Childhood - Revision history

Northwest: /* Popular culture */ info added

2023-02-07T08:08:47Z

Popular culture: info added

DavidB4-bot: /* Further reading */HTTP --> HTTPS #3, replaced: http://www.amazon.com → https://www.amazon.com (4)

2019-04-09T06:34:09Z

Further reading: HTTP --> HTTPS #3, replaced: http://www.amazon.com → https://www.amazon.com (4)

DavidB4-bot: clean up & uniformity

2016-07-13T06:04:23Z

clean up & uniformity

Aschlafly: Reverted edits by Trusworthie (talk) to last revision by Masterbratac

2016-01-06T21:18:50Z

Reverted edits by Trusworthie (talk) to last revision by Masterbratac

Trusworthie: 1100px

2016-01-06T21:12:35Z

1100px

Masterbratac: caps; I'm back, baby.

2012-10-27T16:55:55Z

caps; I'm back, baby.

Benp at 20:43, January 9, 2011

2011-01-09T20:43:20Z

EricP: Redirected page to Pink Floyd

2011-01-09T20:27:39Z

Redirected page to Pink Floyd

TK: Reverted edits by CPM0r0n (Talk) to last revision by RJJensen

2010-06-21T18:13:10Z

Reverted edits by CPM0r0n (Talk) to last revision by RJJensen

CPM0r0n: Replaced content with 'HOPEFULLY NOT ONE FILLED WITH MIND CONTROLLING CHURCH'

2010-06-21T18:05:21Z

Replaced content with 'HOPEFULLY NOT ONE FILLED WITH MIND CONTROLLING CHURCH'

@@ Line 7: / Line 7: @@
 It has become an icon of stable suburban family life and moral decision-making in a world of small human foibles and no great issues.  Commentators note the happy era it depicted is long gone.
-The plot revolved around the life of Theodore "Beaver" Cleaver, a pre-adolescent boy living in an upscale, middle-class neighborhood in the innocent years of the 1950s.
+The plot revolved around the life of Theodore "Beaver" Cleaver, a pre-adolescent boy living in an upscale, middle-class neighborhood in the innocent years of the 1950s and early 1960s.
-In its "Golden Age," television served as a kind of social training film; sitcoms like  ''Leave It to Beaver,'' ''Ozzie and Harriet,'' ''The Donna Reed Show'' and ''Father Knows Best'' were all prime-time staples that taught Americans newly arrived in the suburbs from city tenements how to act middle-class.
+In its "Golden Age," television served as a kind of social training film; sitcoms like  ''Leave It to Beaver,'' ''The Adventures of Ozzie and Harriet,'' ''The Donna Reed Show'' and ''Father Knows Best'' were all prime-time staples that taught Americans newly arrived in the suburbs from city tenements how to act middle-class.
-Central to each ''Beaver'' episode was the interplay between big brother Wally and little Theodore. Their boyish attempts to navigate the social currents of school, girls, and adolescence were often tinged with frustration and loneliness. In one early episode, when Beaver is worried that his teacher will hit him over a minor mess-up, Wally corrects him: "Only the coach can hit you."
+Central to each ''Beaver'' episode was the interplay between big brother Wally and little Theodore.  Their boyish attempts to navigate the social currents of school, girls, and adolescence were often tinged with frustration and loneliness.  In one early episode, when Beaver is worried that his teacher will hit him over a minor mess-up, Wally corrects him: "Only the coach can hit you."
-June Cleaver, a typical housewife and mother, remained calm amid household tumult, providing crucial guidance to her sons while shielding them from nefarious outside influences with a matronly force of will. Her protection was frequently needed against the pernicious intrigues of Eddie Haskell. He engaged in impulsive, selfish, disruptive, and malevolent schemes, almost evil personified. For crafty Eddie, each day was one more step toward the twilight of the adults, which would herald his ascension to neighborhood ruler.
+June Cleaver, a typical housewife and mother, remained calm amid household tumult, providing crucial guidance to her sons while shielding them from nefarious outside influences with a matronly force of will.  Her protection was frequently needed against the pernicious intrigues of Wally's best friend, neighborhood wise guy Eddie Haskell.  He engaged in impulsive, selfish, disruptive, and malevolent schemes, almost evil personified.  For crafty Eddie, each day was one more step toward the twilight of the adults, which would herald his ascension to neighborhood ruler.
-The father Ward Cleaver was a Solomon-like figure of quiet dignity who dispensed parental justice tempered with understanding. Perceptive viewers knew his furrowed brow and clenched jaw were hints of serious inner turmoil, reminiscent of the anger toward society and unfulfilled economic dreams that tormented Willie Loman in "Death of a Salesman," the classic 1949 play about dysfunctional families.
+The father Ward Cleaver was a Solomon-like figure of quiet dignity who dispensed parental justice tempered with understanding.  Perceptive viewers knew his furrowed brow and clenched jaw were hints of serious inner turmoil, reminiscent of the anger toward society and unfulfilled economic dreams that tormented Willie Loman in "Death of a Salesman," the classic 1949 play about dysfunctional families.
 [[File:Father-best.jpg|thumb|210px|left]]
-A comparison of how children interact with their brothers and sisters on such 1950's situation comedy television programs as 'Leave It To Beaver' and 'Father Knows Best' with those on such 1980s programs as 'The Cosby Show' and 'Family Ties' found  that children interacted more positively in the early period but were important and central - if more conflictual - to the main story action in the 1980s.<ref>Mary Strom Larson, "Sibling Interactions in 1950s Versus 1980s Sitcoms: A Comparison," ''Journalism Quarterly'' 1991 68(3): 381-387
+A comparison of how children interact with their brothers and sisters on such 1950s situation comedy television programs as ''Leave It To Beaver'' and ''Father Knows Best'' with those on such 1980s programs as ''The Cosby Show'' and ''Family Ties'' found  that children interacted more positively in the early period but were important and central - if more conflictual - to the main story action in the 1980s.<ref>Mary Strom Larson, "Sibling Interactions in 1950s Versus 1980s Sitcoms: A Comparison," ''Journalism Quarterly'' 1991 68(3): 381-387
 </ref>

@@ Line 26: / Line 26: @@
 ==Further reading==
 * Ariès, Philippe. ''Centuries of Childhood: A Social History of Family Life'' (1962), medieval and early modern France; by a leading conservative French historian
-* Mintz, Steven, and Susan Kellogg. ''Domestic Revolutions: A Social History of American Family Life'' (1988), 316pp; the standard scholarly history [http://www.amazon.com/Domestic-Revolutions-Social-History-American/dp/002921291X/ref=sr_1_1?ie=UTF8&s=books&qid=1208814002&sr=1-1 excerpt and text search]
+* Mintz, Steven, and Susan Kellogg. ''Domestic Revolutions: A Social History of American Family Life'' (1988), 316pp; the standard scholarly history [https://www.amazon.com/Domestic-Revolutions-Social-History-American/dp/002921291X/ref=sr_1_1?ie=UTF8&s=books&qid=1208814002&sr=1-1 excerpt and text search]
-* Mintz, Steven.  ''Huck's Raft: A History of American Childhood.'' (2004). 464 pp., the standard scholarly history [http://www.amazon.com/Hucks-Raft-History-American-Childhood/dp/0674015088/ref=sr_1_1?ie=UTF8&s=books&qid=1208814029&sr=1-1 excerpt and text search]
+* Mintz, Steven.  ''Huck's Raft: A History of American Childhood.'' (2004). 464 pp., the standard scholarly history [https://www.amazon.com/Hucks-Raft-History-American-Childhood/dp/0674015088/ref=sr_1_1?ie=UTF8&s=books&qid=1208814029&sr=1-1 excerpt and text search]
-* Riney-Kehrberg, Pamela.  ''Childhood on the Farm: Work, Play, and Coming of Age in the Midwest.'' (2005). 300 pp [http://www.amazon.com/Childhood-Farm-Work-Coming-Midwest/dp/0700613889/ref=sr_1_2?ie=UTF8&s=books&qid=1208908614&sr=8-2 excerpt and text search]
+* Riney-Kehrberg, Pamela.  ''Childhood on the Farm: Work, Play, and Coming of Age in the Midwest.'' (2005). 300 pp [https://www.amazon.com/Childhood-Farm-Work-Coming-Midwest/dp/0700613889/ref=sr_1_2?ie=UTF8&s=books&qid=1208908614&sr=8-2 excerpt and text search]
-* Wead, Doug. ''All the Presidents' Children: Triumph and Tragedy in the Lives of America's First Families'' (2004) [http://www.amazon.com/All-Presidents-Children-Americas-Families/dp/B001O9CG08/ref=sr_1_21?ie=UTF8&s=books&qid=1250314042&sr=1-21 excerpt and text search]
+* Wead, Doug. ''All the Presidents' Children: Triumph and Tragedy in the Lives of America's First Families'' (2004) [https://www.amazon.com/All-Presidents-Children-Americas-Families/dp/B001O9CG08/ref=sr_1_21?ie=UTF8&s=books&qid=1250314042&sr=1-21 excerpt and text search]
 * Werner, Emily, ed. ''Passages to America: Oral Histories of Child Immigrants from Ellis Island and Angel Island'' (2009)

@@ Line 18: / Line 18: @@
 [[File:Father-best.jpg|thumb|210px|left]]
-A comparison of how children interact with their brothers and sisters on such 1950's situation comedy television programs as 'Leave It To Beaver' and 'Father Knows Best' with those on such 1980s programs as 'The Cosby Show' and 'Family Ties' found  that children interacted more positively in the early period but were important and central - if more conflictual - to the main story action in the 1980s.<ref> Mary Strom Larson, "Sibling Interactions in 1950s Versus 1980s Sitcoms: A Comparison," ''Journalism Quarterly'' 1991 68(3): 381-387
+A comparison of how children interact with their brothers and sisters on such 1950's situation comedy television programs as 'Leave It To Beaver' and 'Father Knows Best' with those on such 1980s programs as 'The Cosby Show' and 'Family Ties' found  that children interacted more positively in the early period but were important and central - if more conflictual - to the main story action in the 1980s.<ref>Mary Strom Larson, "Sibling Interactions in 1950s Versus 1980s Sitcoms: A Comparison," ''Journalism Quarterly'' 1991 68(3): 381-387
 </ref>
@@ Line 36: / Line 36: @@
 [[Category:Human Development]]
 [[Category:Family]]
-[[category:Demography]]
+[[Category:Demography]]

← Older revision		Revision as of 21:18, January 6, 2016
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−	~~[[File:ASchlafly.JPG\|1100px]]~~
−
	'''Childhood''' comprises the early period in the development of a person.		'''Childhood''' comprises the early period in the development of a person.

← Older revision		Revision as of 21:12, January 6, 2016
Line 1:		Line 1:
		+	[[File:ASchlafly.JPG\|1100px]]
		+
	'''Childhood''' comprises the early period in the development of a person.		'''Childhood''' comprises the early period in the development of a person.

@@ Line 21: / Line 21: @@
 </ref>
-==see also==
+==See also==
 * [[Family history]]
 * [[Nuclear family]]
@@ Line 32: / Line 32: @@
 * Werner, Emily, ed. ''Passages to America: Oral Histories of Child Immigrants from Ellis Island and Angel Island'' (2009)
-====references====
+====References====
 <references/>
 [[Category:Human Development]]
 [[Category:Family]]
 [[category:Demography]]

← Older revision		Revision as of 20:43, January 9, 2011
Line 1:		Line 1:
−	~~#REDIRECT~~ [[~~Pink Floyd~~]]	+	'''Childhood''' comprises the early period in the development of a person.
		+
		+	==Popular culture==
		+
		+	''[[Leave It To Beaver]]'' was a popular situation comedy on American television, 1957-63. [[File:Beaver2.jpg\|thumb\|220px]]
		+
		+	It has become an icon of stable suburban family life and moral decision-making in a world of small human foibles and no great issues. Commentators note the happy era it depicted is long gone.
		+
		+	The plot revolved around the life of Theodore "Beaver" Cleaver, a pre-adolescent boy living in an upscale, middle-class neighborhood in the innocent years of the 1950s.
		+
		+	In its "Golden Age," television served as a kind of social training film; sitcoms like ''Leave It to Beaver,'' ''Ozzie and Harriet,'' ''The Donna Reed Show'' and ''Father Knows Best'' were all prime-time staples that taught Americans newly arrived in the suburbs from city tenements how to act middle-class.
		+
		+	Central to each ''Beaver'' episode was the interplay between big brother Wally and little Theodore. Their boyish attempts to navigate the social currents of school, girls, and adolescence were often tinged with frustration and loneliness. In one early episode, when Beaver is worried that his teacher will hit him over a minor mess-up, Wally corrects him: "Only the coach can hit you."
		+
		+	June Cleaver, a typical housewife and mother, remained calm amid household tumult, providing crucial guidance to her sons while shielding them from nefarious outside influences with a matronly force of will. Her protection was frequently needed against the pernicious intrigues of Eddie Haskell. He engaged in impulsive, selfish, disruptive, and malevolent schemes, almost evil personified. For crafty Eddie, each day was one more step toward the twilight of the adults, which would herald his ascension to neighborhood ruler.
		+
		+	The father Ward Cleaver was a Solomon-like figure of quiet dignity who dispensed parental justice tempered with understanding. Perceptive viewers knew his furrowed brow and clenched jaw were hints of serious inner turmoil, reminiscent of the anger toward society and unfulfilled economic dreams that tormented Willie Loman in "Death of a Salesman," the classic 1949 play about dysfunctional families.
		+	[[File:Father-best.jpg\|thumb\|210px\|left]]
		+
		+	A comparison of how children interact with their brothers and sisters on such 1950's situation comedy television programs as 'Leave It To Beaver' and 'Father Knows Best' with those on such 1980s programs as 'The Cosby Show' and 'Family Ties' found that children interacted more positively in the early period but were important and central - if more conflictual - to the main story action in the 1980s.<ref> Mary Strom Larson, "Sibling Interactions in 1950s Versus 1980s Sitcoms: A Comparison," ''Journalism Quarterly'' 1991 68(3): 381-387
		+	</ref>
		+
		+	==see also==
		+	* [[Family history]]
		+	* [[Nuclear family]]
		+	==Further reading==
		+	* Ariès, Philippe. ''Centuries of Childhood: A Social History of Family Life'' (1962), medieval and early modern France; by a leading conservative French historian
		+	* Mintz, Steven, and Susan Kellogg. ''Domestic Revolutions: A Social History of American Family Life'' (1988), 316pp; the standard scholarly history [http://www.amazon.com/Domestic-Revolutions-Social-History-American/dp/002921291X/ref=sr_1_1?ie=UTF8&s=books&qid=1208814002&sr=1-1 excerpt and text search]
		+	* Mintz, Steven. ''Huck's Raft: A History of American Childhood.'' (2004). 464 pp., the standard scholarly history [http://www.amazon.com/Hucks-Raft-History-American-Childhood/dp/0674015088/ref=sr_1_1?ie=UTF8&s=books&qid=1208814029&sr=1-1 excerpt and text search]
		+	* Riney-Kehrberg, Pamela. ''Childhood on the Farm: Work, Play, and Coming of Age in the Midwest.'' (2005). 300 pp [http://www.amazon.com/Childhood-Farm-Work-Coming-Midwest/dp/0700613889/ref=sr_1_2?ie=UTF8&s=books&qid=1208908614&sr=8-2 excerpt and text search]
		+	* Wead, Doug. ''All the Presidents' Children: Triumph and Tragedy in the Lives of America's First Families'' (2004) [http://www.amazon.com/All-Presidents-Children-Americas-Families/dp/B001O9CG08/ref=sr_1_21?ie=UTF8&s=books&qid=1250314042&sr=1-21 excerpt and text search]
		+	* Werner, Emily, ed. ''Passages to America: Oral Histories of Child Immigrants from Ellis Island and Angel Island'' (2009)
		+
		+	====references====
		+	<references/>
		+	[[Category:Human Development]]
		+	[[Category:Family]]
		+	[[category:Demography]]

← Older revision		Revision as of 20:27, January 9, 2011
Line 1:		Line 1:
−	~~'''Childhood''' comprises the early period in the development of a person.~~	+	#REDIRECT [[Pink Floyd]]
−
−	~~==Popular culture==~~
−
−	''[[~~Leave It To Beaver]]'' was a popular situation comedy on American television, 1957-63. [[File:Beaver2.jpg\|thumb\|220px]]~~
−
−	~~It has become an icon of stable suburban family life and moral decision-making in a world of small human foibles and no great issues. Commentators note the happy era it depicted is long gone.~~
−
−	~~The plot revolved around the life of Theodore "Beaver" Cleaver, a pre-adolescent boy living in an upscale, middle-class neighborhood in the innocent years of the 1950s.~~
−
−	In its "Golden Age," television served as a kind of social training film; sitcoms like ''Leave It to Beaver,'' ''Ozzie and Harriet,'' ''The Donna Reed Show'' and ''Father Knows Best'' were all prime-time staples that taught Americans newly arrived in the suburbs from city tenements how to act middle-class.
−
−	Central to each ''Beaver'' episode was the interplay between big brother Wally and little Theodore. Their boyish attempts to navigate the social currents of school, girls, and adolescence were often tinged with frustration and loneliness. In one early episode, when Beaver is worried that his teacher will hit him over a minor mess-up, Wally corrects him: "Only the coach can hit you."
−
−	June Cleaver, a typical housewife and mother, remained calm amid household tumult, providing crucial guidance to her sons while shielding them from nefarious outside influences with a matronly force of will. Her protection was frequently needed against the pernicious intrigues of Eddie Haskell. He engaged in impulsive, selfish, disruptive, and malevolent schemes, almost evil personified. For crafty Eddie, each day was one more step toward the twilight of the adults, which would herald his ascension to neighborhood ruler.
−
−	The father Ward Cleaver was a Solomon-like figure of quiet dignity who dispensed parental justice tempered with understanding. Perceptive viewers knew his furrowed brow and clenched jaw were hints of serious inner turmoil, reminiscent of the anger toward society and unfulfilled economic dreams that tormented Willie Loman in "Death of a Salesman," the classic 1949 play about dysfunctional families.
−	~~[[File:Father-best.jpg\|thumb\|210px\|left]]~~
−
−	A comparison of how children interact with their brothers and sisters on such 1950's situation comedy television programs as 'Leave It To Beaver' and 'Father Knows Best' with those on such 1980s programs as 'The Cosby Show' and 'Family Ties' found that children interacted more positively in the early period but were important and central - if more conflictual - to the main story action in the 1980s.<ref> Mary Strom Larson, "Sibling Interactions in 1950s Versus 1980s Sitcoms: A Comparison," ''Journalism Quarterly'' 1991 68(3): 381-387
−	~~</ref>~~
−
−	~~==see also==~~
−	* [[Family history]]
−	* [[Nuclear family]]
−	~~==Further reading==~~
−	* Ariès, Philippe. ''Centuries of Childhood: A Social History of Family Life'' (1962), medieval and early modern France; by a leading conservative French historian
−	* Mintz, Steven, and Susan Kellogg. ''Domestic Revolutions: A Social History of American Family Life'' (1988), 316pp; the standard scholarly history [http://www.amazon.com/Domestic-Revolutions-Social-History-American/dp/002921291X/ref=sr_1_1?ie=UTF8&s=books&qid=1208814002&sr=1-1 excerpt and text search]
−	* Mintz, Steven. ''Huck's Raft: A History of American Childhood.'' (2004). 464 pp., the standard scholarly history [http://www.amazon.com/Hucks-Raft-History-American-Childhood/dp/0674015088/ref=sr_1_1?ie=UTF8&s=books&qid=1208814029&sr=1-1 excerpt and text search]
−	* Riney-Kehrberg, Pamela. ''Childhood on the Farm: Work, Play, and Coming of Age in the Midwest.'' (2005). 300 pp [http://www.amazon.com/Childhood-Farm-Work-Coming-Midwest/dp/0700613889/ref=sr_1_2?ie=UTF8&s=books&qid=1208908614&sr=8-2 excerpt and text search]
−	* Wead, Doug. ''All the Presidents' Children: Triumph and Tragedy in the Lives of America's First Families'' (2004) [http://www.amazon.com/All-Presidents-Children-Americas-Families/dp/B001O9CG08/ref=sr_1_21?ie=UTF8&s=books&qid=1250314042&sr=1-21 excerpt and text search]
−	* Werner, Emily, ed. ''Passages to America: Oral Histories of Child Immigrants from Ellis Island and Angel Island'' (2009)
−
−	~~====references====~~
−	~~<references/>~~
−	~~[[Category:Human Development]]~~
−	~~[[Category:Family]]~~
−	~~[[category:Demography~~]]

← Older revision		Revision as of 18:13, June 21, 2010
Line 1:		Line 1:
−	~~HOPEFULLY NOT ONE FILLED WITH MIND CONTROLLING CHURCH~~	+	'''Childhood''' comprises the early period in the development of a person.
		+
		+	==Popular culture==
		+
		+	''[[Leave It To Beaver]]'' was a popular situation comedy on American television, 1957-63. [[File:Beaver2.jpg\|thumb\|220px]]
		+
		+	It has become an icon of stable suburban family life and moral decision-making in a world of small human foibles and no great issues. Commentators note the happy era it depicted is long gone.
		+
		+	The plot revolved around the life of Theodore "Beaver" Cleaver, a pre-adolescent boy living in an upscale, middle-class neighborhood in the innocent years of the 1950s.
		+
		+	In its "Golden Age," television served as a kind of social training film; sitcoms like ''Leave It to Beaver,'' ''Ozzie and Harriet,'' ''The Donna Reed Show'' and ''Father Knows Best'' were all prime-time staples that taught Americans newly arrived in the suburbs from city tenements how to act middle-class.
		+
		+	Central to each ''Beaver'' episode was the interplay between big brother Wally and little Theodore. Their boyish attempts to navigate the social currents of school, girls, and adolescence were often tinged with frustration and loneliness. In one early episode, when Beaver is worried that his teacher will hit him over a minor mess-up, Wally corrects him: "Only the coach can hit you."
		+
		+	June Cleaver, a typical housewife and mother, remained calm amid household tumult, providing crucial guidance to her sons while shielding them from nefarious outside influences with a matronly force of will. Her protection was frequently needed against the pernicious intrigues of Eddie Haskell. He engaged in impulsive, selfish, disruptive, and malevolent schemes, almost evil personified. For crafty Eddie, each day was one more step toward the twilight of the adults, which would herald his ascension to neighborhood ruler.
		+
		+	The father Ward Cleaver was a Solomon-like figure of quiet dignity who dispensed parental justice tempered with understanding. Perceptive viewers knew his furrowed brow and clenched jaw were hints of serious inner turmoil, reminiscent of the anger toward society and unfulfilled economic dreams that tormented Willie Loman in "Death of a Salesman," the classic 1949 play about dysfunctional families.
		+	[[File:Father-best.jpg\|thumb\|210px\|left]]
		+
		+	A comparison of how children interact with their brothers and sisters on such 1950's situation comedy television programs as 'Leave It To Beaver' and 'Father Knows Best' with those on such 1980s programs as 'The Cosby Show' and 'Family Ties' found that children interacted more positively in the early period but were important and central - if more conflictual - to the main story action in the 1980s.<ref> Mary Strom Larson, "Sibling Interactions in 1950s Versus 1980s Sitcoms: A Comparison," ''Journalism Quarterly'' 1991 68(3): 381-387
		+	</ref>
		+
		+	==see also==
		+	* [[Family history]]
		+	* [[Nuclear family]]
		+	==Further reading==
		+	* Ariès, Philippe. ''Centuries of Childhood: A Social History of Family Life'' (1962), medieval and early modern France; by a leading conservative French historian
		+	* Mintz, Steven, and Susan Kellogg. ''Domestic Revolutions: A Social History of American Family Life'' (1988), 316pp; the standard scholarly history [http://www.amazon.com/Domestic-Revolutions-Social-History-American/dp/002921291X/ref=sr_1_1?ie=UTF8&s=books&qid=1208814002&sr=1-1 excerpt and text search]
		+	* Mintz, Steven. ''Huck's Raft: A History of American Childhood.'' (2004). 464 pp., the standard scholarly history [http://www.amazon.com/Hucks-Raft-History-American-Childhood/dp/0674015088/ref=sr_1_1?ie=UTF8&s=books&qid=1208814029&sr=1-1 excerpt and text search]
		+	* Riney-Kehrberg, Pamela. ''Childhood on the Farm: Work, Play, and Coming of Age in the Midwest.'' (2005). 300 pp [http://www.amazon.com/Childhood-Farm-Work-Coming-Midwest/dp/0700613889/ref=sr_1_2?ie=UTF8&s=books&qid=1208908614&sr=8-2 excerpt and text search]
		+	* Wead, Doug. ''All the Presidents' Children: Triumph and Tragedy in the Lives of America's First Families'' (2004) [http://www.amazon.com/All-Presidents-Children-Americas-Families/dp/B001O9CG08/ref=sr_1_21?ie=UTF8&s=books&qid=1250314042&sr=1-21 excerpt and text search]
		+	* Werner, Emily, ed. ''Passages to America: Oral Histories of Child Immigrants from Ellis Island and Angel Island'' (2009)
		+
		+	====references====
		+	<references/>
		+	[[Category:Human Development]]
		+	[[Category:Family]]
		+	[[category:Demography]]

← Older revision		Revision as of 18:05, June 21, 2010
Line 1:		Line 1:
−	~~'''Childhood''' comprises the early period in the development of a person.~~	+	HOPEFULLY NOT ONE FILLED WITH MIND CONTROLLING CHURCH
−
−	~~==Popular culture==~~
−
−	~~''[[Leave It To Beaver]]'' was a popular situation comedy on American television, 1957-63. [[File:Beaver2.jpg\|thumb\|220px]]~~
−
−	~~It has become an icon of stable suburban family life and moral decision-making in a world of small human foibles and no great issues. Commentators note the happy era it depicted is long gone.~~
−
−	~~The plot revolved around the life of Theodore "Beaver" Cleaver, a pre-adolescent boy living in an upscale, middle-class neighborhood in the innocent years of the 1950s.~~
−
−	In its "Golden Age," television served as a kind of social training film; sitcoms like ''Leave It to Beaver,'' ''Ozzie and Harriet,'' ''The Donna Reed Show'' and ''Father Knows Best'' were all prime-time staples that taught Americans newly arrived in the suburbs from city tenements how to act middle-class.
−
−	Central to each ''Beaver'' episode was the interplay between big brother Wally and little Theodore. Their boyish attempts to navigate the social currents of school, girls, and adolescence were often tinged with frustration and loneliness. In one early episode, when Beaver is worried that his teacher will hit him over a minor mess-up, Wally corrects him: "Only the coach can hit you."
−
−	June Cleaver, a typical housewife and mother, remained calm amid household tumult, providing crucial guidance to her sons while shielding them from nefarious outside influences with a matronly force of will. Her protection was frequently needed against the pernicious intrigues of Eddie Haskell. He engaged in impulsive, selfish, disruptive, and malevolent schemes, almost evil personified. For crafty Eddie, each day was one more step toward the twilight of the adults, which would herald his ascension to neighborhood ruler.
−
−	The father Ward Cleaver was a Solomon-like figure of quiet dignity who dispensed parental justice tempered with understanding. Perceptive viewers knew his furrowed brow and clenched jaw were hints of serious inner turmoil, reminiscent of the anger toward society and unfulfilled economic dreams that tormented Willie Loman in "Death of a Salesman," the classic 1949 play about dysfunctional families.
−	~~[[File:Father-best.jpg\|thumb\|210px\|left]]~~
−
−	A comparison of how children interact with their brothers and sisters on such 1950's situation comedy television programs as 'Leave It To Beaver' and 'Father Knows Best' with those on such 1980s programs as 'The Cosby Show' and 'Family Ties' found that children interacted more positively in the early period but were important and central - if more conflictual - to the main story action in the 1980s.<ref> Mary Strom Larson, "Sibling Interactions in 1950s Versus 1980s Sitcoms: A Comparison," ''Journalism Quarterly'' 1991 68(3): 381-387
−	~~</ref>~~
−
−	~~==see also==~~
−	* [[Family history]]
−	* [[Nuclear family]]
−	~~==Further reading==~~
−	* Ariès, Philippe. ''Centuries of Childhood: A Social History of Family Life'' (1962), medieval and early modern France; by a leading conservative French historian
−	* Mintz, Steven, and Susan Kellogg. ''Domestic Revolutions: A Social History of American Family Life'' (1988), 316pp; the standard scholarly history [http://www.amazon.com/Domestic-Revolutions-Social-History-American/dp/002921291X/ref=sr_1_1?ie=UTF8&s=books&qid=1208814002&sr=1-1 excerpt and text search]
−	* Mintz, Steven. ''Huck's Raft: A History of American Childhood.'' (2004). 464 pp., the standard scholarly history [http://www.amazon.com/Hucks-Raft-History-American-Childhood/dp/0674015088/ref=sr_1_1?ie=UTF8&s=books&qid=1208814029&sr=1-1 excerpt and text search]
−	* Riney-Kehrberg, Pamela. ''Childhood on the Farm: Work, Play, and Coming of Age in the Midwest.'' (2005). 300 pp [http://www.amazon.com/Childhood-Farm-Work-Coming-Midwest/dp/0700613889/ref=sr_1_2?ie=UTF8&s=books&qid=1208908614&sr=8-2 excerpt and text search]
−	* Wead, Doug. ''All the Presidents' Children: Triumph and Tragedy in the Lives of America's First Families'' (2004) [http://www.amazon.com/All-Presidents-Children-Americas-Families/dp/B001O9CG08/ref=sr_1_21?ie=UTF8&s=books&qid=1250314042&sr=1-21 excerpt and text search]
−	* Werner, Emily, ed. ''Passages to America: Oral Histories of Child Immigrants from Ellis Island and Angel Island'' (2009)
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−	~~====references====~~
−	~~<references/>~~
−	~~[[Category:Human Development]]~~
−	~~[[Category:Family]]~~
−	~~[[category:Demography]]~~