused on Bloshinsky's plan to further enable his gender confusion by surgically mutilating himself as soon as possible, while his grandparents resorted to bigotry by calling anyone who opposed gender confusion "rednecks".[21]
Impastor 2015-2016 TV Land After being threatened by loan sharks and dumped by his girlfriend, the slacker, gambling addict, and mind-altering drug user Buddy Dobbs nearly attempts suicide before he takes the opportunity to assume the identity of a recently deceased, homosexual Lutheran pastor and hide in the small, fictional Oregon town of Ladner. As implied by this premise, the series spends so much time straining for controversy with sacrilegious and sexual humor, and it misrepresents Christians to an extent that critics of all religious and political persuasions disapproved of it. Only the first three episodes received one million live views, and viewership continued to sink lower and lower until the series was finally cancelled on December 13, 2016.
Incorporated 2016-2017 SyFy Par for the course of showrunners Matt Damon and Ben Affleck, the series blames corporations for what liberals erroneously think is manmade "global warming".
Inside Amy Schumer 2013-2016 Comedy Central TV-14 Liberal "comedienne" and Second Amendment opponent[22] Amy Schumer (who only is famous because she is a cousin of Democrat Party senator Chuck Schumer) does nothing but smother her liberal agenda onto the show's viewers. She even steals jokes from other comedians.[23] Its fifth season has been placed on hiatus.[24]
It's Always Sunny In Philadelphia 2005-Present FX/FXX TV-MA A group of widely unethical and sleazy friends run an Irish bar in the Democratic stronghold of Philadelphia, which recently overwhelmingly voted for Joe Biden. A caricature of a conservative Republican, wealthy man Frank, is on the show, even though the actor, Danny DeVito, is a liberal Democrat; he frequently brandishes a pistol in public, breaking every safety rule in the book. Other members of the main cast include Dennis, a vain, proud man, the illiterate Charlie, the psychologically unstable Mac and Frank's son and Dennis's sister Dee, who is pursuing a doomed career as an actress. Controversial topics such as abortion, race relations, and LGBTQ+ issues feature in the show, which portrays the pro life movement very unflatteringly.
Jersey Shore 2009-2012 MTV TV 14 This "reality" TV series attracts its audiences using shock value: it revolves around immoral and obscene behavior characteristics of its cast on the shores of New Jersey. Behavior depicted includes provocative dancing, innuendo usage, public drunkenness, and domestic violence.
The L Word 2004–2009 Showtime TV-MA As the title suggests, this trashy homosexual agenda-pushing drama revolves around lesbianism, feminism, feminist tribalism, and the promiscuous lesbian characters who drift in and out of relationships and affairs.
The L Word: Generation Q 2019– Showtime TV-MA A sequel series to The L Word, set ten years after the original series ended and featuring some of the original cast, the series veers more sharply to the left politically and not only goes deeper into lesbianism and feminism but gets into outright misandry and racism, and it digs into some graphic and repulsive subject matter[25] in its low-rated debut episode, which drew only 241,000 viewers. Later episodes have seen viewership decrease, to where second-season episode "Launch Party" fell to a record low to date for the show of a pathetically low 21,000 viewers. Despite the sharp 90% decline in viewership, Showtime surprisingly renewed the failing show for a third season in 2022.
Last Week Tonight with John Oliver 2014-present HBO British "comedian" and former Daily Show correspondent John Oliver hosts this late night talk and news show. Like Samantha Bee on her show Full Frontal with Samantha Bee, the liberal Oliver engages in bigotry and projection while mischaracterizing and attacking conservatives in the public spotlight and their supporters. Following Donald Trump's winning the U.S. Presidency, he has shifted a vast majority of his humor on verbally accosting the POTUS every chance he gets. More recently, Oliver, who denies the existence of the homosexual agenda, saw fit to attack Vice-President Mike Pence and his family on the show by plagiarizing Charlotte Pence's children's book with an obscene pro-homosexual parody of the book, the proceeds of which he then claimed he would send to the Trevor Project, a pro-homosexual "charity" which encourages the enabling of harmful and destructive sexual behavior.[26]
Law & Order: Special Victims Unit 1999- NBC TV-14 While based around police officers bringing sexual criminals to justice, this series in the Law & Order franchise furthers leftist agendas such as feminism and homosexuality. The episode "Info Wars" presents the main characters taking jabs at a rape victim simply due to her having conservative-leaning politics, and it even stereotyped Trump supporters. Protagonist Olivia Benson typically lacks the strength of moral character and is sometimes shown to be an incompetent detective. Ice T's character once makes a needlessly racist remark, saying, "Nothing is worse than white people congratulating themselves."
Living Biblically 2018 CBS When the pressures of life get to him, a lapsed Catholic struggles to live his life entirely according to the literal laws of the Bible. This sitcom serves primarily to mischaracterize Christians, Jews (the protagonist's priest is friends with a rabbi), and the Bible, and it was criticized as such by NewsBusters.[27] On April 19, 2018, CBS pulled the series from its schedule because of low viewership, weak writing, hammy acting, and all-around offensive subject matter.
Looking 2014-2016 HBO TV MA Essentially, it's propaganda for the homosexual agenda that lasted only for two seasons.
Love, Victor (originally Love, Simon) 2020 Hulu (originally planned for DisneyPlus) As expected of a Greg Berlanti-produced series, the show is a blatant attempt at homosexual propaganda, which involved two High School men, named Victor and Simon, struggling with their closeted homosexuality and trying to come out of the closet. It was originally planned to be titled Love, Simon, and was to air on DisneyPlus, but Disney rejected the series due to deeming it too family unfriendly for its audience (implying that the show was so blatant in its promotion of homosexuality that even Disney, itself no stranger to pushing the homosexual agenda since the 1990s, was taken aback by it), so it was renamed Love, Victor and aired on Hulu instead.[28]
The Loudest Voice 2019 Showtime TV-14 It exists only to lambast Roger Ailes and the original Fox News, and it is based on fake news propaganda book The Loudest Voice in the Room, by leftist harasser of FNC Gabriel Sherman. It falsely accuses Ailes of creating an anti-Semitic cartoon and hit piece about Gabe Sherman for harassing him; being a purveyor of fake news (ironically); having a Monica Lewinski-type extramarital affair; and being a petty, vindictive "bigot" who sexually harasses women. Lastly, he is hypocritically accused of being an authoritarian figure who somehow surveils people using cameras and hired workers and who reacts excessively to any form of criticism of him or his views.
Lucifer 2016-2021 FOX (seasons 1-3)
Netflix (seasons 4-6)
TV-14 No, you're not reading that wrong. Hollywood green-lighted a TV series with Satan as not just the lead character but the "hero" too, despite history and the Bible proving otherwise. Then again, it should come as no surprise because the show is based on graphic novels by atheist British author and graphic comic artist/novelist Neil Gaiman, who is in an open marriage with his spouse and whose works sometimes switch the personalities of God and Satan in a revisionist manner. The show was originally canceled by FOX in May 2018 due to low ratings, but was revived by streaming service Netflix a year later. On September 10, 2021, the series finally ended surprisingly after six seasons.
Madam Secretary 2014-2020 CBS This political series invariably supports Hillary Clinton. As a matter of fact, the Season 4 premiere not only has Clinton having a somewhat major role, but the protagonist in a stump speech denounces nationalism as "a perversion of patriotism" and implicitly advocates globalism and forced diversity.[29]
The Marvelous Mrs. Maisel 2017- present Amazon Taking place in the late 1950s and early 1960s, this Amazon original series uses the story of an up-and-coming New York City comedienne to hide its mission to glorify feminism and vulgar humor. It ridicules the sanctity of marriage while championing Marxism and homosexuality. Furthermore, a season 3 episode slanders the legacy of conservative hero Phyllis Schlafly, accusing her of being a "racist" and an "anti-Semitic monster" who is worse than Satan, all while holding militant atheist and communist Che Guevara up as a counterculture "hero".
Marvin Marvin 2012-2013 Nickelodeon TV-Y7 This vulgar series degrades family values, and one of the actors, Lucas Cruikshank, is homosexual.
The Mary Tyler Moore Show 1970-1977 CBS TV-PG This sitcom was produced following the Rural Purge to push the feminist agenda since its main protagonist is a divorcée.
The Mick 2017-2018 FOX This anti-family sitcom stars Kaitlin Olson as Mackenzie "Mickey" Murphy, an irresponsible young woman who takes over the raising of her niece and two nephews after the youths' parents are arrested for tax evasion and fraud. Its liberal values include gender confusion by children (and the mind warping that results from it, as shown in the episode "The New Girl"[30]), the use of women's washrooms by gender-confused males (also from "The New Girl") and the sissyfication of boys in society (from the episode "The Implant",[31] where Mickey's nephews Chip and Ben start screaming like girls after seeing a tiny spider). Audiences were turned off by the storylines and agenda-pushing in the show and, after plummeting from an initial audience of 8.58 million for its pilot episode to a low of 1.72 million for Season Two's "The Accident", it was cancelled after two seasons due to low ratings.
Modern Family 2009-2020 ABC TV 14 Liberals have made a shrine out of this sitcom starring three interconnected "families", two of which are dysfunctional (which is passed off as humorous) and the third of which is a male homosexual couple (presented as "normal") with an adopted child. Gloria Pritchett (born Ramirez), the Colombian second wife (presumed to be a trophy wife) of the overall family patriarch Jay Pritchett, sometimes plays into Hispanic racial stereotypes and behaves in a possibly racist manner toward other characters, this just to show woke liberal and SJW hypocrisy by preaching, bullying, harassing and attacking others for much, infinitely less ("rules for thee, not for me"). The sitcom also shows hypocritical bias and double standards in parents' education toward their children depending on their respective sexes (even when they are already young adults) and even ageist propaganda and negative stereotypes, one perfect example including together both these last two characteristics is the episode "Party Crasher" with the sole-appearance character Kenny, Haley's boyfriend.
Murphy Brown 1988-1998
2018 (revival)
CBS Pushes far-left viewpoints with the main character Murphy Brown, who became a single mother after giving a birth to a baby out of wedlock in later seasons. Was rather infamous for a spat on family values with then-Vice President Dan Quayle in 1992 in response to the latter's denouncement of the character mocking fatherhood.[32][33][34][35][36] Got a revival in 2018, with the star, Candice Bergen, and the show's creator, Diane English, making clear they revived it specifically to attack Donald Trump for winning the 2016 elections.[37][38] One episode of the reboot even had Hillary Clinton have a guest appearance as a prospective secretary, with the writers barely even trying to disguise her name.[39]

Predictably, the season premiere was a bust on ratings, only gathering at best 1.1 million viewers on its first night and was beaten out by the revival of the Greatest Conservative TV Show Last Man Standing on FOX.[40] Another episode mocks Steve Bannon and denounces white conservative men as "dinosaurs", the clear implication being that they are to die out soon - despite the fact that Murphy, who hypocritically called Ed Shannon (the Steve Bannon character) a "dinosaur", is over two decades older than Shannon is and is herself white.[41] On November 28, 2018, it was announced that the Murphy Brown revival had been cancelled due to low ratings, although in a face-saving announcement, CBS initially claimed that the revival, which did not get past its initial 13 episodes, was to have been a "closed-ended order" from the beginning, while series creator Diane English claimed that the show was "not cancelled".[42] CBS eventually announced on May 10, 2019 that the cancellation of Murphy Brown had been made official.[43]

My Next Guest Needs No Introduction with David Letterman 2018 Netflix TV-MA Faded late-night television host David Letterman behaves in sycophantic ways while interviewing his liberal guests.
The New Normal 2012-2013 NBC This un-Christian series stars a liberal homosexual couple that wants to have a baby, while the antagonist is the only main conservative, who is shown from a stereotypically negative liberal viewpoint. One NBC affiliate in Salt Lake City refused to air the show because of its offensive content. Few people watched the show, and it was cancelled after one season, sending the message that almost no one finds liberal agendas or mockery of conservatives and traditional values funny.
The Newsroom 2012-2014 HBO Aaron Sorkin asserts that reporting the news should include bashing Republicans and airing one-sided opinion pieces masquerading as "news". The series was cancelled barely two years into its airing.
The Oprah Winfrey Show 1986-2011 First-run syndication The eponymous host of this daytime talk show frequently asserts her liberal and feminist viewpoints.
Orange is the New Black 2013-2019 Netflix This decadent series glamorizes the homosexual agenda and prison life. The main moral, as claimed by series creator Jenji Kohan, is that it is not normal to be straight and follow in the path of God, and that practicing Christianity will lead to horrible punishments. Additionally, it inadvertently supports abortion, as it is revealed that the Christian "villain" in the series wound up in prison for killing some abortionists after receiving one. Every woman in prison, with the exception of the villain, is in a lesbian relationship with one of her fellow inmates, including, ironically, the nun.
Party of Five 2020 Freeform Don't let the title fool you, this reboot of the 1994-2000 series of the same name promotes illegal immigration and condemns deportation.[44][45] The show's attempt to push left-wing social justice issues did not go over well with viewers and it was cancelled in April 2020 after a single season of ten episodes, with the final episode drawing only 143,000 viewers.
Piers Morgan Tonight/Piers Morgan Live 2011–2014 CNN British talk show host and gun control advocate Piers Morgan lectures his guests and his audience on the issues of the day and puts a liberal spin on his viewpoints. After drawing about 2.1 million viewers for his debut episode, viewership for the show fell steadily until reaching only a fraction of its original numbers, with an average low of 81,000 viewers in the age 25-54 demographic for the week of July 30-August 5, 2012.
Pretty Little Liars 2010-2017 ABC Family/Freeform TV-14 This teen drama depicts one of its five main characters' homosexuality as "normal".
Quantico (Season 2 onward) 2016-2018 ABC Although the first season dealt with stopping terrorists and to a certain degree government corruption being depicted in a negative light and was overall politically neutral, the second season, similar to Supergirl below, went far-left for the second season. Season 2 makes the U.S. President a woman in a clear attempt at shilling for Hillary Clinton for the presidency; and the final few episodes of the season feature the president succeeding her as a dictator intent on merging the CIA and the FBI, and operating from Russia, in a clear spitting upon Donald Trump's presidency and an allusion to the false claims of Russian collusion in the 2016 election. This plotline proved to be very popular among the liberal critics who praised what they perceived as "moral ambiguity."[46]
The Real Housewives of Beverly Hills 2010-present BRAVO Physical altercations, verbal arguments, and name calling are routinely displayed. The series focuses on the cast's lack of effective interpersonal communication skills as well as excessive pointless drama. Not surprisingly, the housewives are mostly feminists.
The Real O'Neals 2015-2017 ABC TV PG This anti-Catholic (and, to a much greater extent, anti-family) sitcom stars a teenager named Kenny who "comes out" as homosexual to his Irish American Catholic family. To add insult to injury, Kenny's younger sister Shannon is actively questioning her faith, while their father Pat is secretly contemplating divorce. The series is based on the life of foul-mouthed homosexual activist and anti-Christian, anti-conservative, heterophobic and misogynistic[47] bigot Dan Savage, its executive producer. As one of ABC's lowest-rated and least-watched shows because of its offensive content, it was finally cancelled in May 2017.
Real Time with Bill Maher 2003-present HBO TV MA This political talk show typically features a liberally slanted panel that routinely insults conservatives and religion. Maher denies that Jesus Christ ever walked the earth, in a manner similar to Holocaust denial, ignoring historical accounts, spiritual evidence, and even archaeological evidence of His existence. Plus, he smears conservative women in a vulgar and sexist manner.
The Red Line 2019 CBS The show pushes every left-wing canard in the book, from intersectionality, to being rabidly anti-law enforcement (as a large part of the plot involved Officer Paul Evans being demonized for shooting an unarmed homosexual black doctor in a case of mistaken identity, as well as one of the main characters, a black aspiring congresswoman as well as the birth mother of the aforementioned homosexual black doctor's adopted daughter, orchestrating riots that harassed Evans, with it effectively implying he deserved it), including pushing the false statistic that cops tended to shoot blacks simply for being black.[48] Also has a massive promotion of Black Lives Matters that falsely claims that they were a peaceful and popular protest group when in reality they were closer to the exact opposite.[49] In the final two episodes, when Jira, the daughter of two "married" homosexuals, finds her birth father, a born-again Christian, it denounces him as a hateful "bigot" simply for stating his belief that Harrison, the doctor who had been slain earlier, is in hell for his sexuality when in reality, she came across as the hateful bigot.[50] Due to it being a limited-run, it seems even CBS realized it would not have lasted long.
The Rings of Power 2022- Amazon Prime This insult to J.R.R. Tolkien's Middle Earth series takes place during The Silmarillion. It features a feminized Galadriel and inserted black elves and dwarves to reflect what the show-writers want to depict Middle Earth as they see it: a woke utopia that cares only about race and sex, instead of what Tolkien and his son Christopher had set in stone.
Robyn Hood 2023 Global/Stack TV The legend of Robin Hood is severely butchered for "modern" audiences, as Robyn - the supposed "heroine" of the story, who is a black bisexual woman - behaves much more like a criminal, stealing, robbing, trespassing, and disrespecting authority. The main villains, on the other hand, seem more pleasant, though they are villainized for being rich and are portrayed as stupid.
Roswell, New Mexico 2019 The CW TV-14 This reboot of the 1990s show Roswell about aliens in Roswell, New Mexico pushes amnesty towards illegal immigrants, several slams against the Trump administration as well as condemning the building of a wall (despite Roswell, New Mexico not being anywhere near the border), and even has an explicit homosexual kiss on-screen. It is arguably more of a Social Justice propaganda piece than Supergirl.[51]
RuPaul's Drag Race 2009-present Logo TV Homosexual cross-dresser RuPaul hosts this radical "reality" series all about homosexuality and transvestism.
Salem 2014-2017 WGN America TV-MA Based very loosely on the Salem witch trails, liberals once again change history to suit their agenda by persecuting Christians and portraying Satanic witches as "martyrs".
Sex and the City 1998-2004 HBO TV-MA The series follows four women in their mid-thirties who live in New York City and have nothing better to do with their time than mate with as many men as they can. Because openly homosexual Darren Star created the series, it is theorized that his sexuality is the reason why the women are sexually loose.[52] Even so, Star and the other writers admitted the original premise involved four homosexual men, which were changed to women for marketing purposes and to more subtly push the homosexual agenda.[53]
Shake it Up 2010-2013 Disney Channel Teenage girls in a dancing competition lack family values and do not act very friendly towards one another.
She-Hulk: Attorney at Law 2022- Disney+ Based on the comic book character of the same name, Jennifer Walters is a lawyer, but after a car crash caused her cousin Bruce Banner’s blood to mix with hers (different than the original origin) turns her into a She-Hulk. Unlike Banner, she can turn from She-Hulk to Jennifer back and forth. There’s a major feminist tone to it as Jennifer narcissistically says she has it worse than Bruce, and blames men for her other problems. She’s also an adulteress, and rarely takes her job seriously. It also turned openly Catholic hero Matthew Murdock A.K.A. Daredevil into a bumbling bafoon to make Jennifer look good. At the end of the show, Jennifer breaks the fourth wall (a tribute to the 1990s comics) and goes to KEVIN (a robotic stand in for producer Kevin Fiege) and complains that her ending sucks.
Siskel & Ebert at the Movies 1986-2010 First-run syndication Liberal critics Gene Siskel and Roger Ebert give biased reviews to theatrical films, telling their viewers what to think.
Skins 2011 MTV TV-MA The series attempts to normalize teenage sexual intercourse as a central theme, which caused it to be accused of violating child pornography laws. Ironically, a much more sexually explicit version had aired for years in the UK with absolutely no controversy. Like GCB, it ultimately lasted for a single season largely because of the controversy.
Star Trek: Deep Space Nine 1993-1999 First-run syndication TV-PG/14 While every Star Trek series touches upon liberal themes, DS9 is without a doubt the most left-wing of all the Star Trek series. One episode, "Rejoined", contains a lesbian kiss; another episode shows a male character being transformed into a female, and many episodes ridicule the United States and Christianity. The ever-present relationships between human and non-human characters are hidden messages about bestiality, and several characters possess a stereotypically liberal smarter-than-thou personality. Ironically, showrunner Ira Steven Behr acknowledged this: "I know they got a lot of negative feedback, which only goes to prove a point I always believed in, which is that science fiction fans and Star Trek fans are much more conservative than people want to believe, and this whole Gene Roddenberry liberal humanistic vision is truly not shared by a significant portion of them."
Station 19 2018–present ABC TV-14 This spinoff of Grey's Anatomy, set in Seattle like its parent show, focuses on the firefighters of Station 19 of the Seattle Fire Department. In addition to engaging in political correctness and pushing the homosexual agenda via one of its characters, bisexual former Station 19 lieutenant/captain Maya Bishop, it recently began pushing leftist "wokeness" and SJW pro-illegal immigrant/anti-law enforcement propaganda in the episode "No Days Off" as another character, SFD battalion chief Robert Sullivan, falsely accused ICE of being "Nazis" for enforcing US immigration law, then illegally interfered with ICE and assisted in the escape of an illegal immigrant from being arrested for being in the United States illegally.[54]
Stranger Things 2016-present Netflix This horror series' main themes include witchcraft, evolution, and the occult. Young children use four-letter words conversationally. Perhaps the biggest offense, however, is the way it tries to make feminism within the family unit look acceptable, as the homemaker mother is seen as bumbling and oblivious, while the divorced, chain-smoking single mother is seen as heroic. The show's "breakout" character and main protagonist is a young girl and former laboratory experiment who uses demonic powers to murder anyone in her path. Another "fan favorite" character is revealed to be a lesbian and her sexuality is treated without scorn and is instead viewed as normal by the other characters.
Succession 2018-present HBO MA A drama/dark comedy series which centers around a dysfunctional wealthy family, consistently implying the corruption of the upper class, as well as making successful business owners out to be idiots. The only normal self-respecting man in the family, Logan Roy, is looked down on for his personality and ruthlessness while all of his children parasitically use and abuse his hard earned money for their hedonistic lifestyles. The men in the family consist of Kendall, a drug addict, Roman, a pathetic man-child with a ridiculous attraction to older women, and Connor, a bumbling aspiring politician made to lampoon and caricature conservative political hopefuls. The one daughter in the family, Shiv, is of course portrayed to be the most functioning out of them all, but is an utterly abhorred model for women and girls; she is unfaithful to her husband Tom, who does nothing as she continuously cucks him over and over, and has essentially no sense of morality and respect, though maybe this is to be expected given her stated liberal background. In addition, Tom is perhaps a homosexual, given the strange nature of his relationship with the family's "Cousin Greg," yet another sissified weak excuse of a male character. He repeatedly asks Greg to 'kiss him' within the first episode of the show, which is not violently rejected, and another character in the show is later revealed to be homosexual as well; this is all treated as normal, suggesting the presence of a further homosexual agenda.
Supergirl (Second season onward) 2016–present The CW TV-14 Based on the Supergirl character and a part of the overall Superman franchise as well as the Arrowverse media franchise. Since moving to the CW beginning in its second season, ratings have fallen far from what they were on original network CBS due to its producers' and writers' insistence on inserting left-wing propaganda, to the detriment of the series, its story quality and the Superman and Arrowverse franchises as a whole (see main article for an extended view of the series). It will eventually end on its sixth season after a significant drop in ratings.
Superman & Lois To debut in 2021 The CW TV-14 Though not set to debut until February 2021, the fact that Greg Berlanti is to be involved in this newest series entry in the Superman franchise (a reboot of the 1990s series Lois & Clark: The New Adventures of Superman) as its executive producer already does not look promising for the show, as it is expected that he will impose the same leftist social justice, LGBTQ and anti-conservative propaganda in it as he does with the other DC Comics shows he has involvement with (particularly Supergirl and Batwoman).
Teletubbies 1997-2001 CBeebies (UK)
PBS Kids (US)
TV-Y This British program indoctrinates young audiences into environmentalism as well as LGBT-related material, as Tinky Winky is purple and carries a purse (the character famously became a target for anti-homosexual activists during the series' original run). Even worse, Tinky Winky's actress is a lesbian pornographic actress.
These Friends of Mine/Ellen 1994–1998 ABC Initially presented as a clone of the sitcom Seinfeld, the show changed direction near the end of its fourth season when series star Ellen DeGeneres announced that she was a lesbian and decided to make her character, Ellen Morgan, lesbian as well. The show's ratings plummeted after the announcement and never recovered, leading to its cancellation by ABC in May 1998.
Til Death Us Do Part 1965-1975 BBC1 NR A Trotskyite socialist named Mike Rawlins is shown sympathetically, while reactionary Alf Garnett is an antagonist. These political elements inspired All in the Family.
Tomorrow's Pioneers 2007-2009 Al-Aqsa TV N/A This Arabic show which presents costumed characters like in Sesame Street promotes extreme jihadist views like anti-Semitism, anti-American sentiments, and an intense hatred of Israel. It was even known to portray a Mickey Mouse-lookalike in the first season, who displays terrorist views while hypocritically claiming that Israel is a nation of terrorists; then-CEO of Disney Bob Iger had later condemned the use of Mickey Mouse for such a show as this.
Torchwood 2006-2011 BBC TV-14 Almost every character of this graphic sci-fi series is homosexual or bisexual.
Transparent 2014-2019 Amazon Video This scripted series focuses on gender confusion, the LGBT agenda, and professor values, all misguidedly portrayed as acceptable. Former college professor Morton Pfefferman, the patriarch of the Pfefferman family, starts claiming to be a "woman" named "Maura" in the pilot episode. Later episodes explore the Pfeffermans' efforts to enable and indulge Morton in his delusion (in one episode, Morton gets offended and walks out on a family portrait shooting when the photographer correctly calls him "sir"), while oldest daughter Sarah leaves her husband to enter a lesbian relationship. The third season showcases the first full-frontal nude shot of a "transgendered" person as Morton, while at a massage parlor, rolls over and exposes his (implanted) breasts as well as his male genitals.[55] Not surprisingly, lead actor Jeffrey Tambor was cited for sexual harassment accusations[56] and was fired from the show in February 2018 due to the resulting scandal.
Two and a Half Men 2003-2015 CBS Seasons 1-8: Lead character Charlie Harper (Charlie Sheen) is an alcoholic jingle writer whose series of casual sexual relationships is admired and envied by others, while his younger brother Alan, a tightly-wound chiropractor who is more moral and hard-working by comparison, is more prone to misfortune. There is a lack of positive female role models, and Charlie has an antagonistic and dysfunctional relationship with his narcissistic, emotionally toxic mother, which is passed off as humorous.

Seasons 9-12: After saying goodbye to the late Charlie (a response to Sheen's dismissal from further appearances following his real-world bout with alcoholism, drug abuse, and adultery), Alan meets and takes in tech company billionaire Walden Schmidt, whose divorce from his wife is presented positively. In one episode, Alan's ex-wife Judith is implied to have undergone a lesbian one-night-stand. In another episode, Alan's son Jake comments about getting a sexually transmitted disease as if it were a badge of honor.

In November 2012, Angus T. Jones, Jake's actor, began speaking out against the show, which he had recently left, and labeled it as filth after his famous conversion to Christianity the previous month.

Van Helsing 2016-present SyFy TV-14 The feministic daughter of Dr. Abraham Van Helsing, the protagonist of Bram Stoker's great conservative novel Dracula, now fights vampires in a post-apocalyptic world. Not surprisingly, the Christian part of the Van Helsing family is not mentioned once.
The View 1997- ABC Liberal activists such as Barbara Walters, Joy Behar, Rosie O'Donnell, and Whoopi Goldberg host this talk show with feminist and political overtones.
The Walking Dead 2010-2022 AMC TV-MA Adapted from the comic book series The Walking Dead, the series follows Atlanta police officer Rick Grimes as he leads a group of survivors - including his wife Lori, their son Carl, and Rick's best friend and fellow officer Shane - to survive in a post-apocalyptic world overrun by zombies. The series starts off pretty neutral (emphasizing the importance of family, for example), but by season 5, leftist content sneaks in. The maker of the series has confirmed that the only relationships they will add in later seasons would be only LGBT and interracial relationships just to score points from those wanting more diversity, as well as feminism. Mercy is shown in a negative light at times, an example being Maggie and Daryl standing aside and letting Oceanside women murder a reformed Savior (which can be shown to some as the two being no better than former villain Negan, who had slaughtered Maggie's husband Glenn in front of the Alexandrians at the start of season 7). A minor arc paints Abraham in a positive light for cheating on his girlfriend Rosita for Sasha, encouraging infidelity. There is even a hint of moral relativism, an Oceanside girl saying that there is no such thing as evil and that people forget who they are, though Tara does respond by saying that evil does exist. On a minor note, the former head of Alexandria - Deanne - is confirmed to be modeled after Hillary Clinton.
Weeds 2005-2012 Showtime This series focuses mainly on the sale and use of marijuana (and the connected criminal activity) by a widow and her family.
The West Wing 1999-2006 NBC Aaron Sorkin uses this series as a platform for his liberal talking points. This may have been what influenced various liberal journalists into thinking that how Martin Sheen's character acted in the show was how a president was supposed to act, resulting in the liberal media's attempts at doing a witch hunt on Donald Trump's every move during his road to the U.S. presidency.
When We Rise 2017 ABC TV-14 This docudrama miniseries glorifies both the homosexual agenda and its history, starting from the 1969 Stonewall riot. Liberal actors Whoopi Goldberg, Rosie O'Donnell, Rob Reiner, and homosexual David Hyde Pierce all star. Historical revisionism is laden throughout[57], including demonizing and deliberate mischaracterization of past conservatives who opposed homosexuality, as well as making the homosexuals and the gender-confused look like "victims" when, in reality, they were and still are the aggressors[58]) and whitewashing of the history of the LGBT movement (particularly what happens to those who practice homosexuality and engage in homosexual sex) as seen through the far-Left viewpoint of the miniseries' producers, all in an attempt to pander to a specifically targeted audience.[59]

The miniseries claims the homosexual agenda began as an offshoot of the Civil Rights Movement, but nonwhite Americans would consider this claim offensive due to the agenda's attempt to compare sexual preference to skin color (a person's skin color is a trait from birth, but homosexuality is not) as well as a cheap attempt by the LGBT movement to hitch their wagon onto legitimate civil rights for nonwhite Americans. As expected, liberal media reviewers heaped unwarranted praise on the miniseries, while conservative website NewsBusters was far more critical of it and called out the miniseries, its producers, and writer/creator Dustin Lance Black for their revisionism and lies.[58] Not surprisingly, few TV viewers were willing to watch the miniseries because of its pushing of the homosexual agenda, liberal ideology, historical revisionism, and whitewashing, making it the lowest-rated program to air on the Big Four broadcast networks each night it aired, putting ABC in fourth place behind CBS, NBC, and FOX while barely tying with the CW.[13][60]

Will & Grace 1998–2006; 2017–2020 NBC This sitcom stars a homosexual lawyer, Will Truman, and a straight interior designer, Grace Adler, who share an apartment in New York City. It attempts to normalize homosexuality in society and uses Will's lifestyle to pander to a targeted LGBT audience. The third main character, Jack McFarland, is a sporadically employed actor and a flamboyant, promiscuous homosexual whose life revolves around homosexuality almost every waking moment and attempting to get sexually involved with every man he comes across. Finally, the fourth main character, Karen Walker, is an amoral socialite whose existence plays up to and makes light of alcoholism and prescription drug abuse.

In spite of its subject matter, the series became a surprise hit for NBC as part of its Thursday night "Must See TV" lineup, drawing an average of over 17 million viewers at its peak during its third and fourth seasons before its rating fell in its later seasons. One seventh season episode, "From Queer to Eternity", drew a record low viewership of just 5.8 million as viewers began tiring of the show. It ended production in 2006 after eight seasons, and its reruns, which entered syndication in the fall of 2002, largely vanished from broadcast syndication in 2008, retreating to cable thereafter. It was revived by NBC for an abbreviated ninth season on September 28, 2017, during which time the network claimed it had already renewed the series for a tenth season. However, its return episode, "11 Years Later", dove straight into politics as it made pathetic jokes about conservatives, attacked Donald Trump, and took a cheap shot poke at Ronald Reagan's later struggle with Alzheimer's disease[61], causing it to garner only 10.18 million viewers for its return. Later episodes in the revival steadily lost viewership; its February 20, 2020 episode "Accidentally on Porpoise" fell to just 1.95 million viewers, making it the lowest-rated episode in the show's history. The Will & Grace revival did not last as long as it did in its original run, as it was announced on July 25, 2019 that its 11th season (which ended on April 23, 2020) would be its last.

Witches of East End 2013-2014 Lifetime This short-lived series attempts to glorify witchcraft.
The Wonder Years 1988-1993 ABC Although traditional family values churn at the core, The Wonder Years has a politically liberal, specifically antiwar undertone. Arnold family patriarch Jack is a veteran of the Korean War, but the second season episode "Walkout" has Jack's son Kevin Arnold and other students walk out of school to protest the ongoing Vietnam War. The only person who tries to stop it is the school's vice-principal, who is vilified for threatening to suspend any participants in the walkout and put those suspensions on their permanent records. The series makes other jabs at the war, such as characters like Kevin's rebellious, teenage hippie sister Karen going to vigils and displaying the peace sign.

A reboot of the series, retailored to appeal to African-American and SJW audiences (thus making the reboot even more liberal than the original already was) by making the main family black and setting the show in Montgomery, Alabama during the Civil Rights Movement of the 1960s, was announced by ABC in July 2020 with an expected 2021 debut.[62] Critics of the show have already begun predicting that the reboot will not last long due to its creators' decision to appeal to a very limited audience for political and ideological reasons (especially if it attempts to engage in leftist historical revisionism by making the Republicans and their supporters the "villains", ignoring that it was actually the Democrats who were responsible for race-based segregation, Jim Crow laws and sending their KKK terrorist wing after blacks and their Republican supporters during that time).

Young Sheldon 2017- CBS This prequel series to The Big Bang Theory follows the character Sheldon Cooper—one of the most outspoken atheists in sitcom history to the point where it creates religious and cultural friction with those around him, which is passed off as humorous—as he grows up in Texas from 1989 on (though, for reasons unknown, the show seems culturally frozen in that year).[63] As in The Big Bang Theory, Sheldon is a strong proponent of evolution who looks down his nose on creationists and Christians, thinking they are not as open-minded as they truly are. In an early episode, the young Sheldon publicly embarrasses his family by arguing with their church's pastor about God's existence during a sermon. For some reason, the pastor states during the argument that Charles Darwin was open to the idea of God. In reality, Darwin's claim that he was open to the idea of a Creator was simply a plan to fool the masses when pushing evolution.[64][65]

Animated Series

Title Original run Network TV rating Description
Almost Naked Animals 2011-2013 YTV (Canada) TV-Y7 (should be TV-MA) In the Left's secret ploy to send subliminal messages of bestiality and disorderly conduct at a younger audience, anthropomorphic animals are furless and walk around in their underwear, but only the audience acknowledges this.
The Ambiguously Gay Duo 1996-???? ABC, later NBC Unknown Originally a clip from The Dana Carvey Show before moving over to Saturday Night Live, this unoriginal parody of the Batman franchise, as implied by its name, has a homo-erotic subtext of its main characters portrayed humorously when, if anything, it is filth.
American Dad 2005- FOX, later TBS Don't let the patriotic-sounding title fool you. Like all Seth Macfarlane animated productions, it stand behind liberalism while bashing conservatism (which is personified by protagonist Stan Smith, a Republican CIA agent), and one series regular is a sexually ambiguous extra-terrestrial who also sounds and acts like late comedian Paul Lynde, who was himself a camp-acting closeted homosexual prior to his death in 1982. In a case of truth in advertising, Stan's older daughter Hayley Smith is a far-Left hippie who is shrewish, hateful, and sometimes violent while stridently standing by her liberal views and, like Brian Griffin on Family Guy, is used as Seth MacFarlane or some other writers' sounding board for their viewpoints on the show, but other times is used to expose and bash/mock the terrible and disgusting hypocrisy and insanity of leftists and liberals in real life (not sure if this is self-irony or schizophrenia).
Arthur (Season 22 onward) 1996-2022 PBS TV-Y (should be TV-PG as of May 2019) This popular children's series, based on the eponymous books by Marc Brown and set in a world of anthropomorphic animals, follows the daily life of the titular aardvark, his family, and his friends. It managed to be apolitical for almost 23 years before Arthur's third and fourth grade teacher, Mr. Ratburn, was rewritten as homosexual and "married" to a man in the season 22 episode "Mr. Ratburn and the Special Someone", likely in a desperate bid to revive public interest in a program past its prime. Local Alabama and Arkansas TV stations banned the episode for that reason. In a particularly distasteful example of a children's franchise's creator putting his personal political views above whether the content is actually appropriate for the intended age bracket, Marc Brown condemned both states for banning the episode.[66] In another shallow attempt to keep this age-old series culturally relevant, the Web-exclusive episode titled "Arthur on Racism: Talk, Listen, And Act", which was published in August of 2020, encourages its target age bracket to support the violent and culturally Marxist Black Lives Matter movement and guilt them into thinking they are "racist" for not doing so.[67] This all eventually came to a head by February 2022, as the show ended up cancelled as of that date.[68]
Bojack Horseman 2014-2020 Netflix TV-MA In a world of both humans and anthropomorphic animals, a talking horse who is a faded 1990s sitcom star (perhaps a reference to the even older sitcom Mister Ed) and his friends live by Hollywood values, sexual immorality, existentialism, and drug use. One episode states that women who choose abortion are "heroes". Moreover, the show seems to present bestiality positively because there are interspecies relationships. Another episode of the series disrespects military veterans and implies they are not real heroes.
Breadwinners 2014-2016 Nickelodeon TV-Y7 This racy Nickelodeon stoner series stars two anthropomorphic ducks (who look nothing like their species) who deliver bread and engage in disorderly conduct and vulgar humor.
Big Mouth 2017- Present Netflix TV-MA This horrifyingly explicit adult series is about barely pubescent children and their genitals. One episode features a young boy doing the unspeakable to himself in his own bed. Another episode features a young girl talking to her private area while looking at it in a mirror. Episode titles include "Ejaculation" and "Am I Gay?" As expected, liberals have praised the series, while true conservative Christians have denounced it, writing multiple petitions online to take it off the air.
Caillou 1997-2021 Teletoon (Canada)
PBS Kids (US)
TV-Y The title character of this Canadian animated series lacks effective communication skills and throws whiny tantrums, teaching young audiences that behavior of that nature can get them what they want. It was eventually cancelled on 2021, with parents rejoicing.[69]
Captain Planet and the Planeteers 1990-1996 TBS TV-Y7 Liberal elitist Ted Turner created this environmentalist superhero cartoon.
Castlevania: Nocturne 2023- Netflix TV-MA American animated TV series made by Netflix (infamous for its globalist, neo-Marxist, woke, racist, feminist/misandrist, historically/culturally revisionist, Satanist, and pedophilic propaganda) loosely based on the famous Japanese video game series full of revisionism and bastardization of the original source material. While the show has decent animation, it is overall inferior to its predecessor and the plot often sidelines the protagonists to focus more on secondary characters. The writing, excessive swearing and push of modern day Western identity politics in a Japanese-based work (including the deliberate and unjustified blackwashing and radical change of characterization and background story of the female character Annette in order to make her a political propaganda symbol) also received a negative reception by fans, especially Japanese fans. To be noticed that the same people who preach about cultural appropriation especially where there isn't (or when there is actually cultural appreciation) are the very first ones to hypocritically commit real and shameless cultural appropriation and bastardization, and Japan, for strange and unclear reasons, seems to be a frequent easy target, alongside South Korea, another Asian country.[70][71]
The Cleveland Show 2009-2013 FOX TV 14 This raunchy Family Guy spinoff includes many cringe jokes and racism, mostly against Caucasians.
Codename: Kids Next Door 2002-2008 Cartoon Network TV-Y7 Children ages 12 and under work in a global secret agency to fight villains themed around adult stereotypes in this obvious metaphor for nihilism. A feminist subtext is present, too, with girls in positions of authority often superior to those of boys.
Doc McStuffins 2012- Present Disney Junior TV-Y What looks like a cute series about a child doctor who fixes living stuffed toys actually pushes homosexual propaganda on young children. One episode features a lesbian couple, and Chris Nee, the series' creator, is a lesbian.
Dora the Explorer 2000-2014 Nick Junior TV-Y This "interactive" series forces young audiences to accept multiculturalism by teaching them Spanish. Multiple characters can't speak a word in English, requiring the audience has to speak Spanish to them. The series is often criticized, too, for having its main characters "dumb down" their target audience, giving children too much time to answer questions that could be answered quickly and teaching them how to copy what they see on screen rather than learn for themselves.
Evil Con Carne 2003-2004 Cartoon Network TV-Y7 It is about the brain of a Mexican playboy attached to a purple circus bear who wanted to take over the world. He has a beautiful mad scientist named Major Dr. Ghastly and a rebellious General Skarr. Skarr resembles a generic Nazi despite having a British accent. Hector Con Carne is the leader of a terrorist organization and frequently clashes with S.P.O.R.K., a clear parody of G.I. Joe lead by an unexplained Abraham Lincoln. An episode reveals that Hector has a son from the future, which was revealed by the creator as a result of cloning. Unlike Hector, Destructicus fights for truth and justice. There is a Christmas special where Hector tries to brainwash Santa but failed. The cartoon as a whole promotes terrorism in a positive light.
Fanboy and Chum Chum 2009-2014 Nickelodeon TV-Y7 The titular child characters with absent parents engage in disorderly conduct by harassing the supporting cast at every turning point.
F Is for Family 2015-2021 Netflix TV-MA A dysfunctional 1970s-era working class family is the focus of this vulgar and immoral anti-family series.
Family Guy 1999-2003, 2005- FOX TV-14 Notorious for its shock tactics, the most successful series created by leftist Seth MacFarlane routinely employs willful tastelessness for comedic shock value. Examples include one regular character who is a homosexual pedophile, as well as frequent Hitler and Holocaust jokes and film and television clips as seen through the eyes of the patriarch protagonist Peter Griffin, who sees them with a warped and twisted viewpoint. Brian Griffin, the Griffin family's talking pet dog, is frequently used by series creator Seth MacFarlane as a sounding board for his liberal political and social views. Although the title implies that the series values the traditional family unit, Peter and occasionally his wife Lois treat their children in an exceptionally abusive manner, usually for laughs. There's also a considerable amount of propagandized ageism and quite biased and hypocritical double standards, both from some characters and the writers of the show (four episodes as examples are Scammed Yankees,[72] Quagmire & Meg,[73] Chris Has Got a Date, Date, Date, Date, Date, where a barely teenage Chris has a romantic relationship with the singer Taylor Swift almost in her 30s with blind and total approval from the rest of the Griffins, and Single White Dad, where Lois tells a woman she "could have better than a 44 years old morbidly obese guy", referring to Peter, despite Lois being about the same age as Peter). In other occasions, President Trump and his family, just like the corporate liberal-globalist mainstream media did, is depicted in an unnecessarily and overtly negative way (even for a series like this), with the former also perpetrating the debunked hoax made up by Democrats of the Russiagate to spy and sabotage President Trump's presidential run and campaign and depicting the same Trump as a Russian agent, and even depicted authoritarian and dictatorial liberal-globalist and neo-Marxist Prime Minister of Canada Justin Trudeau and the terroristic and racist neo-Marxist organization Black Lives Matter in a positive way.
Glenn Martin DDS 2009-2011 Nickelodeon TV-PG Progressive former Disney CEO Michael Eisner created this racy stop motion series, which stars a traveling orthodontist aiming to build stronger relationships with his family, to downplay the role of fatherhood and push limits as to what can be shown on prime time television with demented sexual jokes. One episode blatantly portrays Barack Obama as the "messiah" and Dick Cheney as the devil.
Gotham Girls 2000-2002 Warner Brothers TV-PG This spin-off of Batman: The Animated Series has a feminist and lesbian subtext. By the third and final season, Detective Samuel Reesedale is revealed to be a gender confused man who believes he is a woman. Batgirl does refer to Reesedale by his biological gender a few times, though. The villain, Dora Smithy is a misandrist who used her sister’s husband Mr. Freeze’s technology to make men disappear. This, however, is an appropriate trait for a villain. Misandrists are usually depicted as heroic and rightful characters in "modern" liberal media and productions.
The Grim Adventures of Billy and Mandy 2003-2008 Cartoon Network TV-Y7 An idiotic boy and a cynical nihilist girl befriend the Grim Reaper in a series that attempts to paint the well-known personification of death humorously, denigrates the importance of family, and celebrates disorderly conduct. A homosexual couple based on Harry Potter characters also appeared as recurring characters. It features a few characters from Evil Con Carne (which was made by the same creator) such as General Skarr appear in some episodes.
The Groovenians 2002 Adult Swim (2002), Cartoon Network (2003) Not Rated The hippies and hipsters featured are shown to be "misunderstood people", while wealthy business executives are greedy and power-hungry robots.
Hi Hi Puffy AmiYumi 2004-2006 Cartoon Network TV-Y7 An American cartoon based on the J-Pop band Puffy. It embraces multiculturalism by combining American culture with Japanese culture and the main characters sometimes speak Japanese without subtitles. Kaz, the manager is shown to be a negative stereotype of Capitalism not unlike Mr. Krabs. The voice cast includes Janice Kawaye, Grey DeLisle and Keone Young. Three recurring characters are vampires who drain talent from others. Ami and Yumi sometimes have a lesbian subtext despite the fact that the real life Ami Onuki and Yumi Yoshimura are heterosexual.
Histeria! 1998-2000 KidsWB TV-Y7 Don't let its status as an educational program fool you. The series miseducates viewers on various elements of history (like depicting General William Sherman as a manchild and implying that Harriet Tubman ran a literal underground railroad system rather than it being code), and glamorizes promotes several leftist institutions such as the United Nations. One episode, "Megalomaniacs", was edited for a skit that depicted the Spanish Inquisition in a negative light, and instead was replaced with Custer being mistaken for running a Custard stand. One particular episode, "The Russian Revolution", sings praises for Vladimir Lenin and Joseph Stalin, depicting them as humanitarians. In reality, they were two of Russia's most feared mass murderers and tyrants. The same episode falsely implies that Russia's infamous bread lines were from before Communism was implemented.[74]
Johnny Test 2005-2014 The WB, Cartoon Network TV-Y7 Besides borrowing heavily from The Adventures of Jimmy Neutron: Boy Genius, The Fairly OddParents, and Dexter's Laboratory, this series devalues friendship and family. Its titular main protagonist is arrogant and selfish. Unlike Timmy Turner and Jimmy Neutron, he almost never learns his lesson in the end.
Kipo and the Age of Wonderbeasts 2020- Netflix TV-Y7-FV While an innocent children's program in appearance, one of its characters is shown to be openly gay out of nowhere.


Paw Patrol Anything fall 2023 and onward Nickelodeon TV G ? This show had been great for years, but, as of fall 2023, there is now talk of a "non-binary" character being added to the Paw Patrol spinoff series Rubble & Crew.


The Leader 2018-2019 Bilibili The anime series (which had Chinese involvement in its creation via the Chinese Academy of Social Sciences) is pro-Communist, anti-capitalist, and blatant Marxist propaganda, made around the time of the 200th anniversary celebration of Karl Marx, and in fact, actually stars Friedrich Engels and Karl Marx as the heroes, and depict them as exceedingly handsome individuals (when in reality they were not pleasant looking), with Marx in particular being depicted as fearless, a hopeless lover, and a good friend to Engels (when in reality he had the exact opposite personality traits). To make matters worse, the liberal site YouTube when posting the trailer not only received massive amounts of upvotes from viewers, primarily those from China and Russia, but also had several comments condemning America.[75]
The Legend of Korra 2012-2014 Nickelodeon TV-PG The sequel to the hit Nickelodeon series Avatar: The Last Airbender stars the Avatar after Aang - Korra - going to Republic City to learn airbending from Aang and Katara's son, Tenzin. During the series, Korra goes through personal trials while dealing with newer enemies including the Equalists (terrorists seeking to eradicate bending). Liberals have pushed it on children since it features an early, if not the first, homosexual protagonist in children's television (with a comic sequel trilogy called Turf Wars focusing more on Korra and Asami's same-sex relationship than the story) and strongly advocates feminism; the creators of the series - Michael DiMartino and Bryan Konietzko - have even accused fans not for Korra and Asami's same-sex relationship as "seeing only through rose-tinted lenses" (accusing them of "homophobia"). Season 2 has also shown the police force as either incompetent or stubbornly unreasonable with the exception of Mako, who works hard to solve the case going on concerning terrorism. An open borders policy is even suggested when Korra leaves the spirit portals open and declares that humans and spirits must live together, ignoring the dangers that spirits had inflicted upon humans.

Environmentalism and even misanthropy are seen as positive in the two-parter origin story "Beginnings", where Wan (the very first Avatar) lives with dangerous spirits that have killed or horribly disfigured people and prevents hunters finding food for their fellow villagers from catching a cat deer, doubling as a hint of condemnation against hunting. He is also a Jacobin Robin Hood-like thief who remorselessly steals from rich people and tries leading a revolt and is seen in the right. The "Beginnings" two-parter also blames mankind for the tension between humans and spirits when it was the spirits that killed or mutated humans to the point of driving them to live on lion turtles. In spite of the clear danger that the spirits pose and how little they regard mankind, the narrative of the show expects the humans to learn a lesson about respecting spirits, showing none of the equality that the show's predecessor had shown well; Avatar: The Last Airbender did explain that the Avatar's role is to be the balance between people and spirits.

The Legend of Zelda 1989 NBC Besides suffering from the natural effects of a low budget with low-effort scripting and animation, this short-lived insult to the otherwise apolitical Medieval/fantasy video game series from Nintendo pushes feminism: protagonist Link is a wise-cracking show-off and a slacker, while Princess Zelda participates more often in the action and is smarter and more competent than Link.
The Lesbian Little Mermaid 2018 Amazon Prime N/A (Web series) Not only does it suffer from weak animation, scripting, and voice acting, but this Spanish-language Web series, as implied by the title, turns the classic tale of The Little Mermaid into LGBT propaganda by casting the titular character as a lesbian. Evidence that the series plagiarizes Disney's film adaptation of the Hans Christian Andersen fairytale caused Disney to force Amazon to cancel the series.[76]
The Loud House 2016- Present Nickelodeon TV-Y7 It looks like an ordinary, apolitical, animated suburban family sitcom until it pushes the LGBT agenda. Main protagonist Lincoln Loud's best friend Clyde McBride is raised by a homosexual couple, and one of Lincoln's ten sisters is bisexual. The character artwork in this series is often criticized for being derivative of the Disney animated series Gravity Falls, given that it follows what is termed the "CalArts Style", named for a specific character design style commonly seen among those drawn by animators who studied at the California Institute of the Arts. The CalArts style can be seen in other programs such as Star Vs. the Forces of Evil, Steven Universe, and The Amazing World of Gumball.
Love, Death & Robots 2019-Present Netflix TV-MA An animated anthology inspired by Heavy Metal magazine that is very adult in nature.
Magical Girl Friendship Squad 2020-present Syfy TV-MA
Masters of the Universe: Revelation 2021 Netflix TV-PG This two-parter insult to the more famous and conservative He-Man and the Masters of the Universe kills off He-Man in the first episode and replaces his role of protagonist with Teela, who becomes a very negative feminist and overtly-masculine character. Family values are cruelly cast to the side when Teela banishes her father Man-At-Arms for keeping a secret that He-Man/Prince Adam told him to keep, as well as raging at the prince and blaming him for everything in front of his grieving parents. The scene also horribly casts narcissism in a positive light, with Teela turning Prince Adam's funeral around to focus on herself. Teela is also paired with a black woman in a lesbian relationship.
Mega Babies 1999-2000 Teletoon (Canada)

Fox Family (US) Sky One (UK)

Aside from copying Ren & Stimpy because of the humor, Rugrats because of the premise, and The Powerpuff Girls because of the trio of heroes trend seen throughout works of fiction, this Canadian animated series (Please add info)
Mr. Pickles 2013 (pilot) 2014-2019 Adult Swim TV-MA This ugly Satanic series stars a border collie who is a physical incarnation of the Devil himself and engages in a lot of violent, bloody, and gory behavior. Not only that, but the show stereotypes heavy metal music.
Muppet Babies (Reboot) 2018 Disney Junior TV-Y Unlike the original 1984 TV series of the same name that was free of any political bias, this 2018 reboot promotes the LGBTQ+ agenda, including Gonzo cross-dressing.
My Little Pony: Friendship is Magic 2010-2019 The Hub Network / Discovery Family TV-Y Liberals adore this series because of its hidden messages in line with their worldview such as socialism, environmentalism, feminism, and secularism. Originally made for young girls, the show has unexpectedly attracted a worldwide cult following of young adult to adult men who call themselves "Bronies", suggesting homosexuality, or at the very least emotional immaturity, in the fanbase. Perhaps a much more apparent problem than these is the threat the cartoon poses to traditional ideas of masculinity as more men become attracted to it.
Neon Genesis: Evangelion 1995-1996 TV Tokyo TV-MA This sexually graphic TV show shows very poor family values as Gendo Ikari abandons his son Shinji, and when he’s 14, he lives with an alcoholic woman who works for NERV.
The Nutshack 2007-2011 MyxTV (Philippines) TV-MA The entire theme of this program is San Francisco values.
The Owl House 2020-2023 Disney Channel TV-Y7 (should be TV-14) The series promotes the LGBT agenda by having its main character, Luz Noceda, being bisexual and being in a lesbian relationship. Another character also has two dads.
Panty and Stocking with Garterbelt 2010 Funimation TV-MA While the cartoon portrays Christianity in a positive light, it is borderline pornographic with raunchy jokes, strong language and glorifies casual sex. Garterbelt is implied to be a pedophile, which reinforces negative stereotypes to priests. The demon sisters are unrealistic and use posh terms. The angels are unlikeable and talk about casual sex and desserts.
Q-Force 2021-2022 Netflix TV-MA This animated series promotes the LGBT agenda. It was unsurprisingly cancelled after one season because of its agenda-driving plot, flat characters, and cringey humor.
Ren & Stimpy: Adult Party Cartoon 2003-2004 Spike TV TV-MA Made by controversial animator John Kricfalusi, it pushes the shock value of the original Ren & Stimpy even further than Nickelodeon would have had. It explicitly portrays Ren and Stimpy as a homosexual couple. It was so nihilistic that even liberals and Ren & Stimpy fans hated this show, leading to its very early cancellation after just six episodes.
Rick and Morty 2013- Adult Swim TV-MA This adult animated series, whose titular characters were based on respective ludicrous caricatures of Dr. Emmett "Doc" Brown and Marty McFly from the mostly conservative film Back to the Future (but soon grew into their own characters), is popular among liberals and atheist, Reddit-registered techno-libertarians alike for trying to pass a dysfunctional, atheistic family with a vulgar, drug-addicted, pansexual, alcoholic grandfather (Rick) as humorous. Worse yet, the series' volatile, fanatical fanbase is widely known for stirring up such controversies as rampaging en masse through various McDonald's restaurants in search of Szechuan sauce as if to imitate an example of Rick's unruly, disorderly behavior, which prompted several calls to local police departments, wasting tax payer monies: he seeks to claim the sauce in the episode "The Rickshank Redemption" by traveling back to 1998 when Disney released its China-set animated feature Mulan and McDonald's sold packets of Szechuan sauce with regular purchases as a cross-promotion of the film. Many of the science fiction elements of the show seem to contradict portions of Christian cosmology, such as interdimensional travel, allowing sinners to avoid the logical consequences of their actions. The institutions of marriage and pregnancy are not given the sacred coverage they deserve either. The episode "Rickmurai Jack" shows Morty as a 40 y.o. but looking much more older and much worse than a normal 40 y.o. and is called middle-aged, still too young to be in that age category, and this is weird considering that even Rick, who is 70 y.o. and alcoholic, is better looking than adult Morty here, not to mention his father who is 35 y.o. (just 5 years younger) and is good or normal looking compared to him although he looks at least 10 years older than what is supposed to be his actual age, so ageism isn't missing in this series either. In another episode, "Rest and Ricklaxation", Morty dates a woman in her late twenties called Jacqueline, and this latter finds Morty "irresistible". Since Jacqueline dated Morty, a barely 14 y.o. boy, which she is clearly attracted to, she can be considered a pedophile or a child sex offender/predator, and everyone in the episode finds it normal or ignores it, thus sending the wrong, confusing and amoral message that female pedophiles are totally normal and should be celebrated and encouraged and treated differently, especially if boys are involved.
Santa Inc. 2021 HBO Max This show, helmed by uber-leftists Seth Rogen and Sarah Silverman, was a disgusting and appalling desecration of Christmas, detailing Silverman's character, Santa's second in command elf, wanting to become the next Santa in order to overturn the white patriarchy due to viewing Santa as a white straight male (despite the fact that Santa Claus being white had historical basis due to being based on Saint Nicholas from the 4th century). It also depicts Mrs. Claus as a stripper and the reindeer as methamphetamine addicts, with one reindeer, Goldie, being depicted as bisexual, indicating a promotion of the homosexual agenda. It was so in-your-face in its contempt for the Christmas holiday that even the liberal Rotten Tomatoes stated it only had a 3% approval rating at best.
Sanjay and Craig 2013-2016 Nickelodeon TV-Y7 This ugly buddy comedy stars a racially stereotypical Indian boy and his pet snake, who engage in disorderly conduct and use lots of vulgar jokes.
She-Ra and the Princesses of Power 2018-2020 Netflix TV-Y7-FV This woke reboot of the 1980s cartoon makes Adora/She-Ra a lesbian.
Star vs. the Forces of Evil 2015-2019 Disney Channel TV-Y7 The title character practices feminism, mostly in the form of rebellion against her parents' views of gender roles, as well as witchcraft. One episode features in the background of a stadium scene two men kissing each other and two women doing the same. This episode was incidentally released around the same time as the infamous reveal that LeFou is homosexual in the 2017 live action remake for Disney's politically ambiguous animation Beauty and the Beast.
Star Wars: Resistance 2018-2020 Disney Channel TV-Y7 Although critics and longtime fans of the Star Wars franchise have appropriately criticized Disney for making further far-Left alterations to the franchise and its canon since Disney's acquisition of Lucasfilm in 2012, this is perhaps the worst example of that trend. Taking place during the Disney Trilogy (episodes VII-IX), the series' second season is yet another campaign homosexuality: in a similar situation to the Mr. Ratburn from Arthur being rewritten as gay, two aliens are heavily implied to be homosexual. When one Resistance member, Tamara Ryvora, defects to the First Order in another episode, she mentions that the latter group wants to "make the Galaxy safe again", in an unsubtle reference to Donald Trump's 2016 campaign slogan: "Make America Great Again."
Steven Universe 2013-2019 Cartoon Network TV-PG Don't let the cutesy character designs fool you in this one. On the surface, it looks like a harmless animated series about the beauty of family unity among a half-human-half-alien child, his benevolent human father, and his extraterrestrial friends who exist as sentient gemstones with holographic bodies made of light and help the boy discover his superpowers so he can protect earth from otherworldly threats. However, looks are deceiving—it really exposes children to several varieties of filth. First, the series teaches that gender confusion is "normal", as the alien characters, while they look like women, are actually androgynous, and it tries to use their androgyny to justify their lesbian and bisexual behavior (which is based on the series creator's bisexual lifestyle). Because these sexless aliens look like women, the series has feminist implications: the feminine-presenting aliens and even genuinely female humans are much more powerful or at least more competent than the male characters, many of whom are weak, silly, or incompetent. Sometimes, male characters show some form of competence, as when the hero's father Greg—a former Generation X-type rebel and community college dropout turned responsible parent—shows his strong parental instincts, skills with construction, or even defensive driving skills, but the feminists who rule the show give said male characters less credit than they deserve. Lastly, innuendoes are peppered throughout, especially in terms of "fusions", which were originally supposed to be battle tactics that involved combining the aliens' bodies and minds to form more powerful entities before the show's liberal writers shoehorned in the idea that fusions are expressions of the aliens' "love" for one another. Some episodes even feature Steven himself going from being male to being "fused" with female love interest Connie to make a disturbingly androgynous hybrid, dubbed Stevonnie by series regular Amethyst and shown to be one of the strongest characters in combat.

The quasi-Thanksgiving-themed episode "Gem Harvest" guest stars Andy DeMayo, Greg's cousin and a professional biplane pilot with openly conservative viewpoints who may be an expy of Archie Bunker from All in the Family since both are middle-aged conservative men with short tempers and strong New York accents. Andy's initially unsympathetic portrayal as well as the episode airing shortly after the 2016 presidential election drew widespread criticism from fans, including, ironically, opponents of Donald Trump, who argued that such political undertones were in poor taste.

The series' fan base, while it does not make up a large percent of the world's population, is one of the most vocally aggressive in the world. In October 2015, some fans bullied a teenage fan artist to attempt suicide because she submitted fan art to the Internet in which she drew Steven's long-deceased, plump alien mother Rose Quartz as skinny. Subsequently, the fan base became so divided that the show's writers were forced to get involved. Likewise, series storyboard artist Lauren Zuke was harassed after she shared fan art on Twitter by those fans who believed she was advocating a "Lapidot" ship (that is, a fantasy relationship pairing between recurring gems Lapis Lazuli and Peridot) over other fan-preferred pairings of the show’s characters, none of which is official canon.

Similarly, some countries have the decency to censor or alter explicitly lesbian scenes and dialogue when they import certain episodes of the series, but when this happens, the liberal fans are guaranteed to complain and get their way like the spoiled, entitled adult children that many of them are.

The only positive thing we can say is thank goodness this series is not rated TV-Y.

Steven Universe Future 2019-2020 Cartoon Network TV-PG In this epilogue miniseries to one of the most left-wing animated series of all time, things go even further left than before. In the ninth episode, "Little Graduation," recurring character Sadie Miller—originally a donut shop employee who is now on her rise to fame as a musician—is revealed to be pansexual since she is seen dating and performing on stage with a "non-gender binary" partner. In the fourteenth episode, "Growing Pains," the titular male canine protagonist of the Dog Copter film series existing within this fictional universe is seen proposing to be "married" to another male dog during a television commercial for the sixth installment of his series.
Velma 2023 HBO Max An adult spin-off/"prequel" of the classic 1969 cartoon Scooby Doo, Velma ends up being a lot more mean-spirited and woke. The titular character - who in past incarnations had been both smart and friendly - frequently jeers at Fred for being a straight white man, and she herself has been race-swapped into being Indian as a narcissistic self-insert of Mindy Kaling and for woke points (the 2020 animated film Scoob did have Velma be switched to Latina, but not at the expense of the character or story like Velma did); Fred himself has been twisted into a rude idiot being the butt of jokes due to being a straight white man. Shaggy has also become race-swapped, being a black man renamed Norville due to Norville being his first name and also being a much more unsubtle stoner who simps for Velma. One episode even features a lesbian kiss between Velma and Daphne, the latter being the half-Asian adopted daughter of two lesbian corrupt cops who deal drugs; a kiss between them also somehow gets Velma out of a panic attack, a subject in which many people felt that the more family-friendly film Puss in Boots: The Last Wish managed much better. Scooby doesn't even appear at all in this show in spite of Velma being inspired by Scooby Doo due to the writers believing that he is too "childish" (though many people are happy that Scooby doesn't show up, lest he be butchered like the other characters). There are also some disturbing scenes of implied pedophilia and illegal ephebophilia conduct, with Velma hinting that children should know and want to draw genitalia (while also ranting about the patriarchy). A disturbing moment occurs when the underaged Velma (who is supposed to be under 16) pole-dances in front of her father at a strip club to get his attention.

Velma has also united the right and most of the left against the show, revealing a lowering score on Rotten Tomatoes (starting at 50% and lowered down to 40 as of February, but the score from the audiences was even much lower, only 6%). Only the very far-Left defends the show because of "representation".

Voltron: Legendary Defender 2016-2018 Netflix TV-Y7-FV This action-oriented series based on the Voltron franchise pushes the homosexual agenda because one of its characters is a homosexual and has a same-sex "wedding", complete with a kiss at the end.
"The Wild Thornberrys" 1998-2003 Nickelodeon TV-Y7 Environmentalist show with where our protagonist Eliza talks to animals. Many villains are businessmen and the show's sister Debbie shows poor family values and even bullies Eliza with no remorse.

Schlockumentary Series

Title Original run Network TV rating Description
60 Minutes 1968- CBS TV-14 It airs on the liberal news network CBS and for a while included diehard liberals Mike Wallace and Andy Rooney among its reporting team (the former of whom was its initial star reporter). It tries to make its "good guys" as good as possible and its "bad guys" as bad as possible.
Everything's Gonna Be All White 2022 Showtime TV-MA A race grifting documentary series that pulls out every tired old "racism" canard that's been debunked a thousand times. It currently sits at a 1.0 on IMDB.[77] In an effort to hide the negative reception, Showtime disabled the comments on its YouTube trailer.
The Future Is Wild 2002 BBC, Arte, ZDF, ORF, Mediaset, Animal Planet, Discovery Channel
Making Sense of the Sixties 1991- PBS The six-part documentary was created by David Hoffman, who has admitted to being personally involved in the events of that time period.[78] He repeats the same liberal talking points about the 1960s, whether by claiming that the 1950s were stifling, making the 1960s inevitable, or by claiming the 1960s as a time of freedom and calling the early times innocent. Protestors against the Vietnam War, among them feminists (with at least one of the feminists, an air stewardess, falsely implying that women weren't allowed to pursue medical and science-related jobs during the 1950s, despite stating at the same time that nursing and air stewardess being two of only four jobs they were allowed to pursue besides being a stay at home mom, both of which required at least some degree of rudimentary medical knowledge for treating illnesses and injuries.), are portrayed positively as well.
NET Journal 1966–1970 NET Series which produced many controversial documentaries that slanted heavily liberal/left-wing and drew a great deal of negative criticism, yet not surprisingly also drew much praise from liberal reviewers.
Public Broadcast Laboratory 1967–1969 NET Hybrid news/documentary magazine show which, like NET Journal, aired controversial Left-leaning documentaries. Its debut episode featured a racist drama featuring black actors painted up in whiteface, a reversal of blackface-painted actors from minstrel shows and early Hollywood movies. Not all NET affiliates carried the series; in fact, NET stations in South Carolina and Georgia refused to air the debut episode due to its controversial content.[79]
Vietnam: A Television Series 1983 PBS Although it promised to give an accurate account of the Vietnam War for the historical record, serve as an antidote to misuse of history, and contribute to healing America's national esteem for the post-Vietnam War era, and contribute to historical methodology, it does the exact opposite of its promises in the most blatant way. The violation of its promises were so flagrant that it resulted in PBS being sued and legally required to make Television's Vietnam: The Real Story a year later with cooperation from Accuracy in Media.
The Vietnam War - A Conversation with Ken Burns and Lynn Novick 2017 PBS The two title filmmakers keep reiterating the same leftist talking points about American involvement in Vietnam, painting the American and South Vietnamese alliance as the villains but showing undeserved respect for the North Vietnamese, the Vietcong, and protesters against the war.
Through the Wormhole with Morgan Freeman 2010-2017 Science TV TV-PG Morgan Freeman spends a number of episodes using pseudoscience to lure viewers into atheism.

TV Specials

Title Original run Network TV rating Description
Frosty Returns 1992 CBS An indirect sequel to the more conservative TV special Frosty the Snowman, the special barely focuses on anything pertaining to Christmas, if at all. Instead, it's an anti-global warming public service announcement: the capitalistic Mr. Twitchell is the antagonist because he uses an aerosol spray dubbed "Summer Wheeze" to melt snow and jeopardize the existence of the famed snowman.

Anti-Christian and Sacrilegous Series

Title Original run Network TV rating Description
Black Jesus 2014-present Adult Swim TV-MA Sacrilegious from its title forward, this blasphemous television series focuses on the Messiah, Jesus Christ, living in Compton, California in the modern day. Despite the show's questionable portrayal of Christ and the black community, reviewers claim that the character's method of spreading the Lord's message of love and compassion is present and may actually act as a way to reach the young and rebellious modern audience of today. However, the continued usage of illegal substances on the show may impede that.
GCB 2012 ABC TV-14 This blasphemous sitcom consists mainly of hate speech against Christianity, as evidenced simply by its provocative title. It was so ill-received by various mainstream Christians that they demanded a boycott of anyone who sponsored the show, which ultimately contributed to its lasting a single season.
The Handmaid's Tale 2017-present Hulu TV-MA Based on the 1985 speculative sci-fi book by liberal Canadian author Margaret Atwood, this series, taking place in a dystopian post-Second Civil War United States in which fertile young women are used as childbearing slaves by that society's rulers, is little more than an attack on and mischaracterization of religion (specifically, of Christianity, by claiming it to be "misogynist" when it is actually the opposite), contains sexual violence (hence its TV rating) and is basically misandrist, feminist, sexually repugnant, anti-Christian and anti-conservative trash (which, not surprisingly, has been glowingly praised by liberal TV critics and showered with Emmys and other awards). Additionally, one of its stars, Elizabeth Moss, is a member of the cult Scientology.
Mr. Pickles 2013 (pilot) 2014- Adult Swim TV-MA This ugly Satanic cartoon stars a border collie who is an embodiment of the Devil and engages in a lot of violent, bloody, and gory behavior. Not only that, but the show stereotypes heavy metal music.
The Real O'Neals 2015-2017 ABC TV PG This anti-Catholic (and, to a much greater extent, anti-family) sitcom stars a teenager who "comes out" as homosexual to his Irish American Catholic family. The series is based on the life of foul-mouthed homosexual activist and anti-Christian, anti-conservative, heterophobic and misogynistic[80] bigot Dan Savage, its executive producer. As one of ABC's lowest-rated and least-watched shows because of its offensive content, it was finally cancelled in May 2017.
Real Time with Bill Maher 2003-present HBO TV MA This political talk show typically features a liberally slanted panel that routinely insults conservatives and religion. Maher is a well-known militant atheist who denies that Jesus Christ ever walked the earth, in a manner similar to Holocaust denial, ignoring historical accounts, spiritual evidence, and even archaeological evidence of His existence. Plus, he smears conservative women in a vulgar and sexist manner but receives no controversy whatsoever for it. He has even been known to the dreaded N-word to refer to black conservatives and never came under fire by the rest of the liberal media who claims to be against racism.
Witches of East End 2013-2014 Lifetime This short-lived series attempts to glorify witchcraft.

Debatable Whether Liberal

Title Original run Network TV rating Description
Brooklyn Nine-Nine 2013-Present Fox TV-14 Main character Captain Holt is an open homosexual in charge of the fictitious 99th police precinct in Brooklyn, New York City. To make matters worse, series regular Rosa Diaz "comes out" as bisexual in the fifth season, disregarding the fact that no clues were given about this in the first four seasons. However, their sexualities are downplayed for the most part, and this workplace sitcom seems to humanize the police in an era when liberal news media does everything it can to dehumanize the authorities. It lightheartedly teaches that the police are likeable, relatable, three-dimensional everyday people with fairly normal internal and interpersonal obstacles to overcome in a humorous fashion; and it averts the preposterous liberal assumption that the police are racist with its multiracial main cast. On top of that, a number of villains that the detectives face are drug abusers or dealers, which supports war on illegal drugs, and main character Sgt. Terry Jeffords is a devout family man who prefers to act in the best interest of his wife and daughters, whom he does not want to see him killed in the line of duty.
Dinosaurs 1991-1994 ABC TV-Y7 This work by Jim Henson of Muppets fame tells of a family of dinosaurs named the Sinclairs adjusting to suburban life after millions of years of wild living. There are Earl the father (a stubborn and bumbling Megalosaurus who works as a "tree-pusher"), Fran the mother (a down-to-earth Allosaurus who is a housewife), Robbie the son (a teenager who often questions the way dinosaurs do things like eating meat and howling at the moon), Charlene the daughter (a typical teenage girl), and the Baby (a fully-talking and rambunctious baby dinosaur who often calls Earl "Not the Mama!").

Dinosaurs touches a lot of liberal subjects, from gender confusion to feminism to even socialism. An episode even has a scenario resembling people coming out as homosexuals, where Robbie wants to be more herbivore than carnivore and eat more vegetables, which Earl sees as going against the food chain. Another episode features an in-show TV show about a dinosaur admitting that he's a "cross-eater" and says that he feels like a carnivore in an herbivore's body, which seems to be a metaphor for being transgender or a cross-dresser. The biggest subject the characters discuss throughout the series is environmentalism, from leaving forests intact to avoiding the eradication of endangered species. Sadly at the end of the series, wiping out a certain species of beetle that depends on a certain species of flower leads to the eventual extinction of the dinosaurs, who face certain doom from the resulting Ice Age.

But while the show features a lot of liberal subjects, there are also some conservative moments as well. Earl tries his best to act as the father of the household in spite of his bumbling ways, while Fran makes sure to keep the house running from the homestead. There are times when Robbie and Earl clash over ideas (like Robbie wanting to be a vegetarian instead of a carnivore), but they make up at the end of the day and support each other. At his tree-pushing job, Earl works under the supervision of his boss B.P. Richfield, a Styracosaurus and the tyrannical and greedy owner of the WESAYSO Corporation. Friendship is even upheld in "The Howling", where Robbie helps repair the friendship between Earl and his co-worker Roy (a Tyrannosaurus Rex) by getting them to howl so that they can get rid of their aggression; in that same episode, Roy even gives Robbie a pencil box as a present - the same pencil box that his father had given to him on his Howling Day - because he wanted to pass it on to someone in spite of not having kids of his own, thus him seeing Robbie and the other Sinclairs as family. Another episode called "Earl and Pearl" has Earl eventually reconciling with his country music-playing sister Pearl, even singing "Leaves and Trees" together at the end of the episode. Drug use is even condemned in a few episodes. One called "Steroids to Heaven" has Robbie eating little spiked creatures called Thornoids, to which his Polacanthus friend Spike - himself being a delinquent - calls him out for it and traps him with his newly grown spikes to wait until the effect wears off. The second called "A New Leaf" involves a plant that makes dinosaurs deliriously happy; Robbie even ends the episode by giving a speech warning against the use of drugs as well as humorously warning against the dangers of preachy anti-drug episodes.

FBI 2018-current CBS Although created by liberal producer Dick Wolf and largely retreading the same left-wing themes that his prior shows Law & Order and Law & Order: SVU pushed (such as the first episode focusing on a white supremacist plot,[81] an episode called "Prey" repeating a false statistic about how sexual violence against females occurs 1/5th of the time four times,[82] and an episode called "Scorched Earth" infamously trying to promote a more feminist view on things while condemning males[83]), it also, similar to its predecessors, try to promote the law, and some episodes have a more conservative bent to them (such as the episode "A New Dawn", where it not only promotes free speech on college campuses, but also depicts the leftist elements of current college campuses in a very negative light as the one behind the murder of a guest speaker at the college was a far-left professor who taught revolution at his classes, as well as Green Birds, which dealt with an Islamic terrorist, and the aforementioned episode "Prey", aside from having an implicit condemnation on abortion due to a raid uncovering a chair that was clearly meant for abortificants against the sex trafficked females, but also has a slight condemnation on media-induced hysteria via Jubal Valentine's quip about how, despite dogs being more likely to attack humans than sharks, they have "shark week"[82].)
Gravity Falls 2012-2016 Disney Channel, later Disney XD TV-Y7 Inspired by the life of its creator, Alex Hirsch, this mystery/science fiction/horror comedy series follows twin siblings Dipper and Mabel Pines as they spend as summer in the fictional town of Gravity Falls, Oregon, investigating the supernatural oddities surrounding the town with guidance from one of three journals left behind by an initially anonymous author.

On the one hand, it stereotypes capitalists as either "criminals" or simply being obsessed with money: the twins' Great Uncle/"Grunkle" Stan is introduced as a relatively simple character whose only goal in life is to fool the "world's dumbest people" with a tourist trap dubbed The Mystery Shack and filled with pretend supernatural phenomena, hoping to earn their money. Even worse, throughout the series, recurring incompetent police officers Sheriff Blubbs and Deputy Durland are implied to have homosexual feelings for one another, and this is confirmed in the series finale.

On the other hand, family and redemption seem to be central themes of the series in the long run. When Stan's long-lost twin brother, Stanford "Ford" Pines, returns from being trapped in another dimension and reveals himself as the author of the journals, the brothers come to grips with their personal flaws, and Stan shows how he truly regrets leading a life of crime, wishing things could have turned out differently and calling himself "the screw-up". He gets his chance at redemption when he and Ford together outwit Bill Cipher, an interdimensional dream demon and the series' main antagonist, and erase the monster from existence, which causes them to mend their relationship.

Hazbin Hotel/Helluva Boss 2019-Present YouTube (2019), A24 (2022) (Hazbin Hotel)
YouTube (Helluva Boss)
TV-MA In Hazbin Hotel & Helluva Boss one main series and a spin-off set in the same universe of the former, demons and corrupted angels engage periodically in killing DEFINITELY the souls of the sinners turned into monsters and deformed creatures in Hell due to the over-population of said Hell in the main series, and an assassin group of demons try to kill anyone who stands in their way, even children, in its spin-off. They are filled with Satanic imagery, sexual content, profanity and even references to the real-life "Angel Dust". Not to mention most of the characters are either homosexual or bisexual. Protagonist Charlie is the princess of Hell and lesbian daughter of Satan/Lucifer himself (and Lilith, a demon from the Jewish religion who is his wife in this universe), and her three main costars are either homosexual or lesbian or bisexual. However, as aforementioned above, Hell and the demons are depicted monstrously, negatively, morally questionable and/or evil as it should be, and the protagonist wants to redeem the souls of the sinners in order to give them a chance to gain honestly the access to Heaven and spare them to resolve the problem of Hell's over-population without recurring in violence and being. Not to mention that characters in Hell being homosexual or bisexual alongside being morally questionable, bad or ambiguous might be appropriate for the context and location/environment. The show is also filled with dark humor and is targeted to an adult and mature audience. Also, the creator, who is Latin American and thus with a culturally different approach on this kind of themes, doesn't seem to show or have precedents about engaging in woke and PC "culture" stuff (these last points are probably the main reasons why the shows are in this section).
Happy Days 1974-1984 ABC TV-G Originally launched as a 1972 episode of Love, American Style called "Love and the Television Set" and set in the 1950s. The show was pro-family and celebrated family values, as the Cunningham family, the show's original main focus, always supported each other even through the rough times. The show is also pro-fatherhood. The show's main father figure, Howard Cunningham, is shown to be mature, calm and responsible, and always does his best to help his kids. Also a little anti-feminism, with Howard owning and running a hardware store and making all the money, and his wife Marion being the housewife. On the other hand, producers admitted to pushing pacifism and sentiments against the Vietnam War effort.[84] Protagonist Richie Cunningham, a high school student played by Ron Howard as a regular from 1974 to 1980, is a supporter of the Democrat Party; as part of his school's Young Democrats club, he supports Democrat presidential candidate Adlai Stevenson in the 1956 election in the Season Two episode "The Not Making of a President" and, as such, is portrayed as young and idealistic yet naïve.

Debuting to modest ratings in January 1974 after ABC green-lit it to series, Happy Days became a huge hit in its later years after the emphasis was shifted more to formerly supporting character Arthur "The Fonz/Fonzie" Fonzarelli (played by Henry Winkler); a greaser, former gang member, womanizer, and high school dropout who nonetheless became increasingly popular with the series' audience and became the main focus of the show after Howard's departure. The series spawned several spinoffs, including Laverne & Shirley, Mork & Mindy (created as a vehicle for stand-up comedian Robin Williams), and the animated series The Fonz and the Happy Days Gang.

The PowerPuff Girls 1998-2005, Reboot 2016-Present Cartoon Network TV-Y On the one hand, the three titular superhero girls seem to be the only protagonists capable of fighting their city’s various supervillains, while the police, consisting mostly of men, are depicted as bumbling and oafish, making the girls feministic (it doesn’t help that one of the working titles for the show was the more profane Whoop*** Girls).

On the other hand, since the girls were created by a scientist to be the “perfect little girls,” they could be more feminine rather than feminist. They try to fit into traditional gender roles despite their capabilities, and they learn family values from the professor who made them and serves as a responsible, knowledgeable, reasonable, tough but forgiving father-figure well-versed in various scientific disciplines. Plus, the recurring antagonist “Him” is an obvious reference to Satan, which hints at support for Christianity; and he is an androgynous being who demonstrates some effeminate traits, which unsympathetically depicts and satirizes gender confusion and homosexual lifestyles, respectively. Lastly, minor villain Femme Fatale personifies the feminist ideology as her crimes are built around feminist hypocrisy.

SpongeBob SquarePants 1999-Present Nickelodeon TV-Y One of the most influential cartoons of the 21st century, centered on an energetic, anthropomorphic sea sponge (who more nearly resembles a kitchen sponge) and a diverse cast of his underwater friends, is decidedly one of the most politically ambiguous.

On the one hand, whether it may be considered far-fetched or not, the series seems suggests that capitalists are inherently malign or simply obsessed with money, as the main character’s crustacean employer, the fast-food restaurateur Mr. Krabs, is inclined to put money before others’ interests, sometimes at the expense of others’ well-being. In addition, SpongeBob and his dimwitted starfish best friend Patrick Star have a habit of annoying Squidward Tentacles: a quick-tempered, cynical octopus who lives between them, behaves apathetically on his job as a cashier, and may be a copy of Sesame Street character Bert because both characters have interests that others find mundane. They tend to not face comeuppance for their childish actions against Squidward (though there are exceptions), which may teach that being annoying is “acceptable” adult behavior. Specific episodes have controversial overtones, too. For instance, “Rock-a-Bye Bivalve” is infamous for depicting SpongeBob and Patrick raising a baby scallop like a homosexual couple; and a handful of episodes like "The Jellyfish Hunter", "Keep Bikini Bottom Beautiful", and "SpongeBob's Last Stand" touch on themes of environmentalism. Moreover, one of the series’ worst-received episodes, “One Coarse Meal,” tries to make bullying look humorous because it centers on Mr. Krabs driving his microscopic arch business rival Plankton to suicide by appealing to the copepod’s secret fear of whales, a fear that is not present in any other episode. SpongeBob himself even displays some flamboyant tendencies that can be seen as gay, though Stephen Hillenburg had stated that SpongeBob would reproduce asexually like normal sponges (splitting into newer sponges); 2020 has Nickelodeon disregard this information to push SpongeBob to be a "queer icon".[85]

On the other hand, many episodes where SpongeBob works in his regular job as a fry cook at the Krusty Krab restaurant teach young audiences to appreciate hard work and persistence as SpongeBob eagerly strives to make the most out of his rather ordinary vocation. Most episodes where Plankton appears draw a clear distinction between good and evil, showing the errors of stealing and conducting business through illegitimate means as Plankton’s schemes to outcompete Mr. Krabs, the more competent businessman, or steal his Krabby Patty recipe always backfire. In addition, depending on the writer(s), Krabs can serve as a surrogate father-figure to SpongeBob, teaching him to stay out of danger and not to act so impulsively as he usually does. Lastly, the episode "SpongeBob, You're Fired!" has gained fame among conservatives for advocating self-sufficiency while lampooning the concept of the welfare state, mainly the Supplemental Nutritional Assistance Program: as Patrick tries to show SpongeBob the "fun of unemployment" by taking SpongeBob out to a free lunch with Sandy, SpongeBob quips, "Unemployment may be fun for you, but I need to get a job".[86]

There have been plenty of video games of SpongeBob released over the years, as well as three movies so far. One is the more conservative first film The SpongeBob SquarePants Movie. There are two spinoffs released - Kamp Koral and The Patrick Star Show - after Stephen Hillenburg's death in 2018, which many fans find to be in bad taste.

References

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See also

External links

"If you watch 'Two and a Half Men', please stop watching 'Two and a Half Men'. I'm on 'Two and a Half Men' and I don't want to be on it. You cannot be a true God-fearing person and be on a television show like that." - Angus T. Jones, actor on Two and a Half Men