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		<id>https://www.conservapedia.com/index.php?title=Hip_hop&amp;diff=211964</id>
		<title>Hip hop</title>
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		<updated>2007-06-29T01:19:25Z</updated>

		<summary type="html">&lt;p&gt;89: &lt;/p&gt;
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&lt;div&gt;{{Merge|Hip hop culture|Talk:Hip_hop#disambiguation|date=June 2007}}&lt;br /&gt;
{{Merge|Hip hop music|Talk:Hip_hop#MERGE|date=June 2007}}&lt;br /&gt;
{{otheruses}}&lt;br /&gt;
&lt;br /&gt;
'''Hip hop''' (also spelled '''hip-hop''' or '''hiphop''') is both a [[music genre]] and a [[cultural movement]] developed in New York starting in the 1970s, predominantly by [[African American]]s and Latinos.&amp;lt;ref&amp;gt;http://www.thenext.org.nz/the_resource/history_of_hiphop.php&amp;lt;/ref&amp;gt; &lt;br /&gt;
Since first emerging in [[New York City]] in the 1970s, hip hop has grown to encompass an entire lifestyle that consistently incorporates diverse elements of [[ethnicity]], [[technology]], [[art]] and [[urban culture|urban life]]. There are four fundamental elements in hip hop:&lt;br /&gt;
[[Image:Graffiti stylaz.jpg|thumb|right|400px|Examples of graffiti styles.]]&lt;br /&gt;
*[[Hip hop dance]]: [[Breakdance]] and various forms of [[street dance]];&lt;br /&gt;
*[[Hip hop art]]: Urban inspired art, often as [[graffiti]];&lt;br /&gt;
*[[Hip hop music]]: [[Disc jockey|DJing]], [[Beats (music)|beats]] and beatmaking, and [[hip hop production]];&lt;br /&gt;
*[[Rapping]]: [[Master of Ceremonies|MCing]] and urban inspired poetry.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== History of Hip hop==&lt;br /&gt;
{{main|History of hip hop music}}&lt;br /&gt;
===Hip hop music and DJing===&lt;br /&gt;
During the early 70s, Clive Campbell, a Jamaican DJ who went by the name &amp;quot;[[Kool Herc]],&amp;quot; arrived in New York City. Herc introduced the Jamaican tradition of &amp;quot;toasting,&amp;quot; or boasting impromptu poetry and sayings over [[Reggae]], [[Disco]] and [[Funk]] records, during parties in the [[Bronx, New York]]. Herc also was the originator of [[break (music)|break-beat]] [[DJ|deejay]]ing, where the breaks of [[funk]] songs&amp;amp;mdash;being the most danceable part, often featuring [[percussion instrument|percussion]]&amp;amp;mdash;were isolated and repeated for the purpose of all-night dance parties. Later DJs such as [[DJ Grandmaster Flash|Grandmaster Flash]] refined and developed the use of breakbeats, including [[cutting (music)|cutting]].  &lt;br /&gt;
&lt;br /&gt;
Herc's idea was soon widely copied, and by the late 70's a myriad of DJ's were releasing 12&amp;quot; cuts where they would rap to the beat. Popular tunes included [[Kurtis Blow]]'s ''[[The Breaks]]'', and The [[Sugar Hill Gang]]'s ''[[Rapper's Delight]].''&lt;br /&gt;
&lt;br /&gt;
===Evolution of the MC===&lt;br /&gt;
Rapping then developed as MCs would talk over the music to promote their DJ, promote other dance parties, or take light-hearted jabs at other lyricists. This soon developed into the rapping that appears on earlier basic hip-hop singles, with MCs talking about problems in their areas and issues facing the community as a whole. [[Melle Mel]], a rapper/lyricist with The [[Furious Five]] is often credited with being the first rap lyricist to call himself an &amp;quot;MC.&amp;quot;&amp;lt;ref&amp;gt;[http://www.allhiphop.com/features/?ID=1686  article about Mele Mel (Melle Mel) at AllHipHop.com]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
By the late 1970s myriad DJs were releasing 12&amp;quot; cuts where MCs would rap to crowd-moving beats. Popular tunes included [[Grandmaster Flash]] &amp;amp; The Furious Five's &amp;quot;Supperrappin',&amp;quot; [[Kurtis Blow]]'s &amp;quot;[[The Breaks]],&amp;quot; and [[The Sugar Hill Gang]]'s &amp;quot;[[Rapper's Delight]]&amp;quot;. In 1982, Melle Mel and Duke Bootee recorded &amp;quot;The Message&amp;quot; (officially credited to Grandmaster Flash &amp;amp; The Furious Five), a song that foreshadowed socially conscious hip hop.{{Fact|date=June 2007}}&lt;br /&gt;
&lt;br /&gt;
===Origin of the term &amp;quot;Hip Hop&amp;quot;===&lt;br /&gt;
Coinage of the term ''hip hop'' is often credited to Keith Cowboy, a [[Rapping|rapper]] with [[Grandmaster Flash]] &amp;amp; the Furious Five. Though [[Lovebug Starski]], Keith Cowboy, and [[DJ Hollywood]] used the term when the music was known as ''[[disco]] rap'', it is believed that Cowboy created the term while teasing a friend who had just joined the US Army, by [[scat singing]] the words &amp;quot;hip/hop/hip/hop&amp;quot; in a way that mimicked the [[rhythm]]ic cadence of marching soldiers.&amp;lt;ref name=&amp;quot;furious5&amp;quot;&amp;gt;http://web.archive.org/web/20060317071002/http://www.furious5.net/cowboy.htm&amp;lt;/ref&amp;gt; Cowboy later worked the &amp;quot;hip hop&amp;quot; cadence into a part of his stage performance, which was quickly copied by other artists; for example the opening of the song &amp;quot;[[Rapper's Delight]]&amp;quot; by [[The Sugarhill Gang]].&amp;lt;ref name=&amp;quot;furious5&amp;quot;/&amp;gt; Former [[Black Spades]] gang member [[Afrika Bambaataa]] is credited with first using the term to describe the [[subculture]] that hip hop music belongs to, although it is also suggested that the term was originally derisively used against the new type of music.&amp;lt;ref&amp;gt;[http://72.14.209.104/search?q=cache:nmWYaxJvswsJ:www.zulunation.com/hip_hop_history_2.htm+%22keith+cowboy%22+%22hip+hop%22+military&amp;amp;hl=en&amp;amp;gl=us&amp;amp;ct=clnk&amp;amp;cd=3 http://www.zulunation.com/hip_hop_history2.htm] (cached)  &amp;lt;/ref&amp;gt;&lt;br /&gt;
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===Hip Hop Embraces Technology===&lt;br /&gt;
Hip hop as a culture was further defined in 1983, when [[Afrika Bambaataa]] and the Soulsonic Force released a track called &amp;quot;[[Planet Rock (song)|Planet Rock]].&amp;quot;  Instead of simply rapping over disco beats, Bambaataa created an innovative electronic sound, taking advantage of the rapidly improving drum machine and [[synthesizer]] technology. The accompanying [[music video]] for [[Planet Rock (song)|Planet Rock]] showcased a unique subculture of musicians, graffiti artists and breakdancers, at times performing seemingly impossible feats. The release of Planet Rock, along with the film [[Wild Style]] and the documentay [[Style Wars]] (both also appearing in 1983), increased the multicultural appeal of Hip hop beyond the boundaries of New York. {{Fact|date=June 2007}} &lt;br /&gt;
&lt;br /&gt;
By 1985, youth worldwide were laying down scrap [[linoleum]] or cardboard, setting down portable stereo and spinning on their backs in tracksuits and sneakers to music by [[Run DMC]], [[LL Cool J]], the [[Fat Boys]], [[Herbie Hancock]], Soulsonic Force, [[Jazzy Jay]], Dr. Jeckyll and Mr. Hyde, and [[Stetsasonic]], to name a few. The Hip hop artwork and &amp;quot;slang&amp;quot; of US urban communities quickly found its way to Europe and Asia, as the culture's global appeal took root.{{Fact|date=June 2007}}&lt;br /&gt;
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== Legacy ==&lt;br /&gt;
[[Image:Thai_Breakdancers.jpg|thumb|right|250px|[[Breakdance]], an early form of [[hip hop dance]], often involve [[battle (dance)|battles]], showing off skills without any physical contact with the adversaries.]]&lt;br /&gt;
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Early hip hop has often been credited with helping to reduce inner-city gang violence by replacing physical violence with hip hop battles of dance and artwork. However, with the emergence of commercial and crime-related rap during the early 1990s, an emphasis on violence was incorporated, with many rappers boasting about drugs, weapons, misogyny, and violence. While hip hop music now appeals to a broader demographic,  media critics argue that socially and politically conscious hip hop has long been disregarded by mainstream America in favor of its media-baiting sibling, [[gangsta rap]].&amp;lt;ref name=&amp;quot;Media coverage of the Hip-Hop Culture By Brendan Butler, Ethics In Journalism, Miami University Department of English&amp;quot;&amp;gt;http://www.cas.muohio.edu/eng421/cases/butler1.html&amp;lt;/ref&amp;gt; &lt;br /&gt;
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Many artists are now considered to be [[alternative hip hop|alternative/underground hip hop]] when they attempt to reflect what they believe to be the original elements of the culture. Artists/groups such as [[Talib Kweli]], [[Mos Def]], [[Dilated Peoples]], [[Dead Prez]], [[Blackalicious]], and [[Jurassic 5]] may emphasize messages of verbal skill, unity, or [[activism]] instead of messages of violence, material wealth, and [[misogyny]].&lt;br /&gt;
&lt;br /&gt;
Though born in the United States, the reach of hip hop is global. Youth culture and opinion is meted out in both [[Israeli hip hop]] and [[Palestinian hip hop]], while [[French hip hop|France]], [[German hip hop|Germany]], [[British hip hop|the U.K.]], [[African hip hop|Africa]] and the [[Songo-salsa|Caribbean]] have long-established hip hop followings. According to the U.S. Department of State, hip hop is &amp;quot;now the center of a mega music and fashion industry around the world,&amp;quot; that crosses social barriers and cuts across racial lines.&amp;lt;ref name=&amp;quot;Hip-Hop Culture Crosses Social Barriers&amp;quot;&amp;gt;http://usinfo.state.gov/scv/Archive/2006/May/12-522164.html&amp;lt;/ref&amp;gt;  [[National Geographic]] recognizes hip hop as &amp;quot;the world's favorite youth culture&amp;quot; in which &amp;quot;just about every country on the planet seems to have developed its own local rap scene.&amp;quot;&amp;lt;ref name=&amp;quot;Hip Hop Overview&amp;quot;&amp;gt;http://worldmusic.nationalgeographic.com/worldmusic/view/page.basic/genre/content.genre/hip_hop_730&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==See also==&lt;br /&gt;
* [[Beats (music)]]&lt;br /&gt;
* [[Hip hop culture]]&lt;br /&gt;
* [[Hip hop dance]]&lt;br /&gt;
* [[Hip hop production]]&lt;br /&gt;
* [[Hip hop fashion]]&lt;br /&gt;
* [[Hip hop theatre]]&lt;br /&gt;
* [[Old school hip hop]]&lt;br /&gt;
* [[Rhythm]]&lt;br /&gt;
* [[Hip Hop Music]]&lt;br /&gt;
* [[Hardcore hip hop]]&lt;br /&gt;
* [[Dancehall]]&lt;br /&gt;
&lt;br /&gt;
{{Hip hop portal}}&lt;br /&gt;
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{{hiphop}}&lt;br /&gt;
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==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
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[[Category:History of hip hop]]&lt;br /&gt;
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[[als:Hip-Hop]]&lt;br /&gt;
[[ca:Hip hop]]&lt;br /&gt;
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[[ko:힙합]]&lt;br /&gt;
[[hr:Hip Hop]]&lt;br /&gt;
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[[he:היפ הופ]]&lt;br /&gt;
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[[ja:ヒップホップ]]&lt;br /&gt;
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[[ro:Cultura hip hop]]&lt;br /&gt;
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[[zh:嘻哈]]&lt;/div&gt;</summary>
		<author><name>89</name></author>
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