<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://www.conservapedia.com/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=MelkorDCLXVI</id>
	<title>Conservapedia - User contributions [en]</title>
	<link rel="self" type="application/atom+xml" href="https://www.conservapedia.com/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=MelkorDCLXVI"/>
	<link rel="alternate" type="text/html" href="https://www.conservapedia.com/Special:Contributions/MelkorDCLXVI"/>
	<updated>2026-10-26T06:19:07Z</updated>
	<subtitle>User contributions</subtitle>
	<generator>MediaWiki 1.35.14</generator>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=His_Dark_Materials_(novel)&amp;diff=482947</id>
		<title>His Dark Materials (novel)</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=His_Dark_Materials_(novel)&amp;diff=482947"/>
		<updated>2008-06-27T19:37:12Z</updated>

		<summary type="html">&lt;p&gt;MelkorDCLXVI: /*Awards*/&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''''His Dark Materials''''' is a trilogy of children's [[fantasy]] novels written by [[Britain|British]] author [[Philip Pullman]]. Modeled on classics like [[C. S. Lewis|C.S. Lewis']] ''[[Chronicles of Narnia]]'' and [[John Milton|Milton's]] ''[[Paradise Lost]]'', the trilogy is an [[allegory|allegorical]] indictment of organised religion and has been widely perceived as an attack on traditional Christian [[theology]].&lt;br /&gt;
&lt;br /&gt;
The trilogy consists of ''[[The Golden Compass]]'' (originally published as ''Northern Lights'' in the [[United Kingdom]] in 1995), ''[[The Subtle Knife]]'' (published in 1997) and ''[[The Amber Spyglass]]'' (published in 2000). The title of the trilogy refers to a line from the 17th century poem ''[[Paradise Lost]]'' by [[John Milton]], &amp;lt;ref&amp;gt;http://www.kirkcenter.org/bookman/44-1-bernthal.html&amp;lt;/ref&amp;gt; a line that is stated at the start of ''The Golden Compass''.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Plot==	&lt;br /&gt;
{{Spoiler}}&lt;br /&gt;
&lt;br /&gt;
The main action of the trilogy centers around Lyra Belacqua, an 11-year old girl raised in [[England]] in another universe, and Will Parry, a 12-year old boy from London in our [[universe]]. &lt;br /&gt;
&lt;br /&gt;
===The Golden Compass===&lt;br /&gt;
The first novel is primarily concerned with Lyra, a girl living in [[Oxford]]. In Lyra's world, a person's [[soul]] is represented as an animal known as a &amp;quot;daemon&amp;quot;. Children's daemons can change their shape at will, but once a person reaches maturity their daemon becomes &amp;quot;fixed&amp;quot; and stays in one shape for the rest of its life. Lyra's world is ruled by &amp;quot;The Church&amp;quot;, a [[religion|religious]] organization that wields immense power. The Church worships a powerful being known as &amp;quot;The Authority&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The story follows Lyra as she travels across the North to rescue her friend Roger, a servant at the college in which she lives, who has been kidnapped by a mysterious organization known as the Gobblers. She is also on a mission to rescue Lord Asriel, her father and an explorer, who has been imprisoned at a castle ruled by talking bears. Her primary assistance on this journey is a golden, compass-like object called an alethiometer, which can tell the future. Along the way, she encounters allies like flying witches, aeronauts (balloon operators), and tribes of seafarers called Gyptians.&lt;br /&gt;
&lt;br /&gt;
Eventually, she is captured by the Gobblers and learn that they are a branch of The Church known as the General Oblation Board. The Board is led by Lyra's mother, Mrs. Marisa Coulter. Their goal is to separate children from their daemons to prevent a mysterious, invisible substance known as &amp;quot;Dust&amp;quot; from settling on them. This Dust is believed to be [[Original sin]] by the Church. Unfortunately, the separation of a child and their daemon always results in the death of both. With the aid of her allies, Lyra escapes the Oblation Board with Roger, freeing the other prisoners in the process.&lt;br /&gt;
&lt;br /&gt;
She ends up in Svalbard, the kingdom of talking, armored bears known as ''panserbjorne''. With her bear ally Iorek Byrnison, she topples the corrupt bear king and frees Lord Asriel. However, Asriel betrays her and uses Roger's daemon to open a massive portal to another world. The process of opening this portal results in Roger's death. Lyra vows to find the source and identity of Dust, and enters the portal.&lt;br /&gt;
&lt;br /&gt;
===The Subtle Knife===&lt;br /&gt;
The second novel takes place several weeks after ''The Golden Compass'', and introduces Will Parry, a 12-year old boy who lives with his mother in Oxford in our world. His father has been missing for many years after going on a voyage to the North. At the start of the novel, he accidentally kills a thief, and is forced to go on the run from the law. He finds a portal to another world and meets Lyra, who has been searching for knowledge about Dust.&lt;br /&gt;
&lt;br /&gt;
Meanwhile, a minor character from ''The Golden Compass'' receives a major storyline: Lee Scoresby, an aeronaut from the [[Texas]] of Lyra's universe. He undergoes a quest to locate Stanislaus Grumman, an explorer who may hold answers to some of the mysteries surrounding Dust and be able to help Lord Asriel, who is amassing forces in another world. Eventually, Lee finds Grumman, where it is revealed that the explorer is John Parry, Will's long-lost father, who accidentally went through a portal on his expedition. The pair are followed by large war zeppelins and soldiers loyal to the Church. While holding them back, Scoresby is sadly killed, but his sacrifice enables Parry to continue on his journey.&lt;br /&gt;
&lt;br /&gt;
Lyra and Will try to unravel the mysteries of Dust, meeting Mary Malone, a scientist from Will's world. She has been studying Dust and discovers that it mostly settles on objects of human design and origin, while avoiding natural objects such as plants or uncarved wood. Will and Lyra avoid the people looking for Will and return to Cittagazze, where they find an unusual device known as the Subtle Knife. This knife, which can create portals to many different worlds, also wards off Specters. &lt;br /&gt;
&lt;br /&gt;
This discovery inadvertently results in the original owner being attacked by Specters, which angers the children who still reside in the city. They almost kill Lyra and Will, but the two are saved by Lyra's witch allies who have entered Cittagazze. The protagonists learn that the Subtle Knife would be helpful to Lord Asriel, who is amassing a large army to combat the Authority. Before this can happen, however, they are attacked by Specters under the control of Mrs. Coulter, and Lyra is captured.&lt;br /&gt;
&lt;br /&gt;
Will, confused and disoriented, meets a wandering man who introduces himself as Stanislaus Grumman. He tells Will to give the Knife to Lord Asriel. As they see each other's eyes, they realize their familial connection. Unfortunately, before father and son can be truly reunited, John Parry is killed by a witch whose love he scorned because of his faithfulness to his wife. This witch commits suicide shortly thereafter. As Will tries to decide what to do, he encounters two invisible beings who introduce themselves as [[angels]] and promise to take him to Lord Asriel.&lt;br /&gt;
&lt;br /&gt;
===The Amber Spyglass===&lt;br /&gt;
''The Amber Spyglass'' begins shortly after the end of ''The Subtle Knife''. Lyra has been taken captive by Mrs. Coulter, who keeps her sedated in a cave in yet another new world. Despite her strong loyalty to the Church, Mrs. Coulter's motherly instincts take over, and she decides to hide Lyra from both the Church's forces and Lord Asriel's.&lt;br /&gt;
&lt;br /&gt;
Will goes on a journey to find Lyra, led by one of the two angels, Balthamos. The other angel dies early in the book while delivering a message to Lord Asriel. From the angels, Will learns that The Authority is only the first and most powerful angel, formed from Dust, who has convinced everyone that he created everything. Since he is so old, The Authority is now senile, and his Regent, Metatron, rules in his stead. A select few of the angels have rebelled against The Authority and Metatron, and now join forces with Asriel to defeat them and end their rule over everything.&lt;br /&gt;
&lt;br /&gt;
Meanwhile, Dr. Mary Malone of Will's Oxford is being hunted by authorities and enters the same portal Will went through in ''The Subtle Knife''. She enters a strange world populated by intelligent, elephant-like creatures called &amp;quot;mulefa&amp;quot;. She learns about Dust from their legends and customs, and constructs a spyglass with an amber lens, through which she is able to see Dust as particles of light. She discovers that Dust is slowly leaving the worlds, which will eventually result in disaster.&lt;br /&gt;
&lt;br /&gt;
Traveling throughout the worlds, Will, Balthamos, and Iorek Byrinson the new bear king eventually reach Lyra and help her escape. The forces of Asriel and the Church wage battle all around them and Balthamos flees in terror. Will and Lyra attempt to enter another world, but the Subtle Knife breaks as a result of Will's emotions. Iorek fixes it using a makeshift forge. The two children eventually decide to enter the [[afterlife|world of the dead]] in an attempt to help Roger, John Parry, and Lee Scoresby.&lt;br /&gt;
&lt;br /&gt;
Mrs. Coulter is captured by Asriel's army and taken to his fortress. She escapes using a powerful flying machine and returns to the Church. However, she learns that the Church plans to kill Lyra, using a form of odd science, before she can face some &amp;quot;temptation&amp;quot; that has the potential to destroy everything the Church stands for, an explicit analogy to [[Eve]]. Mrs. Coulter again switches sides, and is able to prevent this murder from happening, returning to Asriel's fortress.&lt;br /&gt;
&lt;br /&gt;
Will and Lyra are aided by two spies of Lord Asriel, members of a race of extremely small people called &amp;quot;Gallivespians&amp;quot;, in their efforts to reach the land of the dead. They eventually enter it by use of the Subtle Knife, but Lyra is forced to leave her daemon behind, an act of complete betrayal. Though the protagonists are reunited with their loved ones, they learn that the afterlife is little more than a [[prison]], where all of the dead are emotionally tortured by monsters called harpies who feed on their sadness. They manage to convince the harpies to let them lead the dead out of the afterlife, and they cut a portal that leads them through the center of the world.&lt;br /&gt;
&lt;br /&gt;
The final battle between the forces of Lord Asriel and the forces of The Authority and Metatron has officially begun, and Lyra and Will lead the dead right into the middle of it. Mrs. Coulter uses the flying machine to go to The Authority's palace, where she sees The Authority being carried out in a large glass cage. She eventually seduces Metatron into following her to the center of the world, where she says Lyra is being held. In reality, it is a trap for the angel laid by her and Lord Asriel, and they both push Metatron over the edge into an abyss, killing themselves in the process.&lt;br /&gt;
&lt;br /&gt;
Lyra and Will find the cage containing The Authority, who is being attacked by animals. They drive off the animals, and free the being from his cage. Unfortunately, his frail body can not withstand a gust of wind, and he dies. The battle is not yet over, and Lyra and Will are saved from soldiers by the dead. After their task is done, the dead dissolve into the air, becoming one with the world.&lt;br /&gt;
&lt;br /&gt;
Lyra and Will escape the battle by entering another world, the world of the mulefa. They meet Mary Malone again, and she tells them of the time that she lost her faith in [[Catholicism]]. Because of her descriptions of love, Lyra and Will realize that they are in love, and it is implied, but not clearly stated, that they engage in intercourse. This somehow makes the flow of Dust return to normal, and fulfills the &amp;quot;temptation&amp;quot; mentioned earlier in the series. Not long after this, Lyra is reunited with her daemon and Will is able to see his for the first time.&lt;br /&gt;
&lt;br /&gt;
A [[priest]] sent by the Church to kill Lyra is almost given a chance to kill her and Will, but is stopped by Balthamos, who is ashamed of leaving Will and Lyra before. The assassin is accidentally killed, and it is implied that Balthamos dies of his wounds.&lt;br /&gt;
&lt;br /&gt;
Will and Lyra delight in their new-found love, but they soon learn that the many holes cut by the Subtle Knife will need to be closed before the supply of Dust runs out. They also learn that staying in a different world for a long period of time will eventually cause a decline in a person's health, killing them. They decide that despite their feelings that they cannot stay with each other, since they have to leave one portal open to allow the dead to return to the living world. They each go back to their respective Oxfords, and resume their normal lives, basing them around teaching other people to live their lives to the fullest and not bother with [[faith]].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Awards==&lt;br /&gt;
The series has won many awards, including&amp;lt;ref&amp;gt;http://www.randomhouse.com/features/pullman/author/author.html&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;http://www.philip-pullman.com/about_the_author.asp&amp;lt;/ref&amp;gt;&lt;br /&gt;
*the Astrid Lindgren Award&lt;br /&gt;
*the Carnegie Medal&lt;br /&gt;
*the Guardian Children's Book Award&lt;br /&gt;
*the Whitbread Book of the Year award, the first time it had been given to a children's book&lt;br /&gt;
==Religious Views==&lt;br /&gt;
Dust is a primeval substance from which all life, consciousness and free will sprang. However the Authority and Magisterium seek to suppress this knowledge because it contradicts their doctrine of supremacy, and therefore equate it with sin or loss of innocence. At an allegorical level this can be seen as the Church's work to eliminate sin conflicting with the need for free will. As the characters rediscover this dust and embrace its life-giving power, they choose to free themselves from the oppressive theocracy of the Magisterium.&lt;br /&gt;
&lt;br /&gt;
===God===&lt;br /&gt;
The character of &amp;quot;The Authority&amp;quot; is definitely the [[Judeo-Christian]] [[God]], evidenced by many of his names &amp;lt;ref&amp;gt;http://www.amywelborn.com/reviews/pullman.html&amp;lt;/ref&amp;gt;. [[Yahweh]], one of the names mentioned, is a common name for God in the [[Bible]]. The Father the Almighty, another name, is a term from the [[Nicene Creed]].&lt;br /&gt;
&lt;br /&gt;
Despite this, The Authority's traits clearly depart from the God depicted in the Bible. He is mortal and his powers are clearly limited, while the Judeo-Christian God is immortal and omnipotent. In a sense it mocks the belief of Christians and Jews, telling them that the God they worship is a powerless creation and worthy only of pity and disgust.&lt;br /&gt;
&lt;br /&gt;
===Jesus===&lt;br /&gt;
[[Jesus]] is only referenced directly once in the books. Near the end of ''The Amber Spyglass'', when talking of her former devotion to the Catholic faith, Mary Malone (a minor character) says:&lt;br /&gt;
&lt;br /&gt;
''&amp;quot;I wanted to take my whole life and offer it up.. and place it in front of Jesus to do as he liked with.&amp;quot;'' &amp;lt;ref&amp;gt;''The Amber Spyglass'', Ch. 33, &amp;quot;Marzipan&amp;quot;&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In an April 2004 interview alongside the Archbishop of Canterbury, Pullman stated that he felt that Jesus' teachings were antithetical to organised religion, and wanted to mark this by his absence in the story.&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...He doesn't figure in the teaching of the church, as I described the church in the story. I think he's mentioned once, in the context of this notion of wisdom that works secretly and quietly, not in the great courts and palaces of the earth, but among ordinary people and so on. And there are some teachers who have embodied this quality, but whose teaching has perhaps been perverted or twisted or turned, and been used in a fashion that they themselves didn't either desire or expect or could see happening.&amp;quot;&amp;lt;ref&amp;gt;http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2004/03/17/bodark17.xml&amp;amp;page=1&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Christianity===&lt;br /&gt;
However, the religion started by Jesus appears many times in the books. The Church of Lyra's parallel universe is specifically stated to be a descendant of the [[Calvinist]] faith in ''The Golden Compass''. &amp;lt;ref&amp;gt;''The Golden Compass'', Ch. 2, &amp;quot;The Idea of North&amp;quot;&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Angels===&lt;br /&gt;
[[Angels]] are a separate race in the books' world, complete with their own backstory. Apparently, most of the angels were formed out of the substance known as Dust at sometime in the past, and are very old. The Authority was the first angel formed, and convinced the following angels that he had created them. &amp;lt;ref&amp;gt;''The Amber Spyglass'', Ch. 2, &amp;quot;Balthamos and Baruch&amp;quot;&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Human]]s can become angels somehow, although the process is not described in detail. The characters Baruch and Metatron were once human brothers. &amp;lt;ref&amp;gt;''The Amber Spyglass'', Ch. 5, &amp;quot;The Adamant Tower&amp;quot;&amp;lt;/ref&amp;gt; Metatron's former name was Enoch, son of Jared, son of Mahalalel. These three names are commonly cited as direct descendants of [[Adam]]. &amp;lt;ref&amp;gt;[http://www.marshallgenealogy.org/bible/pafg35.htm Bible Genealogy, Descendants of Adam]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Homosexuality===&lt;br /&gt;
Though it is not a major part of the story, it is extremely heavily implied that the angels Balthamos and Baruch have a [[homosexual]] relationship. This is most seen in several instances of them or other characters referring to the two as &amp;quot;loving each other with a passion&amp;quot; or similar phrases. &amp;lt;ref&amp;gt;''The Amber Spyglass'', Ch. 2, &amp;quot;Balthamos and Baruch&amp;quot;&amp;lt;/ref&amp;gt; It is unclear whether the same rules of gender apply, due to their non-human ancestry, but Pullman stated in an August 2000 interview that he &amp;quot;liked the idea of two male angels who love each other and who are, themselves, very different characters. They play an important part in the moral education, so to speak, of Will, but also in the outcome of the story.&amp;quot;&amp;lt;ref&amp;gt;http://www.powells.com/authors/pullman.html&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Religious Response==&lt;br /&gt;
Online Christian criticism brands the trilogy overly [[atheist]],&amp;lt;ref&amp;gt;http://www.worldnetdaily.com/news/article.asp?ARTICLE_ID=58341&amp;lt;/ref&amp;gt; [[pantheism|pantheist]]&amp;lt;ref&amp;gt;http://www.facingthechallenge.org/pullman.php&amp;lt;/ref&amp;gt; or [[humanist]].&amp;lt;ref&amp;gt;http://literarycatechist.blogspot.com/2007/11/his-dark-materials.html&amp;lt;/ref&amp;gt; It has also come under heavy fire from several [[Christian]] groups, most famously the Catholic League, who called for a Christian boycott of the film adaptation.&amp;lt;ref&amp;gt;http://catholicleague.org/catalyst.php?year=2007&amp;amp;month=October&amp;amp;read=2322&amp;lt;/ref&amp;gt;&lt;br /&gt;
There are some Christian supporters of the books, most notably Rowan Williams, the [[Archbishop of Canterbury]].&amp;lt;ref&amp;gt;http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2004/03/17/bodark17.xml&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
==See also==&lt;br /&gt;
{{Nb Atheism}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Novels]]&lt;/div&gt;</summary>
		<author><name>MelkorDCLXVI</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Lilith&amp;diff=482918</id>
		<title>Lilith</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Lilith&amp;diff=482918"/>
		<updated>2008-06-27T19:12:10Z</updated>

		<summary type="html">&lt;p&gt;MelkorDCLXVI: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Lilith''' is the [[Sumerian]] [[fertility]] [[goddess]] (considered to be a [[demon]] or [[succubus]] in [[Jewish]] [[mythology]]). She was a goddess of agriculture, motherhood and fertility for both men and women. Often refered to as Lilitu or Lilit and frequently believed to also have been a wind goddess.&lt;br /&gt;
&lt;br /&gt;
In the ben Sira version of the [[Bible]], Lilith is the first wife of [[Adam]] (before [[Eve]]), and she leaves [[Eden]] in a metaphorical version of [[divorce]]. This is because she refuses to be subservient and believes that both she and Adam were made from the earth and were equal. After she leaves Eden she is transformed into a succubus and [[cursed]] by [[God]]&lt;br /&gt;
to never find [[love]] because her kisses suck the life out of mortal men.{{citation needed}}&lt;br /&gt;
&lt;br /&gt;
In Greek legend Lilith is the goddess of the black moon (or the new moon), not to be confused with [[Artemis]] the goddess of the full moon or [[Hecate]] the goddess of the crescent moon.{{citation needed}}&lt;br /&gt;
&lt;br /&gt;
==Links==&lt;br /&gt;
*[http://www.lilithgallery.com/library/lilith/index.html The Lilith Library]&lt;br /&gt;
[[Category:mythology]]&lt;/div&gt;</summary>
		<author><name>MelkorDCLXVI</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Michael_Moore&amp;diff=482913</id>
		<title>Michael Moore</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Michael_Moore&amp;diff=482913"/>
		<updated>2008-06-27T19:09:32Z</updated>

		<summary type="html">&lt;p&gt;MelkorDCLXVI: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Michael-Moore.jpg|right|thumb|200px]]&lt;br /&gt;
'''Michael Moore''' (born April 23, 1954) is a [[liberal|left wing]], admitted [[socialist]] filmmaker and [[conspiracy theorist]]. Moore is critical of the US government, as can be seen in his reply to the question &amp;quot;You do not seem to like the U.S., do you?&amp;quot;:&lt;br /&gt;
{{cquote|I like America to some extent. … Americans are simple and clear. They are charming people. You will understand how good an individual American is. What I am not satisfied with America is that the nation cannot control the government and economy. Only a handful of people have the power to control the country.&amp;lt;ref&amp;gt;http://www.worldnetdaily.com/news/article.asp?ARTICLE_ID=32174&amp;lt;/ref&amp;gt;}}&lt;br /&gt;
&lt;br /&gt;
==Manufacturing consent==&lt;br /&gt;
He is a hero in [[liberal]] Hollywood and to booksellers who tend to agree with his politics.  Moore's films and commentaries are often based on themes of alleged &amp;quot;capitalist&amp;quot; greed.  Though a multi-millionaire, Moore frequently appears on television and in photos dressed like blue-collar workers with whom he attempts to identify.&lt;br /&gt;
&lt;br /&gt;
Moore produced a movie portraying President [[George W. Bush]] as part of a massive conspiracy, named ''Fahrenheit 9/11''. &lt;br /&gt;
&lt;br /&gt;
Moore was the producer and host of the television series &amp;quot;The Awful Truth,&amp;quot; which was typified by a type of sketch-comedy activism that was often directed against large corporations and government agencies.  &lt;br /&gt;
&lt;br /&gt;
Moore's movie &amp;quot;Bowling for Columbine&amp;quot;, which used the Columbine school massacre as a starting point, won the Acadamy Award for Best Documentary. Some of his other work includes the anti-corporate film ''Roger and Me'' and the books ''Dude, Where's my Country'', ''Downsize This! Random Threats from an Unarmed American'' and ''Stupid White Men''.&lt;br /&gt;
&lt;br /&gt;
Moore also directed the anti-war music video for &amp;quot;Boom!&amp;quot; by [[System of a Down]], which was released to coincide with the beginning of the [[Iraq war]].&lt;br /&gt;
&lt;br /&gt;
His production company which produces feature documentary-style films is Michael Moore Films.&amp;lt;ref&amp;gt;http://www.michaelmoore.com/&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Michael Moore was the subject of the 2004 documentaries ''Michael Moore Hates America''&amp;lt;ref&amp;gt;http://www.imdb.com/title/tt0411646/&amp;lt;/ref&amp;gt;, ''Fahrenhype 9/11''&amp;lt;ref&amp;gt;http://www.imdb.com/title/tt0427228/&amp;lt;/ref&amp;gt; and the 2007 documentary ''Manufacturing Dissent''.&amp;lt;ref&amp;gt;http://www.imdb.com/title/tt0961117/&amp;lt;/ref&amp;gt;  He was also the subject of books including ''Michael Moore Is a Big Fat Stupid White Man'' by David T. Hardy and Jason Clarke&amp;lt;ref&amp;gt;http://www.amazon.com/Michael-Moore-Big-Stupid-White/dp/0060779608/ref=pd_bbs_sr_1/104-2466588-5816760?ie=UTF8&amp;amp;s=books&amp;amp;qid=1174624100&amp;amp;sr=1-1&amp;lt;/ref&amp;gt; and ''Forgive Us Our Spins: Michael Moore and the Future of the Left'' by Jesse Larner.&amp;lt;ref&amp;gt;http://www.amazon.com/Forgive-Us-Our-Spins-Michael/dp/047179306X/ref=pd_bbs_1/104-2466588-5816760?ie=UTF8&amp;amp;s=books&amp;amp;qid=1174623950&amp;amp;sr=8-1&amp;lt;/ref&amp;gt;&lt;br /&gt;
[[Image:Moore html.jpg|right|thumb|Michael Moore, ranting|175px]]&lt;br /&gt;
&lt;br /&gt;
== Sicko ==&lt;br /&gt;
In his comedy documentary, ''[[Sicko]]'', Michael Moore argued for the revamping of the American health care system, and supported that of [[Canada]], [[United Kingdom|Britain]], [[Cuba]], and [[France]]. Sicko was released in late June 2007. In this documentary, Moore argues for a nationalized health care system, citing positive effects from the health care systems of the aforementioned cities, and negative effects stemming from the health care system of the United States. &amp;lt;ref&amp;gt;http://www.imdb.com/title/tt0386032/&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;http://www.michaelmoore.com/sicko/about/synopsis/&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sicko has been nominated for the Academy Award, the second nomination for Moore. &amp;lt;ref&amp;gt;http://www.oscar.com/nominees/?pn=detail&amp;amp;nominee=Sicko%20-%20Documentary%20Feature%20Nominee&amp;lt;/ref&amp;gt;&lt;br /&gt;
==Criticisms of Sicko==&lt;br /&gt;
&lt;br /&gt;
Kurt Loder of [[MTV|MTV news]] alleged:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
&amp;lt;small&amp;gt;&amp;quot;Michael Moore may see himself as working in the tradition of such crusading muckrakers of the last century as Lincoln Steffens, Ida Tarbell and Upton Sinclair — writers whose dedication to exposing corruption and social injustices played a part in sparking much-needed reforms. In his new movie, &amp;quot;Sicko,&amp;quot; Moore focuses on the U.S. health-care industry — a juicy target — and he casts a shocking light on some of the people it's failed.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Unfortunately, Moore is also a con man of a very brazen sort, and never more so than in this film. His cherry-picked facts, manipulative interviews (with lingering close-ups of distraught people breaking down in tears) and blithe assertions (how does he know 18,000* people will die this year because they have no health insurance?) are so stacked that you can feel his whole argument sliding sideways as the picture unspools. The American health-care system is in urgent need of reform, no question. Some 47 million people are uninsured (although many are only temporarily so, being either in-between jobs or young enough not to feel a pressing need to buy health insurance). There are a number of proposals as to what might be done to correct this situation. Moore has no use for any of them, save one.&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
As a proud socialist, the director appears to feel that there are few problems in life that can't be solved by government regulation (that would be the same government that's already given us the U.S. Postal Service and the Department of Motor Vehicles). In the case of health care, though, Americans have never been keen on socialized medicine. &amp;lt;/small&amp;gt;&amp;lt;ref&amp;gt;http://www.mtv.com/movies/news/articles/1563758/story.jhtml&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Earnings==&lt;br /&gt;
Michael Moore's films have bilked the public worldwide in excess of $200,000,000.00.  A breakdown for just the [[United States of America]] is below.&lt;br /&gt;
&lt;br /&gt;
{| style=&amp;quot;background:white&amp;quot; border=&amp;quot;1&amp;quot; class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
| colspan=&amp;quot;2&amp;quot; style=&amp;quot;text-align:center&amp;quot;|Michael Moore's Gross box office film earnings&amp;lt;br /&amp;gt;under the capitalist free market system&amp;lt;ref&amp;gt;[http://www.the-numbers.com/people/directors/MIMOO.php The Numbers]&amp;lt;/ref&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
! Film&lt;br /&gt;
! U.S. Gross $&lt;br /&gt;
|-&lt;br /&gt;
| Roger &amp;amp; Me &lt;br /&gt;
|style=&amp;quot;text-align:right&amp;quot;| $6,706,368&lt;br /&gt;
|-&lt;br /&gt;
| Canadian Bacon &lt;br /&gt;
|style=&amp;quot;text-align:right&amp;quot;| $178,104&lt;br /&gt;
|-&lt;br /&gt;
| The Big One &lt;br /&gt;
|style=&amp;quot;text-align:right&amp;quot;| $720,074&lt;br /&gt;
|-&lt;br /&gt;
| Bowling for Columbine &lt;br /&gt;
|style=&amp;quot;text-align:right&amp;quot;| $21,576,018&lt;br /&gt;
|-&lt;br /&gt;
| Fahrenheit 9/11 &lt;br /&gt;
|style=&amp;quot;text-align:right&amp;quot;| $119,114,517&lt;br /&gt;
|-&lt;br /&gt;
| Sicko&lt;br /&gt;
|style=&amp;quot;text-align:right&amp;quot;| $21,500,000&lt;br /&gt;
|-&lt;br /&gt;
| '''TOTAL'''&lt;br /&gt;
|style=&amp;quot;text-align:right&amp;quot;|  '''$169,795,081'''&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Treasury investigation==&lt;br /&gt;
According to ''Reuters'' in June 2007, Moore is reported to have hidden assets in Canada in reaction to an official investigation. Moore was operating offshore in Cuba allegedly as a &amp;quot;journalistic endeavor.&amp;quot;  The United States Treasury Department does not confirm or deny the existence of investigations. &amp;lt;ref&amp;gt;[http://www.reuters.com/article/entertainmentNews/idUSN1119539820070613 Moore fears film seizure after Cuba trip], Michelle Nichols, ''Reuters'', June 12, 2007. &amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Criticism==&lt;br /&gt;
'''[[Christopher Hitchens]]''' said of Fahrenheit 9/11, and Moore's work: &lt;br /&gt;
{{Cquote|'''To describe this film as dishonest and demagogic would be to promote those terms to the level of respectability. To describe this film as a piece of crap would be to run the risk of a discourse that would never again rise above the excremental…Fahrenheit 9/11 is a sinister exercise in moral frivolity, crudely disguised as an exercise in seriousness. It is also a spectacle of abject political cowardice masking itself as a demonstration of 'dissenting' bravery.&amp;quot; '''&amp;lt;ref&amp;gt;[http://slate.com/id/2102723/ The lies of Michael Moore]. By Christopher Hitchens, //Slate'', June 21, 2004.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://www.newmediajournal.us/guest/p_ibbetson/06092007.htm Michael Moore: A Criminal Profile], Paul A. Ibbetson, ''New Media Journal, June 9, 2007,&amp;lt;/ref&amp;gt;}}&lt;br /&gt;
&lt;br /&gt;
In 2004, Moore warned that if [[George W. Bush|Bush]] was re-elected as President: &amp;quot;...he's going to bring back the draft. He will be forced to. Because, thanks to his crazy war, recruitment is going to be at an all-time low. And many of the troops stuck over there are NOT going to re-enlist. The only way Bush is going to be able to staff the military is to draft you and your friends. Parents, make no mistake about it - Bush's second term will see your sons taken from you and sent to fight wars for the oily rich.&amp;quot;&amp;lt;ref&amp;gt;Moore, Michael [http://www.clark04.com/moore/ ''I'll Be Voting For Wesley Clark/Good-Bye Mr. Bush''] 14 January 2004; Clark for President site. Accessed 17 March 2008&amp;lt;/ref&amp;gt; Over four years later, the draft had not been reintroduced.&lt;br /&gt;
&lt;br /&gt;
Moore says that corporations are &amp;quot;terrorists&amp;quot; and has said &amp;quot;I don't own a single share of stock&amp;quot; but IRS records showed he owned at least several hundreds of thousand dollars in stocks in Pentagon contractors like Boeing, pharmaceutical companies like Eli Lilly, and even Halliburton, the company most vilified by Moore in ''Fahrenheit 9/11''.&lt;br /&gt;
&lt;br /&gt;
Moore uses a private jet on his book tours and stays at the Ritz Carlton hotel when in [[London]], but conducts press interviews in a cheap hotel nearby to give reporters the impression he is staying there instead. Moore calls himself &amp;quot;an Average Joe from Flint, MI&amp;quot; and says, &amp;quot;Once you’re working class, you’re always working class&amp;quot;. The reality is that hypocrite Moore lives a luxury-class lifestyle out of reach of most Flint residents.&lt;br /&gt;
&lt;br /&gt;
Moore says that Americans who live in white neighborhoods are racist, but lives in a town (Central Lake, Michigan) which according to the 2000 Census, had a black population of zero.&lt;br /&gt;
&lt;br /&gt;
==Wikipedia controversy==&lt;br /&gt;
[[Image:Moorecagan.JPG|right|thumb|200px|Moore with [[Leslie Cagan]] [[United For Peace and Justice]]]]&lt;br /&gt;
Michael Moore's official website [http://en.wikipedia.org/wiki/Wikipedia:Requests_for_arbitration/Attack_sites/Proposed_decision#Michael_Moore] put an image and name of a [[Wikipedia]] editor on its main page with links to edit both Wikipedia's article on ''[[Sicko]]'' and the Wikipedia editor's user page.  Wikipedia policy explicitly states, &lt;br /&gt;
:&amp;quot;A website that engages in the practice of publishing private information concerning the identities of Wikipedia participants will be regarded as an attack site whose pages should not be linked to from Wikipedia pages '''under any circumstances'''.&amp;quot;[http://en.wikipedia.org/wiki/Wikipedia:Requests_for_arbitration/MONGO#Outing_sites_as_attack_sites] &lt;br /&gt;
Wikipedia Dispute Resolution policy stated aim is to &amp;quot;primarily investigate interpersonal disputes&amp;quot; [http://en.wikipedia.org/wiki/Wikipedia:Arbitration_policy#Scope] and not content disputes. Policy further states,&lt;br /&gt;
:&amp;quot;Links to attack sites may be removed by any user...Deliberately linking to an attack site may be grounds for blocking.&amp;quot; [http://en.wikipedia.org/wiki/Wikipedia:Requests_for_arbitration/MONGO#Links_to_attack_site]&lt;br /&gt;
Wikipedia Conflict of interest policy states, &amp;quot;Adding material that appears to promote the interests or visibility of an article's author, his family members, employer, associates, or his business or personal interests, places the author in a conflict of interest.&amp;quot; [http://en.wikipedia.org/wiki/WP:COI#What_is_a_conflict_of_interest.3F] and &amp;quot;Campaigning. Activities regarded by insiders as simply &amp;quot;getting the word out&amp;quot; may appear promotional or propagandistic to the outside world... may have a conflict of interest.&amp;quot;[http://en.wikipedia.org/wiki/WP:COI#Examples]&lt;br /&gt;
&lt;br /&gt;
Protection of Wikipedia editors from activities targeting editors for harassment also states,&amp;quot;Any user, including an administrator using administrative powers, may remove or otherwise defeat attempts at harassment of a user. This includes harassment directed at the user themselves.&amp;quot;[http://en.wikipedia.org/wiki/Wikipedia:Requests_for_arbitration/MONGO#Combatting_harassment], and finally, &amp;quot;It is unacceptable to harass another user.&amp;quot;[http://en.wikipedia.org/wiki/Wikipedia:Requests_for_arbitration/MONGO#Harrassment]&lt;br /&gt;
&lt;br /&gt;
Unequivocally, Michael Moore's official website, michaelmoore.com, engaged in egregious violations of multiple Wikipedia policies warranting blocking of users from Michael Moore's website, and editors linking to it.  Further, official Wikipedia policy states all links to Michael Moore’s website from Wikipedia must be removed.&lt;br /&gt;
&lt;br /&gt;
In discussion of the case, harassment and intimidation of a Wikipedia editor was excused, whose expertise on the subject of healthcare was characterized as &amp;quot;an attorney, who is a Fellow at the [[American Enterprise Institute]], a [[conservative]] think tank.&amp;quot; [http://lists.wikimedia.org/pipermail/wikien-l/2007-October/083230.html]  The interpersonal nature of the attack was ignored by Wikipedia's rule making body, in favor of,&lt;br /&gt;
:&amp;quot;a bunch of considerations. One is that ''Sicko'', finally, brings to public attention information which has not been generally presented by American media. This is right up our alley... we and whoever runs Moore's website look ridiculous. ...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Wikipedia's Neutral Point of View (NPOV), laid down by founder [[Jimbo Wales]] allegedly is &amp;quot;absolute and non-negotiable.&amp;quot;[http://en.wikipedia.org/wiki/Wikipedia:Neutral_point_of_view][http://en.wikipedia.org/wiki/Wikipedia:Neutral_point_of_view#_note-0] Wikipedia Arbitration Chairman stated,&lt;br /&gt;
:&amp;quot;Obviously we need to make an exception for prominent people whose viewpoint we support.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
When asked what he learned from the Michael Moore experience, the Chairman said,&lt;br /&gt;
:&amp;quot;If a powerful [[leftwing]] celebrity attacks a [[rightwing]] Wikipedia editor on his website, his supporters on Wikipedia should be able, as a practical matter, to prevent removal of links to his site.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
*[[Schlockumentary]]&lt;br /&gt;
*[[Previous Breaking News/Michael Moore|Articles about '''Michael Moore''' from previous &amp;quot;Breaking News&amp;quot;]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*[http://www.racewire.org/archives/2007/07/moore_attacks_cnn_network_spew.html Moore attacks CNN network, spews anti-South Asian sentiments], ''RaceWire.org'', July 10, 2007.&lt;br /&gt;
*[http://lists.wikimedia.org/pipermail/wikien-l/2007-October/082987.html WikiEN-l Harassment sites], Sun Oct 14 19:27:21 UTC 2007.&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Moore, Michael}}&lt;br /&gt;
[[Category:Conspiracy theorists]]&lt;br /&gt;
[[Category:Anti-war Movements]]&lt;br /&gt;
[[category:propagandists]]&lt;br /&gt;
[[Category:Liberal Activists]]&lt;/div&gt;</summary>
		<author><name>MelkorDCLXVI</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Nazi_Party&amp;diff=482892</id>
		<title>Nazi Party</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Nazi_Party&amp;diff=482892"/>
		<updated>2008-06-27T18:43:45Z</updated>

		<summary type="html">&lt;p&gt;MelkorDCLXVI: /* Foundations */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Flag of Nazi Germany.png|thumb|200px|'''The flag of Nazi Germany''']]&lt;br /&gt;
&lt;br /&gt;
The '''National Socialist German Workers' Party''' ([[German]]: ''Nationalsozialistische Deutsche Arbeiterpartei'') is the full name of the group better known as the Nazis.&lt;br /&gt;
&lt;br /&gt;
==Foundations==&lt;br /&gt;
&lt;br /&gt;
[[Adolf Hitler]]  exploited the myth of the “Stab in the Back,” the belief that the [[World War I]] had been lost because “disloyal” elements within Germany – [[Jews]] and [[Marxism|Marxists]] – had undermined the war effort. As [[William Shirer]] put it in ''The Rise and Fall of the [[Third Reich]]'', &lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
&amp;quot;To him, as to almost all Germans, it was ‘monstrous’ and undeserved. The German army had not been defeated in the field. It had been stabbed in the back by the traitors at home.&lt;br /&gt;
&lt;br /&gt;
Thus emerged for [[Hitler]], as or so many Germans, a fanatical belief in the legend of the ‘stab in the back’ which, more than anything else, was to undermine the Weimar Republic and pave the way for Hitler’s ultimate triumph.”&lt;br /&gt;
&amp;lt;ref&amp;gt;The Rise and Fall of the Third Reich, Book One, “The Rise of Adolph Hitler.” &amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The origin of the Nazi Party itself was a small group called The German Workers' Party, founded by a locksmith named Anton Drexler who, in 1918, had set up a “Committee of Independent Workmen” in reaction to the [[Marxism]]  of the free trade unions.&amp;lt;ref&amp;gt;The Rise and Fall of the Third Reich, Book One, “The Rise of Adolph Hitler.” &amp;lt;/ref&amp;gt; A year later The German Workers Party was formed when this merged with another group, the Political Workers' Circle. &amp;lt;ref&amp;gt;Shoah Resource Center, http://www1.yadvashem.org/odot_pdf/Microsoft%20Word%20-%205946.pdf &amp;lt;/ref&amp;gt; &amp;lt;ref&amp;gt;Germanculture.com, http://www.germanculture.com.ua/library/weekly/aa012400b.htm&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
It was Adolf Hitler, who joined the party and was put in charge of propaganda in 1920, who transformed this small group into what we now know as the Nazi Party through his great skill in politics and public speaking. That same year the words “National Socialist” were added to the party name and it became “The National Socialist German Workers Party” (NSDAP).  The Storm Troopers (Sturmabteilung, [[Brownshirts|SA]]) in their distinctive brown uniforms, were organized first to kick out hecklers at Nazi meetings, then to break up the meetings of other parties. The hakenkreuz (literally: ''hooked cross''), or the [[swastika]], was adopted in the party’s flag. By the following summer, Hitler himself had taken over as leader (de: Führer) of the party.&lt;br /&gt;
&lt;br /&gt;
*Here we have the core of Nazism: (i) a very strong dose of German anti-semitism (with a paranoid belief in a conspiracy between Jewish financiers who control the capitalist economy and steal from the Germans, Jewish liberal intellectuals who preach humanism and enfeeble the Germans, and Jewish communists who seek to enslave the Germans; (ii) a belief in the German nation and the &amp;quot;aryan&amp;quot; German race as an entity with a special, heroic destiny; (iii) war as the ultimate test of national strength and worth; and (iv) conquest--with extermination or removal of the resident population--to create more &amp;quot;living space&amp;quot; or the German people and larger fields for the German farmers. Add to this (a) the &amp;quot;leadership principle&amp;quot;--a hatred of parliamentary institutions, and a belief that a good political order sees an inspired leader giving people vision and commands (rather than see parliamentarians haggle and compromise on behalf of interest groups)--(b) the use of terror to obtain obedience, and (c) the desire to make sure that all of society's organizations serve the national cause, and you have Nazism. &amp;lt;ref&amp;gt;http://econ161.berkeley.edu/TCEH/Slouch_Alternatives12.html&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Anti-Semitism==&lt;br /&gt;
&lt;br /&gt;
The Nazis were highly [[Anti-Semitism|anti-Semitic]] and blamed the Jews for many of the problems in Germany, such as the defeat in [[World War I]]. &lt;br /&gt;
The Nazis passed the [[Nuremberg Laws]] in 1935 which stated that:&lt;br /&gt;
* Young German women could not work for Jews in the domestic services.&lt;br /&gt;
* Jews were no longer citizens of Germany (this meant that they had no protection from the police and so were susceptible to attack)&lt;br /&gt;
* Jewish doctors were not allowed to treat Germans/Aryans&lt;br /&gt;
* Jews could not marry Germans/Aryans&lt;br /&gt;
They made laws against Jews (&amp;quot;Rassengesetze&amp;quot;, ''race laws'') which places successively tighter restrictions on the rights of Jews to own property, use public services, live in some areas, enter public spaces and eventually required Jews  wear a [[Star of David]] on their clothing. &lt;br /&gt;
The Jews were mistreated, persecuted, and killed by the Nazis.  &lt;br /&gt;
The Nazi state also persecuted other political opponents, [[Jehovah's Witnesses]], [[Freemasons]], and foreign nationals. [[homosexuality|Homosexuals]]&amp;lt;ref&amp;gt;Hans Peter Bleuel, ''Sex and Society in Nazi Germany'', (Philadelphia: J.B. Lippincott, 1973).&amp;lt;/ref&amp;gt;came under increasing scrutiny and persecution in the later years of the régime.  &lt;br /&gt;
The Nazis exterminated at least 11 million civilians by rounding them up, transporting them to concentration camps and then murdering them there. About 6 million of these were Jews (see [[Holocaust]]).&lt;br /&gt;
&lt;br /&gt;
==Economic planning==&lt;br /&gt;
[[Image:Nazi.jpg|thumb|left|250px|&amp;quot;With our flags is our victory&amp;quot;]]&lt;br /&gt;
James Burnham, a former [[Trotskyite]] who served with the [[Office of Strategic Services]] (OSS) during the World War II and later contributed to the ''[[National Review]]'', described  the Nazi regime's [[economic planning]].  Burnham pointed out how the original &amp;quot;workers revolution&amp;quot; of [[Marxism]] had in fact become a managerial revolution in all societies were Socialism had been embraced.  Writing in 1940, Burnham noted,&lt;br /&gt;
&lt;br /&gt;
{{Cquote|Outright state ownership and operation, advancing in all fields, are particularly ascendant in the extensive areas of new enterprise opened up during the Nazi rule....virtually all economic enterprise is subject to rigid state control; and it is control which we have seen to be decisive in relation to the instruments of production. Legal forms, even income privileges, are in the end subordinate to ''de facto'' control. &lt;br /&gt;
&lt;br /&gt;
Even where private owners still exist in Germany, the decisions about &amp;quot;their&amp;quot; property are not in their hands. They do not decide what to make or not to make. They do not establish prices or bargain about wages. They are not at liberty to buy the raw materials they might choose nor to seek the most profitable markets. They cannot, as a rule, decide how to invest or not invest their surplus funds. In short, they are no longer owners, no longer effective [[capitalist]]s...&lt;br /&gt;
&lt;br /&gt;
The regulation of production in Germany is no longer left to the market. What is to be produced, and how much, is decided, deliberately, by groups of men, by the state boards and bureaus and commissions. It is they that decide whether a new plant shall be built or an old plant retired, how raw materials shall be allotted and orders distributed, what quotas must be fulfilled by various branches of industry, what goods shall be put aside for export, how prices shall be fixed and credit and exchange extended. There is no requirement that these decisions of the bureaus must be based on any profit aim in the capitalist sense. If it is thought expedient, for whatever reason, to produce, for example, an ersatz rubber or wool or food, this will be done even if the production entails, from a capitalist point of view, a heavy loss. Similarly, in order to accumulate foreign exchange or to stimulate some political effect in a foreign nation, goods will be exported regardless of loss. A factory may be compelled to shut down, even though it could operate at a high profit. Banks and individuals are forced to invest their funds with no reference to the private and voluntary opinions about &amp;quot;risks&amp;quot; from a profit standpoint. It is literally true to say that the Nazi economy, already, is not a &amp;quot;profit economy.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
The workers, on their side, are no longer the &amp;quot;free proletarians &amp;quot; of capitalism. Under Nazism the workers are indeed, free from unemployment. At the same time they cannot, as individuals or through their own independent organizations, bargain for wages or change jobs at will. They are assigned to their tasks, and their labor conditions are fixed, by the decisions of the state bureaus and commissions. Millions of them are allotted to the vast state enterprises. ...With the reduction in the area of private enterprise and the increase of state enterprise, goes also a corresponding reduction in the social position of the private capitalists. So far as control over the instruments of production goes, the capitalists are already near the bottom. As to income privilege: a recent estimate by a New York statistician gives as a mere 5% the share of the German national income going to profits and interest. This is a substantial reduction from the 1933 figures, in spite of a huge increase in the total national income, which, under capitalism, would normally be accompanied by a percentage increase in profits. ...f the German capitalists' 5%, the greater part is appropriated by the state as taxes and &amp;quot;contributions.&amp;quot; ...&lt;br /&gt;
&lt;br /&gt;
...how seldom we find a manager among the voluntary or forced exiles from Nazi Germany! There are artists and writers among the exiles, ideologists and politicians, unassailable foes of the new regime, storekeepers and professionals and teachers, and not a few capitalists, both Jews and Christians. But almost never a manager....Germany is to-day a managerial state in an early stage. Structurally, it is less advanced along managerial lines than Russia; ...though structurally less advanced...Its industrial and technological foundation is far stronger; the rising managerial class is much larger, better trained, more able...&lt;br /&gt;
&lt;br /&gt;
...The first part of the second world war, up to the fall of France in June, 1940, was in reality the continuation of the strategic extension begun in 1935. This phase, the consolidation of the European base, was completed with France's surrender. It is completed irreversibly and can no longer be undone whatever the outcome of the succeeding phases of the war, which are really other wars. This consolidation fundamental to the world politics of managerial society, is not going to be dissolved, not even if the present German regime is utterly defeated. The day of a Europe carved into a score of sovereign states is over; if the states remain, they will be little more than administrative units in a larger collectivity. &amp;lt;ref&amp;gt;James Burnham, ''The Managerial Revolution'', Indiana University Press, Bloomingham 1966, pgs. 222-226, 232.&amp;lt;/ref&amp;gt;}}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==See Also==&lt;br /&gt;
*[[Anti-Semitism]]&lt;br /&gt;
*[[Adolf Hitler]]&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*[http://econ161.berkeley.edu/TCEH/Slouch_Alternatives12.html Marxism, Fascism, Nazism] - Brad DeLong, Associate Professor of Economics, University of California at Berkeley&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:World War II]]&lt;br /&gt;
[[Category:Germany]]&lt;br /&gt;
[[Category:Holocaust]]&lt;br /&gt;
[[Category:Political Parties]]&lt;br /&gt;
[[Category:Fascist States]]&lt;/div&gt;</summary>
		<author><name>MelkorDCLXVI</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Arithmetic_with_complex_number&amp;diff=482744</id>
		<title>Arithmetic with complex number</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Arithmetic_with_complex_number&amp;diff=482744"/>
		<updated>2008-06-27T14:02:57Z</updated>

		<summary type="html">&lt;p&gt;MelkorDCLXVI: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The motivating factor for the use of [[complex number]]s is that they form an [[algebraically closed]] [[field]]. In simpler language any algebraic operation that is proformed on a complex number gives a complex number. This is not true for [[real number]]s, for example, &amp;lt;math&amp;gt;x^{2}+1=0&amp;lt;/math&amp;gt; is an entirly real expression but &amp;lt;math&amp;gt;x&amp;lt;/math&amp;gt; cannot be a real number. The solution is &amp;lt;math&amp;gt;x=\pm i&amp;lt;/math&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
For this we will consider two complex numbers, &amp;lt;math&amp;gt;z_{1}=x_{1}+iy_{1}&amp;lt;/math&amp;gt; and &amp;lt;math&amp;gt;z_{2}=x_{2}+iy_{2}&amp;lt;/math&amp;gt;, where &amp;lt;math&amp;gt;x_{1},x_{2},y_{1},y_{2}\in\mathbb{R}&amp;lt;/math&amp;gt; and &amp;lt;math&amp;gt;i^{2}=-1&amp;lt;/math&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
====Addition====&lt;br /&gt;
&amp;lt;math&amp;gt;z_{1}+z_{2}=(x_{1}+x_{2})+i(y_{1}+y_{2})&amp;lt;/math&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Multiplication====&lt;br /&gt;
&amp;lt;math&amp;gt;z_{1}z_{2}=(x_{1}+iy_{1})(x_{2}+iy_{2})=x_{1}x_{2}+ix_{1}y_{2}+iy_{1}x_{2}+i^{2}y_{1}y_{2}=(x_{1}x_{2}-y_{1}y_{2})+i(x_{1}y_{2}+y_{1}x_{2})&amp;lt;/math&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
====Division====&lt;br /&gt;
&amp;lt;math&amp;gt;\frac{z_{1}}{z_{2}}=\frac{x_{1}+iy_{1}}{x_{2}+iy_{2}}=\frac{x_{1}+iy_{1}}{x_{2}+iy_{2}}\cdot\frac{x_{2}-iy_{2}}{x_{2}-iy_{2}}=\frac{(x_{1}x_{2}+y_{1}y_{2})-i(x_{1}y_{2}-y_{1}x_{2})}{(x_{2})^{2}+(y_{2})^2}&amp;lt;/math&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Here we see two important number. The '''complex conjugate''', &amp;lt;math&amp;gt;\bar{z}=\overline{x+iy}=x-iy&amp;lt;/math&amp;gt; and the length of a complex number &amp;lt;math&amp;gt;{||z||}^{2}=z.\bar{z}=x^{2}+y^{2}.&amp;lt;/math&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Complex analysis]]&lt;/div&gt;</summary>
		<author><name>MelkorDCLXVI</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Philip_Pullman&amp;diff=482743</id>
		<title>Philip Pullman</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Philip_Pullman&amp;diff=482743"/>
		<updated>2008-06-27T14:00:38Z</updated>

		<summary type="html">&lt;p&gt;MelkorDCLXVI: Revamping this small article into a larger one&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Philip Pullman''' is the prolific author of many [[young adult]] novels, including the ''[[His Dark Materials]]'' and ''Sally Lockhart'' series. However, his works have come under some criticism, from mainly conservative Christian public figures and bloggers.&lt;br /&gt;
&lt;br /&gt;
==Pullman's Life==&lt;br /&gt;
Philip Pullman was born in Norwich, [[England]], in 1946, to Audrey and Alfred Pullman. The early years of Pullman's life were spent traveling, because his father was a member of [[United Kingdom|Britain]]'s [[Royal Air Force]] (RAF). His father died when he was age 7, and his family then traveled to [[London]] to find work. Only one year later, Pullman's mother remarried, to another man working for the RAF. His family lived in [[Australia]] for much of those next two years. When Pullman was ten years old, his stepfather quit his job at the RAF to help his growing family. In 1965, Pullman won a scholarship to attend [[Exeter College]] in [[Oxford]]. He did so, for four years. &amp;lt;ref&amp;gt;http://www.hisdarkmaterials.org/information/philip-pullman/biography&amp;lt;/ref&amp;gt;&lt;br /&gt;
At the age of 25, Pullman became a teacher at a middle school, also in Oxford. From 1986 to 1994, he taught at Westminister College. Pullman wrote his first book, [[Count Karlstein]], in 1982.  &amp;lt;ref&amp;gt;http://www.philip-pullman.com&amp;lt;/ref&amp;gt; Today Pullman lives in Oxford with his wife Jude. Pullman is a father to two grown children, and has two grandchildren as well. &amp;lt;ref&amp;gt;http://www.randomhouse.com/features/pullman/author/author.html&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Pullman's Works==&lt;br /&gt;
Philip Pullman has written almost 20 books, mostly young adult novels. These include:&lt;br /&gt;
*''Count Karlstein''&lt;br /&gt;
*''I Was a Rat!''&lt;br /&gt;
*''The Scarecrow and His Servant''&lt;br /&gt;
*''The Firework-Maker's Daughter''&lt;br /&gt;
*''Clockwork/All Wound Up''&lt;br /&gt;
*The ''Sally Lockhart'' series&lt;br /&gt;
**''The Ruby in the Smoke''&lt;br /&gt;
**''The Shadow in the North''&lt;br /&gt;
**''The Tiger in the Well''&lt;br /&gt;
**''The Tin Princess''&lt;br /&gt;
*The ''His Dark Materials'' series&lt;br /&gt;
**''The Golden Compass'' (''Northern Lights'' in the UK)&lt;br /&gt;
**''The Subtle Knife''&lt;br /&gt;
**''The Amber Spyglass&lt;br /&gt;
&lt;br /&gt;
==Awards==&lt;br /&gt;
Philip Pullman has been the recipient of many awards:&amp;lt;ref&amp;gt;http://www.philip-pullman.com/about_the_author.asp&amp;lt;/ref&amp;gt;&lt;br /&gt;
*The Carnegie Medal (for the ''His Dark Materials'' series)&lt;br /&gt;
**Incidentally, the series was the winner in a poll taken for the favorite Carnegie Medal book of all time.&lt;br /&gt;
*The Guardian Children's Book Award (for the ''His Dark Materials'' series)&lt;br /&gt;
*The Whitebread Book of the Year Award (for the third book of the ''His Dark Materials'' series, the first time it was ever awarded to a children's book)&lt;br /&gt;
*The Eleanor Farjeon Award for children's literature&lt;br /&gt;
&lt;br /&gt;
==Criticism of Pullman==&lt;br /&gt;
Some critics of Pullman's series brand his books anti-religious.  &lt;br /&gt;
&lt;br /&gt;
Frank Furedi wrote:&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
... He is adept at public moralising. He has denounced [[Narnia]] as ‘morally loathsome’, describing [[C.S. Lewis]]’s series of books as amongst the ‘most ugly and poisonous things’ he has read. Indeed, Pullman directly counterpoises his ‘non-Christian’ trilogy to the ‘Christian’ Narnia. &amp;lt;ref&amp;gt;http://www.spiked-online.com/index.php?/site/article/4169/&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Blogger Joe Levi charged:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
Pullman is a [[militant]] [[atheist]] and [[secular humanist]] (who describes himself as both an [[agnostic]] and an atheist) &lt;br /&gt;
has said &amp;quot;I don’t profess any [[religion]]; I don’t think it’s possible that there is a [[God]]; I have the greatest difficulty in understanding what is meant by the words ’spiritual’ or ’[[spirituality]]’&amp;quot; and despises [[C. S. Lewis]] and the [[Chronicles of Narnia]]. His motivation for writing this trilogy was specifically to counteract Lewis’ symbolisms of [[Christ]] that are portrayed in the Narnia series. &amp;lt;ref&amp;gt;http://www.joelevi.com/blog/index.php/2007/12/04/the-golden-compass-an-attack-on-god/&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Most of Pullman's criticism is based solely on the His Dark Materials series.&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;References/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
[http://www.philip-pullman.com/|Philip Pullman's home page.]&amp;lt;br/&amp;gt;&lt;br /&gt;
[http://www.randomhouse.com/features/pullman/author/author.html|A website about Philip Pullman and his writing.] &amp;lt;br/&amp;gt;&lt;br /&gt;
[http://www.writing.com/main/view_item/item_id/1359866 http://www.writing.com/main/view_item/item_id/1359866|A negative review of the author.]&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Pullman, Philip}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Authors]]&lt;/div&gt;</summary>
		<author><name>MelkorDCLXVI</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Complex_number&amp;diff=482671</id>
		<title>Complex number</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Complex_number&amp;diff=482671"/>
		<updated>2008-06-27T03:08:54Z</updated>

		<summary type="html">&lt;p&gt;MelkorDCLXVI: /* Complex numbers 4s m4trices*/&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;A '''complex number''' is a [[number]] composed of two parts - a [[Real number|real]] component and an [[Imaginary number|imaginary]] component, of the form &amp;lt;math&amp;gt;a + bi&amp;lt;/math&amp;gt;, where ''a'' and ''b'' are real numbers and &amp;lt;math&amp;gt;i^2 = -1&amp;lt;/math&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
Whereas the real numbers can be represented as all the possible points on an infinitely extended [[number line]], to represent all the complex numbers requires the use of a two dimensional coordinate system, usually with the real components on the horizontal axis (the ''abscissa'') and the imaginary components on the vertical axis (the ''ordinate''). This representation is known as the Argand diagram.&lt;br /&gt;
&lt;br /&gt;
The complex numbers form an [[algebraic closure|algebraically closed]] [[field (mathematics)|field]] but do not permit a non-trivial ordering that is preserved under operations.  They are the algebraic closure of the [[real numbers]].&lt;br /&gt;
&lt;br /&gt;
Many functions used in real analysis can be extended in to complex numbers using [[Taylor series]]. This is the subject of [[complex analysis]].&lt;br /&gt;
&lt;br /&gt;
===Polar notation===&lt;br /&gt;
The complex number &amp;lt;math&amp;gt;a+bi&amp;lt;/math&amp;gt; can also be written in the form &amp;lt;math&amp;gt;\rho e^{i\theta}&amp;lt;/math&amp;gt;, where&lt;br /&gt;
: &amp;lt;math&amp;gt;\rho^2=a^2+b^2&amp;lt;/math&amp;gt; is the square of the number's [[Absolute value|magnitude]]&lt;br /&gt;
: &amp;lt;math&amp;gt;\theta=\arctan\frac{b}{a}&amp;lt;/math&amp;gt; is the phase &lt;br /&gt;
If a line is drawn on the [[complex plane]] from the origin to a given complex number, the length of that line will be &amp;lt;math&amp;gt;\rho&amp;lt;/math&amp;gt; and the angle it makes to the real (horizontal) axis will be &amp;lt;math&amp;gt;\theta&amp;lt;/math&amp;gt;. This leads to a straight-forward geometric interpretation for multiplication by a complex number: multiplying a complex number by &amp;lt;math&amp;gt;e^{i\theta}&amp;lt;/math&amp;gt; is equivalent to an anticlockwise rotation through an angle &amp;lt;math&amp;gt;\theta&amp;lt;/math&amp;gt; in the complex plane.&lt;br /&gt;
===Complex Numbers as Matrices===&lt;br /&gt;
The field F on complex numbers is isomorphic to the field F' of 2x2 matrices of the form&lt;br /&gt;
:[a     b]&lt;br /&gt;
:[-b    a],&lt;br /&gt;
with &amp;lt;math&amp;gt;a+bi&amp;lt;/math&amp;gt; mapping as a function f to the above matrix.&lt;br /&gt;
We can see that F and F' are isomorphic because:&lt;br /&gt;
The function f is clearly 1-to-1 and onto,&lt;br /&gt;
&amp;lt;math&amp;gt;f(x+y)=f(x)+f(y)&amp;lt;/math&amp;gt;,&lt;br /&gt;
and &amp;lt;math&amp;gt;f(x*y)=f(x)*f(y)&amp;lt;/math&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
===In popular culture===&lt;br /&gt;
In [[Yvgeny Zamyatin]]'s satirical novel ''[[We (novel)|We]]'', the narrator's psychological distress at contemplating the concept of complex numbers becomes a metaphor for the limitations of totalitarian systems of thought.&lt;br /&gt;
&lt;br /&gt;
==See Also==&lt;br /&gt;
*[[Arithmetic with complex number]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Mathematics]]&lt;br /&gt;
[[category:complex analysis]]&lt;/div&gt;</summary>
		<author><name>MelkorDCLXVI</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Additive_inverse&amp;diff=482650</id>
		<title>Additive inverse</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Additive_inverse&amp;diff=482650"/>
		<updated>2008-06-27T02:34:07Z</updated>

		<summary type="html">&lt;p&gt;MelkorDCLXVI: New page: The '''additive inverse''' of a complex or real number x is the number y such that x and y add to equal the additive identity, the number 0. The addi...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The '''additive inverse''' of a [[complex number|complex]] or [[real number|real]] number x is the number y such that x and y add to equal the [[additive identity]], the number 0. The additive inverse is a function defined for all complex numbers, and is [[cyclical function|cyclical]] with period 2. However, for this function to exist, one must first accept the existence of the [[negative numbers]]. This was a large impedent to early mathematics.&lt;/div&gt;</summary>
		<author><name>MelkorDCLXVI</name></author>
	</entry>
</feed>