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	<id>https://www.conservapedia.com/index.php?action=history&amp;feed=atom&amp;title=Harpsichord</id>
	<title>Harpsichord - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://www.conservapedia.com/index.php?action=history&amp;feed=atom&amp;title=Harpsichord"/>
	<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Harpsichord&amp;action=history"/>
	<updated>2026-10-08T09:30:42Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.35.14</generator>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=1453271&amp;oldid=prev</id>
		<title>DavidB4-bot: /* top */HTTP --&gt; HTTPS [#1], replaced: http://www.youtube.com → https://www.youtube.com (3)</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=1453271&amp;oldid=prev"/>
		<updated>2018-09-26T17:15:23Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;top: &lt;/span&gt;HTTP --&amp;gt; HTTPS [#1], replaced: http://www.youtube.com → https://www.youtube.com (3)&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:15, September 26, 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The instrument dates from the early 16th century – there is a harpsichord in [[London]]’s Victoria and Albert Museum that was built in [[Rome]] in 1521.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The instrument dates from the early 16th century – there is a harpsichord in [[London]]’s Victoria and Albert Museum that was built in [[Rome]] in 1521.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the greatest keyboard music ever written – most of it heard these days on the [[piano]] - were first heard on the harpsichord. [[J. S. Bach]], [[Handel]],&amp;lt;ref&amp;gt;For a recording, see &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http&lt;/del&gt;://www.youtube.com/watch?v=rXeHd7Ovgjo&amp;lt;/ref&amp;gt; the Frenchmen [[Couperin]], and [[Rameau]] wrote widely for the instrument. The hundreds of sonatas by [[Domenico Scarlatti]] &amp;lt;ref&amp;gt;For a recording, see &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http&lt;/del&gt;://www.youtube.com/watch?v=3vpG1PgFF34&amp;lt;/ref&amp;gt; have profound significance in the development of the [[sonata form]]. Since the early 1900's, a resurgence of interest in the harpsichord has taken place, and most large conservatories offer instruction in harpsichord performance. The instrument is still used in recitals of early music and in its place as a continuo instrument in baroque chamber pieces.&amp;lt;ref&amp;gt;For a recording of the Bach keyboard concerti played on harpsichord, see &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http&lt;/del&gt;://www.youtube.com/watch?v=Kpqm1hxgH-w&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the greatest keyboard music ever written – most of it heard these days on the [[piano]] - were first heard on the harpsichord. [[J. S. Bach]], [[Handel]],&amp;lt;ref&amp;gt;For a recording, see &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https&lt;/ins&gt;://www.youtube.com/watch?v=rXeHd7Ovgjo&amp;lt;/ref&amp;gt; the Frenchmen [[Couperin]], and [[Rameau]] wrote widely for the instrument. The hundreds of sonatas by [[Domenico Scarlatti]] &amp;lt;ref&amp;gt;For a recording, see &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https&lt;/ins&gt;://www.youtube.com/watch?v=3vpG1PgFF34&amp;lt;/ref&amp;gt; have profound significance in the development of the [[sonata form]]. Since the early 1900's, a resurgence of interest in the harpsichord has taken place, and most large conservatories offer instruction in harpsichord performance. The instrument is still used in recitals of early music and in its place as a continuo instrument in baroque chamber pieces.&amp;lt;ref&amp;gt;For a recording of the Bach keyboard concerti played on harpsichord, see &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https&lt;/ins&gt;://www.youtube.com/watch?v=Kpqm1hxgH-w&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The disadvantages of the harpsichord, and the reason it lost popularity to the [[clavichord]] and the newly developing piano, was its inability to lengthen a note or to vary the loudness with finger pressure, meaning there was a lack of tonal variety, and emotional complexity. Whilst both [[Joseph Haydn|Haydn]] and [[Mozart]] played the harpsichord in their early days, they moved very quickly to the new [[piano|forte piano]]. Also, it became out of tune very quickly and needed a constant supply of new “quills” to keep it going.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The disadvantages of the harpsichord, and the reason it lost popularity to the [[clavichord]] and the newly developing piano, was its inability to lengthen a note or to vary the loudness with finger pressure, meaning there was a lack of tonal variety, and emotional complexity. Whilst both [[Joseph Haydn|Haydn]] and [[Mozart]] played the harpsichord in their early days, they moved very quickly to the new [[piano|forte piano]]. Also, it became out of tune very quickly and needed a constant supply of new “quills” to keep it going.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>DavidB4-bot</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=1247630&amp;oldid=prev</id>
		<title>DavidB4-bot: clean up &amp; uniformity</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=1247630&amp;oldid=prev"/>
		<updated>2016-07-12T01:06:46Z</updated>

		<summary type="html">&lt;p&gt;clean up &amp;amp; uniformity&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:06, July 12, 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The instrument dates from the early 16th century – there is a harpsichord in [[London]]’s Victoria and Albert Museum that was built in [[Rome]] in 1521.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The instrument dates from the early 16th century – there is a harpsichord in [[London]]’s Victoria and Albert Museum that was built in [[Rome]] in 1521.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the greatest keyboard music ever written – most of it heard these days on the [[piano]] - were first heard on the harpsichord. [[J. S. Bach]], [[Handel]] &amp;lt;ref&amp;gt;For a recording, see http://www.youtube.com/watch?v=rXeHd7Ovgjo&amp;lt;/ref&amp;gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;the Frenchmen [[Couperin]], and [[Rameau]] wrote widely for the instrument. The hundreds of sonatas by [[Domenico Scarlatti]] &amp;lt;ref&amp;gt;For a recording, see http://www.youtube.com/watch?v=3vpG1PgFF34&amp;lt;/ref&amp;gt; have profound significance in the development of the [[sonata form]]. Since the early 1900's, a resurgence of interest in the harpsichord has taken place, and most large conservatories offer instruction in harpsichord performance. The instrument is still used in recitals of early music and in its place as a continuo instrument in baroque chamber pieces.&amp;lt;ref&amp;gt; For a recording of the Bach keyboard concerti played on harpsichord, see http://www.youtube.com/watch?v=Kpqm1hxgH-w&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the greatest keyboard music ever written – most of it heard these days on the [[piano]] - were first heard on the harpsichord. [[J. S. Bach]], [[Handel]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;,&lt;/ins&gt;&amp;lt;ref&amp;gt;For a recording, see http://www.youtube.com/watch?v=rXeHd7Ovgjo&amp;lt;/ref&amp;gt; the Frenchmen [[Couperin]], and [[Rameau]] wrote widely for the instrument. The hundreds of sonatas by [[Domenico Scarlatti]] &amp;lt;ref&amp;gt;For a recording, see http://www.youtube.com/watch?v=3vpG1PgFF34&amp;lt;/ref&amp;gt; have profound significance in the development of the [[sonata form]]. Since the early 1900's, a resurgence of interest in the harpsichord has taken place, and most large conservatories offer instruction in harpsichord performance. The instrument is still used in recitals of early music and in its place as a continuo instrument in baroque chamber pieces.&amp;lt;ref&amp;gt;For a recording of the Bach keyboard concerti played on harpsichord, see http://www.youtube.com/watch?v=Kpqm1hxgH-w&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The disadvantages of the harpsichord, and the reason it lost popularity to the [[clavichord]] and the newly developing piano, was its inability to lengthen a note or to vary the loudness with finger pressure, meaning there was a lack of tonal variety, and emotional complexity. Whilst both [[Joseph Haydn|Haydn]] and [[Mozart]] played the harpsichord in their early days, they moved very quickly to the new [[piano|forte piano]]. Also, it became out of tune very quickly and needed a constant supply of new “quills” to keep it going.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The disadvantages of the harpsichord, and the reason it lost popularity to the [[clavichord]] and the newly developing piano, was its inability to lengthen a note or to vary the loudness with finger pressure, meaning there was a lack of tonal variety, and emotional complexity. Whilst both [[Joseph Haydn|Haydn]] and [[Mozart]] played the harpsichord in their early days, they moved very quickly to the new [[piano|forte piano]]. Also, it became out of tune very quickly and needed a constant supply of new “quills” to keep it going.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As a piece of trivia, it may be of interest that one Francis Hopkinson, whose signature appears on the [[Declaration of Independence]], was a musician known for introducing new ways of tuning and quilling harpsichords. (He also wrote the first American secular song.)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As a piece of trivia, it may be of interest that one Francis Hopkinson, whose signature appears on the [[Declaration of Independence]], was a musician known for introducing new ways of tuning and quilling harpsichords. (He also wrote the first American secular song.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Links&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;links&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.harpsichord-man.com/audio.htm&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;| &lt;/del&gt;Picture and sound samples]  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.harpsichord-man.com/audio.htm &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;Picture and sound samples]  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>DavidB4-bot</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=725152&amp;oldid=prev</id>
		<title>JDWpianist: clarified sentence about limitations</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=725152&amp;oldid=prev"/>
		<updated>2009-11-30T16:55:18Z</updated>

		<summary type="html">&lt;p&gt;clarified sentence about limitations&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:55, November 30, 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The instrument dates from the early 16th century – there is a harpsichord in [[London]]’s Victoria and Albert Museum that was built in [[Rome]] in 1521.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The instrument dates from the early 16th century – there is a harpsichord in [[London]]’s Victoria and Albert Museum that was built in [[Rome]] in 1521.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the greatest keyboard music ever written – most of it heard these days on the [[piano]] - were first heard on the harpsichord. [[J. S. Bach]], [[Handel]] &amp;lt;ref&amp;gt;For a recording, see http://www.youtube.com/watch?v=rXeHd7Ovgjo&amp;lt;/ref&amp;gt;, the Frenchmen [[Couperin]], and [[Rameau]] wrote widely for the instrument. The hundreds of sonatas by [[Domenico Scarlatti]] &amp;lt;ref&amp;gt;For a recording, see http://www.youtube.com/watch?v=3vpG1PgFF34&amp;lt;/ref&amp;gt; have profound significance in the development of the sonata form. Since the early 1900's, a resurgence of interest in the harpsichord has taken place, and most large conservatories offer instruction in harpsichord performance. The instrument is still used in recitals of early music and in its place as a continuo instrument in baroque chamber pieces.&amp;lt;ref&amp;gt; For a recording of the Bach keyboard concerti played on harpsichord, see http://www.youtube.com/watch?v=Kpqm1hxgH-w&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the greatest keyboard music ever written – most of it heard these days on the [[piano]] - were first heard on the harpsichord. [[J. S. Bach]], [[Handel]] &amp;lt;ref&amp;gt;For a recording, see http://www.youtube.com/watch?v=rXeHd7Ovgjo&amp;lt;/ref&amp;gt;, the Frenchmen [[Couperin]], and [[Rameau]] wrote widely for the instrument. The hundreds of sonatas by [[Domenico Scarlatti]] &amp;lt;ref&amp;gt;For a recording, see http://www.youtube.com/watch?v=3vpG1PgFF34&amp;lt;/ref&amp;gt; have profound significance in the development of the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;sonata form&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Since the early 1900's, a resurgence of interest in the harpsichord has taken place, and most large conservatories offer instruction in harpsichord performance. The instrument is still used in recitals of early music and in its place as a continuo instrument in baroque chamber pieces.&amp;lt;ref&amp;gt; For a recording of the Bach keyboard concerti played on harpsichord, see http://www.youtube.com/watch?v=Kpqm1hxgH-w&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The disadvantages of the harpsichord, and the reason it lost popularity to the [[clavichord]] and the newly developing piano, was its inability to lengthen a note or to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;increase or decrease &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;volume more than a trifle&lt;/del&gt;, meaning there was a lack of tonal variety, and emotional complexity. Whilst both [[Joseph Haydn|Haydn]] and [[Mozart]] played the harpsichord in their early days, they moved very quickly to the new [[piano|forte piano]]. Also, it became out of tune very quickly and needed a constant supply of new “quills” to keep it going.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The disadvantages of the harpsichord, and the reason it lost popularity to the [[clavichord]] and the newly developing piano, was its inability to lengthen a note or to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;vary &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;loudness with finger pressure&lt;/ins&gt;, meaning there was a lack of tonal variety, and emotional complexity. Whilst both [[Joseph Haydn|Haydn]] and [[Mozart]] played the harpsichord in their early days, they moved very quickly to the new [[piano|forte piano]]. Also, it became out of tune very quickly and needed a constant supply of new “quills” to keep it going.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As a piece of trivia, it may be of interest that one Francis Hopkinson, whose signature appears on the [[Declaration of Independence]], was a musician known for introducing new ways of tuning and quilling harpsichords. (He also wrote the first American secular song.)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As a piece of trivia, it may be of interest that one Francis Hopkinson, whose signature appears on the [[Declaration of Independence]], was a musician known for introducing new ways of tuning and quilling harpsichords. (He also wrote the first American secular song.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JDWpianist</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=663174&amp;oldid=prev</id>
		<title>JDWpianist: moved more external links to footnotes</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=663174&amp;oldid=prev"/>
		<updated>2009-05-14T23:17:45Z</updated>

		<summary type="html">&lt;p&gt;moved more external links to footnotes&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:17, May 14, 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The instrument dates from the early 16th century – there is a harpsichord in [[London]]’s Victoria and Albert Museum that was built in [[Rome]] in 1521.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The instrument dates from the early 16th century – there is a harpsichord in [[London]]’s Victoria and Albert Museum that was built in [[Rome]] in 1521.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the greatest keyboard music ever written – most of it heard these days on the [[piano]] - were first heard on the harpsichord. [[J. S. Bach]], [[Handel]] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;http://www.youtube.com/watch?v=rXeHd7Ovgjo&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;, the Frenchmen [[Couperin]], and [[Rameau]] wrote widely for the instrument. The hundreds of sonatas by [[Domenico Scarlatti]] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;http://www.youtube.com/watch?v=3vpG1PgFF34&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;have profound significance in the development of the sonata form. Since the early 1900's, a resurgence of interest in the harpsichord has taken place, and most large conservatories offer instruction in harpsichord performance. The instrument is still used in recitals of early music and in its place as a continuo instrument in baroque chamber pieces.&amp;lt;ref&amp;gt; For a recording of the Bach keyboard concerti played on harpsichord, see http://www.youtube.com/watch?v=Kpqm1hxgH-w&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the greatest keyboard music ever written – most of it heard these days on the [[piano]] - were first heard on the harpsichord. [[J. S. Bach]], [[Handel]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref&amp;gt;For a recording, see &lt;/ins&gt;http://www.youtube.com/watch?v=rXeHd7Ovgjo&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;/ref&amp;gt;&lt;/ins&gt;, the Frenchmen [[Couperin]], and [[Rameau]] wrote widely for the instrument. The hundreds of sonatas by [[Domenico Scarlatti]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref&amp;gt;For a recording, see &lt;/ins&gt;http://www.youtube.com/watch?v=3vpG1PgFF34&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;/ref&amp;gt; &lt;/ins&gt;have profound significance in the development of the sonata form. Since the early 1900's, a resurgence of interest in the harpsichord has taken place, and most large conservatories offer instruction in harpsichord performance. The instrument is still used in recitals of early music and in its place as a continuo instrument in baroque chamber pieces.&amp;lt;ref&amp;gt; For a recording of the Bach keyboard concerti played on harpsichord, see http://www.youtube.com/watch?v=Kpqm1hxgH-w&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The disadvantages of the harpsichord, and the reason it lost popularity to the [[clavichord]] and the newly developing piano, was its inability to lengthen a note or to increase or decrease the volume more than a trifle, meaning there was a lack of tonal variety, and emotional complexity. Whilst both [[Joseph Haydn|Haydn]] and [[Mozart]] played the harpsichord in their early days, they moved very quickly to the new [[piano|forte piano]]. Also, it became out of tune very quickly and needed a constant supply of new “quills” to keep it going.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The disadvantages of the harpsichord, and the reason it lost popularity to the [[clavichord]] and the newly developing piano, was its inability to lengthen a note or to increase or decrease the volume more than a trifle, meaning there was a lack of tonal variety, and emotional complexity. Whilst both [[Joseph Haydn|Haydn]] and [[Mozart]] played the harpsichord in their early days, they moved very quickly to the new [[piano|forte piano]]. Also, it became out of tune very quickly and needed a constant supply of new “quills” to keep it going.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JDWpianist</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=663173&amp;oldid=prev</id>
		<title>JDWpianist: resurgence of interest, moved link to footnote</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=663173&amp;oldid=prev"/>
		<updated>2009-05-14T23:16:19Z</updated>

		<summary type="html">&lt;p&gt;resurgence of interest, moved link to footnote&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:16, May 14, 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The instrument dates from the early 16th century – there is a harpsichord in [[London]]’s Victoria and Albert Museum that was built in [[Rome]] in 1521.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The instrument dates from the early 16th century – there is a harpsichord in [[London]]’s Victoria and Albert Museum that was built in [[Rome]] in 1521.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the greatest keyboard music ever written – most of it heard these days on the [[piano]] - were first heard on the harpsichord. [[J. S. Bach]], [[Handel]] [[http://www.youtube.com/watch?v=rXeHd7Ovgjo]], the Frenchmen [[Couperin]], and [[Rameau]] wrote widely for the instrument. The hundreds of sonatas by [[Domenico Scarlatti]] [[http://www.youtube.com/watch?v=3vpG1PgFF34]] have profound significance in the development of the sonata form. The instrument is still used in recitals of early music and in its place as a continuo instrument in baroque chamber pieces. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;There are recordings &lt;/del&gt;of the Bach keyboard concerti played &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;as originally intended. [[&lt;/del&gt;http://www.youtube.com/watch?v=Kpqm1hxgH-w&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the greatest keyboard music ever written – most of it heard these days on the [[piano]] - were first heard on the harpsichord. [[J. S. Bach]], [[Handel]] [[http://www.youtube.com/watch?v=rXeHd7Ovgjo]], the Frenchmen [[Couperin]], and [[Rameau]] wrote widely for the instrument. The hundreds of sonatas by [[Domenico Scarlatti]] [[http://www.youtube.com/watch?v=3vpG1PgFF34]] have profound significance in the development of the sonata form&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. Since the early 1900's, a resurgence of interest in the harpsichord has taken place, and most large conservatories offer instruction in harpsichord performance&lt;/ins&gt;. The instrument is still used in recitals of early music and in its place as a continuo instrument in baroque chamber pieces.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref&amp;gt; For a recording &lt;/ins&gt;of the Bach keyboard concerti played &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;on harpsichord, see &lt;/ins&gt;http://www.youtube.com/watch?v=Kpqm1hxgH-w&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The disadvantages of the harpsichord, and the reason it lost popularity to the [[clavichord]] and the newly developing piano, was its inability to lengthen a note or to increase or decrease the volume more than a trifle, meaning there was a lack of tonal variety, and emotional complexity. Whilst both [[Joseph Haydn|Haydn]] and [[Mozart]] played the harpsichord in their early days, they moved very quickly to the new [[piano|forte piano]]. Also, it became out of tune very quickly and needed a constant supply of new “quills” to keep it going.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The disadvantages of the harpsichord, and the reason it lost popularity to the [[clavichord]] and the newly developing piano, was its inability to lengthen a note or to increase or decrease the volume more than a trifle, meaning there was a lack of tonal variety, and emotional complexity. Whilst both [[Joseph Haydn|Haydn]] and [[Mozart]] played the harpsichord in their early days, they moved very quickly to the new [[piano|forte piano]]. Also, it became out of tune very quickly and needed a constant supply of new “quills” to keep it going.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JDWpianist</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=640179&amp;oldid=prev</id>
		<title>AddisonDM: image</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=640179&amp;oldid=prev"/>
		<updated>2009-03-16T02:42:19Z</updated>

		<summary type="html">&lt;p&gt;image&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:42, March 16, 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Image:Harpsichord.jpg|thumb|right|300px|Keyboard of a harpsichord]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The '''harpsichord''' represents the highest development of the plucked string family of keyboard instruments. Like the [[virginal]] and [[spinet]] it consists of a set of strings within a soundbox which are activated by a keyboard attached to a series of wooden “jacks”. When a key is depressed it raises the jack on which there is a leather plectrum, or “quill”, which hits the appropriate strings. There is a mechanism to stop the quill hitting the strings on the way back down.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The '''harpsichord''' represents the highest development of the plucked string family of keyboard instruments. Like the [[virginal]] and [[spinet]] it consists of a set of strings within a soundbox which are activated by a keyboard attached to a series of wooden “jacks”. When a key is depressed it raises the jack on which there is a leather plectrum, or “quill”, which hits the appropriate strings. There is a mechanism to stop the quill hitting the strings on the way back down.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AddisonDM</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=640163&amp;oldid=prev</id>
		<title>AddisonDM at 02:34, March 16, 2009</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=640163&amp;oldid=prev"/>
		<updated>2009-03-16T02:34:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:34, March 16, 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot; &gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As a piece of trivia, it may be of interest that one Francis Hopkinson, whose signature appears on the [[Declaration of Independence]], was a musician known for introducing new ways of tuning and quilling harpsichords. (He also wrote the first American secular song.)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As a piece of trivia, it may be of interest that one Francis Hopkinson, whose signature appears on the [[Declaration of Independence]], was a musician known for introducing new ways of tuning and quilling harpsichords. (He also wrote the first American secular song.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External Links==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External Links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AddisonDM</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=635061&amp;oldid=prev</id>
		<title>AlanE: enable link</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=635061&amp;oldid=prev"/>
		<updated>2009-03-05T20:24:51Z</updated>

		<summary type="html">&lt;p&gt;enable link&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:24, March 5, 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot; &gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the greatest keyboard music ever written – most of it heard these days on the [[piano]] - were first heard on the harpsichord. [[J. S. Bach]], [[Handel]] [[http://www.youtube.com/watch?v=rXeHd7Ovgjo]], the Frenchmen [[Couperin]], and [[Rameau]] wrote widely for the instrument. The hundreds of sonatas by [[Domenico Scarlatti]] [[http://www.youtube.com/watch?v=3vpG1PgFF34]] have profound significance in the development of the sonata form. The instrument is still used in recitals of early music and in its place as a continuo instrument in baroque chamber pieces. There are recordings of the Bach keyboard concerti played as originally intended. [[http://www.youtube.com/watch?v=Kpqm1hxgH-w]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Some of the greatest keyboard music ever written – most of it heard these days on the [[piano]] - were first heard on the harpsichord. [[J. S. Bach]], [[Handel]] [[http://www.youtube.com/watch?v=rXeHd7Ovgjo]], the Frenchmen [[Couperin]], and [[Rameau]] wrote widely for the instrument. The hundreds of sonatas by [[Domenico Scarlatti]] [[http://www.youtube.com/watch?v=3vpG1PgFF34]] have profound significance in the development of the sonata form. The instrument is still used in recitals of early music and in its place as a continuo instrument in baroque chamber pieces. There are recordings of the Bach keyboard concerti played as originally intended. [[http://www.youtube.com/watch?v=Kpqm1hxgH-w]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The disadvantages of the harpsichord, and the reason it lost popularity to the [[clavichord]] and the newly developing piano, was its inability to lengthen a note or to increase or decrease the volume more than a trifle, meaning there was a lack of tonal variety, and emotional complexity. Whilst both [[Joseph Haydn|Haydn]] and [[Mozart]] played the harpsichord in their early days, they moved very quickly to the new [[forte piano]]. Also, it became out of tune very quickly and needed a constant supply of new “quills” to keep it going.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The disadvantages of the harpsichord, and the reason it lost popularity to the [[clavichord]] and the newly developing piano, was its inability to lengthen a note or to increase or decrease the volume more than a trifle, meaning there was a lack of tonal variety, and emotional complexity. Whilst both [[Joseph Haydn|Haydn]] and [[Mozart]] played the harpsichord in their early days, they moved very quickly to the new [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;piano|&lt;/ins&gt;forte piano]]. Also, it became out of tune very quickly and needed a constant supply of new “quills” to keep it going.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As a piece of trivia, it may be of interest that one Francis Hopkinson, whose signature appears on the [[Declaration of Independence]], was a musician known for introducing new ways of tuning and quilling harpsichords. (He also wrote the first American secular song.)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As a piece of trivia, it may be of interest that one Francis Hopkinson, whose signature appears on the [[Declaration of Independence]], was a musician known for introducing new ways of tuning and quilling harpsichords. (He also wrote the first American secular song.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AlanE</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=634693&amp;oldid=prev</id>
		<title>AlanE at 00:57, March 5, 2009</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=634693&amp;oldid=prev"/>
		<updated>2009-03-05T00:57:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:57, March 5, 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;A &lt;/del&gt;'''harpsichord''' &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;is a &lt;/del&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;keyboard&lt;/del&gt;]] [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;instrument&lt;/del&gt;]] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;similar &lt;/del&gt;to a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[piano]]&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;but &lt;/del&gt;its strings are &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;plucked rather &lt;/del&gt;than &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;hammered&lt;/del&gt;. The harpsichord was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;known to exist as early as &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1500's. It was supplanted by &lt;/del&gt;the piano &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;in &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1800's&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref&amp;gt;&lt;/del&gt;[http://&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;cfaonline&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;asu&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;edu&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;haefer&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;classes&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;564&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;564&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;papers&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;pierceharpsichord&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;html History &lt;/del&gt;of the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Harpsichord &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Eighteenth Century France &lt;/del&gt;and the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Flemish Influence by Janet Pierce&lt;/del&gt;]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/ins&gt;'''harpsichord''' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;represents the highest development of the plucked string family of keyboard instruments. Like the &lt;/ins&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;virginal&lt;/ins&gt;]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/ins&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;spinet&lt;/ins&gt;]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;it consists of a set of strings within a soundbox which are activated by a keyboard attached &lt;/ins&gt;to a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;series of wooden “jacks”. When a key is depressed it raises the jack on which there is a leather plectrum, or “quill”&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;which hits the appropriate strings. There is a mechanism to stop the quill hitting the strings on the way back down. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The harpsichord is different to &lt;/ins&gt;its &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;smaller siblings in that there are two or more strings to each note and that the &lt;/ins&gt;strings are &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;stretched at right angles to the keyboard, instead of parallel (virginal) or at 45degrees (spinet). Like the spinet, it is shaped somewhat like the modern grand piano. Often there was more &lt;/ins&gt;than &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;one keyboard, and even three, and foot pedals were not unknown&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;instrument dates from the early 16th century – there is a &lt;/ins&gt;harpsichord &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in [[London]]’s Victoria and Albert Museum that &lt;/ins&gt;was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;built in [[Rome]] in 1521.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Some of &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;greatest keyboard music ever written – most of it heard these days on &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;piano&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] - were first heard on &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;harpsichord&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[J. S. Bach]], [[Handel]] [&lt;/ins&gt;[http://&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;www&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;youtube&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;com&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;watch?v=rXeHd7Ovgjo]], the Frenchmen [[Couperin]], and [[Rameau]] wrote widely for the instrument. The hundreds of sonatas by [[Domenico Scarlatti]] [[http:&lt;/ins&gt;//&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;www.youtube.com&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;watch?v=3vpG1PgFF34]] have profound significance in the development of the sonata form&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The instrument is still used in recitals of early music and in its place as a continuo instrument in baroque chamber pieces. There are recordings of the Bach keyboard concerti played as originally intended. [[http:&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;/www.youtube&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;com/watch?v=Kpqm1hxgH-w]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The disadvantages &lt;/ins&gt;of the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;harpsichord, and the reason it lost popularity to the [[clavichord]] and the newly developing piano, was its inability to lengthen a note or to increase or decrease the volume more than a trifle, meaning there was a lack of tonal variety, and emotional complexity. Whilst both [[Joseph Haydn|Haydn]] and [[Mozart]] played the harpsichord &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;their early days, they moved very quickly to the new [[forte piano]]. Also, it became out of tune very quickly &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;needed a constant supply of new “quills” to keep it going. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;As a piece of trivia, it may be of interest that one Francis Hopkinson, whose signature appears on &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Declaration of Independence]&lt;/ins&gt;]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, was a musician known for introducing new ways of tuning and quilling harpsichords. (He also wrote the first American secular song.)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==See also==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[clavichord]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[concertina]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External Links==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External Links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AlanE</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=601811&amp;oldid=prev</id>
		<title>Kuyper: fix redlink</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Harpsichord&amp;diff=601811&amp;oldid=prev"/>
		<updated>2009-01-04T16:14:44Z</updated>

		<summary type="html">&lt;p&gt;fix redlink&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:14, January 4, 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A '''harpsichord''' is a [[keyboard instrument]] similar to a [[piano]], but its strings are plucked rather than hammered. The harpsichord was known to exist as early as the 1500's. It was supplanted by the piano in the 1800's.&amp;lt;ref&amp;gt;[http://cfaonline.asu.edu/haefer/classes/564/564.papers/pierceharpsichord.html History of the Harpsichord in Eighteenth Century France and the Flemish Influence by Janet Pierce]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A '''harpsichord''' is a [[keyboard&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] [[&lt;/ins&gt;instrument]] similar to a [[piano]], but its strings are plucked rather than hammered. The harpsichord was known to exist as early as the 1500's. It was supplanted by the piano in the 1800's.&amp;lt;ref&amp;gt;[http://cfaonline.asu.edu/haefer/classes/564/564.papers/pierceharpsichord.html History of the Harpsichord in Eighteenth Century France and the Flemish Influence by Janet Pierce]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See also==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See also==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Kuyper</name></author>
	</entry>
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