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	<id>https://www.conservapedia.com/index.php?action=history&amp;feed=atom&amp;title=Zarb-e-Sukhan</id>
	<title>Zarb-e-Sukhan - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://www.conservapedia.com/index.php?action=history&amp;feed=atom&amp;title=Zarb-e-Sukhan"/>
	<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;action=history"/>
	<updated>2026-10-05T00:14:47Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.35.14</generator>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1525036&amp;oldid=prev</id>
		<title>JusticeOfJustice: add section and links</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1525036&amp;oldid=prev"/>
		<updated>2019-05-15T19:07:09Z</updated>

		<summary type="html">&lt;p&gt;add section and links&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:07, May 15, 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l25&quot; &gt;Line 25:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Several of his couplets are so enchanting that they keep the readers spellbound for days.This couplet vividly reminds one of Dagh Dehlavi. 'Khoob Ji Bhar Ke Sitam Aur Bhi Karlo Sahib 'Bat Rah Jati Hey Aur Waqt Guzar Jata Hey. Ehsan Sehgal has also shown mastery over the art of Arooz (poetry metre). He has come up with some innovation in this regard which is very pleasing.Each Ghazal and Rubai in the collection carries the name of the meter (Arooz) in which it has been composed.This is something unique and novel as I do not remember to have encountered any other book with this &amp;quot;Ehtemam&amp;quot;.&amp;lt;ref name=&amp;quot;times of karachi&amp;quot;&amp;gt;{{cite news|last=Khan|first=Mushtaq A.|title=Readers Enchanted by Ehsan Sehgal's ''The flight of imagination''|newspaper=The Times of Karachi|date=9 October 1995|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Several of his couplets are so enchanting that they keep the readers spellbound for days.This couplet vividly reminds one of Dagh Dehlavi. 'Khoob Ji Bhar Ke Sitam Aur Bhi Karlo Sahib 'Bat Rah Jati Hey Aur Waqt Guzar Jata Hey. Ehsan Sehgal has also shown mastery over the art of Arooz (poetry metre). He has come up with some innovation in this regard which is very pleasing.Each Ghazal and Rubai in the collection carries the name of the meter (Arooz) in which it has been composed.This is something unique and novel as I do not remember to have encountered any other book with this &amp;quot;Ehtemam&amp;quot;.&amp;lt;ref name=&amp;quot;times of karachi&amp;quot;&amp;gt;{{cite news|last=Khan|first=Mushtaq A.|title=Readers Enchanted by Ehsan Sehgal's ''The flight of imagination''|newspaper=The Times of Karachi|date=9 October 1995|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Editor Nation Today Ahktar Hadi wrote, &amp;quot;Ehsan Sehgal is pure soul and a poet of pathos always grappling to rationalise things without getting an answer&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|title=Ehsan Sehgal: Poet of Pathos|last=Hadi|first=Akhtar|date=July 1998|work=Nation Today|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Editor Nation Today Ahktar Hadi wrote, &amp;quot;Ehsan Sehgal is pure soul and a poet of pathos always grappling to rationalise things without getting an answer&amp;quot;.&amp;lt;ref&amp;gt;{{cite news|title=Ehsan Sehgal: Poet of Pathos|last=Hadi|first=Akhtar|date=July 1998|work=Nation Today|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==See also==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[The Wise Way]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Breathing Words]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[The Writing That Fragrances]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[The Prisoner Of The Hague]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JusticeOfJustice</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1456604&amp;oldid=prev</id>
		<title>DavidB4-bot: HTTP --&gt; HTTPS [#1], replaced: http://archive.is → https://archive.is (2)</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1456604&amp;oldid=prev"/>
		<updated>2018-09-26T21:43:50Z</updated>

		<summary type="html">&lt;p&gt;HTTP --&amp;gt; HTTPS [#1], replaced: http://archive.is → https://archive.is (2)&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:43, September 26, 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot; &gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Zarb-e-Sukhan''''' is a  collection of collections called ''Kulliyat'' of Urdu [[poetry]]. It comprises seven poetry collections, including recent work of its author, [[Ehsan Sehgal]].&amp;lt;ref name=&amp;quot;risk&amp;quot;&amp;gt;{{cite news|url=&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http&lt;/del&gt;://archive.is/oNeJe|title=Urdu, surviving against odds|newspaper=Daily Rising Kashmir|date=29 December 2012|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;thenews&amp;quot;&amp;gt;{{cite news|url=http://blogs.thenews.com.pk/blogs/2013/02/a-literary-look-at-2012/|title=A Literary Look at 2012|newspaper=The News International|date=17 February 2013|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;dhar&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=002521.gif|title=-Launching Ceremony of Book-ھولینڈ کی خبریں|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;jang.com&amp;quot;&amp;gt;{{cite news|url=http://search.jang.com.pk/print.asp?nid=387273&amp;amp;param=tbl|title=احسان سہگل کا مجموعہ ضرب سخن شائع ہو گیا|newspaper=Daily Jang|date=11 December 2009|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;brecorder&amp;quot;&amp;gt;{{cite news|url=http://epaper.brecorder.com/2012/11/28/5-page.html|title=National News-Book Launch|newspaper=Business Recorder Karachi|date=28 November 2012|page=9|accessdate=}}&amp;lt;/ref&amp;gt; An English newspaper of Pakistan the Daily Times describes it as a &amp;quot;splendid poetry collection.&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; The author's work over a period of time has been acknowledged by Urdu circles in Pakistan and India.&amp;lt;ref name=&amp;quot;risk&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Zarb-e-Sukhan''''' is a  collection of collections called ''Kulliyat'' of Urdu [[poetry]]. It comprises seven poetry collections, including recent work of its author, [[Ehsan Sehgal]].&amp;lt;ref name=&amp;quot;risk&amp;quot;&amp;gt;{{cite news|url=&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https&lt;/ins&gt;://archive.is/oNeJe|title=Urdu, surviving against odds|newspaper=Daily Rising Kashmir|date=29 December 2012|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;thenews&amp;quot;&amp;gt;{{cite news|url=http://blogs.thenews.com.pk/blogs/2013/02/a-literary-look-at-2012/|title=A Literary Look at 2012|newspaper=The News International|date=17 February 2013|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;dhar&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=002521.gif|title=-Launching Ceremony of Book-ھولینڈ کی خبریں|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;jang.com&amp;quot;&amp;gt;{{cite news|url=http://search.jang.com.pk/print.asp?nid=387273&amp;amp;param=tbl|title=احسان سہگل کا مجموعہ ضرب سخن شائع ہو گیا|newspaper=Daily Jang|date=11 December 2009|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;brecorder&amp;quot;&amp;gt;{{cite news|url=http://epaper.brecorder.com/2012/11/28/5-page.html|title=National News-Book Launch|newspaper=Business Recorder Karachi|date=28 November 2012|page=9|accessdate=}}&amp;lt;/ref&amp;gt; An English newspaper of Pakistan the Daily Times describes it as a &amp;quot;splendid poetry collection.&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; The author's work over a period of time has been acknowledged by Urdu circles in Pakistan and India.&amp;lt;ref name=&amp;quot;risk&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot; &gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dr. Amjad Parvez writes in his review:&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dr. Amjad Parvez writes in his review:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Ehsan probably is very particular in the regard and has taken pains to mention the metres below each and every piece of poetry included in his present book. It must have been a gigantic, painstaking effort despite the fact that he does not believe in these restrictions (Pg 14). Famous Indian poet Nida Fazli agrees with Ehsan Sehgal that the experiments in both traditional and untraditional knitting of thought process have been widely accepted and with the passage of time such changes have found a place in the mainstream literature. He compares Ghalib's thought in the couplet ''Tawaqo Khastagi Mein Jin Sei Thi Kutch Daad Paaney Ki/ Woh Hum Sei Bhi Ziyada Khasta Taigh-e-Situm Nikle'' (The ones whom I looked forward, for encouragement were found to be victims of denigration more than I was) with that in Ehsan's ''Tu Apney Dukhon Ki Kar Na Baat/ Yehi Dukh Main Nei Bhi Sahe Hain'' (Do not talk of your pains as I have suffered more) (Pg 32).&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;&amp;gt;{{cite news|url=&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http&lt;/del&gt;://archive.is/bvmhS|title=A splendid poetry collection|newspaper=Daily Times|date=25 March 2013|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Ehsan probably is very particular in the regard and has taken pains to mention the metres below each and every piece of poetry included in his present book. It must have been a gigantic, painstaking effort despite the fact that he does not believe in these restrictions (Pg 14). Famous Indian poet Nida Fazli agrees with Ehsan Sehgal that the experiments in both traditional and untraditional knitting of thought process have been widely accepted and with the passage of time such changes have found a place in the mainstream literature. He compares Ghalib's thought in the couplet ''Tawaqo Khastagi Mein Jin Sei Thi Kutch Daad Paaney Ki/ Woh Hum Sei Bhi Ziyada Khasta Taigh-e-Situm Nikle'' (The ones whom I looked forward, for encouragement were found to be victims of denigration more than I was) with that in Ehsan's ''Tu Apney Dukhon Ki Kar Na Baat/ Yehi Dukh Main Nei Bhi Sahe Hain'' (Do not talk of your pains as I have suffered more) (Pg 32).&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;&amp;gt;{{cite news|url=&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https&lt;/ins&gt;://archive.is/bvmhS|title=A splendid poetry collection|newspaper=Daily Times|date=25 March 2013|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Journalist Mushtaq. A . Khan wrote:&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Journalist Mushtaq. A . Khan wrote:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>DavidB4-bot</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1448183&amp;oldid=prev</id>
		<title>FredJ: change cat</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1448183&amp;oldid=prev"/>
		<updated>2018-09-14T22:24:35Z</updated>

		<summary type="html">&lt;p&gt;change cat&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:24, September 14, 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot; &gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Zarb-e-Sukhan}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Zarb-e-Sukhan}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Poetry]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Poetry]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Literature]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;World &lt;/ins&gt;Literature]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>FredJ</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1369061&amp;oldid=prev</id>
		<title>DavidB4-bot: Spelling, grammar, and general cleanup</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1369061&amp;oldid=prev"/>
		<updated>2017-08-23T03:35:17Z</updated>

		<summary type="html">&lt;p&gt;Spelling, grammar, and general cleanup&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:35, August 23, 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot; &gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Zarb-e-Sukhan''''' is a  collection of collections called ''Kulliyat'' of Urdu [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Poetry|&lt;/del&gt;poetry]]. It comprises seven poetry collections, including recent work of its author, [[Ehsan Sehgal]].&amp;lt;ref name=&amp;quot;risk&amp;quot;&amp;gt;{{cite news|url=http://archive.is/oNeJe|title=Urdu, surviving against odds|newspaper=Daily Rising Kashmir|date=29 December 2012|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;thenews&amp;quot;&amp;gt;{{cite news|url=http://blogs.thenews.com.pk/blogs/2013/02/a-literary-look-at-2012/|title=A Literary Look at 2012|newspaper=The News International|date=17 February 2013|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;dhar&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=002521.gif|title=-Launching Ceremony of Book-ھولینڈ کی خبریں|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;jang.com&amp;quot;&amp;gt;{{cite news|url=http://search.jang.com.pk/print.asp?nid=387273&amp;amp;param=tbl|title=احسان سہگل کا مجموعہ ضرب سخن شائع ہو گیا|newspaper=Daily Jang|date=11 December 2009|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;brecorder&amp;quot;&amp;gt;{{cite news|url=http://epaper.brecorder.com/2012/11/28/5-page.html|title=National News-Book Launch|newspaper=Business Recorder Karachi|date=28 November 2012|page=9|accessdate=}}&amp;lt;/ref&amp;gt; An English newspaper of Pakistan the Daily Times describes it as a &amp;quot;splendid poetry collection.&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; The author's work over a period of time has been acknowledged by Urdu circles in Pakistan and India.&amp;lt;ref name=&amp;quot;risk&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Zarb-e-Sukhan''''' is a  collection of collections called ''Kulliyat'' of Urdu [[poetry]]. It comprises seven poetry collections, including recent work of its author, [[Ehsan Sehgal]].&amp;lt;ref name=&amp;quot;risk&amp;quot;&amp;gt;{{cite news|url=http://archive.is/oNeJe|title=Urdu, surviving against odds|newspaper=Daily Rising Kashmir|date=29 December 2012|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;thenews&amp;quot;&amp;gt;{{cite news|url=http://blogs.thenews.com.pk/blogs/2013/02/a-literary-look-at-2012/|title=A Literary Look at 2012|newspaper=The News International|date=17 February 2013|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;dhar&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=002521.gif|title=-Launching Ceremony of Book-ھولینڈ کی خبریں|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;jang.com&amp;quot;&amp;gt;{{cite news|url=http://search.jang.com.pk/print.asp?nid=387273&amp;amp;param=tbl|title=احسان سہگل کا مجموعہ ضرب سخن شائع ہو گیا|newspaper=Daily Jang|date=11 December 2009|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;brecorder&amp;quot;&amp;gt;{{cite news|url=http://epaper.brecorder.com/2012/11/28/5-page.html|title=National News-Book Launch|newspaper=Business Recorder Karachi|date=28 November 2012|page=9|accessdate=}}&amp;lt;/ref&amp;gt; An English newspaper of Pakistan the Daily Times describes it as a &amp;quot;splendid poetry collection.&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; The author's work over a period of time has been acknowledged by Urdu circles in Pakistan and India.&amp;lt;ref name=&amp;quot;risk&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l33&quot; &gt;Line 33:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 33:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Zarb-e-Sukhan}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Zarb-e-Sukhan}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;poetry&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Poetry&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;literature&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Literature&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>DavidB4-bot</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1362728&amp;oldid=prev</id>
		<title>Anupam: ce</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1362728&amp;oldid=prev"/>
		<updated>2017-07-23T20:44:22Z</updated>

		<summary type="html">&lt;p&gt;ce&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:44, July 23, 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot; &gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Zarb-e-Sukhan''''' is a  collection of collections called ''Kulliyat'' of Urdu [[Poetry|poetry]]. It comprises seven poetry collections, including &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;recent &lt;/ins&gt;work of its author&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;[[Ehsan Sehgal]].&amp;lt;ref name=&amp;quot;risk&amp;quot;&amp;gt;{{cite news|url=http://archive.is/oNeJe|title=Urdu, surviving against odds|newspaper=Daily Rising Kashmir|date=29 December 2012|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;thenews&amp;quot;&amp;gt;{{cite news|url=http://blogs.thenews.com.pk/blogs/2013/02/a-literary-look-at-2012/|title=A Literary Look at 2012|newspaper=The News International|date=17 February 2013|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;dhar&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=002521.gif|title=-Launching Ceremony of Book-ھولینڈ کی خبریں|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;jang.com&amp;quot;&amp;gt;{{cite news|url=http://search.jang.com.pk/print.asp?nid=387273&amp;amp;param=tbl|title=احسان سہگل کا مجموعہ ضرب سخن شائع ہو گیا|newspaper=Daily Jang|date=11 December 2009|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;brecorder&amp;quot;&amp;gt;{{cite news|url=http://epaper.brecorder.com/2012/11/28/5-page.html|title=National News-Book Launch|newspaper=Business Recorder Karachi|date=28 November 2012|page=9|accessdate=}}&amp;lt;/ref&amp;gt; An English newspaper of Pakistan the Daily Times describes it as a &amp;quot;splendid poetry collection.&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The author&lt;/ins&gt;'s work over a period of time has been acknowledged by Urdu circles &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in Pakistan and India&lt;/ins&gt;.&amp;lt;ref name=&amp;quot;risk&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Zarb-e-Sukhan''''' is a  collection of collections called ''Kulliyat'' of Urdu [[Poetry|poetry]]. It comprises &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/del&gt;seven poetry collections, including &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;new &lt;/del&gt;work of its author [[Ehsan Sehgal]].&amp;lt;ref name=&amp;quot;risk&amp;quot;&amp;gt;{{cite news|url=http://archive.is/oNeJe|title=Urdu, surviving against odds|newspaper=Daily Rising Kashmir|date=29 December 2012|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;thenews&amp;quot;&amp;gt;{{cite news|url=http://blogs.thenews.com.pk/blogs/2013/02/a-literary-look-at-2012/|title=A Literary Look at 2012|newspaper=The News International|date=17 February 2013|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;dhar&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=002521.gif|title=-Launching Ceremony of Book-ھولینڈ کی خبریں|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;jang.com&amp;quot;&amp;gt;{{cite news|url=http://search.jang.com.pk/print.asp?nid=387273&amp;amp;param=tbl|title=احسان سہگل کا مجموعہ ضرب سخن شائع ہو گیا|newspaper=Daily Jang|date=11 December 2009|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;brecorder&amp;quot;&amp;gt;{{cite news|url=http://epaper.brecorder.com/2012/11/28/5-page.html|title=National News-Book Launch|newspaper=Business Recorder Karachi|date=28 November 2012|page=9|accessdate=}}&amp;lt;/ref&amp;gt; An English newspaper of Pakistan the Daily Times describes it as a &amp;quot;splendid poetry collection.&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Author&lt;/del&gt;'s work over a period of time has been acknowledged by Urdu circles. &amp;lt;ref name=&amp;quot;risk&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Kulliyat Zarb-e-Sukhan is [[Urdu]] poetry work, which &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;is &lt;/del&gt;written over &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a &lt;/del&gt;more than four-&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;decade &lt;/del&gt;by &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/del&gt;author &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;that &lt;/del&gt;comprises &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;its &lt;/del&gt;all &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;previous &lt;/del&gt;works: ''Parwaz-e-Takhial'', ''Andaz-e-Takhaial'', ''Saaz-e-Takhaial'', ''Naaz-e-Takhaial'', ''Afkar Ki Khushboo'' and ''Charagh-e-Dard''. Sehgal strict on the use of Urdu poetry metres.&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; A writer expressed his view in the Daily Rising Kashmir that such poetry&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, which was &lt;/del&gt;authoritatively demonstrated &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;all the &lt;/del&gt;poetic couplets were compiled with &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;its &lt;/del&gt;rhythmic weighs&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;help to learn the basics of the art of Urdu rhythmic poetry.&amp;lt;ref name=&amp;quot;risk&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Kulliyat Zarb-e-Sukhan is &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;an &lt;/ins&gt;[[Urdu]] poetry work, which &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was &lt;/ins&gt;written over more than four-&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;decades &lt;/ins&gt;by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;its &lt;/ins&gt;author &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/ins&gt;comprises all &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;of his prior &lt;/ins&gt;works: ''Parwaz-e-Takhial'', ''Andaz-e-Takhaial'', ''Saaz-e-Takhaial'', ''Naaz-e-Takhaial'', ''Afkar Ki Khushboo'' and ''Charagh-e-Dard''. Sehgal &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;is said to be &lt;/ins&gt;strict on the use of Urdu poetry metres.&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; A writer expressed his view in the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[newspaper]] ''&lt;/ins&gt;Daily Rising Kashmir&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;that such poetry authoritatively demonstrated poetic couplets &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;that &lt;/ins&gt;were compiled with rhythmic weighs &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/ins&gt;help &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;others &lt;/ins&gt;to learn the basics of the art of Urdu rhythmic poetry.&amp;lt;ref name=&amp;quot;risk&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Author&lt;/del&gt;'s ghazals and naats have been sung by several singers of Pakistan.&amp;lt;ref name=&amp;quot;daily dharti&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=001790.jpg|title=ھولینڈ کی خبریں|newspaper=Daily Dharti|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;ehsan Sehgal&lt;/ins&gt;'s ghazals and naats have been sung by several singers of Pakistan.&amp;lt;ref name=&amp;quot;daily dharti&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=001790.jpg|title=ھولینڈ کی خبریں|newspaper=Daily Dharti|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Poetry reviews==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Poetry reviews==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dr. Amjad Parvez writes in his review&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dr. Amjad Parvez writes in his review&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Ehsan probably is very particular in the regard and has taken pains to mention the metres below each and every piece of poetry included in his present book. It must have been a gigantic, painstaking effort despite the fact that he does not believe in these restrictions (Pg 14). Famous Indian poet Nida Fazli agrees with Ehsan Sehgal that the experiments in both traditional and untraditional knitting of thought process have been widely accepted and with the passage of time such changes have found a place in the mainstream literature. He compares Ghalib's thought in the couplet ''Tawaqo Khastagi Mein Jin Sei Thi Kutch Daad Paaney Ki/ Woh Hum Sei Bhi Ziyada Khasta Taigh-e-Situm Nikle'' (The ones whom I looked forward, for encouragement were found to be victims of denigration more than I was) with that in Ehsan's ''Tu Apney Dukhon Ki Kar Na Baat/ Yehi Dukh Main Nei Bhi Sahe Hain'' (Do not talk of your pains as I have suffered more) (Pg 32).&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;&amp;gt;{{cite news|url=http://archive.is/bvmhS|title=A splendid poetry collection|newspaper=Daily Times|date=25 March 2013|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Ehsan probably is very particular in the regard and has taken pains to mention the metres below each and every piece of poetry included in his present book. It must have been a gigantic, painstaking effort despite the fact that he does not believe in these restrictions (Pg 14). Famous Indian poet Nida Fazli agrees with Ehsan Sehgal that the experiments in both traditional and untraditional knitting of thought process have been widely accepted and with the passage of time such changes have found a place in the mainstream literature. He compares Ghalib's thought in the couplet ''Tawaqo Khastagi Mein Jin Sei Thi Kutch Daad Paaney Ki/ Woh Hum Sei Bhi Ziyada Khasta Taigh-e-Situm Nikle'' (The ones whom I looked forward, for encouragement were found to be victims of denigration more than I was) with that in Ehsan's ''Tu Apney Dukhon Ki Kar Na Baat/ Yehi Dukh Main Nei Bhi Sahe Hain'' (Do not talk of your pains as I have suffered more) (Pg 32).&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;&amp;gt;{{cite news|url=http://archive.is/bvmhS|title=A splendid poetry collection|newspaper=Daily Times|date=25 March 2013|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Journalist Mushtaq. A . Khan wrote&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Journalist Mushtaq. A . Khan wrote&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Several of his couplets are so enchanting that they keep the readers spellbound for days.This couplet vividly reminds one of Dagh Dehlavi. 'Khoob Ji Bhar Ke Sitam Aur Bhi Karlo Sahib 'Bat Rah Jati Hey Aur Waqt Guzar Jata Hey. Ehsan Sehgal has also shown mastery over the art of Arooz (poetry metre). He has come up with some innovation in this regard which is very pleasing.Each Ghazal and Rubai in the collection carries the name of the meter (Arooz) in which it has been composed.This is something unique and novel as I do not remember to have encountered any other book with this &amp;quot;Ehtemam&amp;quot;.&amp;lt;ref name=&amp;quot;times of karachi&amp;quot;&amp;gt;{{cite news|last=Khan|first=Mushtaq A.|title=Readers Enchanted by Ehsan Sehgal's ''The flight of imagination''|newspaper=The Times of Karachi|date=9 October 1995|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Several of his couplets are so enchanting that they keep the readers spellbound for days.This couplet vividly reminds one of Dagh Dehlavi. 'Khoob Ji Bhar Ke Sitam Aur Bhi Karlo Sahib 'Bat Rah Jati Hey Aur Waqt Guzar Jata Hey. Ehsan Sehgal has also shown mastery over the art of Arooz (poetry metre). He has come up with some innovation in this regard which is very pleasing.Each Ghazal and Rubai in the collection carries the name of the meter (Arooz) in which it has been composed.This is something unique and novel as I do not remember to have encountered any other book with this &amp;quot;Ehtemam&amp;quot;.&amp;lt;ref name=&amp;quot;times of karachi&amp;quot;&amp;gt;{{cite news|last=Khan|first=Mushtaq A.|title=Readers Enchanted by Ehsan Sehgal's ''The flight of imagination''|newspaper=The Times of Karachi|date=9 October 1995|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Anupam</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1362505&amp;oldid=prev</id>
		<title>JusticeOfJustice at 13:13, July 22, 2017</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1362505&amp;oldid=prev"/>
		<updated>2017-07-22T13:13:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:13, July 22, 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot; &gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Kulliyat Zarb-e-Sukhan is [[Urdu]] poetry work, which is written over a more than four-decade by the author that comprises its all previous works: ''Parwaz-e-Takhial'', ''Andaz-e-Takhaial'', ''Saaz-e-Takhaial'', ''Naaz-e-Takhaial'', ''Afkar Ki Khushboo'' and ''Charagh-e-Dard''. Sehgal &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;stricts &lt;/del&gt;on the use of Urdu poetry metres.&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; Author's ghazals and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;na`ats &lt;/del&gt;have been sung by several singers of Pakistan.&amp;lt;ref name=&amp;quot;daily dharti&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=001790.jpg|title=ھولینڈ کی خبریں|newspaper=Daily Dharti|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Kulliyat Zarb-e-Sukhan is [[Urdu]] poetry work, which is written over a more than four-decade by the author that comprises its all previous works: ''Parwaz-e-Takhial'', ''Andaz-e-Takhaial'', ''Saaz-e-Takhaial'', ''Naaz-e-Takhaial'', ''Afkar Ki Khushboo'' and ''Charagh-e-Dard''. Sehgal &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;strict &lt;/ins&gt;on the use of Urdu poetry metres.&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;A writer expressed his view in the Daily Rising Kashmir that such poetry, which was authoritatively demonstrated all the poetic couplets were compiled with its rhythmic weighs, help to learn the basics of the art of Urdu rhythmic poetry.&amp;lt;ref name=&amp;quot;risk&amp;quot;/&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Author's ghazals and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;naats &lt;/ins&gt;have been sung by several singers of Pakistan.&amp;lt;ref name=&amp;quot;daily dharti&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=001790.jpg|title=ھولینڈ کی خبریں|newspaper=Daily Dharti|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Poetry reviews==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Poetry reviews==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JusticeOfJustice</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1362471&amp;oldid=prev</id>
		<title>JusticeOfJustice: Added image</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1362471&amp;oldid=prev"/>
		<updated>2017-07-22T07:26:38Z</updated>

		<summary type="html">&lt;p&gt;Added image&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:26, July 22, 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name         =  Zarb-e-Sukhan&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name         =  Zarb-e-Sukhan&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| author        =  [[Ehsan Sehgal]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| author        =  [[Ehsan Sehgal]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| image         =   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| image         =  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Zarb-e-Sukhan.jpg&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption       =  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption       =  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| yearpublished = 2009  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| yearpublished = 2009  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JusticeOfJustice</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1362331&amp;oldid=prev</id>
		<title>JusticeOfJustice: /* Book summary */ Conservapedia linked</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1362331&amp;oldid=prev"/>
		<updated>2017-07-21T11:53:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Book summary: &lt;/span&gt; Conservapedia linked&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:53, July 21, 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot; &gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Kulliyat Zarb-e-Sukhan is work, which is written over a more than four-decade by the author that comprises its all previous works: ''Parwaz-e-Takhial'', ''Andaz-e-Takhaial'', ''Saaz-e-Takhaial'', ''Naaz-e-Takhaial'', ''Afkar Ki Khushboo'' and ''Charagh-e-Dard''. Sehgal stricts on the use of Urdu poetry metres.&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; Author's ghazals and na`ats have been sung by several singers of Pakistan.&amp;lt;ref name=&amp;quot;daily dharti&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=001790.jpg|title=ھولینڈ کی خبریں|newspaper=Daily Dharti|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Kulliyat Zarb-e-Sukhan is &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Urdu]] poetry &lt;/ins&gt;work, which is written over a more than four-decade by the author that comprises its all previous works: ''Parwaz-e-Takhial'', ''Andaz-e-Takhaial'', ''Saaz-e-Takhaial'', ''Naaz-e-Takhaial'', ''Afkar Ki Khushboo'' and ''Charagh-e-Dard''. Sehgal stricts on the use of Urdu poetry metres.&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; Author's ghazals and na`ats have been sung by several singers of Pakistan.&amp;lt;ref name=&amp;quot;daily dharti&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=001790.jpg|title=ھولینڈ کی خبریں|newspaper=Daily Dharti|accessdate=}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Poetry reviews==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Poetry reviews==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JusticeOfJustice</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1362330&amp;oldid=prev</id>
		<title>JusticeOfJustice: Conservapedia linked</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1362330&amp;oldid=prev"/>
		<updated>2017-07-21T11:50:50Z</updated>

		<summary type="html">&lt;p&gt;Conservapedia linked&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:50, July 21, 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Zarb-e-Sukhan''''' is a  collection of collections called ''Kulliyat'' of Urdu poetry. It comprises the seven poetry collections, including new work of its author [[Ehsan Sehgal]].&amp;lt;ref name=&amp;quot;risk&amp;quot;&amp;gt;{{cite news|url=http://archive.is/oNeJe|title=Urdu, surviving against odds|newspaper=Daily Rising Kashmir|date=29 December 2012|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;thenews&amp;quot;&amp;gt;{{cite news|url=http://blogs.thenews.com.pk/blogs/2013/02/a-literary-look-at-2012/|title=A Literary Look at 2012|newspaper=The News International|date=17 February 2013|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;dhar&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=002521.gif|title=-Launching Ceremony of Book-ھولینڈ کی خبریں|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;jang.com&amp;quot;&amp;gt;{{cite news|url=http://search.jang.com.pk/print.asp?nid=387273&amp;amp;param=tbl|title=احسان سہگل کا مجموعہ ضرب سخن شائع ہو گیا|newspaper=Daily Jang|date=11 December 2009|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;brecorder&amp;quot;&amp;gt;{{cite news|url=http://epaper.brecorder.com/2012/11/28/5-page.html|title=National News-Book Launch|newspaper=Business Recorder Karachi|date=28 November 2012|page=9|accessdate=}}&amp;lt;/ref&amp;gt; An English newspaper of Pakistan the Daily Times describes it as a &amp;quot;splendid poetry collection.&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; Author's work over a period of time has been acknowledged by Urdu circles. &amp;lt;ref name=&amp;quot;risk&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Zarb-e-Sukhan''''' is a  collection of collections called ''Kulliyat'' of Urdu &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Poetry|&lt;/ins&gt;poetry&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. It comprises the seven poetry collections, including new work of its author [[Ehsan Sehgal]].&amp;lt;ref name=&amp;quot;risk&amp;quot;&amp;gt;{{cite news|url=http://archive.is/oNeJe|title=Urdu, surviving against odds|newspaper=Daily Rising Kashmir|date=29 December 2012|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;thenews&amp;quot;&amp;gt;{{cite news|url=http://blogs.thenews.com.pk/blogs/2013/02/a-literary-look-at-2012/|title=A Literary Look at 2012|newspaper=The News International|date=17 February 2013|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;dhar&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=002521.gif|title=-Launching Ceremony of Book-ھولینڈ کی خبریں|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;jang.com&amp;quot;&amp;gt;{{cite news|url=http://search.jang.com.pk/print.asp?nid=387273&amp;amp;param=tbl|title=احسان سہگل کا مجموعہ ضرب سخن شائع ہو گیا|newspaper=Daily Jang|date=11 December 2009|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;brecorder&amp;quot;&amp;gt;{{cite news|url=http://epaper.brecorder.com/2012/11/28/5-page.html|title=National News-Book Launch|newspaper=Business Recorder Karachi|date=28 November 2012|page=9|accessdate=}}&amp;lt;/ref&amp;gt; An English newspaper of Pakistan the Daily Times describes it as a &amp;quot;splendid poetry collection.&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; Author's work over a period of time has been acknowledged by Urdu circles. &amp;lt;ref name=&amp;quot;risk&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JusticeOfJustice</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1362329&amp;oldid=prev</id>
		<title>JusticeOfJustice at 11:47, July 21, 2017</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Zarb-e-Sukhan&amp;diff=1362329&amp;oldid=prev"/>
		<updated>2017-07-21T11:47:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:47, July 21, 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Zarb-e-Sukhan''''' is a  Kulliyat of Urdu poetry. It comprises the seven poetry collections, including new work of its author [[Ehsan Sehgal]].&amp;lt;ref name=&amp;quot;risk&amp;quot;&amp;gt;{{cite news|url=http://archive.is/oNeJe|title=Urdu, surviving against odds|newspaper=Daily Rising Kashmir|date=29 December 2012|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;thenews&amp;quot;&amp;gt;{{cite news|url=http://blogs.thenews.com.pk/blogs/2013/02/a-literary-look-at-2012/|title=A Literary Look at 2012|newspaper=The News International|date=17 February 2013|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;dhar&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=002521.gif|title=-Launching Ceremony of Book-ھولینڈ کی خبریں|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;jang.com&amp;quot;&amp;gt;{{cite news|url=http://search.jang.com.pk/print.asp?nid=387273&amp;amp;param=tbl|title=احسان سہگل کا مجموعہ ضرب سخن شائع ہو گیا|newspaper=Daily Jang|date=11 December 2009|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;brecorder&amp;quot;&amp;gt;{{cite news|url=http://epaper.brecorder.com/2012/11/28/5-page.html|title=National News-Book Launch|newspaper=Business Recorder Karachi|date=28 November 2012|page=9|accessdate=}}&amp;lt;/ref&amp;gt; An English newspaper of Pakistan the Daily Times describes it as a &amp;quot;splendid poetry collection.&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; Author's work over a period of time has been acknowledged by Urdu circles. &amp;lt;ref name=&amp;quot;risk&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''''Zarb-e-Sukhan''''' is a  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;collection of collections called ''&lt;/ins&gt;Kulliyat&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;of Urdu poetry. It comprises the seven poetry collections, including new work of its author [[Ehsan Sehgal]].&amp;lt;ref name=&amp;quot;risk&amp;quot;&amp;gt;{{cite news|url=http://archive.is/oNeJe|title=Urdu, surviving against odds|newspaper=Daily Rising Kashmir|date=29 December 2012|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;thenews&amp;quot;&amp;gt;{{cite news|url=http://blogs.thenews.com.pk/blogs/2013/02/a-literary-look-at-2012/|title=A Literary Look at 2012|newspaper=The News International|date=17 February 2013|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;dhar&amp;quot;&amp;gt;{{cite news|url=http://www.roznamadharti.com/holand_news/?view=002521.gif|title=-Launching Ceremony of Book-ھولینڈ کی خبریں|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;jang.com&amp;quot;&amp;gt;{{cite news|url=http://search.jang.com.pk/print.asp?nid=387273&amp;amp;param=tbl|title=احسان سہگل کا مجموعہ ضرب سخن شائع ہو گیا|newspaper=Daily Jang|date=11 December 2009|accessdate=}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;brecorder&amp;quot;&amp;gt;{{cite news|url=http://epaper.brecorder.com/2012/11/28/5-page.html|title=National News-Book Launch|newspaper=Business Recorder Karachi|date=28 November 2012|page=9|accessdate=}}&amp;lt;/ref&amp;gt; An English newspaper of Pakistan the Daily Times describes it as a &amp;quot;splendid poetry collection.&amp;quot;&amp;lt;ref name=&amp;quot;danews&amp;quot;/&amp;gt; Author's work over a period of time has been acknowledged by Urdu circles. &amp;lt;ref name=&amp;quot;risk&amp;quot;/&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Book summary==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JusticeOfJustice</name></author>
	</entry>
</feed>