Partita - Revision history

DavidB4-bot: /* top */Recategorizing

2017-03-25T03:42:40Z

top: Recategorizing

DavidB4-bot: /* top */Category

2016-07-28T15:21:57Z

top: Category

DavidB4-bot: /* top */clean up & uniformity

2016-07-12T01:03:15Z

top: clean up & uniformity

AlanE: Fix link

2015-09-30T06:48:19Z

Fix link

AlanE: Reference

2013-03-15T20:46:14Z

Reference

Aschlafly at 05:08, September 5, 2011

2011-09-05T05:08:54Z

AlanE: link

2009-03-15T04:47:07Z

link

AlanE: New page: The '''partita''' began as a single-movement instrumental piece during the 16th century. By the 1700s it had evolved into a multi-movement piece, or air and variations, the term synonymous...

2009-02-21T22:24:41Z

New page: The '''partita''' began as a single-movement instrumental piece during the 16th century. By the 1700s it had evolved into a multi-movement piece, or air and variations, the term synonymous...

New page

The '''partita''' began as a single-movement instrumental piece during the 16th century. By the 1700s it had evolved into a multi-movement piece, or air and variations, the term synonymous with the [[suite (music)|suite]]. The most famous are the Partitas of [[J. S. Bach]] for solo [[violin]].

By the time of Mozart the term had been extended to include the [[Serenade]], with one of Mozart’s greatest works being his “''Gran Partita''” for 13 wind instruments. In the early 19th century F. V. Krommer would write partitas for various combinations of wind instruments. The 20th century saw it grow even further. Ralph Vaughan Williams wrote a "Partita for Double String Orchestra", and [[William Walton]] took the term about as far as it could get from Bach’s solo violin pieces with a partita, commissioned by George Szell for the Cleveland Orchestra, that is scored for full orchestra with double woodwinds and various augmentations such as a [[glockenspiel]].

[[Category: Musical forms]]

← Older revision		Revision as of 03:42, March 25, 2017
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	Reference: “The Grove Concise Dictionary of Music”		Reference: “The Grove Concise Dictionary of Music”

−	[[Category:~~Musicla~~ Forms]]	+	[[Category:Musical Forms]]

← Older revision		Revision as of 15:21, July 28, 2016
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	Reference: “The Grove Concise Dictionary of Music”		Reference: “The Grove Concise Dictionary of Music”

−	[[Category:~~Musical forms~~]]	+	[[Category:Musicla Forms]]

← Older revision		Revision as of 01:03, July 12, 2016
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	Reference: “The Grove Concise Dictionary of Music”		Reference: “The Grove Concise Dictionary of Music”

−	[[Category: Musical forms]]	+	[[Category:Musical forms]]

@@ Line 1: / Line 1: @@
 The '''partita''' began as a single-movement instrumental piece during the 16th century. By the 1700s it had evolved into a multi-movement piece, or [[air and variations]], the term synonymous with the [[suite (music)|suite]]. The most famous are the Partitas of [[J. S. Bach]] for solo [[violin]].
-By the time of Mozart the term had been extended to include the [[Serenade]], with one of Mozart’s greatest works being his "''Gran Partita''" for 13 wind instruments. In the early 19th century F. V. Krommer would write partitas for various combinations of wind instruments. The 20th century saw it grow even further. [[Ralph Vaughan William]]s wrote a "Partita for Double String Orchestra", and [[William Walton]] took the term about as far as it could get from Bach’s solo violin pieces with a partita, commissioned by George Szell for the Cleveland Orchestra, that is scored for full orchestra with double woodwinds and various augmentations such as a [[glockenspiel]].
+By the time of Mozart the term had been extended to include the [[Serenade]], with one of Mozart’s greatest works being his "''Gran Partita''" for 13 wind instruments. In the early 19th century F. V. Krommer would write partitas for various combinations of wind instruments. The 20th century saw it grow even further. [[Ralph Vaughan Williams]] wrote a "Partita for Double String Orchestra", and [[William Walton]] took the term about as far as it could get from Bach’s solo violin pieces with a partita, commissioned by George Szell for the Cleveland Orchestra, that is scored for full orchestra with double woodwinds and various augmentations such as a [[glockenspiel]].
 Reference: “The Grove Concise Dictionary of Music”
 [[Category: Musical forms]]

@@ Line 1: / Line 1: @@
 The '''partita''' began as a single-movement instrumental piece during the 16th century. By the 1700s it had evolved into a multi-movement piece, or [[air and variations]], the term synonymous with the [[suite (music)|suite]]. The most famous are the Partitas of [[J. S. Bach]] for solo [[violin]].
-By the time of Mozart the term had been extended to include the [[Serenade]], with one of Mozart’s greatest works being his "''Gran Partita''" for 13 wind instruments. In the early 19th century F. V. Krommer would write partitas for various combinations of wind instruments. The 20th century saw it grow even further. Ralph Vaughan Williams wrote a "Partita for Double String Orchestra", and [[William Walton]] took the term about as far as it could get from Bach’s solo violin pieces with a partita, commissioned by George Szell for the Cleveland Orchestra, that is scored for full orchestra with double woodwinds and various augmentations such as a [[glockenspiel]].
+By the time of Mozart the term had been extended to include the [[Serenade]], with one of Mozart’s greatest works being his "''Gran Partita''" for 13 wind instruments. In the early 19th century F. V. Krommer would write partitas for various combinations of wind instruments. The 20th century saw it grow even further. [[Ralph Vaughan William]]s wrote a "Partita for Double String Orchestra", and [[William Walton]] took the term about as far as it could get from Bach’s solo violin pieces with a partita, commissioned by George Szell for the Cleveland Orchestra, that is scored for full orchestra with double woodwinds and various augmentations such as a [[glockenspiel]].
 [[Category: Musical forms]]