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Doctor Who

2008-11-26T20:50:08Z

Slartibartfarst:

'''''Doctor Who''''' is a [[British Broadcasting Corporation|BBC]] science fiction television programme originally created in 1963. It centres around a character named The Doctor, who travels around the universe in a [[time machine]] called the TARDIS ("Time and Relative Dimensions in Space"), which resembles a 1950s British Police phone box, but is considerably larger on the inside than it is on the outside.

The programme ran for twenty-six seasons between 1963 and 1989, at which point it was cancelled indefinitely. Various forms of the series continued after the cancellation, with popular series of novels published by Target and then BBC Books, along with audio serials and re-releases of past episodes on VHS and DVD. Since 2005, a "new series" has been produced by BBC Wales.

The Doctor has the ability to regenerate his body when mortally weakened, a useful plot device that has allowed the role to be played on TV by ten different actors so far.

==The Doctors==
===[[William Hartnell]] (1963-66)===
The first actor to play the Doctor portrayed him as a cantankerous old man. Initially a somewhat dark character, he became more grandfatherly in later episodes. Hartnell's era introduced the most well-known of the Doctor's foes, the [[Dalek]]s.

===[[Patrick Troughton]] (1966-1969)===
Troughton's Doctor was an impish figure, whose gimmicks included playing the recorder. In this period, much of which is lost, the program felt the influence of [[Star Trek]] somewhat.

===[[Jon Pertwee]] (1970-1974)===
The third Doctor was Earth-bound for much of his tenure, a move that was partly motivated by budgeting constraints in production. In the stories themselves, this was explained by the Doctor's race - the Time Lords - imposing an exile upon him due to alleged crimes prosecuted in ''The War Games''. During this time, the United Nations Intelligence Taskforce ("UNIT") was a key element of plots - the Doctor was officially UNIT's scientific advisor, but he frequently attempts to break free of the Time Lords' imposition of exile.

===[[Tom Baker]] (1974-1981)===
Arguably the most well-known Doctor, Baker, with his seven-foot long scarf and fondness for jelly babies played the role for longer than any other actor. Considered to be an "eccentric" character, he was capable both of representing human attributes and being aloof and of being detached from others around him.

===[[Peter Davison]] (1981-1984)===
The fifth Doctor became something of a vulnerable character, which was a conscious decision by the production team (led by John Nathan-Turner) to remove the aura of invincibility that they had felt was becoming part of the Doctor's characterisation with Tom Baker. Shown to be a keen cricket fan, the Doctor was arguably more human than any of his predecessors and often relied more on his companions to assist throughout his missions.

===[[Colin Baker]] (1984-1986)===
The sixth Doctor was premised around being the antithesis of his predecessor, with his garish and colour-mismatched costume reflecting the vast contrast with the mild-mannered fifth Doctor. In terms of characterisation, the Doctor became something of an unstable character, often violently responding to people and events around him.

===[[Sylvester McCoy]] (1987-1989)===
After the departure of Colin Baker, McCoy's depiction of the Doctor saw the series shift mood considerably. Early stories within the era depicted a somewhat comic and light-hearted Doctor, but over time the Doctor's character became steadily darker - a development that has been commonly described as making the Doctor a manipulating, scheming character who influenced events like a chess game.

===[[Paul McGann]] (1996)===
McGann played the role for a television movie, with the creation of a new series by US producers dependent on the success of the movie. This was never made. The Doctor himself was perhaps more human than any other, with the revelation that he was "half-human" on his mother's side and displaying far greater emotional response than in the past.

===[[Christopher Eccleston]] (2005)===
The first Doctor in the "new series" created by [[Russell T. Davies]], Eccleston's portrayal saw much of the eccentricity of the past integrated into the ninth regeneration of the Doctor. An indefinite amount of time has elapsed since he was last seen on television screens, and it is clear that the events of the Time War have scarred him: he is the last of the Time Lord race. His character reflected a manic unpredictability that saw him capable of both compassion and apathy while maintaining a love-hate relationship with humans.

===[[David Tennant]] (2006-)===
The current actor playing the Doctor was also well-known beforehand ([[Casanova]], [[Harry Potter and the Goblet of Fire]]). His portrayal is more humorous and vivacious than Eccleston's.

==Political and Social Themes==
Several stories in the series have been subtly or overtly political in their themes. For instance, ''The Green Death'' (1973) emphasised the dangers of [[pollution]] and big business; while the following year's ''Invasion of the Dinosaurs'' featured a contrasting menace -- pro-environment extremists. Other stories have taken their themes from current news stories of the time, such as the [[United Kingdom]]'s entry into the [[European Union|Common Market]]. Many of these pro-liberal stories came during the period where the show was produced by Barry Letts, whose heavily liberal and [[environmentalist]] views shaped a lot of stories in the early 1970s. Apart from this period, the original series generally did not have a particularly heavily political leaning (perhaps reflecting the less liberal culture in the BBC in those times), and in fact ''The Sun Makers'' (1977) was a pro-Conservative story that told of the dangers of heavy [[taxation|taxes]] and overly complex governments.

In a recent episode, the Daleks - Doctor Who's most dangerous enemy, a race of creatures who are physically shrivelled and weak but contained within an armoured tank-like body - take over Manhattan. They ruthlessly exploit workers engaged in construction and repair on the Empire State Building. This was reported in the British newspaper [[The Independent]] as a metaphor for the rampant abuse of capitalism. Conservative writers in [[The Guardian]] have used this as supposed evidence of the BBC pumping out "relentless socialist propaganda", although others argue that this assumes an inherently Marxist perspective. The lead writer of Dr. Who, [[Russell T Davies]] is known for aggressively promoting the [[gay agenda]] in his prior show [[Queer as Folk]] and continuing to promote it in Doctor Who (despite the fact that the show is supposed to be geared towards a young audience), with many openly gay or bisexual characters, including the lead of the spin-off [[Torchwood]], [[Captain Jack Harkness]]. Davies' attitude has been contrasted with that of [[John Nathan-Turner]], the final producer of the original series who, while being publicly known as a homosexual, never allowed this to overtly influence the stories written while he produced the show.

==Transmission==
Around the world, Doctor Who can be seen on:
*[[BBC]] One or BBC Three in the UK
*[[Canadian_Broadcasting_Corporation|CBC Television]] in Canada
*[[SciFi Channel]] in the US, or via Netflix
*[[Australian Broadcasting Corporation|ABC]] in Australia

Other countries to receive Doctor Who include the Netherlands, France, Denmark and Russia.

[[Category:Television Shows]]
[[Category:Doctor Who]]

British Broadcasting Corporation

2008-11-26T20:46:55Z

Slartibartfarst:

[[Image:BBC Logo 1997-Present.png|right|thumb]]
The '''British Broadcasting Corporation''' (BBC) is the major national public service broadcaster of the [[United Kingdom]]. It is the leading broadcaster in the UK and is the largest broadcaster in the world by audience figures.

BBC was given a royal charter in 1927 as a public body; it replaced a private, commercially run British Broadcasting Company, which began in 1922. The royal charter and license, constitute the BBC as a public corporation with a mandate to provide broadcasting as a public service. BBC is funded by an annual license fee levied on all UK owning a television set. The BBC's monopoly on lasted from 1922 until 1973 and the introduction of commercial radio. It monopolised television from 1936 to 1954, when the Television Act allowed for the establishment of commercial stations financed by spot advertising.

The BBC is often criticised for political bias, particularly [[liberal]], and for being overly [[politically correct]].

== Broadcasting ==
The BBC operates eight national television channels (nine including the High-Definition service- BBC HD)[http://www.bbc.co.uk/tv/] in the UK and ten national radio stations[http://www.bbc.co.uk/radio/]. Alongside these are its regional television services, which are variations of the national services, and separate regional radio stations.

The BBC produces many well-known television programmes, including ''The Ten O'Clock News'', ''Newsnight'', ''Question Time'', ''Eastenders'', ''Holby City'', ''Casualty'', ''Top Gear'', ''Match of the Day'', ''Have I Got News For You'' and ''Doctor Who''.

Its best known TV channels in the UK are BBC 1 and BBC 2. The other channels are broadcast as digital-only services and are available to owners of terrestrial digital receiving equipment. BBC 1 typically shows more mainstream programmes while BBC 2 has a reputation for more diversity and special interest content.

Outside the UK the best known service is the BBC World Service radio network which transmits in 33 languages to an estimated 163 million listeners a week[http://www.bbc.co.uk/pressoffice/pressreleases/stories/2007/05_may/21/global.shtml]. The BBC operates a number of commercially-funded international television channels including BBC World, the international news channel.

== Funding ==
The BBC is a Crown corporation supported by a licensing fee applied to television owners<ref>http://www.bbc.co.uk/info/licencefee/</ref> of £135.50 (about $250 ) per year. All owners of TV receiving equipment are obliged to pay the fee whether they watch BBC content or not. As such the license fee is often criticised as being a tax.

BBC programming is free of commercial advertising. However, it has some obligations to transmit statements by political parties and it advertises its own programmes. BBC channels transmitted in the UK are nevertheless free of commercial advertising - with the exception of sporting events, during which it is still permitted to display commercial advertising. Cricket matches were a previous source of contention as adverts projected onto the field of play are only visible to television viewers. This results in much greater non-advertising broadcasting time and uninterrupted broadcast of feature films. However, since the funding is determined by the government, the BBC can be slow to criticise those in power. This arrangement means the government has to do very little to apply pressure on the BBC and often the BBC will self regulate in favour of the government without any formal instruction being given.<ref>http://www.publications.parliament.uk/pa/ld200506/ldselect/ldbbc/50/5006.htm</ref> This in turn leads to the government and the BBC being able to declare independence and neutrality officially, while in reality this is far from the case.

While there is a vocal campaign to have the BBC changed into a commercial company, this appears highly unlikely to happen.

== Ownership ==
The BBC is an independent body which is held in trust for the British people. The BBC was most recently given a ten-year royal charter in 2006 that defines its purposes and allows it to act somewhat autonomously, free from commercial and government influence.

Control rests with the 12-person BBC Trust, which replaced the Board of Governors in 2007. Trust members are paid and are appointed by the British prime minister and are supposed to represent the interests of a broad cross-section of the British listening and viewing public. Day-to-day management is handled by the board of management, headed by the director general; its members are appointed by the board of governors.

==BBC News==
BBC News and Current Affairs is the largest news organisation in the world. It has at least 2,000 journalists and 44 news-gathering bureaus, three in the UK and 41 overseas. [http://news.bbc.co.uk/newswatch/] It produces some 120 hours of news broadcasts daily.

News programmes are produced for both TV and radio stations. Much of the TV news programming is delivered in a few major news bulletins throughout the day, the most recognised of which is the flagship Ten O'Clock News in the evening on BBC1. On BBC radio, news is delivered in mostly smaller segments on the hour or half hour. However, the Today programme on Radio 4 is broadcast from 7am to 9am and is often considered the most influential news broadcast in the UK.

News produced by the BBC is made available and archived on the BBC news website.

==Internet==
The BBC has a news and archive website, one of the top twenty most popular English language websites. Like its TV and radio broadcasting it is not allowed to show advertising if the site is viewed from within the UK. This has prompted some criticism from within the BBC as it means funds from the licensing fee used for the website are not available for TV and radio programming. However, some costs of the site are now, since late 2007, offset by advertising to non-UK based visitors to the site.

Competitors have also criticised the BBC website due to its ability to fund itself non-commercially without advertising to the detriment of its commercial competitors such as on-line versions of national newspapers and other news broadcasters such as Sky and ITN.
==History==
From its inception in 1922, J. C. W. Reith, the first director-general of the BBC, envisioned the organisation as an integral advocate of patriotism and the empire at home.

===Second World War===
From June 1940 to March 1941, the writer J. B. Priestley (1894-1984), broadcast a widely popular series of Sunday-night radio talks, 'Postscripts to the News.' He became the best known, most gifted, and probably most popular BBC commentator, for he had caught the mood of the British people during the Battle of Britain and the Blitz. His forced departure was controversial and harmful to the BBC. Priestley blamed Prime Minister Churchill's negative reaction to his left-wing views on postwar reconstruction. Actually his firing was mainly due to Ministry of Information and BBC reluctance to allow an extended forum to a 'demagogic' personality who might attract a personal following, as [[Father Coughlin]] had done in the United States in the 1930s. The upshot was employment of a wider range of speakers and careful avoidance of controversy.

The BBC played a major role in promoting the British Empire worldwide during [[World War II|The Second World War, 1939-45]]. The BBC became the voice of Britain, reflecting as well as constructing the nation's history, culture, and tradition. At first the BBC worked aggressively to deflect criticism and insure that the Empire appeared as a source of strength. It presented British imperialism as a benefit to both Britain and the colonised areas. However, as the war progressed and postwar objectives became a concern, the focus of the BBC expanded to include the importance of maintaining Britain as an imperial power.<ref> Thomas Hajkowski, "The BBC, the Empire, and the Second World War, 1939-1945," ''Historical Journal of Film, Radio and Television'' 2002 22(2): 135-155 </ref>

Special programs were directed to peoples controlled by the Nazis; listening to the short-wave broadcasts was illegal but widespread. The German-language Austrian Service was directed by Patrick Smith, who emphasised the 'separateness' of Austria from Germany and on 'freedom and independence' as the Austrian goal. As victory approached the BBC stressed the need for Austrians themselves to take part in their own liberation. There were interviews with Austrian prisoners of war held in Britain.

Until 1944, broadcasts by the BBC's Hungarian service avoided describing the plight of the Jews in Hungary for fear that it would create an anti-Semitic backlash against one of the few Jewish populations in Europe which, though persecuted, was still allowed to live. Shortly after the Nazi occupation of Hungary in March 1944 the rounding up and deporting of Jews to death camps began. For the next four months, until Hungarian regent Horthy suspended the deportations, the Hungarian service repeatedly broadcast news of the deportation of Jews and urged Hungarians to obstruct, delay, and hinder the deportations in the name of humanity and Hungarian patriotism. Altering BBC Hungarian service policies regarding the Final Solution would perhaps have done little to slow the [[Holocaust]] in Hungary.<ref> Gabriel Milland, "The BBC Hungarian Service and the Final Solution in Hungary," ''Historical Journal of Film, Radio and Television'' 1998 18(3): 353-373 online in [[EBSCO]]</ref> The BBC Home Service rarely mentioned the massacre of Jews for many reasons, including the restraints formally imposed by a government at war, the notions that such reports simply would not be believed (or, being incomprehensible, written off as propaganda) or might spur a latent anti-Semitism, and the fact that people were not interested in gloomy stories but wanted to hear about the war effort.<ref>Jeremy D. Harris, "Broadcasting the Massacres: an Analysis of the BBC's Contemporary Coverage of the Holocaust." ''Yad Vashem Studies'' 1996 25: 65-98 </ref>

===Cultural Impact===
====Monopoly years====
As the only TV broadcaster until the mid 1950s and only radio broadcaster until the mid 1970s, the BBC had a monopoly hold on British electronic media. As such its content was highly influential.

'Children's Hour', begun in the late 1920s, was intended as a medium for democracy and the production of exemplary citizens through the dissemination of idealised middle-class values. In time, this approach proved to be out of touch with the listening habits and working class context of many 'Children's Hour' listeners.

Music broadcasts for schools were begun in 1924, and did much to disseminate new ideas, especially through 'music and movement' programs and the enormously popular 'Singing Together' during the Second World War. However, the more formal programs, designed to teach the rudiments of music and notation, were less successful, and Sir Walford Davies's idea of tune building by children was abandoned in 1934. Radio's ability to teach music formally appeared severely limited, and serious doubts as to its precise function in relationship to music teachers were constantly voiced and never answered.<ref>Gordon Cox, "School Music Broadcasts and the BBC 1924-47," ''History of Education'' 1996 25(4): 363-371 online in [[EBSCO]]</ref>

Scottish broadcasters forged a unique and specifically Scottish tradition of radio programming in the 1920s, led by the Aberdeen studies of the BBC. However its role was weakened by a policy of centralisation in London after 1932. Radio drama based on collaboration with local theatre companies was especially strong, included much original work, and made a major contribution to the development of professional theatre in Scotland. The centralisation of radio broadcasting in London reflected the shift in the organisation of the British state toward greater involvement in the everyday lives of its citizens during the interwar years.<ref> Adrienne Scullion, "BBC Radio in Scotland, 1923-1939: Devolution, Regionalism and Centralisation." ''Northern Scotland'' 1995 15: 63-93 </ref>
====Competitive years====
Since the late 1970s the BBC, while exposed to high volumes and variable quality of competition, has remained popular with the British public and its cultural influence is still a major force. The BBC is considered the default choice by many when viewing major events such as breaking news or state occasions, even though competitors may be broadcasting the same content.

The BBC has had enormous influence over British attitudes to not just politics but also comedy, [[multiculturalism]], travel, natural history, international culture, popular trends, fashion and even the way the British speak. Through its foreign broadcasts on the BBC World Service, it has also had significant cultural influence outside the UK.

==Accusations of Bias==

The BBC has a long history of being criticised for bias. As well as persistent criticisms of [[liberal bias]], it also receives accusations of cultural [[bias]], regional bias, [[political correctness]], bias towards multiculturalism and minority interests, as well as both pro- and anti-government bias.

The BBC is often accused of right-wing bias by those on the left and of left-wing bias by those on the right. This is sometimes attributed to UK governments of either persuasion simply objecting to negative reporting of its policies. However, it is also common for opposition to the government to be critical of the BBC. In some cases, the BBC can be subject to criticism from both sides citing bias in favour of their opposition, as in its reporting of the war in Iraq.

While the BBC had been accused of bias many times in its history, a liberal bias became prevalent during the reign of Prime Minster [[Margaret Thatcher]], likely as a direct result of her government's efforts to streamline the corporation and make it more efficient. Before her reign, the BBC's overall ideology had fluctuated quite often between being pro-Conservative and pro-Liberal, mostly depending on which party was in power. Since Thatcher's reign though, it has been guilty of a quite pro-Liberal stance.

===Bias against the US and Israel===
Although its charter requires it to be impartial, critics often accuse it of bias against [[United States]] and [[Israel]],<ref>http://www.bbcwatch.co.uk/index.html</ref> and because of these complaints of bias, an internal investigation was conducted on the BBC's coverage of the [[Arab-Israeli conflict]]. However, after the investigation was completed, BBC officials decided to withhold the 20,000-word report of the investigation, compiled in 2004 by senior editorial adviser Malcolm Balen. Steven Sugar, a Jewish critic of the BBC, attempted to get access to the report under the 2000 Freedom of Information Act, but was denied by the [[United Kingdom]]'s High Court. The information commissioner, Richard Thomas, backed the BBC's decision to block access to the report, but the information tribunal ruled on appeal in August, 2006, in favour of Steven Sugar. Still, the BBC argued at the High Court in London that the tribunal did not have jurisdiction over the case, and the High Court ruled in favour of the BBC on April 28, 2007. The BBC maintains that the internal investigation found no deliberate or systematic bias. Conservative MP David Davies commented: "An organisation which is funded partly to scrutinise governments and other institutions in Britain appears to be using tax-payers' money to prevent its customers from finding out how it is operating. That is absolutely indefensible" and called the BBC's actions a "shameful hypocrisy". It has been estimated that the BBC has spent around £200,000 - £300,000 on the case so far.<ref>http://www.guardian.co.uk/israel/Story/0,,2044130,00.html</ref>
<ref>http://www.guardian.co.uk/israel/Story/0,,2067542,00.html</ref>

In 2003, Media Tenor, an independent, Bonn-based research group, conducted a study and found that the BBC’s Middle East coverage was 85 percent negative, 15 percent neutral, and 0 percent positive toward Israel.<ref>“Beeb Outdoes Itself”, Tzvi Fleischer, The Review, September 2003, p. 8.</ref>

During a 2006 internal "impartiality summit", BBC executives said they would happily broadcast an image of a [[Bible]] being thrown away, but would not do the same with a [[Koran]]. At the summit, the BBC's Washington correspondent Justin Webb also accused the executives of being anti-American, saying they treated the nation with scorn and derision and no moral weight.

On June 15, 2007, BBC drew criticism due to their apology over calling Jerusalem the capital of Israel.<ref>http://www.jpost.com/servlet/Satellite?cid=1181813036973&pagename=JPost%2FJPArticle%2FShowFull</ref> The incident is one of many examples of repeated and systematic anti-Israeli bias from the BBC over a number of years.

===Liberal bias===
Details of the BBC's alleged bias were further tabled in an official report<ref>'''Revoir, Paul''', ''BBC comes under fire for institutional Left-wing bias'' [http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=462679&in_page_id=1770&ct=5 Daily Mail] June 18, 2007</ref><ref>[http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2007/06/17/nbbc217.xml BBC report finds bias within corporation], Gary Cleland,''Telegraph'', June 18, 2007.</ref><ref>[http://newsbusters.org/node/13530 BBC Report: Network’s Bias Due to 'The Inherent Liberal Culture of its Staff’], Noel Sheppard, [[NewsBusters]], June 17, 2007</ref> - in preparation since 2005 - which found that the BBC:
*has an "institutional Left-wing bias" (its 'Play for Today' series in the 1960s/70s was known as the '[[Trotskyist|Trot]] Slot')
*has "a tendency to 'group think' with too many staff inhabiting a shared space and comfort zone."
*promotes anti-Christian sentiment
*promotes anti-American sentiment
*allows schedules to be "hijacked by special interest groups promoting trendy issues"
*over-represents homosexuals
*over-represents ethnic minorities
*fails to reflect the views of the [[British]] public on issues such as [[capital punishment]]
*fails to reflect the broader views of British people
*fails to reflect concerns about pornography and family-unfriendly broadcasting (1960s Director General Hugh Carleton-Greene notoriously refused ever to meet broadcasting standards campaigner [[Mary Whitehouse]] and would commonly refer to her in opprobrious terms)
*allows itself to be used by "sinister" campaign groups
*finds it difficult to understand there may be alternative views of the world

[[Antony Jay]], a former producer on Tonight, a nightly BBC current affairs television programme, said the BBC News and Current Affairs are part of the "liberal media consensus". Jay also said his ex-colleagues "were anti-industry, anti-capitalism, anti-advertising, anti-selling, anti-profit, anti-patriotism, anti-monarchy, anti-Empire, anti-police, anti-armed forces, anti-bomb, anti-authority. Almost anything that made the world a freer, safer and more prosperous place, you name it, we were anti it." <ref>[http://newsbusters.org/node/14114 Former BBC Producer Explains Why Media Are Liberally Biased], Noel Sheppard, [[NewsBusters]], July 15, 2007</ref> <ref>[http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2007/07/14/nbeeb314.xml&page=1 Here is the news (as we want to report it)], [[Telegraph]], July 15, 2007</ref>Paul Dacre, the editor of the British newspaper, the [[Daily Mail]], in his January 2007 Hugh Cudlipp Memorial Lecture, said that "the BBC is, in every corpuscle of its corporate body, against the values of conservatism, with a small 'c', which just happen to be the values held by millions of Britons." He also accused the BBC of being hostile to the "traditional Right, Britain's past and British values, America, Ulster Unionism, Euro-scepticism, capitalism and big business, the countryside, Christianity and family values."

A survey of BBC employees with profiles on the [[Facebook]] site showed that 11 times more of them class themselves as "[[liberal]]" than "[[conservative]]". <ref>[http://newsbusters.org/blogs/matthew-sheffield/2007/10/27/facebook-provides-fascinating-glimpse-society-media-demographics Facebook Provides Fascinating Glimpse Into Society, Media Demographics], Matthew Sheffield, [[NewsBusters]], October 27, 2007</ref> <ref>[http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=490047&in_page_id=1770&ito=1490 Facebook reveals the BBC as a liberal hotbed], Jane Merrick and Kirsty Walker, [[Daily Mail]], October 27, 2007</ref>

===Regional bias===
The BBC is based in [[London]], in the South East of England. It often faces accusations of being London-centric, with events in the North of England, Scotland, Wales or Northern Ireland having a reduced profile. A perceived disproportionately private school education is often claimed to be illustrated in the output, with a disproportionate emphasis on private school events and sports.

It is also argued that the BBC also systematically discriminates against [[Scots]] speakers. Although over 1.5 million<ref>[http://www1.ku-eichstaett.de/SLF/EngluVglSW/schule25.pdf Language Policy in Scotland and Northern Ireland]</ref> people speak it there is no service in the language of those licence fee payers<ref>[http://www.scotslanguage.com/article/Trust_the_BBC%3F.html/translate/english Trust the BBC?]</ref><ref>[http://www.artscouncil-ni.org/departs/all/report/research/art_of_ulster_scots.rtf BBC NI less than generous]</ref>. Supporters of the BBC and some linguists argue that the large number of regional dialects of Scots makes it no more viable to programme for the language than it would be with English<ref>[http://www.eng.umu.se/city/Fredrik/city/scottish.htm Scottish Dialects and Accents]</ref>.

===Other===
BBC employees have changed [[Wikipedia]] entries, including a derogatory word in the entry for [[George W. Bush]] and changing the word “[[Terrorism|terrorists]]” to "[[freedom fighter]]s". <ref>[http://littlegreenfootballs.com/weblog/?entry=26669&only&rss Wikipedia EditGate: BBC Edits], [[LittleGreenFootballs]], August 15, 2007</ref>

The BBC cancelled the commission for a 90-minute drama about Britain's youngest surviving Victoria Cross hero because it feared it would alienate members of the audience opposed to the war in Iraq.
<ref>[http://newsbusters.org/node/11982 BBC Cancels TV Movie On Iraq War Hero As 'Too Positive,' Would 'Alienate' War Opponents], Lynn Davidson, [[NewsBusters]], April 11, 2007</ref> <ref>[http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2007/04/08/wiraq308.xml Hero's tale is 'too positive' for the BBC], Chris Hastings, [[Telegraph]], July 4, 2007</ref>

The BBC funded a [[Paintball|paintballing]] trip for men later accused of [[Islamic terrorism]] and didn't pass on information about the 21/7 [[Terrorism|bombers]] to [[police]]. <ref>[http://newsbusters.org/blogs/matthew-sheffield/2007/12/06/paintball-terrorists-bbc-paid-islamic-radical Paintball for Terrorists? BBC Paid for Islamic Radicals' Amusement], Matthew Sheffield, [[NewsBusters]], December 6, 2007</ref> <ref>[http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=499795&in_page_id=1770 BBC 'funded paintballing trip for Islamic terrorists and didn't pass on information about 21/7 bombers'], Daniel Bates, [[Daily Mail]], December 5, 2007</ref>

[[Pauline Neville Jones]], who is a member of [[United Kingdom|Britain's]] [[British_politics#Conservatives|Conservative party]], a former [[Espionage|spy]] chief and former BBC governor, accused the BBC of "parroting" [[Al Qaeda]] [[propaganda]] to [[children]]. <ref>[http://newsbusters.org/blogs/matthew-sheffield/2007/09/29/bbc-still-blaming-u-s-9-11 BBC Still Blaming U.S. for 9/11], Matthew Sheffield, [[NewsBusters]], September 29, 2007</ref> <ref>[http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=484577&in_page_id=1770 BBC's Newsround fed youngsters Al Qaeda propaganda, claims ex-spy chief], James Chapman , [[Daily Mail]], September 29, 2007</ref>

==External Links==
*[http://www.bbc.co.uk/ BBC official site]
*[http://www.tvlicensing.biz/ BBCresistance - Campaigns against the television licence]
*[http://www.timesonline.co.uk/tol/comment/leading_article/article1942930.ece Bias at the Beeb - official], June 17, 2007, ''UK Times Online''.
*[http://biased-bbc.blogspot.com/ Biased BBC]
==Bibliography==
* Briggs, Asa, and Peter Burke. '' A Social History of the Media: From Gutenberg to the Internet'' (2001) [http://www.amazon.com/Social-History-Media-Gutenberg-Internet/dp/0745623751/ref=sr_1_10?ie=UTF8&s=books&qid=1197415587&sr=1-10 excerpt and text search]
* Briggs Asa. ''The History of Broadcasting in the United Kingdom'' (Oxford University Press, 1961).
** Briggs Asa. '' History of Broadcasting in the United Kingdom: Volume I: The Birth of Broadcasting'' (1995) [http://www.amazon.com/History-Broadcasting-United-Kingdom-Birth/dp/0192129260/ref=sr_1_5?ie=UTF8&s=books&qid=1197415587&sr=1-5 excerpt and text search]
** Briggs Asa. '' History of Broadcasting in the United Kingdom: Volume II: The Golden Age of Wireless,'' (1995)
** Briggs Asa. ''History of Broadcasting in the United Kingdom: Volume III: The War of Words'' (1995) [http://www.amazon.com/History-Broadcasting-United-Kingdom-Words/dp/0192129562/ref=sr_1_8?ie=UTF8&s=books&qid=1197415587&sr=1-8 excerpt and text search]
** Briggs Asa. ''The History of Broadcasting in the United Kingdom, Volume IV: Sound & Vision'' (1979)
** Briggs Asa. ''History of Broadcasting in the United Kingdom: Volume V: Competition'' (1995)
* Crisell, Andrew ''An Introductory History of British Broadcasting.'' 2nd ed. London: Routledge. (2002)
* Nicholas, Siân. ''The Echo of War: Home Front Propaganda and the Wartime BBC, 1939-45.'' (1996) 307p.
* Hickman, Tom. ''What Did You Do in the War, Auntie? The BBC at War, 1939-45.'' (1995) 224p.
* Scannell, Paddy, and Cardiff, David. ''A Social History of British Broadcasting, Volume One, 1922-1939'' (Basil Blackwell, 1991).
* Smith, Anthony, and Richard Paterson. ''Television: An International History'' (1998) [http://www.amazon.com/Television-International-History-Anthony-Smith/dp/0198159285/ref=sr_1_6?ie=UTF8&s=books&qid=1197416369&sr=1-6 excerpt and text search]
==References==
{{reflist|2}}

[[Category:Broadcasters]][[Category:Television]][[Category:Radio]]