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	<updated>2026-11-10T11:41:53Z</updated>
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		<id>https://www.conservapedia.com/index.php?title=Soft_drink&amp;diff=900784</id>
		<title>Soft drink</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Soft_drink&amp;diff=900784"/>
		<updated>2011-08-14T19:45:12Z</updated>

		<summary type="html">&lt;p&gt;Cheesecake: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Soft drinks.jpg|thumb|right|300px|Soft drink aisle at the supermarket]]&lt;br /&gt;
'''Soft Drinks''' are non-alcoholic carbonated beverages, often sold in cans or bottles; in some contexts, any non-[[Alcoholic drink|alcoholic]] (&amp;quot;hard&amp;quot;) drink is considered soft.&lt;br /&gt;
&lt;br /&gt;
Popular styles of soft drinks include [[colas|cola]], [[lemon-lime]] sodas, [[root beer]], [[ginger ale]] and fruit-flavored drinks.  For many of these, [[diet]] varieties are available as well.  For varieties which are commonly [[caffeine|caffeinated]], non-caffeinated versions are sometimes available.&lt;br /&gt;
&lt;br /&gt;
==List of Major US Soft Drinks by Manufacturer==&lt;br /&gt;
A full list of soft drinks would be extremely long and impossible to keep updated.  The major manufacturers have a recent tendency to frequently introduce limited-time brands; additionally, there are many minor regional brands in the US and both major and minor brands outside the US.  The major US manufacturers operate internationally, and there can be variation in brand name or recipes from one country to another.&lt;br /&gt;
&lt;br /&gt;
* [[The Coca-Cola Company]]&amp;lt;ref&amp;gt;http://www.thecoca-colacompany.com/brands/brandlist.html&amp;lt;/ref&amp;gt;&lt;br /&gt;
** [[Coca-Cola]] also known as [[Coke]] or [[Coca-Cola Classic]], a cola&lt;br /&gt;
** [[Coke II]], briefly known as [[Coca-Cola]]&lt;br /&gt;
** [[Diet Coke]]&lt;br /&gt;
** [[Barq's Root Beer]]&lt;br /&gt;
** [[Fresca]], a variety of fruit-flavored sodas&lt;br /&gt;
** [[Mr. Pibb]], a [[spiced cola]]&lt;br /&gt;
** [[Sprite]], a [[lemon-lime]] soda&lt;br /&gt;
* [[PepsiCo]]&amp;lt;ref&amp;gt;http://pepsi.com/pepsi_brands/all_brands/index.php&amp;lt;/ref&amp;gt;&lt;br /&gt;
** [[Pepsi]], a cola&lt;br /&gt;
** [[Diet Pepsi]]&lt;br /&gt;
** [[Mountain Dew]], an orange-flavored soda&lt;br /&gt;
** [[Mug Root Beer]]&lt;br /&gt;
* [[Cadbury Schweppes]]&amp;lt;ref&amp;gt;http://www.brandspeoplelove.com/csab/Brands/tabid/54/Default.aspx&amp;lt;/ref&amp;gt;&lt;br /&gt;
** [[Dr. Pepper]], a spiced soda&lt;br /&gt;
** [[7-Up]], a lemon-lime soda&lt;br /&gt;
** [[A&amp;amp;W Root Beer]]&lt;br /&gt;
** [[Canada Dry]] ginger ale&lt;br /&gt;
** [[RC Cola]]&lt;br /&gt;
==Notes==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
[[category:Beverages]]&lt;/div&gt;</summary>
		<author><name>Cheesecake</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Talk:Essay:Greatest_Conservative_Movies&amp;diff=890545</id>
		<title>Talk:Essay:Greatest Conservative Movies</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Talk:Essay:Greatest_Conservative_Movies&amp;diff=890545"/>
		<updated>2011-07-18T14:30:54Z</updated>

		<summary type="html">&lt;p&gt;Cheesecake: /* Public Discussion Here */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Talk:Essay:Greatest Conservative Movies/archive1|Archive 1]]&lt;br /&gt;
&amp;lt;br&amp;gt;[[Talk:Essay:Greatest Conservative Movies/archive2|Archive 2]]&lt;br /&gt;
&lt;br /&gt;
== Public Discussion Here ==&lt;br /&gt;
&lt;br /&gt;
(post comments here by clicking &amp;quot;Edit this page&amp;quot;)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
I think 'Tears of the Sun' should've definitely been on the list. Its extremely pro-military.&lt;br /&gt;
&lt;br /&gt;
What is the conservative message taught by &amp;quot;The Way We Were&amp;quot;? Just curious.&lt;br /&gt;
&lt;br /&gt;
== The Blind Side ==&lt;br /&gt;
It's a story about the shortcomings of public education and how the power of private Christian charity helped a young homeless man overcome his disadvantages and play in the NFL.[[User:AdamDiscordia|AdamDiscordia]] 19:03, 14 May 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
== Brokeback Mountain ==&lt;br /&gt;
&lt;br /&gt;
I was thinking about this topic earlier and had an interesting thought about a seemingly non-conservative movie that, in a way, is actually quite so. I'm going to throw this out there for some (hopefully productive and civil) debate and see what people think.&lt;br /&gt;
&lt;br /&gt;
The movie is Brokeback Mountain. Now hold on to your outrage, people. I have justifications for my point. Please hear me out. (Oh, and spoilers, just in case you planned to see/read it and hadn't)&lt;br /&gt;
&lt;br /&gt;
As you probably know, the movie (and the novella on which its based) is about two men who fall into a homosexual lifestyle. But what struck me as conservative about this film is that it doesn't glorify the lifestyle; the two mens' choice to indulge in homosexuality is a disastrous choice that ends up ruining both their lives. One man's marriage is destroyed and his relationship with his child is forever tainted. The other man's choice actually leads to his violent death (Incidentally, I'm not saying that killing someone for being gay is a conservative value. But the point is that this movie is actually very up-front about acknowledging the catastrophic consequences of a homosexual lifestyle).&lt;br /&gt;
&lt;br /&gt;
Considering all that, my next though was whether this movie might be unintentionally conservative, in which case it certainly doesn't belong on this list. But I don't think it is (haven't seen it since it first came out though, so I could be wrong).&lt;br /&gt;
&lt;br /&gt;
So, there's my point. I would appreciate some discussion. I imagine some CPers will think I'm trolling or just trying to start an argument. Not so. I feel like it's a valid point but that there are probably strong arguments for and against, and I'd really like to hear what other people think. [[User:EMorris|EMorris]] 17:11, 25 June 2010 (EDT)&lt;br /&gt;
&lt;br /&gt;
:You are partially right, but I think the homosexuals were meant to be sympathetic and on that basis alone, I don't think that movie belongs on this list. [[User:AdamDiscordia|AdamDiscordia]] 19:05, 14 May 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
== U-571 ==&lt;br /&gt;
&lt;br /&gt;
I deleted U-571 from this list. It portrays the capture of an Enigma machine from a German U-boat by US forces. As pretty much everyone with any interest in WW2 knows, the naval Enigma machine was stolen by Polish forces and decoded by British code-breakers at Bletchley. My Brit friends think U-571 is a joke because it minimises the role of the British (&amp;quot;you arrogant Yankees&amp;quot;). Poles are offended because it cuts out the Polish involvement altogether - including the very brave men who risked their lives to steal an Enigma machine and hand it over to British Intelligence. (BTW, Britain and Poland were allies of ours in WW2 and still are now.) Deceit isn't a conservative virtue - so I crossed U-571 off the list. [[User:BenjyB|BenjyB]] 16:51, 20 September 2010 (EDT)&lt;br /&gt;
&lt;br /&gt;
: I'd say it's very questionable whether there's any deceit involved. The movie makes an on-screen written acknowledgment that the the first (and the majority) of enigmas were captured by British sailors. The whole movie is so over-the-top that nobody with a lick of intelligence would believe it's true. American sailors did capture an enigma machine during the war too, so this movie is obviously &amp;quot;inspired by a true story&amp;quot; even if it's not especially true. Most of the movie-going public knows that Hollywood &amp;quot;true&amp;quot; stories are highly fictionalized. [[User:EMorris|EMorris]] 13:13, 21 September 2010 (EDT)&lt;br /&gt;
&lt;br /&gt;
==The Lives of Others==&lt;br /&gt;
&lt;br /&gt;
Where on earth is The Lives of Others? it is, surely, the best recent critique of Communism and, for that matter, one of the best films ''of any type'' released in the past five years. It certainly deserves a place ahead of, for example, the obscure Dark Matter. --[[User:Jdixon|Jdixon]] 12:13, 28 November 2010 (EST)&lt;br /&gt;
&lt;br /&gt;
: It's in German, right, and about the former [[East Germany]]?  I'll add it on your recommendation, but I can't agree it ranks higher than the English-language Dark Matter, which speaks to today and not just the past.--[[User:Aschlafly|Andy Schlafly]] 12:41, 28 November 2010 (EST)&lt;br /&gt;
&lt;br /&gt;
::Fair enough, Andy. Though I don't quite understand the argument against foreign-language films. If the issue is obscurity, The Lives of Others was seen by far more people in the US than Dark Matter. A glance at Box-Office Mojo confirms that Dark Matter took in a staggeringly tiny $30,591 on its domestic run. The Lives of Others took in $11,286,112 in the US (plus another $66 million in the rest of the world). I am, however, content to abide by your criteria. --[[User:Jdixon|Jdixon]] 15:40, 28 November 2010 (EST)&lt;br /&gt;
&lt;br /&gt;
:::Oprah Winfrey's daytime talk show rakes in far higher revenues than both, but I'm not sure what that proves.  Dark Matter was apparently victimized and downplayed by liberals who finally figured out its conservative message, after it won first place in one of the Sundance Film Festival categories.  The liberal backlash against Dark Matter is particularly surprising given that Meryl Streep starred in it.--[[User:Aschlafly|Andy Schlafly]] 18:48, 28 November 2010 (EST)&lt;br /&gt;
&lt;br /&gt;
::::P.S. Your suggestion of &amp;quot;The Lives of Others&amp;quot; is a fine addition.  Thanks.--[[User:Aschlafly|Andy Schlafly]] 19:02, 28 November 2010 (EST)&lt;br /&gt;
http://www.conservapedia.com/skins/common/images/button_sig.png&lt;br /&gt;
::::No problem. Keep up the good work. --[[User:Jdixon|Jdixon]] 20:47, 28 November 2010 (EST)&lt;br /&gt;
&lt;br /&gt;
== Fiddler on the Roof? ==&lt;br /&gt;
&lt;br /&gt;
A film celebrating the value of community, tradition, family, and faith, all against the historical context of the harm done by the rise of Communism in Russia...worthy of a spot on the list?  --[[User:Benp|Benp]] 18:30, 6 January 2011 (EST)&lt;br /&gt;
&lt;br /&gt;
:Sounds good to me ... please add it as you think best!--[[User:Aschlafly|Andy Schlafly]] 18:48, 6 January 2011 (EST)&lt;br /&gt;
&lt;br /&gt;
== Gattaca ==&lt;br /&gt;
&lt;br /&gt;
A condemnation of genetic experiments on humans, and a wonderful triumph of individualism in an extremely controlled society. No matter how much scientists play to be God, and try to improve the human race by using genetics, there will always be an individual, based on original God design, who, despite his health shortcomings, will triumph over this genetically modified, supposedly perfect human beings. &lt;br /&gt;
&lt;br /&gt;
I don’t immediately put it on the list because the movie is a bit atheist. In the final scene, the hero finally managed to travel to space and cites the phrase: “They say every atom in our bodies was once a part of a star. So, maybe I'm not leaving, maybe I'm going home.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
So, I’ll say that the movie has a conservative message, unfortunately diluted with atheist overtones. I’ll wait for someone else opinion before posting this. --[[User:AlejandroH|AlejandroH]] 23:03, 10 March 2011 (EST)&lt;br /&gt;
&lt;br /&gt;
:Feel free to post this with the caveat you mention.  Thanks for explaining it.--[[User:Aschlafly|Andy Schlafly]] 00:33, 25 March 2011 (EDT)&lt;br /&gt;
::We talked about this movie at my fellowship a few months ago - pure hokum about a guy who might have been alright on his own but for a disgusting patriarchy forcing human engineering. I'll write this if AlejandroJ doesn't. [[User:NKeaton|Nate]] 00:51, 25 March 2011 (EDT)&lt;br /&gt;
:::Thanks, I posted it. --[[User:AlejandroH|AlejandroH]] 15:31, 25 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
== Disney cartoons ==&lt;br /&gt;
&lt;br /&gt;
Most, and perhaps all, of the Disney cartoons for the past 15 or so years have pushed the [[feminist]] ideology.  I welcome any counterexamples, but doubt there are any.  Hence the reversion of the &amp;quot;Princess and the Frog (2009)&amp;quot; addition.--[[User:Aschlafly|Andy Schlafly]] 00:31, 25 March 2011 (EDT)&lt;br /&gt;
:''The Lion King'', a 1994 Disney movie, is definitely conservative. A main message of the movie is honoring thy father, and the power-hungry main antagonist, once he becomes ruler, favors big government, pushes [[liberal values]] and destroys their territory. I'll add it with your approval. [[User:DennyW66|DennyW66]] 15:45, 25 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
::Sounds like a good choice.  Please add and if anyone has a different view of the movie, then he can let us know.--[[User:Aschlafly|Andy Schlafly]] 16:26, 25 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
:::Added. [[User:DennyW66|DennyW66]] 16:41, 25 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
Mr Schlafly I would agree with your reversion of my contribution of the Princess and the Frog if that movie were feminist-ideology-promoting (like, for instance Mulan (1998)) but frankly, it is not a feminist movie. I am not a woman, nor a feminist - I am staunchly conservative. The Princess and the Frog promotes monogamous marriage (which feminism does not) as well as the other conservative values I listed (such as saving money, hard work, free enterprise etc).  In fact, the main character is so pro-marriage that she changes her licentious friend's behavior from debauchery (which feminism promotes) to monogamy. It is possibly the most conservative-value-laden animated movie I have ever seen.&lt;br /&gt;
&lt;br /&gt;
''The Lion King'' on the other hand promotes re-incarnation with its &amp;quot;Circle of Life&amp;quot; song. Jack, the hero of ''Titanic'' commits fornication and mocks a man reciting the 23rd Psalm; Cal, the main antagonist is depicted as a church-service-attending hypocrite. &lt;br /&gt;
&lt;br /&gt;
You are doubtless correct about the feminist ideology pushed by many Disney animations, but this is not one of them. I respectfully request that you consider returning my contribution of 'The Princess and the Frog'. [[User:Spotsbunch|Spotsbunch]] 23:17, 25 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
:I have to disagree with you about The Lion King. As far as I can interpret, &amp;quot;The Circle of Life&amp;quot; is either about the bond all humans share or the journey from life to death and the afterlife, not reincarnation. [[User:DennyW66|DennyW66]] 00:36, 26 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
::Spotsbunch, I think you have a valid point about the Lion King, but from what I've heard about the &amp;quot;Princess and the Frog,&amp;quot; it's feminist claptrap with the woman wearing the pants and doing everything except having children and homeschooling her kids.  It's more Disney tripe about a successful businesswoman towing along an inept man, which is hardly typical in the real world.--[[User:Aschlafly|Andy Schlafly]] 00:56, 26 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
:::Arguably, any movie where people turn into frogs, or where in Beauty and the Beast, people have transmogrified into furniture is not &amp;quot;real world&amp;quot;. Fantasies they may be, (like many movies listed here) but they are still conservative. I (finally) put it to your kind consideration that if you would watch the Princess and the Frog, you would find it contains less feminism and more conservativism than Beauty and the Beast. Whatever your judgment, I respect your decision and will refrain from further debate, even though I (thus far) disagree.  Kindest regards [[User:Spotsbunch|Spotsbunch]] 08:43, 26 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
::::[[Feminism]] is unmistakable: it has women acting like men and vice-versa, contrary to reality.  Disney cartoons have been ''heavily'' feminist for at least 15 years.  ''Beauty and the Beast'', made 20 years ago, was not feminist in any way.  But having a &amp;quot;Princess&amp;quot; act like a businessman and aspire to run a restaurant is feminist.  What's next - Cinderella aspires to be a CEO of a Fortune 500 company???--[[User:Aschlafly|Andy Schlafly]] 10:10, 26 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
:::::Is there any reason a woman can't run a restaurant or a fortune 500 company? No really, Andy, I want to know.  Why is it feminist to portray a woman doing anything but cooking, cleaning, and rearing children? [[User:TerryB|TerryB]] 13:40, 26 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
::::::Who said anything about cooking and cleaning?  And, no, there isn't a reason why a woman can't aspire to any field, such as plumbers (almost no women plumbers), gas station attendants (ditto), or professional football players (ditto).  The fact is that the vast majority of women ''do not aspire'' to do such activities (or running a restaurant or a Fortune 500 company), and it's false for feminists or feminist movies to repeatedly pretend otherwise.--[[User:Aschlafly|Andy Schlafly]] 13:48, 26 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
:::::::I apologize for my abrasiveness, it just seemed that you were implying that's all they're supposed to do.  I can see where you're coming from.  While a woman can do what she wants, feminists are wrong for telling woman that they should only aspire to do things traditionally done by men.  Men normally aren't beauty consultants, clothing designers, or nail salon technicians, so why don't we see any men urging more men to do these things? [[User:TerryB|TerryB]] 14:00, 26 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
::::::::[[Feminism]] repeatedly tries to persuade women not to have children and raise them, pretending that aspiring to work in a job is somehow better.  I can't think of a single Disney movie in the last 15 years that has been realistic about the homemaker role that most women prefer.--[[User:Aschlafly|Andy Schlafly]] 15:00, 26 March 2011 (EDT)&lt;br /&gt;
::::::::::Up. A key part of the story is that the old man's wife had given up her dreams of being an explorer as real life concerns around the home took precedence. [[User:Martyp|Martyp]] 15:03, 26 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
:::::::::::As promised, I will make my petition no further. However, as others have continued this debate, I will contribute to that. The Bible, our ultimate authority, disagrees (as I read it) that &amp;quot;a woman aspiring to run a business&amp;quot; (restaurant or otherwise) is feminist.  Proverbs 31:10-31 describes at length &amp;quot;the wife of noble character&amp;quot; to be involved in business by working with eager hands; importing food from merchant ships; providing food for her family; purchasing property for farming; trading profitably; making and selling expensive cloth and having enough money left over to give to the poor.  Anyone with a definition of feminism which includes activities like these, who also respects the Bible as God's authoritative Word should reconsider his definition.  Respectfully and with kindest regards, [[User:Spotsbunch|Spotsbunch]] 19:15, 26 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
::::::::::::Not surprisingly, you left out the verse saying &amp;quot;her children wake up, and call her 'blessed,' so does her husband&amp;quot; ([[CBP]] version), as well as several other verses that feminist movies do not include.--[[User:Aschlafly|Andy Schlafly]] 00:06, 27 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
:::::::::::::Then would it be acceptable to put the Princess and the Frog in the &amp;quot;Debatable Whether Conservative&amp;quot; section of this page? [[User:Spotsbunch|Spotsbunch]] 15:44, 30 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
::::::::::::::There are high quality movies in the &amp;quot;Debatable&amp;quot; section.  The [[feminist]] &amp;quot;Princess and the Frog&amp;quot; doesn't even come close to that level of quality and arguably conservatism.--[[User:Aschlafly|Andy Schlafly]] 17:46, 30 March 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
== Titanic ==&lt;br /&gt;
&lt;br /&gt;
The movie ''Titanic'' also shows the rich and privileged getting on the half-empty life boats while the poor and lower class passengers are locked below (which is actually historical). Should it truly be included in this list? [[User:SharonW|SharonW]] 16:50, 6 April 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
:No, I disagree.  The movie accurately portrays the wealthiest men on the boat (Guggenheim, Astor, etc.) giving up their lives so that poorer women and children could be saved.--[[User:Aschlafly|Andy Schlafly]] 21:53, 6 April 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
::While I'm ''not'' denying there were individual acts of chivalry and that Guggenheim et al declined seats (although there is historical conflicting testimony about Astor) on the lifeboats (of which there were too few given the number of people on the ship), the numbers show a definite declining survival rate by class. This was also a theme in the movie and not one that should be ignored.&lt;br /&gt;
&lt;br /&gt;
::The movie showed the lower class passengers being locked in the bowels of the ship, blocking escape. There is historical conflicting testimony on this subject as well: several people reported gates between decks being locked and armed guards blocking passageways while one steerage passenger testified that the gates were not locked. Another passenger stated that not only did the staff ''not'' sound an alarm in third class, but that steerage passengers who came up on deck were told to return to their rooms because there was no danger.&lt;br /&gt;
&lt;br /&gt;
::'''First Class''' Women - 4/141 died (97% survival rate)&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt;; Children: 1/7 died&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt; (86% survival rate); Men - 104/171 died (39% survival rate); Totals: 109/319 died (66% overall survival rate)&lt;br /&gt;
&lt;br /&gt;
::&amp;lt;sup&amp;gt;1&amp;lt;/sup&amp;gt;2 of the 4 first class female passengers who died chose to remain with their husbands. *corrected mistype.&lt;br /&gt;
&lt;br /&gt;
::&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt;Lorraine Allison remained on board with her family because they had been separated from her infant brother, who was on a lifeboat with his nurse. The entire family died, with the exception of the baby.&lt;br /&gt;
  &lt;br /&gt;
::'''Second Class''' Women: 13/92 died (86% survival rate); Children: 0/25 died (100% survival rate); Men: 135/152 died (11% survival rate); Totals: 148/269 died (45% overall survival rate)&lt;br /&gt;
&lt;br /&gt;
::'''Third Class''' Women: 91/179 died (49% survival rate); Children: 55/80 died (31% survival rate); Men: 381/440 died (13% survival rate); Totals: 527/699 died (25% overall survival rate)&lt;br /&gt;
&lt;br /&gt;
::'''Staff and crew''' Female: 2/22 died (91% survival rate); Male: 701/896 died (22% survival rate); Overall: 703/918 died (23% overall survival rate)&lt;br /&gt;
&lt;br /&gt;
::There are some servants left out of these numbers due to confusion&lt;br /&gt;
&lt;br /&gt;
::Sorry for the over-long reply, but the ''Titanic'' has been a subject of fascination to me since my teenage years (about a century ago!) so I'm rather verbose about it. 8^) I don't agree with you on the subject, but I won't remove the movie from the list. [[User:SharonW|SharonW]] 11:51, 7 April 2011 (EDT)&lt;br /&gt;
==Move The Dark Knight To the Debatable category?==&lt;br /&gt;
I'm wondering whether of not The Dark Knight should be truly considered conservative-while it does have the message of not giving in to terrorist, it also includes themes of everyone being corruptible and having their limits (like the good public defendant, Harvey Dent, turning into a villain, Two Face) and seems fascinated with darkness and chaos (&amp;quot;Madness is like gravity all you need is a little push&amp;quot;). Given this all, and the fact that Patrick Leahy had a cameo in it, I think this might well be reconsidered. Thoughts? &lt;br /&gt;
Armond White, who generally sees through liberal bias and is a more conservative viewer, wrote this about it: [http://webcache.googleusercontent.com/search?q=cache:fTJ_tj1IKooJ:www.nypress.com/article-18545-knight-to-remember.html+armond+white+the+dark+knightr&amp;amp;cd=1&amp;amp;hl=en&amp;amp;ct=clnk&amp;amp;gl=us&amp;amp;client=firefox-a&amp;amp;source=www.google.com]&lt;br /&gt;
&lt;br /&gt;
:Thanks for your comments.  I'll move &amp;quot;Dark Knight&amp;quot; to the debatable category as you suggest.--[[User:Aschlafly|Andy Schlafly]] 23:22, 13 April 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
::I watched it when it came out, and I didn't notice anything particularly Conservative about it. The only thing really good about it was the citizen response to the terrorist dilemma the arch-villain sets up, whereby two boatloads of passengers &amp;quot;must&amp;quot; each ensure their own survival by blowing up the other's boat; a quick-witted passenger takes the remote control and throws it overboard. But this has nothing to do with Batman. &lt;br /&gt;
&lt;br /&gt;
::The movie shows how vicious bad people can be, and how bullies support (and recruit) other bullies. But that is hardly fodder for the liberal-conservative debate. Both sides claim to despise bullying. &lt;br /&gt;
&lt;br /&gt;
::I daresay the [[Batman]] character of the 1960s comic books had some &amp;quot;[[conservative]]&amp;quot; qualities, such as the ''noblesse oblige'' of the superior man and idea that society can be benefited by the actions of a heroic individual. Both of these run counter to Communist ideas of history. But the Batman movies I've seen are about a different, darker man. --[[User:Ed Poor|Ed Poor]] &amp;lt;sup&amp;gt;[[User talk:Ed Poor|Talk]]&amp;lt;/sup&amp;gt; 11:45, 14 April 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
== &amp;quot;The Sandlot&amp;quot; as 1950s America as a time when &amp;quot;every boy had a chance to be great.&amp;quot; ==&lt;br /&gt;
&lt;br /&gt;
I suppose, maybe. It's harder to achieve greatness when one couldn't necessarily ride at the front of the bus/use the same drinking fountain/eat at the same counter/go to the same university as other folks. [[User:LloydR|LloydR]] 14:15, 28 May 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
: Your point is valid.  Feel free to include your point in the entry itself.  I don't think the 1950s were as [[conservative]] as today.  In addition to your comment, [[homeschooling]] was prohibited in the 1950s, for example.--[[User:Aschlafly|Andy Schlafly]] 14:29, 28 May 2011 (EDT)&lt;br /&gt;
&lt;br /&gt;
== Rollerball (1975) ==&lt;br /&gt;
&lt;br /&gt;
Rollerball (1975) is frequently overlooked as one of the great conservative films.  A dystopian tale in which a corporate oligarchy maintains control over the peoples of the world by distracting them with a hedonistic culture of sex, drugs, and violent entertainment. Rollerball was designed by the corporations to hypnotize and distract the minions with gladiatorial combat disguised as sport.  The world watches these spectacles and subconsciously receives the message their corporate masters are feeding them - that individual achievement is not possible, because every Rollerballer ultimately faces the same gruesome fate.  However, when Jonathan E (James Caan) proves dominate and (more importantly) invincible in the sport - the corporations attempt to force him to retire through an ever horriflying series of rule changes designed to bring about his death or capitulation.&lt;br /&gt;
Jonathan E's defiance is a captivating and uplifting example of a man asserting the freedom of the individual in the face&lt;br /&gt;
of totalitarianism.  JFarren 17:38, 7 June 2011 (EDT)&lt;/div&gt;</summary>
		<author><name>Cheesecake</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&amp;diff=886247</id>
		<title>Essay:Greatest Conservative Movies</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&amp;diff=886247"/>
		<updated>2011-07-05T21:19:06Z</updated>

		<summary type="html">&lt;p&gt;Cheesecake: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''There have been many superb [[conservative]] films''':&lt;br /&gt;
&lt;br /&gt;
#''Witness'' (1985) - Highlights the virtues of strong moral values, with more substance and excitement than ''High Noon''.&lt;br /&gt;
#''[[Atlas Shrugged]]'' (2011) - Big screen adaptation of the classic conservative text.&lt;br /&gt;
#''[[Invasion of the Body Snatchers]]'' (1956) - A science fiction condemnation of [[communism]], produced for only $420,000 and remade successfully in three additional movies.&lt;br /&gt;
#''[[The Exorcist]]'' (1973) (''not for children'') - A portrayal of pure evil against a positive characterization of [[Christianity]].  It broke the record for movie revenue.&lt;br /&gt;
# ''[[Dark Matter]]'' (2008) - A candid look at [[professor values]] along with problems associated with lack of assimilation; [[liberal]]s first praised the movie, but after realizing its [[conservative]] message then panned it.&lt;br /&gt;
#''[[Spider-Man]]'' (2002) - Praises moral virtue (hard-working teenager, devout aunt and well-meaning uncle) and pokes fun at [[liberals]] (entertainers and journalist).  Hero chooses [[abstinence]].  This was one of the most profitable films ever made.&lt;br /&gt;
#''[[Gone With the Wind]]'' (1939) -  Celebrates a strongly ''feminine'' heroine who is the antithesis of a modern [[feminist]], and held the record for top-grossing movie for decades.&lt;br /&gt;
#''[[Ben-Hur (film, 1959)|Ben-Hur]]'' (1959) - Celebrates honor and duty to family and country, with a pro-Christian ending, long held the record for the most [[Academy Awards]].&lt;br /&gt;
#''[[Expelled | Expelled: No Intelligence Allowed]]'' (2008) - [[Ben Stein]] exposes [[evolution|evolutionists]]' scientific and education system [[deceit]].&lt;br /&gt;
#''[[Hillary: The Movie]]'' (2008) - Citizens United film exposing Hillary Clinton. This movie led to the overturning of McCain-Feingold legislation by the [[U.S. Supreme Court]].&lt;br /&gt;
#''[[Indoctrinate U]]'' (2007) - Exposed political correctness, racial and ethnic politics in the academic setting. &amp;lt;ref&amp;gt;[http://video.yahoo.com/watch/3624795/9994231 Indoctrinate U -Part 1/3, Yahoo]&amp;lt;/ref&amp;gt;&lt;br /&gt;
#''[[Fireproof (film)|Fireproof]]'' (2008) - Highly successful pro-Christian, pro-marriage film created by [[Sherwood Pictures]].&lt;br /&gt;
#''[[Beauty and the Beast]]'' (1991) - A powerful and immensely popular antidote to [[feminism]], far better than the [[liberal]] movies churned out by [[Disney]] since.&lt;br /&gt;
#''[[Titanic]]'' (1997) - Every life had value and the most powerful men gave up their seats on lifeboats to women and children first; the media and a young [[RINO]] are rightly criticized; broke the record in movie revenues&lt;br /&gt;
#''The Lives of Others'' (2006) (''not for children'') - This German-language film is a stinging criticism of the [[communist]] [[East Germany]] from a liberal perspective.&lt;br /&gt;
#''[[The Sound of Music]]'' (1965), solid family entertainment, perhaps Hollywood's last great movie before it turned sharply Left.&lt;br /&gt;
#''[[The Ten Commandments]]'' (1956) - The definitive film portrayal of [[Exodus]].&lt;br /&gt;
#''[[Mr. Smith Goes To Washington]]'' (1939) - A tale of a good, simple man rising above the pressures of [[liberals]] to do the right thing. Features perhaps the best defense of the American political system ever committed to film.&lt;br /&gt;
#''[[Star Wars]]'' series (1977-2005) - Simple truths about the triumph of good over evil.&lt;br /&gt;
#''The Winning Team'' (1952) - [[Ronald Reagan]] stars as a baseball pitcher who overcomes his problems to help his team win. This was one of Reagan's own favorites.&lt;br /&gt;
#''[[King of Kings]]'' (1961)&lt;br /&gt;
#''[[Iron Eagle]]'' (1986)&lt;br /&gt;
#''[[On The Waterfront]]'' (1954) - [[Marlon Brando]] plays Terry Malloy, who under the inspiration of a Catholic priest (Father Barry, played by [[Karl Malden]]), becomes a Christ-like figure.  Betrayed by his brother and almost killed by the gang, he finds the strength to overcome and redeem his people from the slavery to the mobsters who run the waterfront.  In stunning contrast to the liberals who kept silent about the Communist subversion in Hollywood, the film portrays the informer as the hero; liberal Hollywood never forgave director [[Elia Kazan]] for his stunning film.  In real life, Kazan, Malden and screenwriter Budd Schulberg all testified before Congress, along with [[Ronald Reagan]].  Together they broke the power of the Reds in Hollywood.  &lt;br /&gt;
#''[[Sergeant York]]'' (1941) - A young American soldier during WWI overcomes an unfounded religious objection to killing and becomes a war hero.&lt;br /&gt;
#''[[Knute Rockne: All-American]]'' (1940) - Stars [[Ronald Reagan]] as corageous football player George Gipp, who dies before an important game.&lt;br /&gt;
#''[[Ninotchka]]'' (1939)&lt;br /&gt;
#''[[Forbidden Planet]]'' (1956)&lt;br /&gt;
#''[[Rudy]]'' (1993) - A young man overcomes many obstacles, including dyslexia, to play for the [[Notre Dame]] football team. Shows the value of hard work and never giving up. &lt;br /&gt;
#''[[The Prince of Egypt]]'' (1998) - A telling of the life of [[Moses]].&lt;br /&gt;
#''[[Strategic Air Command (film)|Strategic Air Command]]'' (1955) - Actor (and Brigadier [[General]]) [[James Stewart]]'s story of the real [[Strategic Air Command]] and its transition from prop planes to jet planes.&lt;br /&gt;
#''[[A Gathering of Eagles]]'' (1963) - Illustrates duty, honor, and the burden of command.&lt;br /&gt;
#''[[Red Dawn]]'' (1984)&lt;br /&gt;
#''[[Harry's War]]'' (1981)&lt;br /&gt;
#''[[The Patriot]]'' (2000) - A patriot fights for American freedom during the [[American Revolution]].&lt;br /&gt;
#''[[Ladder 49]]'' (2004) - Shows the courageousness of firefighters.&lt;br /&gt;
#''[[Rocky]]'' (1976) - A talented but down-on-his-luck fighter gets a chance to challenge himself to the ends of his ability. This film reinforces man's ability to overcome challenges. &lt;br /&gt;
#''[[October Sky]]'' (1999) - Four high school boys from a rural coal mining town, inspired by Sputnik, set out to build their own rockets and become rocket scientists.&lt;br /&gt;
#''[[Amazing Grace (film)|Amazing Grace]]'' (2006) - Shows the horrors of slave trade.&lt;br /&gt;
#''[[Bruce Almighty]]'' (2003) - Shows, in a comedic, accessible way, that no one mortal can successively do [[God]]'s job.&lt;br /&gt;
#''[[World Trade Center]]'' (2006) - Highlights the bravery of the firemen and police in [[9/11]])&lt;br /&gt;
#''[[Flight 93]]'' (2006) - Shows the bravery of the passengers on Flight 93, which was hijacked on September 11th, 2001, and crashed into a Pennsylvania field. The passengers fought back against the hijackers.&lt;br /&gt;
#''[[A Man For All Seasons]]'' (1966)&lt;br /&gt;
#''[[Chariots of Fire]]'' (1981)&lt;br /&gt;
#''[[One Foot In Heaven]]'' (1941)&lt;br /&gt;
#''[[Quo Vadis?]]'' (1951)&lt;br /&gt;
#''[[The Lost Weekend]]'' (1945) - Illustrates the dangers of alcohol abuse.&lt;br /&gt;
#''[[The Manchurian Candidate]]'' (1962, 2004 remake) - Anti-communist in general, but with a swipe at [[Joseph McCarthy]].&lt;br /&gt;
#''[[The Green Berets]]'' (1968) - Vivid defense of our troops' conduct in the Vietnam War.&lt;br /&gt;
#''[[My Son John]]'' (1952) - A small-town couple's world is turned upside-down by the discovery that their adult son is a Communist.&lt;br /&gt;
#''[[True Lies]]'' (1994) - Stars the future Republican governor of California, [[Arnold Schwarzenegger]]. Teaches conservative values like marital loyalty, and political incorrect facts such as the fact that most terrorists are Middle Eastern Arabic speakers who don't value human life.&lt;br /&gt;
#''[[The Island]]'' (2005) - Pro-life statement against cloning to harvest organs.&lt;br /&gt;
#''[[Evelyn]]'' (2002) - True story of Irish father's legal struggle to recover his kids from an orphanage.&lt;br /&gt;
#''[[Shane]]'' (1953) - Western about defending a homesteading family.&lt;br /&gt;
#'' [[Lean on Me]]'' (1989) - A true story about combating drug use, violence, and contempt for authority while exalting positive values like academic achievement and family values.&amp;lt;ref&amp;gt;http://www.imdb.com/title/tt0097722/&amp;lt;/ref&amp;gt;&lt;br /&gt;
#''[[Hero]]'' (1992-)  Even those with character flaws can do good.&lt;br /&gt;
#''[[The Day of the Jackal]]'' (1973) - Celebrates conservative values like honor and duty.&lt;br /&gt;
#''[[The 6th Day]]'' (2000) - Pro-Life, Anti-Cloning movie Featuring Republican Governor [[Arnold Schwarzenegger]]&lt;br /&gt;
#''Ghostbusters'' (1984) - Fitting satire of an environmental regulator.&lt;br /&gt;
#[[Facing the Giants]] 2006. Trust in [[God]], let him take over, and good things will happen.&lt;br /&gt;
#''Flash of Genius'' (2008) - The intellectual property of a hard-working, solitary inventor is promoted, and his children stuck by his side through enormous difficulties.&lt;br /&gt;
#''Oh, God!'' (1977) - Acceptance of God's calling is rewarded, the faithful are vindicated, and naysayers are proven wrong.&lt;br /&gt;
#''[[Courageous]]'' (2011) - Upcoming [[Sherwood Pictures]] film focusing on the role of fathers.&lt;br /&gt;
#''[[Air Force One (film)|Air Force One]]'' (1997) - Positively portrays a strong U.S. president who takes an uncompromising stance against terrorism. Includes positive material about family, authority, the military and sacrifice.&lt;br /&gt;
#''[[The Fellowship of the Ring (film, 2001)|The Lord of the Rings: the Fellowship of the Ring]]'' (2001) - Clear distinction between good and evil with positive themes of friendship, bravery, honor, sacrifice and overcoming temptation.&lt;br /&gt;
#''[[The Two Towers (film, 2002)|The Lord of the Rings: the Two Towers]]'' (2002) - Strong portrayals of redemption and good over evil.&lt;br /&gt;
#''[[Master and Commander: The Far Side of the World]]'' (2003) - Promotes many positive conservative values including faith in God, patriotism, duty, honor, respect for authority, discipline, bravery, sacrifice, and friendship.&lt;br /&gt;
#''[[The Return of the King (2003 film)|The Lord of the Rings: the Return of the King]]'' (2003) - Bravery, heroism, sacrifice and good ultimately triumphing over evil.&lt;br /&gt;
#''[[The Chronicles of Narnia: The Lion, the Witch and the Wardrobe]]'' (2005) - Based upon the Christian allegory written by C.S. Lewis.&lt;br /&gt;
#''Coach Carter'' (2005) - Promotes the theme that graduating from high school and having proper moral values are more important than becoming famous athletes.&lt;br /&gt;
#''[[The Chronicles of Narnia: Prince Caspian]]'' (2008)&lt;br /&gt;
#''[[The Chronicles of Narnia: The Voyage of the Dawn Treader]]'' (2010)&lt;br /&gt;
#''[[The Seventh Sign]]'' (1988) - starring Demi Moore, a fictional account of the return of Jesus to usher in the apocalypse and judge mankind. Catholic themed movie has Demi offering her life for the souls of others.&lt;br /&gt;
#''[[Maafa21]]'' (2009) - This film explores the inception of [[Planned Parenthood]] as an organization created to destroy the Negro population. It exposes the words of its' racist founder [[Margaret Sanger]] and their impact on black genocide more than a century later. &amp;lt;ref&amp;gt;[http://www.maafa21.com www.maafa21.com]&amp;lt;/ref&amp;gt; &lt;br /&gt;
#''[[Twelve O'Clock High]]'' (1949) - A thrilling movie about the heroics of fighter pilots during [[World War II]]; used as an educational film for management training seminars&lt;br /&gt;
#''[[Escape from Hell]]'' (2001) - Drama about a doctor and near-death experience.&lt;br /&gt;
#''[[Waiting for Superman]]'' (2010) - Documentary on the failed public school system.&lt;br /&gt;
#''The Hurt Locker'' (2008) - A look into the life of an American bomb disposal regiment in Iraq risking their lives for their country and for the innocent by confronting evil. Rated R for violence and language.&lt;br /&gt;
#''The Tunnel'' (''Der Tunnel'') (2001)- Based on a true story a group of East Berliners escaping harsh Communist rule and hatch a plan to help others escape that same oppressive regime. &lt;br /&gt;
#''A Charlie Brown Christmas'' (1965) - The real meaning of Christmas is discussed, as Linus quotes Luke 2:8-14. Decries the materialism that can surround the Christmas holiday.&lt;br /&gt;
#''[[The Great Global Warming Swindle]]'' (2007) - Exposing the greatest fraud in the history of science.&lt;br /&gt;
#''[[Fiddler on the Roof]]'' (1971) - A celebration of tradition, faith, and the importance of family, against a historical background of the persecution of Russian Jews.&lt;br /&gt;
#''[[Kids Aren't Cars]]'' (2011) - How the teachers' unions are destroying our public schools. &amp;lt;ref&amp;gt;[http://www.kidsarentcars.com/blog/wp-content/uploads/2011/01/KACOneSheet.pdf KAC Summary]&amp;lt;/ref&amp;gt;&lt;br /&gt;
#''[[How We Should Live]]'' (1976) - Christian film that traces Western history from Ancient Rome until 1976. A study of philosophic, scientific, and religious movements reflecting changing patterns.&lt;br /&gt;
#''[[Gattaca]]'' (1997) - A condemnation of human genetic engineering, and a wonderful triumph of individualism in an extremely totalitarian regime. Unfortunately the movie ends with a materialistic message: &amp;quot;They say every atom in our bodies was once a part of a star. So, maybe I'm not leaving, maybe I'm going home&amp;quot; (A phrase said when the protagonist finally managed to go to space). &lt;br /&gt;
# ''The Lion King'' (1994) - A main message of the movie is honoring thy father, and the power-hungry main antagonist, once he becomes ruler, favors big government, pushes [[liberal values]] and destroys their territory.&lt;br /&gt;
# ''Space Jam'' (1996) - Michael Jackson uses the help of beloved children's characters from the '50s (a simpler time in America's history) to beat back foreign invaders who wish to take away our freedoms.&lt;br /&gt;
# ''Contact'' (1997) - The overall message is about how science and faith do not have to be in opposition to one another.&lt;br /&gt;
#''The Sandlot'' (1993) – Honestly depicts 1950s America when boys acted like boys and girls acted like girls, wimps were taught to toughen up, and every boy had a chance to be great. No historical revisionism. &lt;br /&gt;
#''I Confess'' (1953) - In this classic by Alfred Hitchcock, a clergyman honors his sacred vow of confidentiality with respect to a confession despite intense pressure to disclose it.&lt;br /&gt;
#''Mr. Skeffinton'' - Bette Davis portrays a socialite whose life is ruined when she turns ugly with age. Anti-Nazi and anti-materialistic.&lt;br /&gt;
&lt;br /&gt;
== Debatable Whether Conservative ==&lt;br /&gt;
&lt;br /&gt;
#''[[The Passion of the Christ]]'' (2004) - Downplays the [[Resurrection]],&amp;lt;ref&amp;gt;The original version of the film had no references at all to the Resurrection.&amp;lt;/ref&amp;gt; and strength of Christianity and omits powerful angels; instead exaggerates triumph of evil; film had little lasting effect on public or its producer; portrayed nails as through the hands rather than through the wrists as depicted by the [[Shroud of Turin]] and confirmed by modern science.&lt;br /&gt;
#''[[It's a Wonderful Life]]'' (1946) - Falsely teaches that humanism is what makes life worthwhile; marginalizes [[faith]] with a cartoonish depiction and demonizes capitalism as sadistic and greedy.&lt;br /&gt;
#''[[High Noon]]'' (1952) - Bill Clinton saw this movie 20 times, and John Wayne said it was the most un-American movie ever;&amp;lt;ref&amp;gt;http://www.brightlightsfilm.com/47/highnoon.php&amp;lt;/ref&amp;gt; though susceptible of various interpretations, most of all it seems to scare people into wanting more government.&lt;br /&gt;
#''[[P.C.U.]]'' (1994) - College students fight back against a campus where the administration promotes official [[diversity]] awareness weekends and radical [[feminism]], [[vegan]]ism, and [[political correctness]] run amok, but a conservative group on campus is also portrayed just as negatively as the P.C. groups.&lt;br /&gt;
#''Pillow Talk'' (1959) - A classic starring Rock Hudson and Doris Day in which conservative values triumph over liberal ones.  There are no distortions by feminist ideology.  Indeed, in one scene a leading man slaps the leading lady, but then is beaten up by dimwitted bystanders for it!&lt;br /&gt;
#''[[Blues Brothers]]'' (1980) - Comedy musical. A story of redemption, &amp;quot;A mission from God&amp;quot;, raising money to save a Catholic orphanage. R-rated movie for vulgar language, slap stick comedy. Vatican approved. &amp;lt;ref&amp;gt;[http://liveshots.blogs.foxnews.com/2010/06/18/vatican-blesses-blues-brothers/ Vatican Calls The Blues Brothers “Catholic”, FOXNews, June 19, 2010]&amp;lt;/ref&amp;gt;&lt;br /&gt;
#''The Way We Were'' (1973) - Unique in the way that it appears liberal to liberals while unintentionally sending a [[conservative]] message to young women.&lt;br /&gt;
#''Grease'' (1978) - Some [[conservative]] messages and no [[feminism]] or other [[political correctness]]; mocks [[public school]] and even [[television]].&lt;br /&gt;
#''Fargo'' (1996) - Pregnant sheriff with traditional American family values solves an elaborate criminal embezzlement, kidnapping and murder scheme.&lt;br /&gt;
#''[[Juno (film)]]'' (2007) - A pregnant teenage woman rejects [[abortion]] and decides for an adoptive birth instead. This movie pushes [[feminism]] and marginalizes the essential role of fatherhood.&lt;br /&gt;
#''[[The Dark Knight]]'' (2008) - Christian allegory with message of not giving in to terrorists, but the movie also arguably has some liberal themes as pointed on [[Talk:Essay:Greatest Conservative Movies]].&lt;br /&gt;
#''Camelot'' - The famous jousting scene is a powerful display of Christian values and chivalry, but the movie seems lost afterward.&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Essays about Conservatism]]&lt;br /&gt;
[[Category:Hollywood]]&lt;/div&gt;</summary>
		<author><name>Cheesecake</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Gone_with_the_Wind&amp;diff=886190</id>
		<title>Gone with the Wind</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Gone_with_the_Wind&amp;diff=886190"/>
		<updated>2011-07-05T16:14:09Z</updated>

		<summary type="html">&lt;p&gt;Cheesecake: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''''Gone with the Wind''''' ('''GWTW''') is a novel portraying life in the southern [[United States]], during the [[Civil War]] and [[Reconstruction]], written by [[Margaret Mitchell]], and originally published in 1936.  The 1000 page runaway best-seller tells the story of Scarlett O'Hara, a young woman on a Georgia plantation who tries to keep control of her land and find love while facing war, defeat and poverty.  It won the Pulitzer prize for fiction and remains a classic in the history of the self identity of [[The South]]. The book has sold 28 million copies worldwide. ''Gone with the Wind'' is Mitchell's only literary output.&lt;br /&gt;
[[File:Gwtw2.jpg|thumb|300px|&amp;lt;center&amp;gt;'''Advertising poster for ''Gone with the Wind'''''&amp;lt;/center&amp;gt;]]&lt;br /&gt;
&lt;br /&gt;
''Gone with the Wind'' was made into a [[Technicolor]] film in 1939, starring the English actress Vivien Leigh and the American actor Clark Gable; the directing credit went to [[Victor Fleming]], who, coincidentally, was credited with the studio's ''other'' 1939 blockbuster, [[The Wizard of Oz]]. It was [[Hollywood]]'s largest and most expensive production to date, with a huge cast, massive sets (the fake city of Atlanta was burned down). [[David O. Selznick]], the legendary, manic M-G-M producer who dominated every aspect of the film, fired the first director [[George Cukor]], and Fleming finished up.  It won eight Academy Awards, and is the most-seen and highest grossing film of all time, (based on 1940 dollars).&lt;br /&gt;
&lt;br /&gt;
The book and film do not attack slaveholders, the slaves appear to be too happy and the freedmen too angry, so [[Neoabolitionist]] critics have been hostile.  In fact Hollywood gave black actors the best parts they had ever received and Hattie McDaniel (1895-1952) with her performance as Mammy, the sassy, independently minded, and opinionated maid who is never slavish, became the first black actor to win an Oscar.&lt;br /&gt;
&lt;br /&gt;
The story is intensely anti-war, showing how hot-heads (repeatedly ridiculed by Rhett Butler) take the highly prosperous South into a needless war and destroying their whole way of life. The film also shows the direct effects of the horrors of war: images of agonized, thirsty, and tired soldiers and civilians pervade the film.  &lt;br /&gt;
&lt;br /&gt;
None of the characters is profoundly changed by the war, except for Scarlett.  She moves from the frivolous lover of leisure to a Yankee-like shrewd, hard-driving business leader. It takes a very hard-headed Scarlett to whip the under-performing traditionally minded menfolk into shape to deal with the modern postwar economy.&amp;lt;ref&amp;gt; Scarlett's transformation is exactly what they Yankees had planned for the Southern white men during Reconstruction. See C. Vann Woodward, &amp;quot;The Southern Ethic in a Puritan World,&amp;quot; ''William and Mary Quarterly,'' Vol. 25, No. 3 (Jul., 1968), pp. 344-370 [http://www.jstor.org/stable/1921772 in JSTOR]&amp;lt;/ref&amp;gt;  Rhett, although Southern-born is a war profiteer who is hated by the men because he resembles a mercenary money-grubbing Yankee.&amp;lt;!-- (commenting out until we get confirmation or reference for this assertion) Only prostitutes like him.--&amp;gt; At first Scarlett finds the war merely tiresome as the foolish young men rush out to get killed, spoiling her parties. Scarlett only loves Ashley; she can't have him so she marries a series of men for the money to save Tara, her family home. That motivation marks her transformation. As the the first female capitalist of the New South, she resists Rhett's overtures even after marriage showing her choice of money and power over sex and romantic love. In Shakespearean terms, she is a shrew who will not be tamed.  &lt;br /&gt;
&lt;br /&gt;
Clark Gable gave the best, most expressive acting of his career. Olivia de Havilland provided the movie with a moral center, and Leigh gave one of the most electrifying performances in the history of film. &lt;br /&gt;
&lt;br /&gt;
Several authors have tried to write sequels, but none works well.&lt;br /&gt;
[[File:GWTW1939.jpg|thumb|300px|Director Victor Fleming (seated second from right) with Vivien Leigh and Clark Gable on the set of &amp;quot;Gone with the Wind,&amp;quot; in 1939, the year he also directed  &amp;quot;The Wizard of Oz.&amp;quot;]]&lt;br /&gt;
&lt;br /&gt;
==Further reading==&lt;br /&gt;
* Mitchell, Margaret. ''Gone With The Wind'' (1936), [http://gutenberg.net.au/ebooks02/0200161.txt complete text from Gutenberg; online free]&lt;br /&gt;
&lt;br /&gt;
* Haskell, Molly. ''Frankly, My Dear: &amp;quot;Gone with the Wind&amp;quot; Revisited'' (2009) [http://www.amazon.com/Frankly-My-Dear-Revisited-America/dp/0300117523/ref=sr_1_1?ie=UTF8&amp;amp;s=books&amp;amp;qid=1242717880&amp;amp;sr=1-1 excerpt and text search]&lt;br /&gt;
* Pyron, Darden. ''Southern Daughter: The Life of Margaret Mitchell'' (2006) [http://www.amazon.com/Southern-Daughter-Life-Margaret-Mitchell/dp/1588180972/ref=sr_1_6?ie=UTF8&amp;amp;s=books&amp;amp;qid=1242717909&amp;amp;sr=1-6 excerpt and text search]&lt;br /&gt;
* Sragow, Michael. ''Victor Fleming: An American Movie Master'' (2008) [http://www.amazon.com/Victor-Fleming-American-Movie-Master/dp/0375407480/ref=sr_1_1?ie=UTF8&amp;amp;s=books&amp;amp;qid=1242717847&amp;amp;sr=1-1 excerpt and text search]&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* [http://www.gwtw.org/gonewiththewind.html Margaret Mitchell Museum, &amp;quot;The Story Behind Gone With The Wind&amp;quot;]&lt;br /&gt;
&lt;br /&gt;
====references====&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Novels]]&lt;br /&gt;
[[Category:War Movies]]&lt;br /&gt;
[[Category:American Civil War]]&lt;br /&gt;
[[Category:Reconstruction]]&lt;br /&gt;
[[Category:The South]]&lt;/div&gt;</summary>
		<author><name>Cheesecake</name></author>
	</entry>
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